View allAll Photos Tagged Musclememory
Derek Manthorpe was a serious contender for the NABBA Mr. Universe and Mr. Britain titles, reaching the finals 6 times in each endeavor. Manthorpe was in much demand for his "muscle control" acumen that you can see demonstrated in the photograph where he guest posed at the IFBB Mr. Canada show and was featured in many physical culture advertisements in British physique magazines in the 1950's.
During his prime, Manthorpe stood at 5'8" in height, with a 29 inch waist and weighed around 180 pounds (a little less than 13 Stone).
A article about the THE 1956 MR. UNIVERSE CONTESTS
HELD AT LONDON, ENGLAND ON JUNE 15 AND 16 in Muscle Builder, Vol 7, Num 4, page 11 , November 1956.
www.musclememory.com/showArticle.php?mb561111.
Bodybuilder magazine with his photo on the cover.
vintagemusclemags.com/magCover.php?0;8;5;bber;The+Bodybui...
Derek Manthorpe was a serious contender for the NABBA Mr. Universe and Mr. Britain titles, reaching the finals 6 times in each endeavor. Manthorpe was in much demand for his "muscle control" acumen that you can see demonstrated in the photograph where he guest posed at the IFBB Mr. Canada show and was featured in many physical culture advertisements in British physique magazines in the 1950's.
During his prime, Manthorpe stood at 5'8" in height, with a 29 inch waist and weighed around 180 pounds (a little less than 13 Stone).
A article about the THE 1956 MR. UNIVERSE CONTESTS
HELD AT LONDON, ENGLAND ON JUNE 15 AND 16 in Muscle Builder, Vol 7, Num 4, page 11 , November 1956.
www.musclememory.com/showArticle.php?mb561111.
Bodybuilder magazine with his photo on the cover.
vintagemusclemags.com/magCover.php?0;8;5;bber;The+Bodybui...
On the back of the photo is written, "Mr. Canada Contest Bulked Up."
Derek Manthorpe was a serious contender for the NABBA Mr. Universe and Mr. Britain titles, reaching the finals 6 times in each endeavor. Manthorpe was in much demand for his "muscle control" acumen that you can see demonstrated in the photograph where he guest posed at the IFBB Mr. Canada show and was featured in many physical culture advertisements in British physique magazines in the 1950's.
During his prime, Manthorpe stood at 5'8" in height, with a 29 inch waist and weighed around 180 pounds (a little less than 13 Stone).
A article about the THE 1956 MR. UNIVERSE CONTESTS
HELD AT LONDON, ENGLAND ON JUNE 15 AND 16 in Muscle Builder, Vol 7, Num 4, page 11 , November 1956.
www.musclememory.com/showArticle.php?mb561111.
Bodybuilder magazine with his photo on the cover.
vintagemusclemags.com/magCover.php?0;8;5;bber;The+Bodybui...
Derek Manthorpe was a serious contender for the NABBA Mr. Universe and Mr. Britain titles, reaching the finals 6 times in each endeavor. Manthorpe was in much demand for his "muscle control" acumen that you can see demonstrated in the photograph where he guest posed at the IFBB Mr. Canada show and was featured in many physical culture advertisements in British physique magazines in the 1950's.
During his prime, Manthorpe stood at 5'8" in height, with a 29 inch waist and weighed around 180 pounds (a little less than 13 Stone).
A article about the THE 1956 MR. UNIVERSE CONTESTS
HELD AT LONDON, ENGLAND ON JUNE 15 AND 16 in Muscle Builder, Vol 7, Num 4, page 11 , November 1956.
www.musclememory.com/showArticle.php?mb561111.
Bodybuilder magazine with his photo on the cover.
vintagemusclemags.com/magCover.php?0;8;5;bber;The+Bodybui...
Derek Manthorpe was a serious contender for the NABBA Mr. Universe and Mr. Britain titles, reaching the finals 6 times in each endeavor. Manthorpe was in much demand for his "muscle control" acumen that you can see demonstrated in the photograph where he guest posed at the IFBB Mr. Canada show and was featured in many physical culture advertisements in British physique magazines in the 1950's.
During his prime, Manthorpe stood at 5'8" in height, with a 29 inch waist and weighed around 180 pounds (a little less than 13 Stone).
A article about the THE 1956 MR. UNIVERSE CONTESTS
HELD AT LONDON, ENGLAND ON JUNE 15 AND 16 in Muscle Builder, Vol 7, Num 4, page 11 , November 1956.
www.musclememory.com/showArticle.php?mb561111.
Bodybuilder magazine with his photo on the cover.
vintagemusclemags.com/magCover.php?0;8;5;bber;The+Bodybui...
This is a pastel drawing I was inspired to create, to shine a light in a very dark place and fill it with knowledge about my own (and MANY other sufferer's) tragic disorder; PNES. Psychogenic Non-Epilepitc Seizures. In my hopes, my future Trauma Yoga Research Studies will show that healing from this terror is possible. Please, if you or someone you know has PNES, please email me at: elinaynature@gmail.com
Stay strong, you are NOT alone.
www.facebook.com/pages/PNES-Psychogenic-Non-Epileptic-Sei...
It's funny how driving is exhilarating and exhausting at the same time. I think its because while you are so focused on everything around you and you are hurlting through cars and all your time is actively occupied, the complete lack of contact with others and the aloneness is astounding.
When I drive, I think so hard about all the things that are bothering me, the things that I want to accomplish. I go through my mental checklist going 75 miles per hour. And take pictures... going just as fast.
Its mind boggling to think that muscle memory takes control so easy. I rarely actually thought about DRIVING today, just about everything else. Yet I got to my destination without fatality, without an accident. And the crazy part is that I don't remember most of the drive... Just the sunset.
There’s a certain truth the body tells before the voice can catch up. What the Skin Remembers captures a moment suspended between motion and revelation—the act of dressing or undressing as a metaphor for becoming. Muscles glisten with the ache of effort, water droplets cling like unfinished thoughts, and the white fabric twists like silence being undone. This is not seduction, but sovereignty. The kind of strength born not from power, but from enduring.
Artist Process:
This piece explores tactile realism with painterly restraint. The figure’s posture is a study in asymmetrical dynamism, with shoulders held in tension to evoke an unspoken narrative—self-possession or vulnerability, depending on the viewer’s lens. Light was modulated to trace each sinew and bead of moisture, sculpting the body in sculptural chiaroscuro. The white cloth was chosen deliberately for its dual role: concealer and accentuator, contouring the frame like a second skin. Neutral-toned tiles offer a sterile backdrop, amplifying the visceral humanity of the subject. The result is hyperreal yet intimate—an image that asks to be felt as much as seen.
#MelOrchid #Melora #RhondaMelo #MelOrchid<3 #MelOrchidArtist #10000HourProject #AIArt #PostPhotographic #GalleryArt
#SkinAndStory #BackViewNarrative #TextileTension #RealismReimagined #MuscleMemory #FeminineForm #ChiaroscuroBody #HyperrealGrace #MotionHeldStill #EmotionalRealism
Feeling connection. (Don't miss the story till end.) #OnenessSwami #Nithyananda #Patterns #Sanskaaras #Musclememory #Biomemory #Integrity #Authenticity #Responsibility #Enriching #Causing #EnlightenmentScience #CosmicScience #Hinduism #Kailaasa #KailaasaTheHinduNation www.bit.ly/OnenessSwamiFB www.bit.ly/OnenessSwamiYT www.kailaasa.org Kailaasavasi.kailaasa.org
If you allow Swamiji to work on you He can destroy all your Karmas(Patterns) just like that. #OnenessSwami #Nithyananda #Patterns #Sanskaaras #Musclememory #Biomemory #Integrity #Authenticity #Responsibility #Enriching #Causing #EnlightenmentScience #CosmicScience #Hinduism #Kailaasa #KailaasaTheHinduNation www.bit.ly/OnenessSwamiFB www.bit.ly/OnenessSwamiYT www.kailaasa.org Kailaasavasi.kailaasa.org
X10 baseball is a new product from Titan Athletic Group designed to Build Power/Strength - Enhance Efficiency - Tune Muscle Memory. While similar training devices have been available for years, they all have problems. The X10 eliminates these problems. This great new product will help all players improve pitching, throwing, and batting.
If Feeling Connection is lost Wealth is lost. #OnenessSwami #Nithyananda #Patterns #Sanskaaras #Musclememory #Biomemory #Integrity #Authenticity #Responsibility #Enriching #Causing #EnlightenmentScience #CosmicScience #Hinduism #Kailaasa #KailaasaTheHinduNation www.bit.ly/OnenessSwamiFB www.bit.ly/OnenessSwamiYT www.kailaasa.org Kailaasavasi.kailaasa.org
How it transforms from Patterns to Muscle Memory to Bio-Memory. #OnenessSwami #Nithyananda #Patterns #Sanskaaras #Musclememory #Biomemory #Integrity #Authenticity #Responsibility #Enriching #Causing #EnlightenmentScience #CosmicScience #Hinduism #Kailaasa #KailaasaTheHinduNation www.bit.ly/OnenessSwamiFB www.bit.ly/OnenessSwamiYT www.kailaasa.org Kailaasavasi.kailaasa.org
www.thearmorylife.com/can-you-make-a-sub-1-second-shot/ In an article by Jeremy Tremp on The Armory Life, the focus is on training to achieve a sub-1-second shot in high-adrenaline scenarios, like confronting an armed assailant. Emphasizing the importance of regular practice and familiarity with one's firearm, Tremp draws parallels with Michael Jordan's disciplined training regimen. During a training session, Tremp highlights his experience aiming for the gold standard of a sub-one-second draw, with guidance from Rob Orgel of ER Tactical. The article underscores the significance of choosing the right holster and carry position to ensure both speed and accuracy in emergencies. Tremp uses a Bravo Concealment Torsion 3.0 holster and a Springfield Hellcat, praising its U-Dot sight and capacity, while emphasizing that constant practice might save a life in worst-case scenarios.
www.thearmorylife.com/learn-how-to-draw-a-pistol/ In the article "Learn How to Draw a Pistol — Easy Steps Needed to Save Your Life" from The Armory Life, veteran police trainer Mike Boyle offers guidance on drawing a pistol safely and efficiently for self-defense. The article is purely informational and emphasizes the importance of practicing in a distraction-free environment with firearms that are rendered safe. Boyle discusses the necessity of a quick and decisive handgun draw, particularly for armed citizens who might not have the forewarning that law enforcement officers do. He outlines the mechanics of drawing a pistol in four distinct steps, starting with gripping the gun and deactivating retention devices and ending with driving the gun out toward the target. The article stresses the importance of choosing the right holster, practicing the draw stroke, and being aware of one's surroundings to effectively respond to threats. Boyle also highlights the legal differences in drawing a firearm for police officers and civilians, urging caution to avoid unnecessary brandishing of weapons.
#Definition of #Musclememory and #biomemory and How you #transfer biomemory of #pain and #fear to your next #generation His Divine Holiness #Bhagavan Sri #Nithyananda #Paramashivam Follow HDH Sri #Nithyananda #Paramashivam on Twitter (@SriNithyananda): twitter.com/SriNithyananda?s=09 Original Video youtu.be/Ysr2PhnZi7w Why Vegetarianism Nithyananda
www.thearmorylife.com/dry-fire-training-misconceptions/ The article "Dry Fire Training — Misconceptions vs. Reality" by Clayton Walker explores the benefits and limitations of dry fire training, highlighting its role in marksmanship and the reduction of ammunition costs. The author discusses how dry fire training can improve trigger control and shooting fundamentals, using techniques such as the "penny trick." However, Walker points out that dry fire practice at home may not directly address issues of recoil anticipation experienced at the range, leading to wide shot dispersion. The article suggests using tools like snap caps at the range to diagnose and correct these problems by integrating dry fire with live-fire sessions. Walker concludes that while dry fire training is beneficial, achieving effective results requires consistent practice in real-world settings.