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More with 3D cubes and pyramids using some video plates that I made some time ago, but reused in a new kind of shape - what I call a digital snowflake. After all, it is Christmas time and it is snowing outside.
Music: Massive Attack: "Be thankful for what you've got".
I cranked this out in about 3 hours tonight, just eyeballing the geometry.
NDs you can for use for vfx when shooting plates with no crowd control, a locked off long exposure will usually get rid of the moving people.
wratten filters:
wratten 47b and 47
wratten 58
wratten 25
used for checking contrast and spill on greenscreens, bluescreen and redscreens. i don't use these too much anymore since pulling mattes and correcting spill has gotten to be so good.
i have the Tri-color Wrattens protected in Gepe slide mounts with Anti-Newton glass (Anti-Newton glass is glass thats been treated to prevent air pockets that occur when 2 pieces of glass are pressed together, light passes thru the air pockets and causes small rings of light also known as "Newton's Rings" because the phenomenon was discovered by Sir Isaac Newton)
My question is when did Sir Isaac Newton have time to be VFX Supervisor?
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
片頭配樂選歌：草東沒有派對《⼤風吹》
配樂歌詞選段：「哭啊 喊啊 叫你媽媽帶你去買玩具啊」
入圍影片宣言：搶位子，不如找位子
入圍影片以去年新人獎得主草東沒有樂隊《大風吹》寓意新世代打破既有主流印象，音效場景在國小的運動會上，歌曲播放的載體是學校操場司令台的廣播喇吧，音效呈現較勁、競爭、搶位子競賽，歡呼、喝采、加油的聲浪。
每個時代都說一代不如一代，但也許每個世代本身的特色從來就無法比較，每一代都有自己認同的典範價值，畫面中穿著中學制服的人物有各式各樣的工具與方式，象徵新生代集結資源、懂得分享、善用工具，打破不平等制度、資訊不透明的流程、資源與權力被壟斷的社會，新世代不再需要需要競逐虎頭上的王位，而是彼此共享串連，創作截然不同的大膽新銳作品，讓音樂說話，沒有人能夠定義每一代的英雄。
插畫設計：只是 ZISHI
動態設計：野人設計 Wild Design
Creative Director and co-founder of the design-driven creative agency Buck, Digital Design grad Ryan Honey recently made a return to VFS. Ryan spent a week sharing his experience and advice with current students.
Read more about Ryan's visit on the VFS Blog.
Find out more about VFS’s one-year Digital Design program at vfs.com/digitaldesign.
平面設計 Graphics：聶永真
動態設計 Motion：仙草影像 Grass Jelly Studio / 陳奕仁 Muh Chen， 呂策 Jelly Lu， 唐克誠 David，黃景權 Tristan Huang
片頭配樂選歌：J.Sheon《認同請分享》
配樂歌詞選段：「這是一朵蓮花 認同請你分享」
入圍影片宣言：跟上時代，請分享！
數位分享時代以來，資訊工具的取得門檻降低，大幅扭轉華語音樂傳播形式，片頭配樂選歌《認同請分享》象徵新世代音樂創作的傳播方式徹底翻轉，配樂音效以工廠中的機械音呈現訊息大量產製的過程，音樂彷彿是工廠中金屬環境下寬闊場域中的回音，在入圍者轉場中並加入數位與科技效果，凸顯技術進步下長輩圖帶來數位時代下的幽默與詼諧，數位時代，訊息以千百種面貌流轉。
當所有人都可以用最輕鬆的方式分享你喜歡的那首歌，分享你的感受、價值觀，向社群展示你自己。當年輕世代在臉書上按讚、在ptt問卦、在tinder尋找真愛、在Dcard中分享生活，有另外一個世代在社區課程裡學會如何製作圖片，學習用Line和子女溝通，長輩圖是他們的價值觀展演，是他們的生活，是他們進入數位世界的窗口。
歡迎來到數位時代，如果你認同，請你分享手上的那朵蓮花，請分享你最愛的MV給這個世界。
插畫設計：湯士賢 Cecil Tang
動態設計：許峻良 Jim Hsu
SATI created the trailer for the Visionsonic Festival. A audiovisual journey to discover the many artists taking part in this new media performance festival in France.
Theses photos are extracts from the trailer witch can be seen at this adress :
The second edition will take place from 29th till the 31st of October 2009 at "Le centre Madeleine Rebérioux" (Créteil) and "Le Cube" (Issy les moulineaux).
All the relevant information can be found on the festival website:
Credits :
Jesse Lucas : Photography / Editing
Erwan Raguenes : Music / Sound design
tamrac filter case, stuffed with various ND, Pola and gels
ND filters help with shooting areas with people walking through. ( i think photoshop can do this automatically now).
Golf tees.
I Stick in these in the ground or grass if i don't have time for a more elaborate tracking setup. they are super neon bright, so i only need the tip to show. easy to key out and big enough for the tracker to track them.
平面設計 Graphics：戴翊庭 / 劉耕名 Keng-Ming Liu
動態設計 Motion：Bito / 劉耕名Keng-Ming Liu、林思翰Aexers Lin 、徐光慧Sylvia Hsu
片頭配樂選歌：巴賴《在這土地上》
配樂歌詞選段：「一些的記憶 一些的美好 在這土地上」
入圍影片宣言：一起再看這座島嶼的模樣
原住民語音樂創作就像是台灣文化的底蘊，豐富、多元、樸實而純粹，片頭配樂《在這土地上》音樂創作呈現台灣自然質樸映像，音效製作想像一位登山旅者緩緩前行，從一開始在遠處看見島嶼，登山前進，許多美好的聲音慢慢浮現，海洋、微風、山岳、蕨類、鳥類、羽翼斑斕的蝴蝶與鳥類，不只有畫面中物件的聲響，而是自然環境中的世界觀透過聲音呈現一趟台灣自然旅程。
影片以特色山岳：五山三尖一奇：玉山、南湖大山、秀姑巒山、北大武山、雪山、中央尖山、達芬尖山、大霸尖山與奇萊主山，彷彿《台灣生物圖鑑》的概念呈現特有種蕨類與蝴蝶、鳥類羽色。視覺以細膩的插畫筆觸描繪，結合動植物細緻材質紋理，台灣擁有的美景無論是恢宏壯闊或者袖珍細緻，以奇異詭麗的細膩筆觸細看身邊無數燦爛風景。
插畫設計：王妤璇 Yu-Hsuan Wang
動態設計：JL DESIGN
The name Nervo comes from the word Nerve, Nerve Cells, Brain Activity, etc. Conceptually the idea for this side was to create a sense of magnification from right (cover) to left (inside page).
The cover was built with bolder iconic and almost artchitectural-like shapes. The middle is made up by more defined figurative elements.
The then enter the last page, which is a microscopic view of some of the elements. Whether that comes across or not, we're not sure, but it was the concept behind the construction of the image.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
The first episode of my Storage Wars f/x series. The Battle of Hoth is one of my all time fave action sequences in film. I thought it would be be cool to do a geek version of it in full 3D space using computer parts. Enjoy!
片頭配樂選歌：郭婷筠《不要給我打分數》
配樂歌詞選段：「毋免啥咪理由 我就是愛自己 這款模樣」
入圍影片宣言：姐的款姐作主
喜歡自己的樣子，不需要別人提出任何原因。
片頭配樂使用台語女歌手郭廷筠《不要給我打分數》，女性生而為人的價值、內在的特質、外在形象、社會成就皆獨一無二，影片音效隨著生命誕生一同出現，墜入象徵孕育生命的女體長河中，轉場音效大量使用象徵新生寓意的心跳，連結多元的女性身體感受。
影片期望呈現台語女歌手隨著文化發展有著各式各樣多元的風格與音樂創作，入圍影片橋段以舞蹈和自己的身體互動，跳舞小人穿梭在不同身體場景中，不再受限外界眼光，時下女性千萬種樣貌，用自身信仰的方式，嘗試擁抱這個世界。
插畫設計：欣蒂小姐 Miss Cyndi
動態設計：呂貽雯 Wendy Lu
An ode to one of my favourite all time bands: The Police.
80s music rocks!
I got the idea for this from the cover art work on their 3rd album Zenyatta Mondatta.
A 3D pyramid seemed like the next logical step after doing 3D cubes.
I did manage to figure out how to make the rendering go a lot faster and am now using all 8 i7 cores to render -- makes things go A LOT faster!!! =)
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
Pelican 1620 Case
"the big one"
i call this my 3D case, since it's filled with mostly markers and a green cube and the chrome/grey ball.
Another short scene from the Battle of Hoth.
The Bandai snowspeeder kits we've been working on for about a month. Picked them up in January at the Comic Hunter.
The 1981 MPC AT-AT is from my youth. Our plan is to eventually get some newer Bandai AT-ATs and AT-STs and stage a really big battle.
If I seem fixated on this scene... the answer is probably yes. LOL.
Empire is probably my favourite sci-fi movie, and really blew my mind when I was a kid when I saw it when it was new in 1980.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
片頭配樂選歌：吳蓓雅《荒唐》
配樂歌詞選段：「複製貼上 換個字眼」
入圍影片宣言：到底有媒有真相
片頭配樂選用歌手吳蓓雅《荒唐》 呈現為了追求速度與便利、害怕受傷漫不在乎的荒唐心境，當海報撕開後看見畫面中央雙唇彷彿不斷絮絮叨叨，配樂隨之浮現，以其作為聲音的載體，聲音隨著鏡頭拉近而更加清晰，轉場中加入大量資訊複製、海量轉載的聲音效果，打字、滑鼠、案件等數位電子音效，電視打開、無線電、鍵盤等符號性的聲響，聲音隨著資訊一同移動、流轉。
彷彿現在充斥的行車記錄器、爆料公社、各大論壇轉文，曾幾何時，媒體的內容產製變得如此草率而沒有品質？充滿價值的內容被無數垃圾訊息淹沒，今日最新獨家頭條，說穿了不過也就是網路上隨便一篇網民爆料後複製貼上換個字眼改編。影片以不斷再製、重演，無限複誦、反覆來回的視覺意象，呈現現今台灣媒體亂象，收視率、業配買單的困境，媒體從業人員宛如矩陣困局內的人物，不斷書寫、複製，無限循環下，觀者與媒體只能奮力尋找真實。
插畫家：焯両黃 Julia Yellow
動態設計：Ned Piyadarakorn
all at attention
the Pelican 1510 (Left) Exterior Dimensions (L x W x D): 22.00" x 13.81" x 9.00" (55.9 x 35.1 x 22.9 cm)
the Pelican 1620 (Right) Exterior Dimensions (L x W x D): 24.81" x 19.37" x 13.87" (63 x 49.2 x 35.2 cm)
unless i need to get in them constantly. when on set i leave them upright for a smaller footprint (it's all about square footage when on set/location) and because i actually have a little pad and theyre a good height to just sit on.
the green tape is so people can see them in the dark (safety first kids)
More 3D effects, based on the atomic themed cut scene animation in The Big Bang Theory TV series. Music: Antarctica from Vangelis' Portraits.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
片頭配樂選歌：老王樂隊《補習班門口高掛著我的黑白照片》
配樂歌詞選段：「黑色白色的海報上寫著我的名字」
入圍影片宣言：打破升學主義！
最佳專輯裝幀設計獎入圍影片以老王樂隊《補習班的門口高掛著我的黑白照片》為片頭配樂，描繪補習班、考試帶來的困惑與煎熬，教室彷彿監獄般規訓每個人的異質性，音效場景設定自中學校園內的廣播喇吧播放，威權教育的場景加入教室內粉筆的清脆聲響、課桌椅的木頭質地效果。入圍者的專輯音樂特地挑選沒有人聲歌詞段落，期待此獎項的入圍影片能夠更著重在專輯包裝設計如何細緻呈現每一張專輯，看見作品的獨特性。
對比補習班填鴨式的知識傳授，升學主義包裝著那段青黃不接的求學時光，穿一樣的制服背一樣的書包，寫下艱深的三角函數但卻難以理解青春歲月的真正解答，莘莘學子的美好年少時代和專輯設計一樣，值得被細細設計、不斷嘗試全新可能，放下沈重的書包與煩惱，留一片自由時光裝幀人生美好。
插畫設計：鄧彧 Teng Yu
動態設計：野人設計 Wild Design
片頭配樂選歌：茄子蛋《浪子回頭》
配樂歌詞選段：「親愛的 可愛的 英俊的 朋友 垃圾的 沒品的 沒路用的 朋友」
入圍影片宣言：朋友定位不是身分地位
入圍影片片頭配樂選用茄子蛋《浪子回頭》，人生樂團彷彿那些一起回頭的朋友，聲音的載體場景位於扭蛋當中，扭蛋打開後不只有人物，音樂一同流洩，隨者手將扭蛋人物抓起的驚呼聲、旁白盧廣仲彷彿每個樂團的小樂迷為每一位入圍者歡呼喝采，片尾時的悄悄加入屬於台灣便利商店特有的叮咚聲響，超商門口常見各式各樣的扭蛋機，期待透過音效召喚屬於台灣日常的生活經驗。
一如影片選材成長過程裡總有一些朋友陪你一起經歷少年時代瘋狂，他們就像是專屬於你的樂團，陪伴彼此歷經顛簸人生。入圍影片插畫以扭蛋組合象徵樂團，總是各有千秋特色，卻又恰恰幾分相似作為同一系列扭蛋，我們遇見各式各樣的角色，總會有幾支留下來和你一起，成為最好的組合。
插畫設計：黃鈺博 Norman.normal
動態設計：黃威凱 Wei-Kai Huang
ready to roll with convenient slide out handles.
the smaller one gets carried on. the bigger one gets checked in and is usually pretty heavy so i'm always paying an extra 50 bucks for weight or something. sometimes i will ship it ahead of travel or even fedex it. yes, it's expensive.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
片頭配樂選歌：李英宏《台北直直撞》
配樂歌詞選段：「我直直撞 我直直撞」
入圍影片宣言：衝出困境才有出路
片頭配樂選用李英宏《台北直直撞》刻畫年輕人們在台北的迷茫、未知、勇氣，影片中的機車是音樂的載體，隨著機車的動態創造聲音的流動而忽遠忽近的效果，配樂製作中的爆炸、烈焰都加入類似電玩、數位的模擬音效而非一般的寫實配音，期待為觀眾帶來更加奇幻的體驗：用新世代的想像力，創造新工具，大膽突圍。
台北是所有追夢者的家，每個時代都有無數懷抱夢想的青年們來到這裡追夢，儘管有無數難題，低薪、高房價，缺乏資源，看不見未來的可能，竭盡所有只為在這座城市生存，片中三位主角騎著機車在城市街頭闖蕩，新世代擁有無畏勇氣與全新的工具持續前進，集結資源、累積技能，開創無數可能性，解決眼下問題，為台灣直直撞出新未來。
當22k炸彈落在台北街頭，唯有橫度每個時代的艱困難題，衝出困境，夢想終將會在城市生活裡慢慢開花，迎風搖曳。
插畫設計：角斯 Chiaos
動態設計：混合編碼 MixCode studio
片頭配樂選歌：玖壹壹《我的路》
配樂歌詞選段：「唱歌我可以 來吃苦我可以」
入圍影片宣言： 我選的路，我不怕吃土
年少時代的搖滾夢是青春裡面最燦爛的回憶，以玖壹壹《我的路》刻畫追求歌手夢想路上各式辛酸苦辣與考驗始終無所畏懼的精神，音樂場景置身於施工現場，把隨身攜帶的音樂播放器開至最大聲，在空曠的建物裡享受回音，勞動日常的聲響，搭配入圍者元件的環境音。
追尋音樂旅程中，會有各式挑戰，也許需要嘗試從來沒有做過的事，但不怕月底吃土、不怕生活不如意，只要是自己選的路，說什麼都要走到最後一刻絕不放手，影片中各個角色在追尋金曲歌王的夢想中，都展現了音樂人對於所愛的堅持，吃苦沒關係，吃土也沒關係，只要還有音樂就好，只要可以一直追尋夢想就好。
插畫設計：© Buddy Make Studio, udnFunlife Co.,LTD
動態設計：林思翰 Hans Lin
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
片頭配樂選歌：熊仔《凶宅》
配樂歌詞選段：「看我從玩音樂小男孩 變成天菜」
入圍影片宣言：自己的標籤自己貼
片頭配樂選用饒舌歌手熊仔的作品《凶宅》，音樂讓活在刻板印象的人們得以有所不同，玩音樂的小男孩永遠都有可能變成天菜、變成偶像。影片中的飛行器就是音樂的載體，音效概念呈現了星際大戰中的科幻奇異，並加入沙漠的飛沙、標籤紙張飛動與無線電電波聲響。
少年駕駛飛行器穿越各式各樣的巨大人像，標籤四散瓦解，當我們透過媒體、網路、耳語，輕易地將他人貼上標籤，便再也看不見個人真實樣貌，難以理解他人獨特與差異，影片中沒有面孔的人像被貼上社會賦予的既有標籤，，音樂是每個創作者的宣言，表達自我主張、脫離世俗眼光，只有我的歌，可以說清楚我是誰，就讓我用音樂告訴你我想要什麼標籤。
插畫設計：洪添賢 CROTER
動態設計：JL DESIGN