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example setup of my cam on a nodal ninja. this is an old pic of a NN3 which i returned because i was told it would fit a Nikon D300, and it didn't.

Nikon DG-2

magnifiying cup for my D300 eyepiece that can swing off. In the "Use" position.

 

I use this when photographing props, textures, miniatures, even things further to see a little bit better and make sure i'm in focus.

 

Nikon DG-2 2x Eyepiece Magnifier for Nikon D200, D70S, and D50 Digital SLR Cameras (Requires Eyepice Adapter)

 

平面設計 Graphics:手指 Finger and Toe

動態設計 Motion:混合編碼 MixCode Studio/柯鈞譯 Chiunyi Ko、 李孟栩 TuBo Lee

Hilti PD38

 

this is a laser range meter. you point and press the big button and it gives you the distance, very accurately.

 

Pros:

- works good in sunlight

- shock/drop protected

- it can calculate area and volume for you but i usually don't have to do that on the fly.

- it has bluetooth connectivity to a pc (windows/BOO) or a pda (again windows/SUCK). so when i press the button and take a measurement, it sends the number over to the pda in an excel spreadsheet cell. VERY NICE and saves me from human error and my bad penmanship. surveying a location or set by myself (as i'm usually forced to do) this is a time-saver. when i have an assist with me, we can do a lot of data collecting very quickly.

 

Cons:

- the bluetooth only talks to PC/Windows machines. it's stupid because all it's doing is sending a number, i wish they would have an SDK or something.

- they don't make this anymore. but you can still find new ones in stock remaining in stores and at their own warehouse.

 

I'm saving up for the Leica Disto D8 which has a color screen, and everything my Hilti does. The good news is Leica will work with software people to try and get their laser meters to work with your software via bluetooth.

The bad news is the D8 doesn't look like it has much protection, I have dropped my laser from serious heights and it's survived. (yet for some reason the plastic sheet protector for the screen has never come off).

 

wired shutter remote with lock trigger. essential when doing run-n-gun hdri and your not tethered/firing from the laptop. if you press the shutter release while the body is on the tripod and/or panorama head, you risk shaking the camera.

 

i always try and hang a small sandbag on my tripod near the top of the tripod to firm it up. i rotate the head, wait a beat for the camera to settle and then fire from the remote. i bracket exposures between 5 and 11 shots per angle. i usually only do 4 angles every 90 degrees.

 

i pack two of these, when i travel, and they're packed in separate bags. it's exactly when you need to replace one that you can't find one for a hundred miles...

平面設計 Graphics:概念 Concept 蕭青陽、許涵怡Helen Han-Yi Hsu

動態設計 Motion:許涵怡

Calculated Industries Frame Master II

 

This thing has saved my ass more times than i can count. When you and the editor are tired and stupid from no sleep, this thing is a god send. it can convert any timecode/filmcode/frames of any rate. The Foot+frame conversion to Minutes:Seconds with one button push is great, push the button again and it shows time code (ndf, df). You can program a frame rate in memory and it will convert for that as well.

 

the button layout, the ease of use, even the sturdy build of this thing (which has lasted easily over 10 years) is awesome. i have tried every software/iphone framecode/timecode calculator out there and none are this easy and this fast.

the ONLY con is it is not backlit but that is the only complaint i have.

 

p.s. Calculated industries don't make these anymore and don't plan to. somebody write some letters!

 

www.calculatorsource.com/ci-9226.html

Nikon magnifiying cup for my D300 eyepiece that can swing off.

 

I use this when photographing props, textures, miniatures to see a little bit better.

Suunto PM-5 Clinometer

 

with this and your brain to do a little math, you can calculate height, slope and vertical of almost anything. good for big surveys of things like trees, houses, terrain.

 

Suunto PM-5 Clinometer

 

nikon mb-10 extra battery and vertical grip.

 

my D300 fires pretty fast, so i don't use it that much when doing sphericals. i do use it for still photography of textures, photogrammetry elements and reference stills.

 

Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras

 

片頭配樂選歌:二本貓《他才不會把我們全部不記得了》

配樂歌詞選段:「彩虹保護你 他才不會把我們 全部不記得了」

入圍影片宣言:在愛之前,人人平等

 

片頭片尾配樂選用二本貓樂團《他們才不會把我們全不都不記得了》,描摹對於真心相愛的守護,音效上除了雨傘的開傘聲響之外,加入不同族群的人聲,聽見不同族群的表態和需求,尊重差異、追求平等而非特權,讓每一種愛,都能夠被聽見。

 

客家人稱彩虹為天弓,彩虹是上天的守護,看見彩虹的人,會獲得守護以及好運。彩虹會保護每一個相愛的人,以客家紙傘象徵守護,愛擁有各式各樣的面貌,多元的性別氣質、性傾向,插畫以不同的人物角色組合描繪對於關係與生活的多元豐富想像,不是一夫一妻的家庭從來沒有關係,我們的愛,沒有不同。

 

插畫設計:陳又凌 Chen yu-lin

動態設計:呂貽雯 Wendy Lu

Green Cube Solo!

 

made of pine. exactly 12" cubed. open on one side and padded inside. it also holds the chrome/grey ball.

Leatherman.

 

don't get the keychain, mini or ones with plastic colored handles.

 

if it's not heavy, grey and can hurt you, you probably have the wrong one.

 

this one has sawing knife for rope, a finer knife for cutting filament, screwdriver, wire cutters, pliers. and optional bit-kit.

 

Leatherman 830160 Surge Pocket Multitool with Leather Sheath

 

i also like the Gerber multi-tools as well.

i actually bought this to hang framed photos at my place. now i use it to layout tracking markers evenly across floors and walls.

 

Pros:

- it can screw onto a tripod

- it is self leveling

- three modes: vertical line, horizontal line, crosshair

 

Cons:

- good for about 30 feet

- not great in sunlight

 

affiliate-program.amazon.com/gp/associates/network/build-...

25 foot tape measure

sometimes lasers don't work especially for props or pieces with nothing to bounce off of.

 

- english and metric

- really bright tape with BIG numbers so you can see them in darker corners, etc.

- backside of tape has a vertical read scale to make reading up and down walls easier

- the tip has a hook and is magnetic, very helpful when you're doing measuring alone. the magnet is strong enough to hold the whole tape fully extended.

 

i have broken 2 of these (this is my 3rd). they don't make them anymore because i think they finally got smart and evolved the model to have a rubber casing to protect from drops.

 

[UPDATE: BROKEN]

JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌,主視覺概念回歸孕育音樂創作的台灣土地,以「台灣源聲帶 Original Soundtrack of Taiwan」為起點,帶領觀眾從大地聲音與自然人文樣貌,喚醒對台灣土地的集體記憶。

 

Main Visual for the 26th Golden Melody Award Ceremony

 

JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.

It's been a couple of weeks since I posted a motion graphics special effects video.

This one has been in the pipe for about 3 weeks and I worked on it on and off over that time, and it finally gelled today. During the 3 weeks I learned about tracking tools that greatly simplify the animation process.

Let me know what you think. Hope you enjoy it!

hp ipaq pda - the only reason i own and use this is to work with the Hilti PD38 laser meter i mentioned before www.flickr.com/photos/alba/3751662822/in/photostream/

平面設計 Graphics:賴佳韋

動態設計 Motion:JL DESIGN

片頭配樂選歌:9m88《九頭身日奈》

配樂歌詞選段:「他們曾有九頭身稱號 觀眾都拍手叫好 想要握手 想要擁抱」

入圍影片宣言:美得各式各樣,就是不要一樣

 

片頭配樂選用歌手9m88《九頭身日奈》描摹時下女性千百種不同姿態,再也不需要跟別人一樣,聲音場景彷彿置身舞蹈教室的音響播放器或者Ballroom、百貨公司,各種各式各樣的人與器物,女孩嘰嘰喳喳,搭配不同人物行為,喝飲料、拍照,等在後台時放鬆做著各式各樣的事。

 

插畫設計靈感來自香港老電影「空中小姐」以及「上海之夜」橋段,以渴望成名的少女們寓意,如何打發等待的時間,思考是否真的需要符合世俗審美標準才是擁有美貌?就讓音樂呈現現代女子的各式各樣,不需要膠原蛋白,自信自在歌唱心中所愛。

 

插畫設計:Ni jui hung 倪瑞宏

動態設計:Mixcode 混合編碼

More with 3D cubes and pyramids using some video plates that I made some time ago, but reused in a new kind of shape - what I call a digital snowflake. After all, it is Christmas time and it is snowing outside.

Music: Massive Attack: "Be thankful for what you've got".

I cranked this out in about 3 hours tonight, just eyeballing the geometry.

NDs you can for use for vfx when shooting plates with no crowd control, a locked off long exposure will usually get rid of the moving people.

  

wratten filters:

wratten 47b and 47

wratten 58

wratten 25

 

used for checking contrast and spill on greenscreens, bluescreen and redscreens. i don't use these too much anymore since pulling mattes and correcting spill has gotten to be so good.

 

i have the Tri-color Wrattens protected in Gepe slide mounts with Anti-Newton glass (Anti-Newton glass is glass thats been treated to prevent air pockets that occur when 2 pieces of glass are pressed together, light passes thru the air pockets and causes small rings of light also known as "Newton's Rings" because the phenomenon was discovered by Sir Isaac Newton)

 

My question is when did Sir Isaac Newton have time to be VFX Supervisor?

 

平面設計 Graphics:王志弘 Wang Zhi-Hong

動態設計 Motion:Bito / 劉耕名Keng-Ming Liu、林思翰Aexers Lin

JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌,主視覺概念回歸孕育音樂創作的台灣土地,以「台灣源聲帶 Original Soundtrack of Taiwan」為起點,帶領觀眾從大地聲音與自然人文樣貌,喚醒對台灣土地的集體記憶。

 

Main Visual for the 26th Golden Melody Award Ceremony

 

JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.

平面設計 Graphics:劉悅德

動態設計 Motion:JL DESIGN

片頭配樂選歌:草東沒有派對《⼤風吹》

配樂歌詞選段:「哭啊 喊啊 叫你媽媽帶你去買玩具啊」

入圍影片宣言:搶位子,不如找位子

 

入圍影片以去年新人獎得主草東沒有樂隊《大風吹》寓意新世代打破既有主流印象,音效場景在國小的運動會上,歌曲播放的載體是學校操場司令台的廣播喇吧,音效呈現較勁、競爭、搶位子競賽,歡呼、喝采、加油的聲浪。

 

每個時代都說一代不如一代,但也許每個世代本身的特色從來就無法比較,每一代都有自己認同的典範價值,畫面中穿著中學制服的人物有各式各樣的工具與方式,象徵新生代集結資源、懂得分享、善用工具,打破不平等制度、資訊不透明的流程、資源與權力被壟斷的社會,新世代不再需要需要競逐虎頭上的王位,而是彼此共享串連,創作截然不同的大膽新銳作品,讓音樂說話,沒有人能夠定義每一代的英雄。

 

插畫設計:只是 ZISHI

動態設計:野人設計 Wild Design

Creative Director and co-founder of the design-driven creative agency Buck, Digital Design grad Ryan Honey recently made a return to VFS. Ryan spent a week sharing his experience and advice with current students.

 

Read more about Ryan's visit on the VFS Blog.

 

Find out more about VFS’s one-year Digital Design program at vfs.com/digitaldesign.

 

平面設計 Graphics:聶永真

動態設計 Motion:仙草影像 Grass Jelly Studio / 陳奕仁 Muh Chen, 呂策 Jelly Lu, 唐克誠 David,黃景權 Tristan Huang

SATI created the trailer for the Visionsonic Festival. A audiovisual journey to discover the many artists taking part in this new media performance festival in France.

 

Theses photos are extracts from the trailer witch can be seen at this adress :

www.vimeo.com/6681377

 

The second edition will take place from 29th till the 31st of October 2009 at "Le centre Madeleine Rebérioux" (Créteil) and "Le Cube" (Issy les moulineaux).

 

All the relevant information can be found on the festival website:

www.visionsonic.net

 

Credits :

Jesse Lucas : Photography / Editing

Erwan Raguenes : Music / Sound design

tamrac filter case, stuffed with various ND, Pola and gels

ND filters help with shooting areas with people walking through. ( i think photoshop can do this automatically now).

insert slate, used for insert shoots, splinter unit, etc.

most of the blue and green versions are loaned out to friends right now.

Golf tees.

 

I Stick in these in the ground or grass if i don't have time for a more elaborate tracking setup. they are super neon bright, so i only need the tip to show. easy to key out and big enough for the tracker to track them.

平面設計 Graphics:戴翊庭 / 劉耕名 Keng-Ming Liu

動態設計 Motion:Bito / 劉耕名Keng-Ming Liu、林思翰Aexers Lin 、徐光慧Sylvia Hsu

片頭配樂選歌:巴賴《在這土地上》

配樂歌詞選段:「一些的記憶 一些的美好 在這土地上」

入圍影片宣言:一起再看這座島嶼的模樣

 

原住民語音樂創作就像是台灣文化的底蘊,豐富、多元、樸實而純粹,片頭配樂《在這土地上》音樂創作呈現台灣自然質樸映像,音效製作想像一位登山旅者緩緩前行,從一開始在遠處看見島嶼,登山前進,許多美好的聲音慢慢浮現,海洋、微風、山岳、蕨類、鳥類、羽翼斑斕的蝴蝶與鳥類,不只有畫面中物件的聲響,而是自然環境中的世界觀透過聲音呈現一趟台灣自然旅程。

 

影片以特色山岳:五山三尖一奇:玉山、南湖大山、秀姑巒山、北大武山、雪山、中央尖山、達芬尖山、大霸尖山與奇萊主山,彷彿《台灣生物圖鑑》的概念呈現特有種蕨類與蝴蝶、鳥類羽色。視覺以細膩的插畫筆觸描繪,結合動植物細緻材質紋理,台灣擁有的美景無論是恢宏壯闊或者袖珍細緻,以奇異詭麗的細膩筆觸細看身邊無數燦爛風景。

 

插畫設計:王妤璇 Yu-Hsuan Wang

動態設計:JL DESIGN

View LARGE

 

The name Nervo comes from the word Nerve, Nerve Cells, Brain Activity, etc. Conceptually the idea for this side was to create a sense of magnification from right (cover) to left (inside page).

 

The cover was built with bolder iconic and almost artchitectural-like shapes. The middle is made up by more defined figurative elements.

 

The then enter the last page, which is a microscopic view of some of the elements. Whether that comes across or not, we're not sure, but it was the concept behind the construction of the image.

平面設計 Graphics:劉悅德

動態設計 Motion:JL Design

JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌,主視覺概念回歸孕育音樂創作的台灣土地,以「台灣源聲帶 Original Soundtrack of Taiwan」為起點,帶領觀眾從大地聲音與自然人文樣貌,喚醒對台灣土地的集體記憶。

 

Main Visual for the 26th Golden Melody Award Ceremony

 

JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.

The first episode of my Storage Wars f/x series. The Battle of Hoth is one of my all time fave action sequences in film. I thought it would be be cool to do a geek version of it in full 3D space using computer parts. Enjoy!

tracking marker and miscellaneous, read notes on image.

平面設計 Graphics:王志弘 Wang Zhi-Hong

動態設計 Motion:JL DESIGN

平面設計 Graphics:顏伯駿

動態設計 Motion:王民賢 Ming-shian Wang

片頭配樂選歌:郭婷筠《不要給我打分數》

配樂歌詞選段:「毋免啥咪理由 我就是愛自己 這款模樣」

入圍影片宣言:姐的款姐作主

 

喜歡自己的樣子,不需要別人提出任何原因。

 

片頭配樂使用台語女歌手郭廷筠《不要給我打分數》,女性生而為人的價值、內在的特質、外在形象、社會成就皆獨一無二,影片音效隨著生命誕生一同出現,墜入象徵孕育生命的女體長河中,轉場音效大量使用象徵新生寓意的心跳,連結多元的女性身體感受。

 

影片期望呈現台語女歌手隨著文化發展有著各式各樣多元的風格與音樂創作,入圍影片橋段以舞蹈和自己的身體互動,跳舞小人穿梭在不同身體場景中,不再受限外界眼光,時下女性千萬種樣貌,用自身信仰的方式,嘗試擁抱這個世界。

 

插畫設計:欣蒂小姐 Miss Cyndi

動態設計:呂貽雯 Wendy Lu

An ode to one of my favourite all time bands: The Police.

80s music rocks!

I got the idea for this from the cover art work on their 3rd album Zenyatta Mondatta.

A 3D pyramid seemed like the next logical step after doing 3D cubes.

I did manage to figure out how to make the rendering go a lot faster and am now using all 8 i7 cores to render -- makes things go A LOT faster!!! =)

JL DESIGN再度擔綱第二十六屆金曲獎的視覺統籌,主視覺概念回歸孕育音樂創作的台灣土地,以「台灣源聲帶 Original Soundtrack of Taiwan」為起點,帶領觀眾從大地聲音與自然人文樣貌,喚醒對台灣土地的集體記憶。

 

Main Visual for the 26th Golden Melody Award Ceremony

 

JL DESIGN is in charge of the visual direction for the Golden Melody Award Ceremony for a second consecutive year. The main visual concept for the 26th Golden Melody Award Ceremony pays tribute to Taiwan as the source of inspiration for music. Named "Original Soundtrack of Taiwan", the design takes cue from the sight and sound of Taiwan and invokes a collective memory of the land.

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