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Suunto PM-5 Clinometer
with this and your brain to do a little math, you can calculate height, slope and vertical of almost anything. good for big surveys of things like trees, houses, terrain.
25 foot tape measure
sometimes lasers don't work especially for props or pieces with nothing to bounce off of.
- english and metric
- really bright tape with BIG numbers so you can see them in darker corners, etc.
- backside of tape has a vertical read scale to make reading up and down walls easier
- the tip has a hook and is magnetic, very helpful when you're doing measuring alone. the magnet is strong enough to hold the whole tape fully extended.
i have broken 2 of these (this is my 3rd). they don't make them anymore because i think they finally got smart and evolved the model to have a rubber casing to protect from drops.
[UPDATE: BROKEN]
nikon mb-10 extra battery and vertical grip.
my D300 fires pretty fast, so i don't use it that much when doing sphericals. i do use it for still photography of textures, photogrammetry elements and reference stills.
Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
i actually bought this to hang framed photos at my place. now i use it to layout tracking markers evenly across floors and walls.
Pros:
- it can screw onto a tripod
- it is self leveling
- three modes: vertical line, horizontal line, crosshair
Cons:
- good for about 30 feet
- not great in sunlight
affiliate-program.amazon.com/gp/associates/network/build-...
hp ipaq pda - the only reason i own and use this is to work with the Hilti PD38 laser meter i mentioned before www.flickr.com/photos/alba/3751662822/in/photostream/
More with 3D cubes and pyramids using some video plates that I made some time ago, but reused in a new kind of shape - what I call a digital snowflake. After all, it is Christmas time and it is snowing outside.
Music: Massive Attack: "Be thankful for what you've got".
I cranked this out in about 3 hours tonight, just eyeballing the geometry.
Creative Director and co-founder of the design-driven creative agency Buck, Digital Design grad Ryan Honey recently made a return to VFS. Ryan spent a week sharing his experience and advice with current students.
Read more about Ryan's visit on the VFS Blog.
Find out more about VFS’s one-year Digital Design program at vfs.com/digitaldesign.
NDs you can for use for vfx when shooting plates with no crowd control, a locked off long exposure will usually get rid of the moving people.
wratten filters:
wratten 47b and 47
wratten 58
wratten 25
used for checking contrast and spill on greenscreens, bluescreen and redscreens. i don't use these too much anymore since pulling mattes and correcting spill has gotten to be so good.
i have the Tri-color Wrattens protected in Gepe slide mounts with Anti-Newton glass (Anti-Newton glass is glass thats been treated to prevent air pockets that occur when 2 pieces of glass are pressed together, light passes thru the air pockets and causes small rings of light also known as "Newton's Rings" because the phenomenon was discovered by Sir Isaac Newton)
My question is when did Sir Isaac Newton have time to be VFX Supervisor?
片頭配樂選歌：草東沒有派對《⼤風吹》
配樂歌詞選段：「哭啊 喊啊 叫你媽媽帶你去買玩具啊」
入圍影片宣言：搶位子，不如找位子
入圍影片以去年新人獎得主草東沒有樂隊《大風吹》寓意新世代打破既有主流印象，音效場景在國小的運動會上，歌曲播放的載體是學校操場司令台的廣播喇吧，音效呈現較勁、競爭、搶位子競賽，歡呼、喝采、加油的聲浪。
每個時代都說一代不如一代，但也許每個世代本身的特色從來就無法比較，每一代都有自己認同的典範價值，畫面中穿著中學制服的人物有各式各樣的工具與方式，象徵新生代集結資源、懂得分享、善用工具，打破不平等制度、資訊不透明的流程、資源與權力被壟斷的社會，新世代不再需要需要競逐虎頭上的王位，而是彼此共享串連，創作截然不同的大膽新銳作品，讓音樂說話，沒有人能夠定義每一代的英雄。
插畫設計：只是 ZISHI
動態設計：野人設計 Wild Design
Creative Director and co-founder of the design-driven creative agency Buck, Digital Design grad Ryan Honey recently made a return to VFS. Ryan spent a week sharing his experience and advice with current students.
Read more about Ryan's visit on the VFS Blog.
Find out more about VFS’s one-year Digital Design program at vfs.com/digitaldesign.
平面設計 Graphics：聶永真
動態設計 Motion：仙草影像 Grass Jelly Studio / 陳奕仁 Muh Chen， 呂策 Jelly Lu， 唐克誠 David，黃景權 Tristan Huang
片頭配樂選歌：9m88《九頭身日奈》
配樂歌詞選段：「他們曾有九頭身稱號 觀眾都拍手叫好 想要握手 想要擁抱」
入圍影片宣言：美得各式各樣，就是不要一樣
片頭配樂選用歌手9m88《九頭身日奈》描摹時下女性千百種不同姿態，再也不需要跟別人一樣，聲音場景彷彿置身舞蹈教室的音響播放器或者Ballroom、百貨公司，各種各式各樣的人與器物，女孩嘰嘰喳喳，搭配不同人物行為，喝飲料、拍照，等在後台時放鬆做著各式各樣的事。
插畫設計靈感來自香港老電影「空中小姐」以及「上海之夜」橋段，以渴望成名的少女們寓意，如何打發等待的時間，思考是否真的需要符合世俗審美標準才是擁有美貌？就讓音樂呈現現代女子的各式各樣，不需要膠原蛋白，自信自在歌唱心中所愛。
插畫設計：Ni jui hung 倪瑞宏
動態設計：Mixcode 混合編碼
片頭配樂選歌：J.Sheon《認同請分享》
配樂歌詞選段：「這是一朵蓮花 認同請你分享」
入圍影片宣言：跟上時代，請分享！
數位分享時代以來，資訊工具的取得門檻降低，大幅扭轉華語音樂傳播形式，片頭配樂選歌《認同請分享》象徵新世代音樂創作的傳播方式徹底翻轉，配樂音效以工廠中的機械音呈現訊息大量產製的過程，音樂彷彿是工廠中金屬環境下寬闊場域中的回音，在入圍者轉場中並加入數位與科技效果，凸顯技術進步下長輩圖帶來數位時代下的幽默與詼諧，數位時代，訊息以千百種面貌流轉。
當所有人都可以用最輕鬆的方式分享你喜歡的那首歌，分享你的感受、價值觀，向社群展示你自己。當年輕世代在臉書上按讚、在ptt問卦、在tinder尋找真愛、在Dcard中分享生活，有另外一個世代在社區課程裡學會如何製作圖片，學習用Line和子女溝通，長輩圖是他們的價值觀展演，是他們的生活，是他們進入數位世界的窗口。
歡迎來到數位時代，如果你認同，請你分享手上的那朵蓮花，請分享你最愛的MV給這個世界。
插畫設計：湯士賢 Cecil Tang
動態設計：許峻良 Jim Hsu
SATI created the trailer for the Visionsonic Festival. A audiovisual journey to discover the many artists taking part in this new media performance festival in France.
Theses photos are extracts from the trailer witch can be seen at this adress :
The second edition will take place from 29th till the 31st of October 2009 at "Le centre Madeleine Rebérioux" (Créteil) and "Le Cube" (Issy les moulineaux).
All the relevant information can be found on the festival website:
Credits :
Jesse Lucas : Photography / Editing
Erwan Raguenes : Music / Sound design
Golf tees.
I Stick in these in the ground or grass if i don't have time for a more elaborate tracking setup. they are super neon bright, so i only need the tip to show. easy to key out and big enough for the tracker to track them.
tamrac filter case, stuffed with various ND, Pola and gels
ND filters help with shooting areas with people walking through. ( i think photoshop can do this automatically now).
平面設計 Graphics：戴翊庭 / 劉耕名 Keng-Ming Liu
動態設計 Motion：Bito / 劉耕名Keng-Ming Liu、林思翰Aexers Lin 、徐光慧Sylvia Hsu
片頭配樂選歌：巴賴《在這土地上》
配樂歌詞選段：「一些的記憶 一些的美好 在這土地上」
入圍影片宣言：一起再看這座島嶼的模樣
原住民語音樂創作就像是台灣文化的底蘊，豐富、多元、樸實而純粹，片頭配樂《在這土地上》音樂創作呈現台灣自然質樸映像，音效製作想像一位登山旅者緩緩前行，從一開始在遠處看見島嶼，登山前進，許多美好的聲音慢慢浮現，海洋、微風、山岳、蕨類、鳥類、羽翼斑斕的蝴蝶與鳥類，不只有畫面中物件的聲響，而是自然環境中的世界觀透過聲音呈現一趟台灣自然旅程。
影片以特色山岳：五山三尖一奇：玉山、南湖大山、秀姑巒山、北大武山、雪山、中央尖山、達芬尖山、大霸尖山與奇萊主山，彷彿《台灣生物圖鑑》的概念呈現特有種蕨類與蝴蝶、鳥類羽色。視覺以細膩的插畫筆觸描繪，結合動植物細緻材質紋理，台灣擁有的美景無論是恢宏壯闊或者袖珍細緻，以奇異詭麗的細膩筆觸細看身邊無數燦爛風景。
插畫設計：王妤璇 Yu-Hsuan Wang
動態設計：JL DESIGN
The first episode of my Storage Wars f/x series. The Battle of Hoth is one of my all time fave action sequences in film. I thought it would be be cool to do a geek version of it in full 3D space using computer parts. Enjoy!
It's been a couple of weeks since I posted a motion graphics special effects video.
This one has been in the pipe for about 3 weeks and I worked on it on and off over that time, and it finally gelled today. During the 3 weeks I learned about tracking tools that greatly simplify the animation process.
Let me know what you think. Hope you enjoy it!
An ode to one of my favourite all time bands: The Police.
80s music rocks!
I got the idea for this from the cover art work on their 3rd album Zenyatta Mondatta.
A 3D pyramid seemed like the next logical step after doing 3D cubes.
I did manage to figure out how to make the rendering go a lot faster and am now using all 8 i7 cores to render -- makes things go A LOT faster!!! =)
Arms and sleepers
Uno spezzone di un vecchio video musicale, che realizzai nel 2014 per puro divertimento, basandomi sulla musica dei Matador - Arms and sleepers.
Il video è preso dal primo progetto serio che feci interamente in After Effects con l'uso di Trapcod Particles e Mir.
Ritrovarlo, girando per le vecchie cartelle del computer, è stato molto nostalgico, il che mi ha spinto a condividerlo su questo canale.
Music: Arms and sleepers - Matador
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片頭配樂選歌：脆弱少女組《因為你承載了我的靈魂》
配樂歌詞選段：「從一個角色變成另一個角色 因為你乘載了我的靈魂」
入圍影片宣言：為靈魂找到最有重量的地方
配樂選用脆弱少女組《因為你承載了我的靈魂》描摹青春歲月中不斷出現的迷離與逃避。片頭音效以彷彿置身太空島嶼中失去電力關機的數位訊號，隨著場景轉換，加入動植物與自然元素，越來越多的綠意生機浮現，片尾呼應片頭關機的音效隱喻，以為靈魂重新充電作為收尾。
事實上，厭世青年從來不只是厭世，更是對這世界有太多的愛，當你心有所愛，便不忍世界頹敗。主角身處自身黑暗荒蕪的宇宙漂浮島嶼，歷經支離破碎與風浪摧折，卻終於能夠遇見乘載靈魂的所在，終於能與自己共處，一如專輯創作與製作人總是歷經對話、碰撞，終將看見創作的重量，某一天，也許會看見出口，以真實的生命經驗、創作對話成就美好專輯。
插畫設計：Cinyee Chiu
動態設計：陳柏尹 Bruce Chen
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
Pelican 1620 Case
"the big one"
i call this my 3D case, since it's filled with mostly markers and a green cube and the chrome/grey ball.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
片頭配樂選歌：吳蓓雅《荒唐》
配樂歌詞選段：「複製貼上 換個字眼」
入圍影片宣言：到底有媒有真相
片頭配樂選用歌手吳蓓雅《荒唐》 呈現為了追求速度與便利、害怕受傷漫不在乎的荒唐心境，當海報撕開後看見畫面中央雙唇彷彿不斷絮絮叨叨，配樂隨之浮現，以其作為聲音的載體，聲音隨著鏡頭拉近而更加清晰，轉場中加入大量資訊複製、海量轉載的聲音效果，打字、滑鼠、案件等數位電子音效，電視打開、無線電、鍵盤等符號性的聲響，聲音隨著資訊一同移動、流轉。
彷彿現在充斥的行車記錄器、爆料公社、各大論壇轉文，曾幾何時，媒體的內容產製變得如此草率而沒有品質？充滿價值的內容被無數垃圾訊息淹沒，今日最新獨家頭條，說穿了不過也就是網路上隨便一篇網民爆料後複製貼上換個字眼改編。影片以不斷再製、重演，無限複誦、反覆來回的視覺意象，呈現現今台灣媒體亂象，收視率、業配買單的困境，媒體從業人員宛如矩陣困局內的人物，不斷書寫、複製，無限循環下，觀者與媒體只能奮力尋找真實。
插畫家：焯両黃 Julia Yellow
動態設計：Ned Piyadarakorn
all at attention
the Pelican 1510 (Left) Exterior Dimensions (L x W x D): 22.00" x 13.81" x 9.00" (55.9 x 35.1 x 22.9 cm)
the Pelican 1620 (Right) Exterior Dimensions (L x W x D): 24.81" x 19.37" x 13.87" (63 x 49.2 x 35.2 cm)
unless i need to get in them constantly. when on set i leave them upright for a smaller footprint (it's all about square footage when on set/location) and because i actually have a little pad and theyre a good height to just sit on.
the green tape is so people can see them in the dark (safety first kids)
More 3D effects, based on the atomic themed cut scene animation in The Big Bang Theory TV series. Music: Antarctica from Vangelis' Portraits.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.
JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌，主視覺概念回歸孕育音樂創作的台灣土地，以「台灣源聲帶 Original Soundtrack of Taiwan」為起點，帶領觀眾從大地聲音與自然人文樣貌，喚醒對台灣土地的集體記憶。
Main Visual for the 26th Golden Melody Award Ceremony
JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.