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The Time Out guide recommends jumping around with grimy teenagers in Camden; personally there's nothing I hate more than being in a moshpit with a load of pre-pubescent grebo kids! Instead this is me in my band Arthur and Martha playing at Camden Undersolo. I'm not sweating too bad because I have on my nice new Matalan Hawaiian shirt. It's the Aloha spirit!
At the brightness that was before him his thick clouds passed, hail stones and coals of fire.
Psalm 18:12 King James Version
Biography
Bookings and Requests:
K_age@live.it or 3479873985/3491689089
Electro//8BIT//ClusterFucker
Description
ITA:
"Siamo un duo di musica elettronica che suona con i videogiochi.
Noi suoniamo i videogiochi significa che noi sfruttiamo il chip sonoro 8bit di consolle anni 80(gameboy,commodore64) tramite software di sintesi musicale appositamente sviluppati(no sample)."
Gli IAGAINSTME nascono, crescono e probabilmente moriranno nella solare quanto desolata terra sarda(italia).
sono due amici che trovano nella musica e nei videogiochi su consolle portatili e non l'alternativa migliore al niente.
la sorpresa è quando nel 2009 scoprono che unire le due passioni era finalmente possibile.
Una furiosa ricerca di alcuni mesi li porta a compiere i primi passi nella programmazione su software di tipo tracker su emulatori per pc/mac ed in seguito riesumare gli impolverati gameboy e c64.
2 GAMEBOY che montano "lsdj", 1 COMMODORE 64 che monta "cynthcart", 3 KAOSSP PAD, 1 MICROKORG E VOCI costituiscono il loro setup.
Forti di un background musicale che va dall'ambient elettronico piu dronico passando al rock alternativo-noise sino alla big beat contemporanea, mischiano tutto questo per creare una miscela che loro definiscono "8 bit riot".
RELEASE UFFICIALI:
-Chip To Gaza (compilation di beneficenza per le vittime sulla striscia di gaza), per la svedese Wang-Electronics Records;
www.wang-electronics.com/?p=74
-Electro Child EP (EP di esordio) per la francese Control+Fuzz;
www.controlfuzz.fr/control+fuzz/home.html
-Voltage xx IAGAINSTME/CONSOLE KILLER SPLIT per l'italianissima coucounet;
AND SO THE RIOT HAS COME!
ENG:
"We're an electronic duo that play videogames.
"we play videogames" means that we use 80's vintage consoles(gameboy,commodore64) 8bit audio chip through synthesis software specifically developped(no sample)."
Born, grow, and probably will die in the wasteland solar Sardinian (IT).
They are a pair of friends who are into music and video games on portable consoles and not, the best alternative to anything.
They had a big surprise in 2009 when they discover that was possible to combine both passions.
A furious search for several months leads them to take the first steps in the programming of such software trackers on emulators for PC / Mac and then exhuming the dusty C64 and Game Boy.
2 GAMEBOY with lsdj, COMMODORE 64 with cynthcart, 3 KAOSS PAD, MICROKORG and VOCALS are their setup.
A strong musical background, ranging from ambient-electro-drone switching to alternative rock noise up to the contemporary big beat contemporary, mixed to create a mixture that they call "8-bit riot."
AND SO THE RIOT HAS COME!
MORE ON:
www.myspace.com/iagainstme8bit
www.soundcloud.com/i-against-me
Biography
Bookings and Requests:
K_age@live.it or 3479873985/3491689089
Electro//8BIT//ClusterFucker
Description
ITA:
"Siamo un duo di musica elettronica che suona con i videogiochi.
Noi suoniamo i videogiochi significa che noi sfruttiamo il chip sonoro 8bit di consolle anni 80(gameboy,commodore64) tramite software di sintesi musicale appositamente sviluppati(no sample)."
Gli IAGAINSTME nascono, crescono e probabilmente moriranno nella solare quanto desolata terra sarda(italia).
sono due amici che trovano nella musica e nei videogiochi su consolle portatili e non l'alternativa migliore al niente.
la sorpresa è quando nel 2009 scoprono che unire le due passioni era finalmente possibile.
Una furiosa ricerca di alcuni mesi li porta a compiere i primi passi nella programmazione su software di tipo tracker su emulatori per pc/mac ed in seguito riesumare gli impolverati gameboy e c64.
2 GAMEBOY che montano "lsdj", 1 COMMODORE 64 che monta "cynthcart", 3 KAOSSP PAD, 1 MICROKORG E VOCI costituiscono il loro setup.
Forti di un background musicale che va dall'ambient elettronico piu dronico passando al rock alternativo-noise sino alla big beat contemporanea, mischiano tutto questo per creare una miscela che loro definiscono "8 bit riot".
RELEASE UFFICIALI:
-Chip To Gaza (compilation di beneficenza per le vittime sulla striscia di gaza), per la svedese Wang-Electronics Records;
www.wang-electronics.com/?p=74
-Electro Child EP (EP di esordio) per la francese Control+Fuzz;
www.controlfuzz.fr/control+fuzz/home.html
-Voltage xx IAGAINSTME/CONSOLE KILLER SPLIT per l'italianissima coucounet;
AND SO THE RIOT HAS COME!
ENG:
"We're an electronic duo that play videogames.
"we play videogames" means that we use 80's vintage consoles(gameboy,commodore64) 8bit audio chip through synthesis software specifically developped(no sample)."
Born, grow, and probably will die in the wasteland solar Sardinian (IT).
They are a pair of friends who are into music and video games on portable consoles and not, the best alternative to anything.
They had a big surprise in 2009 when they discover that was possible to combine both passions.
A furious search for several months leads them to take the first steps in the programming of such software trackers on emulators for PC / Mac and then exhuming the dusty C64 and Game Boy.
2 GAMEBOY with lsdj, COMMODORE 64 with cynthcart, 3 KAOSS PAD, MICROKORG and VOCALS are their setup.
A strong musical background, ranging from ambient-electro-drone switching to alternative rock noise up to the contemporary big beat contemporary, mixed to create a mixture that they call "8-bit riot."
AND SO THE RIOT HAS COME!
MORE ON:
www.myspace.com/iagainstme8bit
www.soundcloud.com/i-against-me
My studio in half decent shape in January of 2011. The dead behringer mixer has been replaced with a new Yamaha MG32-14FX. Sounds fantastic!
The List:
Yamaha DX-7iiD
Yamaha CS-20m
Boss GT-8
Microkorg
Korg M3m
Use Audio Plugiator
Creamware Pro12
Creamware Minimax
M-audio Keystation pro88
Korg Monotron (on desk)
Oberheim SEM-Pro
Yamaha MG32-14fx
Moog Slim Phatty
Roland JV-1080
Oberheim Matrix 1000
Roland D-50
say the words so slow
say it without fear
you won't turn to go
you won't leave me here
the past is all we know
the memories are clear
i wish you were here
Paulit-uliting sirain
ang pinaghirapang ayusin
para muling araruhin.
Pakinggan at malibreng mai-download ang aking awiting Tisod dito:
soundcloud.com/slav3unitsideb/tisod
Isang munting panlipunang komentaryo.
Tenkyu, men.
All orig, all DIY, all rights reserved.
Loop-based improvisation continues with some random samples from an MPC and analog synth sounds via a Korg MicroKorg. MP3 (2:56)
This is where I do all my work. The computer pictured is running Propellerhead Reason 4. I also have Recycle 2.1, Sonic Foundry Acid Pro 4, and Audacity (which is free).
One of the things I've been wanting to do for a while is teach myself keyboards. Last year the awesome Laura announced she was selling her Micro Korg, which I jumped at the chance to buy. It's been in storage for a little while, but I got it back this weekend. Let the fun begin.
Ok it's not brilliant but it's better than it was ;-)
Oh yeah, it's not really wired up yet either, and still need to buy those montirors as well!
He was given the nickname "Beardyman" because a name was quickly needed for a flyer for an early show, and he had a beard at the time.As well as accomplished solo beatboxing, Beardyman was inspired by MC Xander to use music technology such as the Korg Kaoss Pad 3 in order to loop and sample his vocals. Through his use of looping tools he effectively produces whole DJ sets where the records are constructed live from his vocalisations, as well as live production of original material.His music frequently contains elements of drum and bass, dubstep, breakbeat, trance, techno and other associated forms of electronic dance music. He also incorporates other forms of music into his live sets, including but not limited to reggae and country music, often purely for the purpose of providing a comedic counterpoint to his beatboxing. Virtually all of his music is created using his only his vocal chords to produce sounds, and incorporating music technology such as vocoders and software synthesis to alter the pitch of his voice, or to add various kinds of audio effects such as delays, reverbs or modulation effects. In various YouTube videos various pieces of electronic equipment can be spotted, notably the Korg Kaossilator Pro, the Kaoss Pad 3 (also known as the KP3), a Korg Wavedrum, a microKORG, a Boss GT-8 and a Boss RC-50.As of 2012 he has foregone the usage of Kaoss Pads in favour of proprietary software he has been developing, currently known as the Beardytron 5000 MkII. "Over the past 3 years I have worked tirelessly on the system, overseeing its development and testing, improving and configuring it. I had no choice really, as the shows I want to do are simply not possible using any existing off the shelf gear, existing software or even cobbled together patches using freeware. The system is essentially my life's work and will continue to be what i use for all my future endeavours. The Beardytron 5000 mkII is a work in progress and at some point you'll be able to buy some form of looper/production-system based on the innovations developed to make my shows possible. We've had to invent new paradigms in interface design to make it possible to control this many parameters at one time and at speed, and that's despite using Turnado which takes care of a large proportion of that using its 'within-preset-morphing'; it still took many vastly different iterations of the looper's interface to find the perfect balance of speed, accuracy and controllability. And as for the looper itself, it can do things no other looper in the world can do, small but vital advances which are fundamental to allowing a complex and dynamic looping based live-production performance possible. The looper/VST-host is designed to operate in perfect harmony with the interface and as I have been using the system, I have developed many macro's within the system which have introduced many efficiency gains over the course of this past summer of gigs. As I refine the presets I use within Turnado and Guitar Rig, each of which is an instrument in itself, the system will get more complex, subtler and faster to use." Beardyman further states: "The system is built from the ground up in C++ and objective C by Dave Gamble of DMGAudio and employs 15 instances and counting of a partly bespoke version of Sugarbytes' incredible linear-8-way-morph-engine controlled multi-effect 'Turnado'. Guitar rig is also used along with Rob Papen's delay. The system is controlled using 2 ipads running bespoke programs using a specially developed high definition, self-reconnecting protocol."In a video posted on YouTube on 24 October 2012 Beardyman further explains the conception and use of his new gear.On 29 November 2012 Beardyman posted a live gig performed in October 2012 in Pune, India, which was the first live gig audio revealed online to solely use the Beardytron 5000 MkII. He has stated that the software for the Beardytron 5000 MkII will be available to purchase by the public sometime in 2014.Early lifeForeman was born to a Jewish family in Stanmore, North London. After studying at Queen Elizabeth's Grammar School for Boys, Barnet, Foreman moved to Brighton in 2001 to study at the University of Sussex. Although he started making noises at the age of three by imitating Michael Winslow from the Police Academy movie series, it was seeing Rahzel perform live that convinced Foreman that beatboxing could sustain a whole show rather than simply provide interludes within the context of a broader presentation. Beardyman’s first musical venture was composing a symphony for his school orchestra at the age of ten. At fifteen, an introduction to drum and bass led to his long-standing obsession with music technology.Beatbox championships and other awardsIn 2006 Beardyman battled to become UK Beatbox Champion and retained his title in 2007 making him the first beatboxer in UK history to win two championships in a row. He was on the 2008 judging panel.CollaboratorsHis interest in exploring new musical technology is also evident in the innovative Battlejam club nights he hosts with 2007 DMC champion turntablist JFB. Here the live looping technology is augmented with live sampling of the audience to make the hook of instantly composed tracks and even live video sampling and scratching.He has gigged and recorded with MC Klumzy Tung as part of MC/beatbox duo The Gobfathers. Together, they presented Get Lucky TV's 'The Freestyle Show” in 2005, and also appeared as traffic wardens in a hidden camera show for E4.In 2008 he collaborated with visual artist mr_hopkinson, to produce a video called 'Monkey Jazz' which visually describes the live looping process, which has had over 1 million views on YouTube. Since then they have worked together to produce various multi-camera videos of Beardyman's performances filmed at the Cube Microplex. Beardyman has also appeared on stage for improvised live shows with mr_hopkinson providing visual backdrops from images instantly searched from the internet in response to audience suggestions.Viral videosBeardyman often incorporates humour into his act. He has impersonated Elvis, dressed as a monkey on stage at Bestival and once posed as an Austrian climate change lecturer, "Professor Bernhard Steinerhoff", before breaking into his set, with over 1 million views on YouTube. He also features in the Funky Sage ring tones in which he plays a floating head who beatboxes and gives good advice. His video "Kitchen Diaries" which features him combining beatboxing with cooking has been viewed more than 4 million times on YouTube. "Kitchen Diaries" also makes an appearance in 'South Coast', a Brighton based documentary about Hip Hop in the UK.
Eat your heart out Phil Spector, my current army of bent and factory synths, including an arduino based PWM/Ramp synth under ongoing development.
I play with myself a lot. But sometimes I play with other people.
I just finished working with Syke on a track. I'm pretty excited about this. We haven't figured out how and when to release it, yet, though. I'll post here when we do.
In the meantime, check out Syke's work here:
amplify.ph/artist/syke
Check out my previous work here:
soundcloud.com/slav3unit
And check out my work with The Room 8X Project here:
soundcloud.com/the-room-8x-project-1
Thank you! Salamat!
December 2, 2016 UPDATE:
It was an honor working with Syke on this track. Back in the late 90s/early 2000s, in Manila, I used to wait all day just to see the music video of his song Ang Lupet to be played in the UHF tv channel EMC (I didn't have cable back then). Later, I met him online during the early days of Flickr and have been a fan of his visual work as well since then.
sykexslaveunit.bandcamp.com/track/sa-kalye-syke-x-slave-u...
Original track titled "Walang Pamagat" released as a part of the album Bigkas Pilipinas Vol. 1.
Remixed by Slave Unit.
Listen to more of Syke here:
soundcloud.com/sy2dk
Listen to more of Slave Unit here:
slav3unit.bandcamp.com
#opm #pinoy #maschine #korg #microkorg #maschinemikro #synth #pinoyalternative #pinoyhiphop