View allAll Photos Tagged NEGATIVE

Taken with Linhof color, and Leitz EPIS 400mm F4 at F8.

5x7 Fomaspeed 311 and yellow filter.

Ilford MGiv paper negatives

Nikon D700 90mm f/2.5. While taking the previous shot, and having failed to stop down the lens after focussing, and when shooting in manual, the shot got massively overexposed. The blinking highlights showed this image in negative, and I though it looked quite cool, so I turned it negative in PSP.

Macro Mondays - Negative Space.

One of three OMEX fertilizer tankers parked close to a Cambridgeshire field. This image is a possible 52Frames week 19 ‘Negative Space’ submission, although I am not certain if this has enough negative space.

 

Processed using Snapseed's fineart monochrome filter.

Taken on Revue 300 CS (Regula CC 300). Ilford FP4 plus @200.

Rudawy Landscape Park, Poland

Having fun scanning old 35mm negatives from a trip I took in 1991 in New York.

 

Je m’amuse à numériser de vieux négatifs 35 mm d’un voyage que j’ai fait en 1991 à New York.

 

Scanned on a Plustek 8300i.

Calotype negative, 8x10. Shot on the Wehman Field Camera with elements from old broken Kodak lens from a folding camera.

 

6 minute exposure in full sun, on a dried calotype negative, developed in gallic acid and aceto-nitrate of silver.

Busy day. Prints from digital negatives.

Thought I'd mess with the photo and have a little fun, I really like seeing negatives of photos..kinda like an X ray but not ; )

I know I likely have better things to do than take photos of what's on my tv screen. However, there was a program on about a photographer who found these old negatives and decided to process them himself. This is one that he's processing in his darkroom which intrigued me.

 

A black and white film negative , in front of a black background with light from the side , gives a positive image .

For "Looking close... on Friday!" - theme : "Black Background".

Another old 35mm film negative of the beautiful Dolgoch Falls. This was shot on Kodak Ektar 100 with my old Nikon F100 and a Tokina 20mm prime lens. Negative was photographed using my Olympus E-M1 and converted in Adobe Lightroom.

Complementary colors reversing the palette of a night sky, with an indigo star on a yellow void. It looks like it could have been what Vincent van Gogh would see after staring at the night sky and looking away, but it's actually the left haunch of an El Torito Restaurant coyote figurine.

hindue ghouls vert

shadow letters

One can only imagine , but fear not this was a bright ( if cold ) sunny day and negative blue sky comes out like this . The silver birch is still silver birch - just the other way round .

It's funny how I was saying in yesterdays description that I had gotten out of a depressed phase but today I feel like a soggy towel. I didn't feel much motivation to do a photo today but I am really glad I did.

It was incredibly windy but thankfully that worked well with the shot! The only props I needed were leaves that have been blown to the sides of the road.

No cars actually passed through here the whole time I was taking photos and just as I got up to leave a car came through and it was a magical moment.

 

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Recently scanned negative taken c1973 with a Praktica Nova camera.

Nikon F100 CineStill 800T negative film

An overpass at dusk in Los Angeles

 

This setup is the reason that I first decided to buy a mirrorless camera. When I learned that I could buy adapters to mount my old Canon FD lenses to a modern digital camera I was sold. One of the first things I did with that camera ( Sony A7 ) was mount it to this bellows set and digitize some old slides. More often now I am digging up old black and white negatives in order to make copies. The trick to using this setup is to use the focus magnifier to focus on the film grain as opposed to any feature of the image.

negative space of negative space.

 

This photo was scanned in with my Nikon D3000 with 18-55mm kit lens using my scanners light source for negatives. After experimenting for ages I have finally been able to get decent colour from my negatives if I had a macro lens the image would also be a lot sharper but ill keep going Pretty good for an entry level DSLR.

 

Canon Ae-1

Kodak Colourplus 200

50mm 1.8

An 8x10 pinhole paper negative

Chand Baori step well, Abhaneri, India

 

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A grey seat and table ,on our stone patio, in colour negative form.

Just messing with the phone on a hot day, you never know when an image will present itself.

Looks as if I might have to wait a bit longer on these imperfect results, but ... maybe I should take these as a lesson for the future , hmmm. Not sure.

You might see some more in this vein or it might become a blind avenue.

See the art in what's subtracted.

Kathy Toth || Toronto Graffiti Archive || Instagram

 

One of my favorite junctions...Milwaukee junction in Detroit. I love this whole area because there is hardly anyone ever around. I've come here a few times and had my lunch in peace. Occasionally a train will come by, but it's oddly quiet. I have some other shots below.

Shot on OM System camera by Jan R. Ubels

Film.

 

Candid shot in 'Analogue Techniques' class. I love the darkroom <3

The Henley Machine Tool Works.

Richmond, Ind.

 

Image derived from the original Glass Negative.

Day 284 (v 8.0) - with sticktoitiveness

“Buttercups and daisies,

Oh, the pretty flowers;

Coming ere the Springtime,

To tell of sunny hours.” - Mary Howitt

 

“I'm called Little Buttercup - dear Little Buttercup,

Though I could never tell why.” -William S. Gilbert

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