View allAll Photos Tagged ModernGothic

GHB’s RASTLOS doesn’t settle, it prowls

A clash of sharp form and slick detail, this necklace captures restless energy in every link. Designed to move with you and stand on its own, RASTLOS adds tension and edge to any look.

 

Exclusively at THE FIFTY from June 25th to July 20th

🔗 maps.secondlife.com/secondlife/The%20Fifty/37/128/778

Bold, dark, and built to stand out. GHB’s FINSTER Necklace isn’t just an accessory, it’s a statement 💀⚙️

With a crow-skull centerpiece and moon-cut detailing, this piece fuses mystery with power in one killer design. You don’t follow vibes. You are the vibe 🌕

 

Available exclusively at ASTROPHE from April 5th to 25th

 

🔗 maps.secondlife.com/secondlife/Astrophe/127/24/21

Gaudi's La Sagrada Familia, seen from Barcelona Cathedral, Spain. Gaudi began construction on this architectural marvel in 1883; it was incomplete at the time of his death in 1926 (he is buried in the crypt of the cathedral). Plans are to complete the project in 2026, the 100th year anniversary of his death. The cathedral is over 70% complete at present is supported by entry fees from long lines of visitors coming to marvel at Gaudi's sublime interpretation of Gothic architecture. UNESCO World Heritage site.

26/06/2019 www.allenfotowild.com

Sharp, bold, and totally striking. GHB’s Duster Earrings drop the drama in all the right ways ✨

This lunar-laced skull design brings the perfect blend of mystic edge and dark allure. Pierced perfection with a punch.

 

Exclusively at the Bad Bunny Event from April 5th to May 5th

 

🔗 maps.secondlife.com/secondlife/Fort%20Santiago/129/100/23

Located at Broadway and East 18th Avenue in Denver, Colorado, Trinity United Methodist Church was placed on the National Register of Historic Places July 28th, 1970.

 

Architecture and Ornamentation

Modern Gothic

 

Trinity United Methodist Church is one of the finest examples of "Modern Gothic" architecture in the United States. According to definitions of design, "the church is an auditorium clothed in a Gothic shell." What made the building "modern" in 1888 was the marriage of Gothic detailing, and a Rococo theater with the latest technology.

 

By using blocks of locally quarried Castle Rock rhyolite on the building’s face exterior, Robert Roeschlaub was able to stay true to the traditions of the "Arts and Crafts movement." This simply means that he looked to nature for inspiration. The rhyolite facing and sandstone trim allow the church to blend with its native surroundings.

 

The opportunity to build Trinity’s spire was "the magnificent goal of Robert Roeschlaub’s career as a church designer." The spire stands 183’ 7 1Ï2" from the ground. Because of the height, the usual scaffoldings and cranes couldn’t be used during construction. Roeschlaub invented a cage-like mechanism that surrounded the spire, allowing workers and needed materials to be raised and lowered. In 1888, it was one of the tallest stone towers in the United States.

 

At the main Broadway entrance to the church you will find patterned wrought-iron gates. Portions of the gates and their hinges were designed by the architect in the tradition of medieval prototypes. Additions have since been made.

www.trinityumc.org/index.php?option=com_content&view=...

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

Architect: Peder Vilhelm Jensen-Klint, 1927, consecrated 1940. I believe the pulpit may have been designed by his son Kaare Klint. Bispebjerg, Copenhagen, Denmark.

 

(CC BY-NC-SA 2.0)

This morning to start the Christmas season we open with a church described as "Modern Gothic". It looks a solid construction and of dark limestone, but we hadn't confirmed the location.

 

With thanks especially to [https://www.flickr.com/photos/91549360@N03] that was quickly remedied, and it was confirmed as Saint Patrick's Roman Catholic Church in Ballymoney, County Antrim - which as OMac points out is also captured in a Lawrence shot. The suggestion seems to be that this image dates to the late 1870s - perhaps close to the time of the church's official opening and dedication....

  

Photographers: Frederick Holland Mares, James Simonton

 

Contributor: John Fortune Lawrence

 

Collection: Stereo Pairs Photograph Collection

 

Date: ca.1860 - 1886 (though likely late-1870s/early-1880s)

 

NLI Ref: STP_2264

 

You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie

 

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

The DeRoy Auditorium and the Prentis Building are the latest Minoru Yamasaki efforts to be listed on the National Register of Historic Places. DeRoy was constructed in 1965, preceding the World Trade Center.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

“to become aware of the ineffable is to part company with words...the tangent to the curve of human experience lies beyond the limits of language. the world of things we perceive is but a veil. It’s flutter is music, its ornament science, but what it conceals is inscrutable. It’s silence remains unbroken; no words can carry it away. Sometimes we wish the world could cry and tell us about that which made it pregnant with fear--filling grandeur.

Sometimes we wish our own heart would speak of that which made it heavy with wonder."

 

- Abraham Joshua Heschel

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

On the landing of the original staircase of "Warwilla" (formerly "Redholme") a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road.

 

Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.

 

In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.

 

Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.

 

“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.

 

Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.

 

At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.

 

John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.

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