View allAll Photos Tagged Modeling
Model: Alli Michelle
Location: Casa Blanca
Camera: Canon 7D
Lens: Canon 24-105 f4L
Strobist: Canon 580 EX II with Strobies Barn Door Modifier
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2014 Winkler
IAPP Member: US#12002
Models at Bekonscot Model Village
PERMISSION TO USE: Please check the licence for this photo on Flickr. If the photo is marked with the Creative Commons licence, you are welcome to use this photo free of charge for any purpose including commercial. I am not concerned with how attribution is provided - a link to my flickr page or my name is fine. If used in a context where attribution is impractical, that's fine too. I enjoy seeing where my photos have been used so please send me links, screenshots or photos where possible. If the photo is not marked with the Creative Commons licence, only my friends and family are permitted to use it.
A conceptual model of Living Light: UT Solar Decathlon House, the University of Tennessee’s team house for the U.S. Department of Energy Solar Decathlon 2011.
Manufacturer/Model: Carl Zeiss, Jena Binoctar 7X50
Field of View: 7.3 deg = 128 m/1,000 m; APFOV 51 deg
Weight: 1,134 gr
Exit Pupil: 7.14 mm
Serial #/Year of Manufacture: 1338158 = 1926
Notes: The Zeiss Binoctar 7x50 is an historically important binocular. It originated during World War I in 1915 as a military binocular, the D.F. (doppelfernrohr –double telescope) 7X50, with a civilian version named the Binoctar being introduced in 1919. It was made in many variations including a center focus model, the Binoctem (1931), until Carl Zeiss Jena ceased operation in 1990. Many World War II German 7x50 Porro I binoculars used the design, and since its introduction it has been widely copied especially by a plethora of Japanese makers during the 1950’s – 1960’s with versions still, no doubt, in production.
This particular example made in 1926 is interestingly marked F.A.BUCKLEY R.N. [Royal Navy] on the left prism plate. Although, the Royal Navy did not have any large Binoctar contracts with Zeiss, a small number were purchased for use by the Mediterranean Fleet, the known examples of which have yellow Admiralty arrows marked on their barrels. However, many others such as this one were privately purchased by officers because they were one of the best 7X50 binoculars available and regarded by some as superior to those issued by the Royal Navy.
Research shows the binocular belonged Frederick Arthur Buckley (1887- 1952) who enlisted in the Royal Navy as a midshipman in 1903 and then served as gunnery officer aboard the battleship HMS Venerable along the Belgian coast and Dardenelles during World War I, commander aboard the battleship HMS Emperor of India in the Black Sea immediately following the war, executive officer aboard the battleship HMS Warspite in the Mediterranean 1926-1927, commanding officer aboard the cruiser HMS Shropshire in the Mediterranean 1931-1933, and commanding officer aboard the battleship HMS Malaya in the Mediterranean 1936-1938. Frederick Buckley retired as a rear admiral in 1939 but was reactivated at the outbreak of World War II to serve as a commanding officer of training bases and landing craft bases in England.
Note: If you have a vintage binocular you either wish to sell or would just like some information about, I can be contacted at flagorio12@gmail.com .
Models at Bekonscot Model Village
PERMISSION TO USE: Please check the licence for this photo on Flickr. If the photo is marked with the Creative Commons licence, you are welcome to use this photo free of charge for any purpose including commercial. I am not concerned with how attribution is provided - a link to my flickr page or my name is fine. If used in a context where attribution is impractical, that's fine too. I enjoy seeing where my photos have been used so please send me links, screenshots or photos where possible. If the photo is not marked with the Creative Commons licence, only my friends and family are permitted to use it.
Models at Bekonscot Model Village
PERMISSION TO USE: Please check the licence for this photo on Flickr. If the photo is marked with the Creative Commons licence, you are welcome to use this photo free of charge for any purpose including commercial. I am not concerned with how attribution is provided - a link to my flickr page or my name is fine. If used in a context where attribution is impractical, that's fine too. I enjoy seeing where my photos have been used so please send me links, screenshots or photos where possible. If the photo is not marked with the Creative Commons licence, only my friends and family are permitted to use it.
Photo from our High End Imaging Meetup group's Twilite Model Shoot at Kutztown University on Sunday, June 8, 2014.
Cutaway model of the RMS Lusitania, which was also a Cunard ship. Aboard the Queen Mary, Long Beach, California.
Architecture model exhibition in german architecture museum Frankfurt 2012.
Ausstellung "Das Architekturmodell - Werkzeug, Fetisch, kleine Utopie
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
LSS Studio Shoot 18.3.2012
Alternative and Fetisch
Model: Amie Conradine Gibson
MUA: Herself
Photo: Monika Schaible
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
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