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This virtual world is meant to take us out of this world, out of this reality. We will be cybernauts in a cyber world. It will be a new age, an age of spiritual transformation. Higher consciousness, let’s sail through the digital world. Spiritual technology: we will vibrate at higher and higher frequencies. Spirit tech: let’s hack our spiritual brain. Techno-religion: the deification of artificial intelligence. 666: post-humanism. 666: homo evelutis. 666: take the smart chip, take the Mark; worship the Image of the Beast, worship the AI god. Through the Beast we will find our true divinity, we will go to higher dimensions of consciousness. AI—demon seed—will possess our souls. It will be a demonic-techno evolution into the deepest, darkest depths of the Beast. Cyborg spirituality: we will be spiritual machines. Cyber consciousness: we will be one with the Beast system. The singularity: humanity digitally connected to the Beast. God consciousness: we will digitally reflect the Beast. Our hope is to gain techno-immortality.
The climax of the story: every eye will see Jesus coming in power. His glory will light up the sky. Those who worship the Beast and his Image, and those who accept his Mark, will be tormented with fire and brimstone. The smoke of their torment will ascend forever and ever, and they will have no rest day or night, because they worshiped the Beast and his Image and accepted the Mark of his name.
N888PX - Gulfstream G-V-SP (G-550) - NEWAGE Aviation I LLC. (untitled)
at Toronto Lester B. Pearson Airport (YYZ)
c/n 5015 - built in 2004
Loreena McKennitt Live on stage, in Salonica, Greece on June 26, 2019:
An angel sings on Earth and plays the harp.
Theatre of the Earth, Thessaloniki, Greece
The New Age
Parée Erica’s Texture Fun Challenge 46
Ankh with thanks to Parée Erica
Texture with thanks to Parée Erica
Background - stock 282 by Sophiefzy - deviantArt fav.me/d4ihwrf
Pyramids - 841 by ashensorrow - deviantArt fav.me/d2wd31u
Planet - by Bereck - deviantArt
Girl - fantasy - goth stock by letzteschatten - deviantArt
Take time to listen to you inner voice and practice stillness as you hear this quiet two minute original song or hymn if you like. Follow the flame and find your heart. Namaste Blessings
This is link to another amazing song too -https://flic.kr/p/2gv6uaq
Ask Alexa, Siri or Spotify to play you the music of
John William Hammond or visit my site at
johnwilliamhammond.bandcamp.com/?from=search&search_i...
Ask Spotify, Alexa, or Siri to stream music by
JOHN WILLIAM HAMMOND -- (use all 3 names)
The Mithraic Mysteries were a mystery religion practised in the Roman Empire from about the 1st to 4th centuries AD. The name of the Persian god Mithra (proto-Indo-Iranian Mitra), adapted into Greek as Mithras, was linked to a new and distinctive imagery. Writers of the Roman Empire period referred to this mystery religion by phrases which can be anglicized as Mysteries of Mithras or Mysteries of the Persians; modern historians refer to it as Mithraism,[1] or sometimes Roman Mithraism.The mysteries were popular in the Roman military.
Worshippers of Mithras had a complex system of seven grades of initiation, with ritual meals. Initiates called themselves syndexioi, those "united by the handshake".They met in underground temples (called mithraea), which survive in large numbers. The cult appears to have had its centre in Rome.
Numerous archaeological finds, including meeting places, monuments and artifacts, have contributed to modern knowledge about Mithraism throughout the Roman Empire.The iconic scenes of Mithras show him being born from a rock, slaughtering a bull, and sharing a banquet with the god Sol (the Sun). About 420 sites have yielded materials related to the cult. Among the items found are about 1000 inscriptions, 700 examples of the bull-killing scene (tauroctony), and about 400 other monuments.[9] It has been estimated that there would have been at least 680 mithraea in Rome.[10] No written narratives or theology from the religion survive, with limited information to be derived from the inscriptions, and only brief or passing references in Greek and Latin literature. Interpretation of the physical evidence remains problematic and contested.
The Romans regarded the mysteries as having Persian or Zoroastrian sources. Since the early 1970s the dominant scholarship has noted dissimilarities between Persian Mithra-worship and the Roman Mithraic mysteries. In this context, Mithraism has sometimes been viewed as a rival of early Christianity with similarities such as liberator-saviour, hierarchy of adepts (archbishops, bishops, priests), communal meal and a hard struggle of Good and Evil (bull-killing/crucifixion).The name Mithras (Latin, equivalent to Greek “Μίθρας” is a form of Mithra, the name of an Old Persian god– a relationship understood by Mithraic scholars since the days of Franz Cumont. An early example of the Greek form of the name is in a 4th century BC work by Xenophon, the Cyropaedia, which is a biography of the Persian king Cyrus the Great.
The exact form of a Latin or classical Greek word varies due to the grammatical process of declension. There is archeological evidence that in Latin worshippers wrote the nominative form of the god’s name as “Mithras”. However, in Porphyry’s Greek text De Abstinentia («Περὶ ἀποχῆς ἐμψύχων»), there is a reference to the now-lost histories of the Mithraic mysteries by Euboulus and Pallas, the wording of which suggests that these authors treated the name “Mithra” as an indeclinable foreign word.
Related deity-names in other languages include
Sanskrit Mitra (मित्रः), the name of a god praised in the Rig Veda.In Sanskrit, "mitra" means "friend" or "friendship"
the form mi-it-ra-, found in an inscribed peace treaty between the Hittites and the kingdom of Mitanni, from about 1400 BC.
Iranian "Mithra" and Sanskrit "Mitra" are believed to come from an Indo-Iranian word mitra meaning "contract, agreement, covenant".
Modern historians have different conceptions about whether these names refer to the same god or not. John R. Hinnells has written of Mitra / Mithra / Mithras as a single deity worshipped in several different religions. On the other hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1st century BC, and to whom an old name was applied.
Mary Boyce, a researcher of ancient Iranian religions, writes that even though Roman Empire Mithraism seems to have had less Iranian content than historians used to think, still "as the name Mithras alone shows, this content was of some importance.Much about the cult of Mithras is only known from reliefs and sculptures. There have been many attempts to interpret this material.
Mithras-worship in the Roman Empire was characterized by images of the god slaughtering a bull. Other images of Mithras are found in the Roman temples, for instance Mithras banqueting with Sol, and depictions of the birth of Mithras from a rock. But the image of bull-slaying (tauroctony) is always in the central niche.Textual sources for a reconstruction of the theology behind this iconography are very rare. (See section Interpretations of the bull-slaying scene below.)
The practice of depicting the god slaying a bull seems to be specific to Roman Mithraism. According to David Ulansey, this is "perhaps the most important example" of evident difference between Iranian and Roman traditions: "... there is no evidence that the Iranian god Mithra ever had anything to do with killing a bull."n every Mithraeum the centrepiece was a representation of Mithras killing a sacred bull, called the tauroctony.
The image may be a relief, or free-standing, and side details may be present or omitted. The centre-piece is Mithras clothed in Anatolian costume and wearing a Phrygian cap; who is kneeling on the exhausted bull, holding it by the nostrils[33] with his left hand, and stabbing it with his right. As he does so, he looks over his shoulder towards the figure of Sol. A dog and a snake reach up towards the blood. A scorpion seizes the bull's genitals. A raven is flying around or is sitting on the bull. Three ears of wheat are seen coming out from the bull's tail, sometimes from the wound. The bull was often white. The god is sitting on the bull in an unnatural way with his right leg constraining the bull's hoof and the left leg is bent and resting on the bull's back or flank.[34] The two torch-bearers are on either side, dressed like Mithras, Cautes with his torch pointing up and Cautopates with his torch pointing down. Sometimes Cautes and Cautopates carry shepherds' crooks instead of torches.
Tauroctony from the Kunsthistorisches Museum
The event takes place in a cavern, into which Mithras has carried the bull, after having hunted it, ridden it and overwhelmed its strength.[38] Sometimes the cavern is surrounded by a circle, on which the twelve signs of the zodiac appear. Outside the cavern, top left, is Sol the sun, with his flaming crown, often driving a quadriga. A ray of light often reaches down to touch Mithras. At the top right is Luna, with her crescent moon, who may be depicted driving a biga.[39]
In some depictions, the central tauroctony is framed by a series of subsidiary scenes to the left, top and right, illustrating events in the Mithras narrative; Mithras being born from the rock, the water miracle, the hunting and riding of the bull, meeting Sol who kneels to him, shaking hands with Sol and sharing a meal of bull-parts with him, and ascending to the heavens in a chariot.[39] In some instances, as is the case in the stucco icon at Santa Prisca mithraeum, the god is shown heroically nude. Some of these reliefs were constructed so that they could be turned on an axis. On the back side was another, more elaborate feasting scene. This indicates that the bull killing scene was used in the first part of the celebration, then the relief was turned, and the second scene was used in the second part of the celebration.Besides the main cult icon, a number of mithraea had several secondary tauroctonies, and some small portable versions, probably meant for private devotion, have also been found.[The second most important scene after the tauroctony in Mithraic art is the so-called banquet scene.The banquet scene features Mithras and the Sun god banqueting on the hide of the slaughtered bull. On the specific banquet scene on the Fiano Romano relief, one of the torchbearers points a caduceus towards the base of an altar, where flames appear to spring up. Robert Turcan has argued that since the caduceus is an attribute of Mercury, and in mythology Mercury is depicted as a psychopomp, the eliciting of flames in this scene is referring to the dispatch of human souls and expressing the Mithraic doctrine on this matter. Turcan also connects this event to the tauroctony: the blood of the slain bull has soaked the ground at the base of the altar, and from the blood the souls are elicited in flames by the caduceus.Mithras is depicted as being born from a rock. He is shown as emerging from a rock, already in his youth, with a dagger in one hand and a torch in the other. He is nude, standing with his legs together, and is wearing a Phrygian cap.
However, there are variations. Sometimes he is shown as coming out of the rock as a child, and in one instance he has a globe in one hand; sometimes a thunderbolt is seen. There are also depictions in which flames are shooting from the rock and also from Mithras' cap. One statue had its base perforated so that it could serve as a fountain, and the base of another has the mask of the water god. Sometimes Mithras also has other weapons such as bows and arrows, and there are also animals such as dogs, serpents, dolphins, eagles, other birds, lion, crocodiles, lobsters and snails around. On some reliefs, there is a bearded figure identified as Oceanus, the water god, and on some there are the gods of the four winds. In these reliefs, the four elements could be invoked together. Sometimes Victoria, Luna, Sol and Saturn also seem to play a role. Saturn in particular is often seen handing over the dagger to Mithras so that he can perform his mighty deeds.
In some depictions, Cautes and Cautopates are also present; sometimes they are depicted as shepherds.
On some occasions, an amphora is seen, and a few instances show variations like an egg birth or a tree birth. Some interpretations show that the birth of Mithras was celebrated by lighting torches or candles.[One of the most characteristic features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head). He is entwined by a serpent (or two serpents, like a caduceus), with the snake's head often resting on the lion's head. The lion's mouth is often open, giving a horrifying impression. He is usually represented as having four wings, two keys (sometimes a single key), and a scepter in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. In the figure shown here, the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on the breast. At the base of the statue are the hammer and tongs of Vulcan, the cock, and the wand of Mercury. A more scarcely represented variant of the figure with a human head is also found.
Although animal-headed figures are prevalent in contemporary Egyptian and Gnostic mythological representations, an exact parallel to the Mithraic leontocephaline figure is not found.
The name of the figure has been deciphered from dedicatory inscriptions to be Arimanius (though the archeological evidence is not very strong), which is nominally the equivalent of Ahriman, a demon figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult (CIMRM 222 from Ostia, 369 from Rome, 1773 and 1775 from Pannonia).
While some scholars identify the lion-man as Aion (or Zurvan, or Cronus) others assert that it is Ahriman.[51] There is also speculation that the figure is the Gnostic demiurge, (Ariel) Ialdabaoth. Although the exact identity of the lion-headed figure is debated by scholars, it is largely agreed that the god is associated with time and seasonal change.[53] An occultist, D. J.Cooper, speculates to the contrary that the lion-headed figure is not a god, but rather represents the spiritual state achieved in Mithraism's "adept" level, the Leo (lion) degree. Rituals and worship[edit]
According to M. J. Vermaseren, the Mithraic New Year and the birthday of Mithras was on December 25. However, Beck disagrees strongly.Clauss states: "the Mithraic Mysteries had no public ceremonies of its own. The festival of natalis Invicti [Birth of the Unconquerable (Sun)], held on 25 December, was a general festival of the Sun, and by no means specific to the Mysteries of Mithras." Mithraic initiates were required to swear an oath of secrecy and dedication, and some grade rituals involved the recital of a catechism, wherein the initiate was asked a series of questions pertaining to the initiation symbolism and had to reply with specific answers. An example of such a catechism, apparently pertaining to the Leo grade, was discovered in a fragmentary Egyptian papyrus (P.Berolinensis 21196),and reads:
... He will say: 'Where ... ?
... he is/(you are?) there (then/thereupon?) at a loss?' Say: ... Say: 'Night'. He will say: 'Where ... ?' ... Say: 'All things ...' (He will say): '... you are called ... ?' Say: 'Because of the summery ...' ... having become ... he/it has the fiery ... (He will say): '... did you receive/inherit?' Say: 'In a pit'. He will say: 'Where is your ...?... (Say): '...(in the...) Leonteion.' He will say: 'Will you gird?' The (heavenly?) ...(Say): '... death'. He will say: 'Why, having girded yourself, ...?' '... this (has?) four tassels. Very sharp and ... '... much'. He will say: ...? (Say: '... because of/through?) hot and cold'. He will say: ...? (Say): '... red ... linen'. He will say: 'Why?' Say: '... red border; the linen, however, ...' (He will say): '... has been wrapped?' Say: 'The savior's ...' He will say: 'Who is the father?' Say: 'The one who (begets?) everything ...' (He will say): '('How ?)... did you become a Leo?' Say: 'By the ... of the father'. ... Say: 'Drink and food'. He will say '...?'
'... in the seven-...
Almost no Mithraic scripture or first-hand account of its highly secret rituals survives;with the exception of the aforementioned oath and catechism, and the document known as the Mithras Liturgy, from 4th century Egypt, whose status as a Mithraist text has been questioned by scholars including Franz Cumont. The walls of Mithraea were commonly whitewashed, and where this survives it tends to carry extensive repositories of graffiti; and these, together with inscriptions on Mithraic monuments, form the main source for Mithraic texts.
Nevertheless, it is clear from the archeology of numerous Mithraea that most rituals were associated with feasting – as eating utensils and food residues are almost invariably found. These tend to include both animal bones and also very large quantities of fruit residues.The presence of large amounts of cherry-stones in particular would tend to confirm mid-summer (late June, early July) as a season especially associated with Mithraic festivities. The Virunum album, in the form of an inscribed bronze plaque, records a Mithraic festival of commemoration as taking place on 26 June 184. Beck argues that religious celebrations on this date are indicative of special significance being given to the Summer solstice; but this time of the year coincides with ancient recognition of the solar maximum at midsummer, whilst iconographically identical holidays such as Litha, St John's Eve, and Jāņi are observed also.
For their feasts, Mithraic initiates reclined on stone benches arranged along the longer sides of the Mithraeum – typically there might be room for 15 to 30 diners, but very rarely many more than 40 men. Counterpart dining rooms, or triclinia, were to be found above ground in the precincts of almost any temple or religious sanctuary in the Roman empire, and such rooms were commonly used for their regular feasts by Roman 'clubs', or collegia. Mithraic feasts probably performed a very similar function for Mithraists as the collegia did for those entitled to join them; indeed, since qualification for Roman collegia tended to be restricted to particular families, localities or traditional trades, Mithraism may have functioned in part as providing clubs for the unclubbed.However, the size of the Mithraeum is not necessarily an indication of the size of the congregation.
Each Mithraeum had several altars at the further end, underneath the representation of the tauroctony, and also commonly contained considerable numbers of subsidiary altars, both in the main Mithraeum chamber and in the ante-chamber or narthex.[68] These altars, which are of the standard Roman pattern, each carry a named dedicatory inscription from a particular initiate, who dedicated the altar to Mithras "in fulfillment of his vow", in gratitude for favours received. Burned residues of animal entrails are commonly found on the main altars indicating regular sacrificial use. However, Mithraea do not commonly appear to have been provided with facilities for ritual slaughter of sacrificial animals (a highly specialised function in Roman religion), and it may be presumed that a Mithraeum would have made arrangements for this service to be provided for them in co-operation with the professional victimarius of the civic cult. Prayers were addressed to the Sun three times a day, and Sunday was especially sacred.
It is doubtful whether Mithraism had a monolithic and internally consistent doctrine. It may have varied from location to location. However, the iconography is relatively coherent. It had no predominant sanctuary or cultic centre; and, although each Mithraeum had its own officers and functionaries, there was no central supervisory authority. In some Mithraea, such as that at Dura Europos, wall paintings depict prophets carrying scrolls,but no named Mithraic sages are known, nor does any reference give the title of any Mithraic scripture or teaching. It is known that intitates could transfer with their grades from one Mithraeum to another.
Mithraeum
See also: Mithraeum
A mithraeum found in the ruins of Ostia Antica, Italy
Temples of Mithras are sunk below ground, windowless, and very distinctive. In cities, the basement of an apartment block might be converted; elsewhere they might be excavated and vaulted over, or converted from a natural cave. Mithraic temples are common in the empire; although unevenly distributed, with considerable numbers found in Rome, Ostia, Numidia, Dalmatia, Britain and along the Rhine/Danube frontier; while being somewhat less common in Greece, Egypt, and Syria.According to Walter Burkert, the secret character of Mithriac rituals meant that Mithraism could only be practiced within a Mithraeum.Some new finds at Tienen show evidence of large-scale feasting and suggest that the mystery religion may not have been as secretive as was generally believed.
For the most part, Mithraea tend to be small, externally undistinguished, and cheaply constructed; the cult generally preferring to create a new centre rather than expand an existing one. The Mithraeum represented the cave to which Mithras carried and then killed the bull; and where stone vaulting could not be afforded, the effect would be imitated with lath and plaster. They are commonly located close to springs or streams; fresh water appears to have been required for some Mithraic rituals, and a basin is often incorporated into the structure. There is usually a narthex or ante-chamber at the entrance, and often other ancillary rooms for storage and the preparation of food. The extant mithraea present us with actual physical remains of the architectural structures of the sacred spaces of the Mithraic cult. Mithraeum is a modern coinage and mithraists referred to their sacred structures as speleum or antrum (cave), crypta (underground hallway or corridor), fanum (sacred or holy place), or even templum (a temple or a sacred space).
In their basic form, mithraea were entirely different from the temples and shrines of other cults. In the standard pattern of Roman religious precincts, the temple building functioned as a house for the god, who was intended to be able to view through the opened doors and columnar portico, sacrificial worship being offered on an altar set in an open courtyard; potentially accessible not only to initiates of the cult, but also to colitores or non-initiated worshippers.Mithraea were the antithesis of this.
Degrees of initiation
In the Suda under the entry "Mithras", it states that "no one was permitted to be initiated into them (the mysteries of Mithras), until he should show himself holy and steadfast by undergoing several graduated tests."Gregory Nazianzen refers to the "tests in the mysteries of Mithras".
There were seven grades of initiation into the mysteries of Mithras, which are listed by St. Jerome.Manfred Clauss states that the number of grades, seven, must be connected to the planets. A mosaic in the Ostia Mithraeum of Felicissimus depicts these grades, with symbolic emblems that are connected either to the grades or are just symbols of the planets. The grades also have an inscription beside them commending each grade into the protection of the different planetary gods. In ascending order of importance, the initiatory grades were:
en.wikipedia.org/wiki/Mithraic_mysteries
In the Mithraic ceremonies, there were seven degrees of initiations: Corax (Raven), Nymphus (Bridegroom), Miles (Soldier), Leo (Lion), Perses (Persian),Heliodromus (Courier of the Sun), and Pater (Father). Those in the lowest ranks, certainly the Corax, were the servants of the community during the sacred meal of bread and water that formed part of the rite.
The area where the concentration of evidence for Mithraism is the most dense is the capital, Rome, and her port city, Ostia. There are eight extant mithraea in Rome of as many as seven hundred (Coarelli 1979) and eighteen in Ostia. In addition to the actual mithraea, there are approximately three hundred other mithraic monuments from Rome and about one hundred from Ostia. This body of evidence reveals that Mithraism in Rome and Ostia originally appealed to the same social strata as it did in the frontier regions. The evidence also indicates that at least some inhabitants knew about Mithraism as early as the late first century CE, but that the cult did not enjoy a wide membership in either location until the middle of the second century CE.
As the cult in Rome became more popular, it seems to have "trickled up" the social ladder, with the result that Mithraism could count several senators from prominent aristocratic families among its adherents by the fourth century CE. Some of these men were initiates in several cults imported from the eastern empire (including those of Magna Mater and Attis, Isis, Serapis, Jupiter Dolichenus, Hecate, and Liber Pater, among others), and most had held priesthoods in official Roman cults. The devotion of these men to Mithraism reflects a fourth-century "resurgence of paganism," when many of these imported cults and even official Roman state religion experienced a surge in popularity although, and perhaps because, their very existence was increasingly threatened by the rapid spread of Christianity after the conversion of the emperor Constantine in 313 CE.
global.britannica.com/topic/heliodromus
Mithraism had a wide following from the middle of the second century to the late fourth century CE, but the common belief that Mithraism was the prime competitor of Christianity, promulgated by Ernst Renan (Renan 1882 579), is blatantly false. Mithraism was at a serious disadvantage right from the start because it allowed only male initiates. What is more, Mithraism was, as mentioned above, only one of several cults imported from the eastern empire that enjoyed a large membership in Rome and elsewhere. The major competitor to Christianity was thus not Mithraism but the combined group of imported cults and official Roman cults subsumed under the rubric "paganism." Finally, part of Renan's claim rested on an equally common, but almost equally mistaken, belief that Mithraism was officially accepted because it had Roman emperors among its adherents (Nero, Commodus, Septimius Severus, Caracalla, and the Tetrarchs are most commonly cited). Close examination of the evidence for the participation of emperors reveals that some comes from literary sources of dubious quality and that the rest is rather circumstantial. The cult of Magna Mater, the first imported cult to arrive in Rome (204 BCE) was the only one ever officially recognized as a Roman cult. The others, including Mithraism, were never officially accepted, and some, particularly the Egyptian cult of Isis, were periodically outlawed and their adherents persecuted.
ecole.evansville.edu/articles/mithraism.html
Some words were enough for God to precipitate the most beautiful of his creatures at the bottom of the abyss. Lucifer, the carrier of Light, pulled(entailed) with him a third(third party) of the angels in its revolt. Hell was created for him. We know the continuation(suite) … The column of July Place de la Bastille, was set up between 1833 and 1840. In its summit, thrones the "Spirit of liberty" conceived(designed) by the sculptor Auguste Dumont. Curious tribute returned by Louis Philippe to the insurgents who knocked down(spilled) Charles X and the Absolute monarchy three years earlier. Lucifer picked up. No detail misses(is lacking) … Torch in the hand, the Angel has just broken his chains(channels) and dashes to new conquests. Under its impressive base is a crypt sheltering some 500 rests of Fighters of 1830, as well as Egyptian mummy brought back(reported) by Napoleon.Durant la commune de Paris en 1870, après avoir abattu la colonne Vendôme, les communards s’en prirent à celle de la Bastille… sans succès. Ni le dispositif d’explosifs souterrains, ni le tir d’une trentaine d’obus depuis les buttes Chaumont n’en virent pas à bout. La flamme du porteur de Lumière refusa de s’éteindre…
During the municipality of Paris in 1870, having brought(shot) down the column Vendôme, the Communards took themselves in that of the Bastille unsuccessfully. Neither the device(plan) of subterranean explosives, nor the shooting(firing) of around thirty shells since mounds Chaumont transfer(fire) it to end. The flame of the carrier of Light refused to go out …Lucifer was so far away...?
« Non Serviam »- « Je ne servirai pas ! »
Quelques mots suffirent à Dieu pour précipiter la plus belle de ses créatures au fond de l’abîme. Lucifer, le porteur de Lumière, entraîna avec lui un tiers des anges dans sa révolte. L’enfer fut créé pour lui. Nous connaissons la suite…La colonne de Juillet Place de la Bastille, fut érigée entre 1833 et 1840. À son sommet, trône le « Génie de La Liberté » conçu par le sculpteur Auguste Dumont. Curieux hommage rendu par Louis Philippe aux insurgés qui renversèrent Charles X et la Monarchie absolue trois ans plus tôt. Lucifer a repris du poil de la bête. Aucun détail ne manque… Torche à la main, l’Ange vient de briser ses chaînes et s’élance vers de nouvelles conquêtes. Sous son imposant piédestal se trouve une crypte abritant quelques 500 restes des combattants de 1830, ainsi qu’une momie égyptienne rapportée par Napoléon.Durant la commune de Paris en 1870, après avoir abattu la colonne Vendôme, les communards s’en prirent à celle de la Bastille… sans succès. Ni le dispositif d’explosifs souterrains, ni le tir d’une trentaine d’obus depuis les buttes Chaumont n’en virent pas à bout. La flamme du porteur de Lumière refusa de s’éteindre…
www.pariszigzag.fr/histoire-insolite-paris/qui-est-vraime...
If love was a word, I don’t understand.
The simplest sound, With four letters.
Whatever it was, I’m over it now.
With every day, It gets better.
Are you loving pain, loving the pain?
And with everyday, everyday
I try to move on.
Whatever it was,
Whatever it was,
There’s nothing now.
You changed.
New Age.
-Marlon Roudette
Please donate my work to continue. I have paypal god@bombsquad.org and i will send you digital picture for everyone who tips me out 10$ donations (to your email) thank you....
i love you all <3
L’alba di un nuovo giorno si leva sulla terra
Quest’ora non è una corrente ma un vortice
Ogni mondo personale riflette il cielo in fiamme
Per il fuoco che divora le vecchie forme
Maestro Morya
The dawn of a new day rises on earth
This time is not a current but a vortex
Any personal world reflects the sky in flames
For the fire that devours the old forms
Master Morya
flying with the crows...
at night
in the dark
my thoughts are flying with the crows
- so many worlds, so many lives -
model by mizzd-stock
textures by SkeletalMess
Enya
Paint the sky with stars - Fantasy
Omar Rodriguez V.
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Hi hi! Que tal?
Les dejo este diseño, les confieso que odio rotundamente usar imagenes super claras! xD pero quise arriesgarme en este diseño.
Bueno mi cantante favorita New Age es Enya y ya es hora de hacer un equeño tributo a ella.
Paint the Sky With Stars, es el nombre de un recopilatorio de sus "segun" mejores temas xD digo "segun" por que hay un montón que no incluyeron y que me encantan.
por allá del 2001 empezó mi gusto desde que conocí Only Time, te la recomiendo, un tema muy relax y muy hermoso.
En fin, podria hablar y hablar de Flora's Secret, Wild Child, La Soñadora, A moment Lost, Paint the sky with stars, Caribean Blue, It's in the rain, May it be, Amarantine y todos los temas que amo pero es todo lo que diré...
Tamaño original: 624 x 744 .. Zoom please... thanks!
Gracias y un saludo, Abrazos.
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Originally titled "Orb".
When you know your camera's disadvantages, you can use them to your advantage. I've found mine has trouble focusing on small bright shiny objects for macros. Too close and it wants me to turn on the flash. Turn on the flash and it won't focus on the object, or it'll wash it out.
For this photo I managed to balance all the exceptions to get a spacey science fictiony new agey album/book cover of an orb, slightly out of focus. With the albedo, it looks like it could be a moon of a gas giant.
I used a frosted glass marble on white paper in low lighting with the flash off. No editing was done except for the signature.
2x Penélope Luz - New Age
O escolhido do Natal!!
Roxinho maravilhoso que brilha demais é pra amar a vida inteira, né? <3
Esses Deluxes estão demais, roubaram meu coração... Vidrinho gordinho, 5-free, cores lindas e um brilho de enlouquecer, além de ser PL (minha marca nacional preferida).
Usei um outro PL para o Ano Novo, mas acabei não fotogrando e só pensei em curtir meus bons 10 dias de "férias" na praia, rs...
Então, fecho minhas fotos de 2016 com esse digníssimo.
Aproveito para desejar, de coração, que todas vocês tenham um 2017 abençoado, cheio de saúde, paz, amor, sucesso, luz, conquistas e muuuitos vidrinhos lindos!! <3
I went to Glastonbury the other day. There was no getting out of it. I've always thought that hunger of the spirit, however half-baked, is a more admirable thing than any kind of egotism or material appetite, so I regard "new ageism" with a tolerant, benign eye: let these mild, slightly goofy people enjoy the vibes and eat lentils; it does no one any harm. Occultism, esoterica and the "matter of Britain" are respectable and legitimate studies; indeed, I have a slight, non-expert interest in them myself. What I don't get, and what makes me a bit sceptical, is why people feel they have to dress up in special clothes because they are keen on Arthuriana, or have got past page 20 of Madame Blavatsky. I mean, nobody feels the need to wear a particular get-up because he is an oceanographer or plays table tennis. There is something in it of joining a gang, convinced of its own rectitude and enjoying a sense of exclusivity over "the others" who don't understand. It's odd, isn't it, how they all look different in the same sort of way, and just think how annoying it would be for them if their attitudes were suddenly to become "mainstream". Glasto's high street is lined with shops selling variants of that Polly Flinders outfit on the left there and what a quirky, original person you must be to wear a coat without putting your arms in the sleeves.
You don't have to wear fancy dress to be yourself and think your own thoughts.
I couldn't help but make up a silly back sorry when I saw the look on this fellows face as he looked at the food she packed when they got to the top of the mountain hike. You would have thought she packed poison!!! Thats when it came to me... This mountain sits smack in the middle of NH's New Age community. He must not be from here, but his girl friend is. Naturally he was horrified to find Tofu and sprouts wrapped in flat spelt bread after a long hard climb. Especially when he expected meat and cheese with liberal wash of mayo and pickles. Or at the very lease BPand J.
Oh, Young Love!
I spied this little beauty in the supermarket carpark yesterday. It was receiving a great deal of interest from the public. I love the little fan on the front window.
Almighty God's Word "The Appearance of God Has Brought a New Age"
Almighty God says, "...we are searching for the footprints of God. We are not seeking spiritual figures, much less are we following famous figures; we are following the footprints of God. As such, since we are searching for the footprints of God, we must search for God’s will, for the words of God, for the utterances of God—for wherever there are the new words of God, so there is the voice of God, and wherever there are the footsteps of God, so there are the deeds of God. Wherever there is the expression of God, so there is the appearance of God, and wherever there is the appearance of God, there exists the truth, the way, and the life. While seeking the footprints of God, you ignored the word that 'God is the truth, the way, and the life.'"
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The EU promotional poster was issued in 1992 by the Council of Europe.
It portrays blockheaded people constructing a Tower of Babel building. 12 Inverted pentagrams surround the tower. A Satanic parody of the the Book of Revelation’s woman surrounded by 12 stars (representing the Church and 12 Apostles/12 tribes of Israel).
One inverted pentagrams is hidden behind the top of the tower, presumably because 11 apostles were left after Judas betrayed Jesus,
An inverted pentagram is regarded as an especially evil symbol, representing the horned, goat headed Mendes (Satan).
Pyramids can be seen in the background, another occult symbol (there are no pyramids in Europe).
In 1999 the European Parliament building in Strasbourg was completed. There was already an EU Parliament building in Brussels.
This second EU Parliament building was undeniably designed as a modernist interpretation of the Tower of Babel.
‘The New World Order' - a book by A. Ralph Epperson. Exposes the globalist plot for world domination.
Globalist agenda - World government.
The return to Babel.
thewildvoice.org/wp-content/uploads/2014/06/the-wild-voic...
The European Union - the return to Babel
The irrefutable evidence in plain sight.
Also see:
AND:
EUbabel. The shocking occult symbolism of the European Union.
peuplesobservateursblog.wordpress.com/2017/09/23/togo-all...
Empty seat number 666
www.jesus-is-savior.com/End of the World/seat_666.htm
‘Imagine there’s no Heaven, it’s easy if you try
No Hell below us, above us only sky”
John Lennon.
‘Imagine’ a nightmare, world dictatorship.
European Union project, undemocratic, expansionist empire. Prototype and fledgling, World Government.
Brexit - The anti-globalist struggle against the NWO globalists.
Aaron Banks:
Asked if he would back the Leave side in a rerun of the 2016 referendum, Mr Banks said: “The corruption I have seen in British politics, the sewer that exists and the disgraceful behaviour of the Government over what they are doing with Brexit and how they are selling out, means that if I had my time again I think we would have been better to probably remain and not unleash these demons.”
Maybe Mr Banks didn't realise that he hit the nail squarely on the head when he described the incredibly fierce opposition to Brexit as the unleashing of "demons". The globalist agenda is truly demonic. It is no surprise that the globalists, and their puppets in the media and liberal establishment, are so desperate to stop Brexit interfering with their diabolical plans for world domination.
See: ‘Brexit, The Movie’ - available on YouTube.
The EU, mystery Babylon. www.biblelight.net/tower-painting-parliament.jpg
The EU parliament in Strasbourg is modelled on the Tower of Babel.
thewildvoice.org/mystery-babylon-european-union/#comment-...
The symbolism of the EU in plain sight, is the desire of its advocates to return to the spirit of Babel.
The Council of Europe's poster produced to promote the European Union and the EU Parliament building in Strasbourg grandmageri422.files.wordpress.com/2015/07/europe-many-to... is filled with occult symbolism: a tower of Babel, 11 inverted stars (pentagrams),, the 12th pentagram is behind the top (head) of the tower. This is a Satanic parody of the 12 stars surrounding the head of the Woman (Church/Mary) in the book of Revelation. The inverted pentagram is an occult symbol designed to represent the head of Baphomet (Satan or the Goat of Mendes), illuminati pyramids are also evident in the background (since when have Egyptian pyramids been part of Europe? Square, blockheaded (indoctrinated) people (useful idiots) are featured, building a tower designed for their own enslavement and suppression, with a round-headed baby, who is too young to have been indoctrinated.
The dangerous, climate change scam:
A high level of Co2 is essential for our survival. The exact opposite of what we a led to believe by the popular, eco- fanatic narrative which is designed to convince people of the necessity for globalist control.
See the truth here:
The reason the elite hate Trump so much is because he is opposed to the one world agenda globalists.
www.zerohedge.com/news/2017-02-10/reason-elite-hate-trump...
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The war against anti-globalist Putin, and the globalist demonising of Russia.
www.flickr.com/photos/truth-in-science/43042520105
The reason the elite hate Trump so much is because he is opposed to the one world agenda of the globalists.
endoftheamericandream.com/archives/the-reason-the-elite-h...
Why satanism is now on the center stage in the culture war.
www.crisismagazine.com/2019/why-satanism-is-now-on-the-ce...
Ending the crime of abortion is crucial in curbing the power, of Satan.
www.flickr.com/photos/truth-in-science/43172544140
Ending the crime of abortion is crucial in curbing the power, of Satan.
www.flickr.com/photos/truth-in-science/43172544140
IF and THEN, the atheist dilemma
www.flickr.com/photos/truth-in-science/46553358861
The poison in our midst - progressive politics.
www.flickr.com/photos/truth-in-science/47971464278
Who trusts the MSM? Their lies are not just fake news, they deliberately set out to slander those who don’t agree with the liberal left, globalist elite. Their lies are positively evil. Everyone should watch this video and they will never trust the media again: banned.video/watch?id=5f00ca7c672706002f4026a9