View allAll Photos Tagged Movement
This little dude flew right across my path as I was changing lenses so tried a quick pan to capture him. Not as successful as I would've liked but I liked the shape of the bird and movement in the wings.
.
Seeing what camera settings allow intentional camera movement. Turns out that with an infrared filter over a lens, it's easier to get unintentional camera movement.
Without the IR filter I needed a 3-stop ND filter to get a shutter speed slow enough in sunlit daylight conditions.
Start the intentional movement and during the movement press the shutter release.
Beginner's luck got me this.
Happy Thursday Monochrome.
Last shot of the day, taking advantage of low light gives you opportunities to show movement on your picture as depicted by the engine being blurred because of it's speed.
I took a wind chime with glass decorative marbles dangling on chains and hung it on a tree branch. I positioned the item between me and the sun so the marbles glowed brightly. I then experimented with differing shutter speeds, f-stops, and angles while moving the camera in a swooping motion during the shot.
Sunset at Morro Bay, CA. This was created from 7 exposures combined in-camera. The tree trunk is a little imposing, but I liked how it framed the smokestacks from the now-closed powerplant. Of course, combining images rather than making one long exposure meant that the slowly drifting sailboats have many "ghosts."
All pictures in my photostream are Copyrighted © Paul Shears All Rights Reserved
Where You Can Find Me:
My Website | 500px | Facebook | Twitter | Instagram | Getty |
Best seen on black, so hit the "L" key
I decided to get a little lower for this shot of Pulpit Rock. This was actualy the first photo I took just before the sunset however the waters were anything but as calm as they might appear in this long exposure. They were actualy very rough and I had to grab my tripod a couple of time mid exposure to stop heavy splash back from the waves soking me and my camera. I did finaly manage to get a couple of usable shots but after that I decided to head back up as I din't really know how quick the tide would rise and wasn't willing to take any chances.
Equipment:
. Canon EOS 5D Mark III
. Canon EF 16-35mm f/2.8 L II USM
Exposure:
. Tripod
. 35mm @ f/11, ISO 100 & 30 Second
trying to create movement within parts of my image but keeping the uprights solid......
thanks for looking.....appreciated......best bigger......hope you have a Great Day
Hows that for timing! A flock of passing guls, a setting sun a surfer up and riding all at the same time :) I like how everything is moving in different directions at different speeds, but for the purposes of my photo, they have all become one.
It's another one from Wednesday evenings photo-shoot at Freshwater Bay, with my mates Ian Pacey and Matt Harwood having a sunset surf as the windy conditions that had been around all day eased off just enough for a few cleaner waves to sneak through.
Continuing my recent theme of trying to catch surfing images that have a little bit more to them.
-----------------------------------
©2013 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
-----------------------------------
-----------------------------------
Links to facebook and twitter can be found on my flickr profile
-----------------------------------
Actually, I didn't expect anything when I went into the forest, because it was windy. But just the movement in this long exposure finally fascinated me.
Eigentlich habe ich gar nichts erwartet, als ich mich in den Wald begab, denn es war windig. Gerade aber die Bewegung in dieser Langzeitaufnahme faszinierten mich dann.
Gulfoss is one of Iceland’s most popular and impressive waterfalls. When you approach it from the parking lot, your first view of the falls is from an observation deck along a ridge that overlooks the whole scene.
Maybe ten minutes after I arrived at that observation deck and started shooting my first photos of the falls, I heard a voice nearby say something in accented English. I can't remember the exact words, but something along the lines of, “Man, I’m gonna lay something on you.”
I had my head down behind my camera and didn’t even consider the possibility that the voice might be directed my way. But – after at least a full minute – I turned to see some guy staring directly at me. “Movement,” he said, with a very serious look on his face. That was it. And he kept staring.
“Uh… OK,” was the best I could offer in return.
After a period of uncomfortable silence he said something like, “What do you have there, a 1.9 or a 76?”
I assumed he was talking about my camera gear, but those numbers meant nothing to me. Apertures, maybe? “My camera is a Canon 5D Mark 2,” I volunteered, having no idea if I was answering his question. He then mumbled something I didn’t understand and kept right on staring. I felt like I needed to respond so I said, “I’m hoping to get some good photos.”
“There’s no such thing as a good photo,” he said in a tone of voice that suggested he was communicating a profound truth. “Movement, man. It’s like, you’ve got to, you know… Movement.”
Out of the corner of my eye I could see my buddy Chris, standing off to the side, starting to crack up. And I began to wonder if it was common for people to drop acid before visiting Icelandic waterfalls. Given that I was not sharing what appeared to be this guy’s trip, I turned my attention back to my camera.
He was quiet for a while before saying, “Mine is the 17-40.” At first I assumed he was throwing out more random numbers, but those numbers weren’t random. Zipped up out of sight in my backpack, in fact, I had the Canon EF 17-40 f/4L lens. This guy may not have been particularly coherent, but he clearly had some knowledge of camera gear. So I tried to talk to him again. I asked him some questions about photography but I just couldn’t make sense of his answers.
Maybe - just maybe - one day I’ll be a deep enough thinker to fully appreciate the wisdom being imparted as I took this shot…
¿Qué es la vida? Un frenesí. ¿Qué es la vida? Una ilusión, una sombra, una ficción; y el mayor bien es pequeño; que toda la vida es sueño, y los sueños, sueños son.
Pedro Calderón de la Barca
minimal. blue. Taken from onboard the Trilogy on the way to Lanai. Loved the wind on the water. The island Kahoʻolawe can be seen on the horizon on the left.