View allAll Photos Tagged MotionGraphics
Title: Little Wanderer: A Rainy City Tale
Description: Step into a whimsical micro-world where a small, adventurous mouse clad in denim overalls navigates the rainy urban jungle. This short clip captures the atmosphere of a wet city evening, featuring cinematic bokeh lighting, detailed fur textures, and realistic water reflections. Watch as our tiny protagonist interacts with autumn leaves and splashes through puddles, blending storybook charm with photorealistic animation.
This project is an exploration of the latest capabilities in generative AI, focusing on character consistency and environmental physics.
Technical details: Images generated by Midjourney V7. Video generated in RunwayML. Video editing done with CapCut.
Animated gif from the 'Fetish Objects' series by V5MT,
made November 2014. Released in an online group show on Digital Sweat Gallery, January 2015. This version re-rendered in June 2015 for 'Technophilia' show at TRANSFER Gallery, July 2015.
May the 4th be with you!
In honor of Star Wars Day, this is a repost of one of the most ambitious motion graphics special effects videos I did in the last year. It is an homage to The Empire Strikes Back and ATARI Asteroids.
片頭配樂選歌：皇后皮箱 《29》
配樂歌詞選段：「我的生日一年年地過 27、28然後29」
入圍影片宣言：你過生活，我找快活
生日一年年過，青春在日常與忙碌中磨耗，片頭配樂選用皇后皮箱樂團《29》搭配金曲29年度歌曲獎項，呈現29歲生日心境，音效搭配日常捷運通勤時的體驗，歌曲模擬地鐵廣報效果、紙張飄動的聲響，車廂前進以及漸漸進站時的效果，延伸至入圍影片的完整故事：不再瞻前顧後，豁達感受每一刻當下。
影片場景就是日常的都會通勤生活，上班下班、打卡開會，總有平凡焦慮、困境掙扎，股票薪水年終獎金，買車買房結婚生子，外在的壓力與眼光令人迷惘茫然，影片中隨著每一位入圍者的年度歌曲，主角漸漸放寬心境，感受每一個真實片刻，一個人自在的舞蹈，真誠享受生命裡所有的現在，就能擁抱每一刻真實快活人生。
插畫設計：周瑋婷 Zhou Weiting
動態設計：陳柏尹 Bruce Chen
Animated gif from the 'Fetish Objects' series by V5MT,
made November 2014 for Digital Sweat Gallery.
Released in an online group show January 2015.
➜ v5mt.tumblr.com/post/122286209476/made-for-digital-sweat-...
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
This is the first time I have rendered anything in 3D. GreyScaleGorilla really is a good teacher! I also used some music by DjLang59.
Still Frame from "K.R.E.S." Animated Video by V5MT, August 2015.
Released on September 2015, with music track by Kevin Carey.
sigma 4.5 fisheye
i use a Nikon d300, which is not a full frame DSLR, this converts to about 6.75mm lens. about 180 degree view.
in a rush, i can get a complete spherical panorama in 2 angles but i prefer more coverage.
Sigma 4.5mm f/2.8 EX DC HSM Circular Fisheye Lens for Nikon Digital SLR Cameras
Sigma 4.5mm f/2.8 EX DC HSM Circular Fisheye Lens for Canon Digital SLR Cameras
Michael Fakesch's © MusaWorkLab 2008
More @ MusaPodcast
phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id...
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
Our approach has always been one that embraces collaboration as a fundamental part of what we do.
Over the last ten years we have worked with highly talented individuals, teams and companies from all over the world that help bring our vision to life.
Join the Dots is a celebration of the spirit of collaboration.
A simple idea. A consistent frame for a multitude of work. A single dot, each representing one collaborator, each a connection to another.
Each collaborator is given a template of a dot in a fixed position on an A2 portrait poster. Each interpreted this in their own way.
These are the first 25. There will be 100 in total and be collated into a book and exhibition.
Thanks to all that have contributed so far and for those that are still to come.
Render composición en After effects. Arreglo de 100 clips de video de sesiones de retas en la unidad deportiva del IMDET Río.
片頭配樂選歌：徹摩《RAKAC勇士爸爸》
配樂歌詞選段：「我的爸爸是勇士 我的爸爸是演說家」
入圍影片宣言：沒有人是局外人
影片配樂選用撤摩《勇士爸爸》描述部落之間血緣、親族關係以及深厚的敬愛，台灣社會的多元性為音樂創作帶來豐富的養分，影片音效大量使用畫外音，以相同世界觀但並未出現在影片中的物件音效讓聲音體驗更為真實，因為插畫風格較為溫和，以擬真且較為強烈的音效強化土地受到傷害、族群生存環境遭受破壞的危機與問題嚴重性，片尾重建自然與生機復育，重新看見部落與自然的關係。
族群相互理解至今建構了多元共存充滿生命力的作品，我們一同夢想這座島嶼的燦爛未來，所有住民都不是局外人。最佳原住民語歌手以版畫特色技法呈現森林中一對父子的互動，彼此依伴，信任自然與土地，走過滿目瘡痍後，新生的綠葉希望茁壯，遍地生機。
插畫設計：達姆 Chia-Chi Yu
動態設計：二棲設計有限公司 27 Design Co., Ltd.
Manfrotto 055cxpro4
center column can swing out for low angle shots, legs can fan out to almost 90 degrees, i can sit virtually pancake flat.
www.bhphotovideo.com/c/product/584477-REG/Manfrotto_by_Bo...
The name Nervo comes from the word Nerve, Nerve Cells, Brain Activity, etc. Conceptually the idea for this side was to create a sense of magnification from right (cover) to left (inside page).
The cover was built with bolder iconic and almost artchitectural-like shapes. The middle is made up by more defined figurative elements.
The then enter the last page, which is a microscopic view of some of the elements. Whether that comes across or not, we're not sure, but it was the concept behind the construction of the image.
Here's another attempted render of my Valentine's Day card to my wife.
Sorry about the quality.
If anyone knows what settings to render with in AE to get something with so much motion in it to transcode correctly on Flickrlet me know.
The original h.264 .mp4 came out perfectly on YouTube.
I can only think that there's something funky with the Flickr video encoder.