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Forte di Bard (AO), 2 agosto 2010, Musicastelle
McCoy Tyner Trio with special guest Joe Lovano
McCoy Tyner - Piano
The Pianist ~ Paris ~ MjYj
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John Coltrane: Ascension 1965
Part 1 (18'56)
Coltrane, Johnson, Sanders, Hubbard
Part 2 (21'41)
Shepp, Tchicai, Brown, Tyner, Garrison/Davis
John Coltrane ts, Freddie Hubbard tp, Art Davis b,
Elvin Jones dr, McCoy Tyner p, Marion Brown as,
Pharoah Sanders ts, Archie Shepp ts, John Tchicai as,
Dewey Johnson tp, Jimmy Garrison b.
Prod. by Bob Thiele
Rec. 28.6.1965, Impulse MCA 29020
LP 1965 (1980)- 16.4.85 30 mk Ladyland - MP3 25.9.06
Near to collective improvisation, amazing orchestral
high-lights!
Primal Cry -type solos, specially that of Ph. Sanders
in part 1.
This you just cannot listen at the background, either
you listen to it or not. Fantastic.
Coltrane-Ascensiton_1054-1-5-7mid
John Coltrane: A Love Supreme 1964
Acknowledgment (7'49)
Resolution (7'24)
Pursuance - Psalm (17'50)
(total length 33:02)
John Coltrane tenor sax
McCoy Tyner piano
Jimmy Garrison bass,
Elvin Jones drums
Cover photo & producer Bob Thiele
recorded 9.12.1964 - released 1965
Impulse MCD 01648
Bought the LP 11.1.1978 30,- Kavalkad H:ki
On of the greatest jazz records of all times.
Coltrane's great quartet plays the four part suite.
The mood is very spiritual, Coltrane even chants
the title as a mantra...
This photograph is copyrighted and may not be used in any way without permission. Contact me at : jackman_on_jazz@yahoo.com concerning use.
Legendary pianist McCoy Tyner gives a solo performance during the first day of the Charlie Parker Jazz Festival. New York, NY.
Marcus Garvey Park; New York, New York.
The 2012 schedule:http://www.cityparksfoundation.org/calendar/charlie-parker-jazz-festival/
John Coltrane: My Favorite Things
1. My Favorite Things (Rodgers and Hammerstein) 13'47
2. Every time We Say Goodbye (Cole Porter) 5'43
Side 2
3. Summertime Gershwin/Heyward) 11'37
4. But Not For Me (Gershwin) 9'35
(total time 40'42
John Coltrane tenor & soprano sax
McCoy Tyner piano
Art Davis bass
Elvin Jones drums
Recorded October 24 - October 26, 1960
Atlantic Records SD 1361
Producer Nesuhi Ertegun
Cover photo: Lee Friedlander
Bought the LP 16.4.1985 30 mk Ladyland,
My Favorite Things is now doubt one of the greatest jazz classics of all time. Coltrane plays his soprano sax like eastern oboe. The endless solo accompanied by his trio...
My brother listened My Favorite Things already in the 60's and I heard it many times then.
- Sounds great - forever!!
Two jazz legends performed together during The Hague Jazz 2008: on the second day of the festival saxophonist Joe Lovano joined the trio of master pianist McCoy Tyner, known for his work with the John Coltrane Quartet and a long solo career.
... or do you see what I see?
Maybe just one eye in this close crop detail of a glass water lily sculpture.
www.youtube.com/watch?v=bLpoUdFYX4g
Kingham Lodge Sculpture Garden, Oxfordshire Artweeks May 2012.
John Coltrane recorded A Love Supreme in December of 1964 and released it the following year. He presented it as a spiritual declaration that his musical devotion was now intertwined with his faith in God. In many ways, the album mirrors Coltrane's spiritual quest that grew out of his personal troubles, including a long struggle with drug and alcohol addiction.
From the opening gong and tenor saxophone flutter, a four-note bass line builds under the sound. This simple riff becomes the musical framework for the rich improvisations that comprise John Coltrane's 33-minute musical journey.
"I remember they cut the lights down kind of," says McCoy Tyner, who played piano on A Love Supreme as a member of Coltrane's band in the early and mid-'60s. "The lights were dimmed in the studio. I guess they were trying to get a nightclub effect or whatever. I don't know if it was John's suggestion or whatever. I remember the lights being dimmed."
It made sense to try to imitate the dim-lighted intimacy of a club during the studio recordings, he says, because it was on stage during live shows where the quartet would explore, practice and rehearse new material. He says there was an amazing unspoken communication during the "Love Supreme" sessions. In fact, he says, Coltrane gave very few verbal directions. Tyner calls the album a culmination and natural extension of chemistry honed through years of playing together live.
"You see, one thing about that music is that it showed you that we had reached a level where you could move the music around. John had a very wonderful way of being flexible with the music, flexing it, stretching it. You know, we reflected that kind of thing. He gave us the freedom to do that. We thought of something, 'Oh, then we'll play it,' you know? And he said, 'Yeah, I have a feeling'—you know? And all that freedom just came together when we did that record."
It was that free-wheeling openness which allowed the musicians—Coltrane, Tyner, along with drummer Elvin Jones and bassist Jimmy Garrison—to build a complex four-part suite around a relatively basic musical idea.
Lewis Porter heads the masters program in jazz history and research at Rutgers University-Newark. He's the author of John Coltrane: His Life and Music. Porter says that simple idea culminating in the first movement with an unprecedented verbal chant by Coltrane forms the foundation of the entire suite. It's a theme Coltrane consciously uses in subtle and careful ways throughout A Love Supreme. For example, toward the end of part one, "Acknowledgement," Coltrane plays the riff in every key.
"Coltrane's more or less finished his improvisation, and he just starts playing the 'Love Supreme' motif, but he changes the key another time, another time, another time. This is something very unusual. It's not the way he usually improvises. It's not really improvised. It's something that he's doing. And if you actually follow it through, he ends up playing this little 'Love Supreme' theme in all 12 possible keys," says Porter. "To me, he's giving you a message here. First of all, he's introduced the idea. He's experimented with it. He's improvised with it with great intensity. Now he's saying it's everywhere. It's in all 12 keys. Anywhere you look, you're going to find this 'Love Supreme.' He's showing you that in a very conscious way on his saxophone. So to me, he's really very carefully thought about how he wants to present the idea."
While A Love Supreme is a recognized musical masterpiece, it had enormous personal significance for Coltrane. In the spring of 1957, his dependence on heroin and alcohol lost him one of the best jobs in jazz. He was playing sax and touring with Miles Davis' popular group when he became unreliable and strung out. Alternately catatonic and brilliant, Coltrane's behavior and playing became increasingly erratic. Davis fired him after a live show that April.
Soon after, Coltrane resolved to clean up his act. He would later write, in the 1964 liner notes to A Love Supreme, "In the year of 1957, I experienced, by the grace of God, a spiritual awakening, which was to lead me to a richer, fuller, more productive life."
But Coltrane didn't always stay the clean course. As he also wrote in the album's notes, "As time and events moved on, I entered into a phase which is contradictory to the pledge and away from the esteemed path. But thankfully now, through the merciful hand of God, I do perceive and have been fully reinformed of his omnipotence. It is truly a love supreme."
The album is, in many ways, a reaffirmation of faith. And the suite lays out what you might call its four phases: "Acknowledgement," "Resolution," "Pursuance" and "Psalms." A Love Supreme has even spawned something of a religious sect. Reverend Franzo Wayne King is pastor of the Saint John Coltrane African Orthodox Church in San Francisco. The congregation mixes African Orthodox liturgy with Coltrane's quotes and a heavy dose of his music. Pastor King calls the album the cornerstone of his 200-member church.
"When you look at the composition of titles and the sequence in which John has them laid out, we say that there's formula in that album. When he says, 'Acknowledgements, resolutions and pursuance,' it's like saying, 'Father, Son and Holy Ghost.' It's like saying, 'Melody, harmony and rhythm.' In other words, you have to acknowledge and then you resolve and then you pursue, and the manifestation of it is a love supreme."
While it's unknown whether Coltrane would have wanted to be worshiped or have his art deified, it's clear in every way that he saw A Love Supreme as much more than just another recording. Coltrane took control of every detail of the album, unlike any of his other works, including writing the liner notes and an accompanying poem. The poem, it's been discovered, is written to match the slow music of the fourth movement, "Psalms." It's a connection Coltrane hints at cryptically in the liner notes.
Pastor King remembers the day his congregation made the discovery. "It was so funny. We were here. We had been collected as a community, and we used to just read it and try to put some passion in it, you know. And then one day, we were reading the album, because he said the last part is 'Psalms,' which is in context, written context. And we said, 'Well, what is he trying to say here?' And then we put it on and sang, 'A love supreme. I would do all I can to be worthy of you, oh, Lord.' It's kind of like Pentecostal preaching, you know," Pastor King says. "We had a great day. We woke up and found out that the music and the words went together, and that was like a further encouragement that John Coltrane was, indeed, you know, sent by God and that that sound had really jumped down from the throne of heaven, so to speak."
While Pastor King sees explicit Christian symbolism in A Love Supreme, others point out that Coltrane took a much more general view. Coltrane was careful to say that while he was raised Christian, his searchings had led him to realize that all religions had a piece of the truth.
Only once did Coltrane perform the entire "Love Supreme" suite live, and there are no recorded interviews in which he talks about the album's personal significance. In fact, Coltrane didn't even talk about it with his band mates. "We didn't talk about a lot of things," says Tyner. But he does say the band knew that A Love Supreme had unique chemistry.
"He told me, he says, 'I respond to what's around me,'" remembers Tyner. "That's the way it should be, you know? And it was just—I couldn't wait to go to work at night. It was just such a wonderful experience. I mean, I didn't know what we were going to do. We couldn't really explain why things came together so well, you know, and why it was, you know, meant to be. I mean, it's hard to explain things like that."
From NPR.org
First Meditations (for quartet) 1965
1. Love (Coltrane)(8')
2. Compassion (Coltrane) (9'30)
B-side
3. Joy (Coltrane) (8'53)
4. Consequences (Coltrane) (7'15)
5. Serenity (Coltrane) (5'12)
John Coltrane ts
McCoy Tyner p,
Jimmy Garrison b,
Elvin Jones dr
Rec. 2.9.1965
Prod. Bob Thiele & John Coltrane
Published 1977 - Impulse AS 9332
Art direction: Frank Mulbey, Illustradion: Mamoru shimokochi,
Design: Philip Chiang.
Bought the LP 18.7.1978 33,- Kavalkad H:ki
The quartet with McCoy Tyner on piano. Very strong!
John Coltrane: Sun Ship 1965/1971
1. Sun Ship (6:12)
2. Dearly Beloved (6:27)
3. Amen (8:16)
4. Attaining (11'29)
5. Ascent (10:10)
(42'28)
John Coltrane tenor saxophone, soprano saxophone, leader, composer
McCoy Tyner piano
Jimmy Garrison bass
Elvin Jones drums
Recorded on August 26, 1965, released 1971
Original superv. Bob Thiele, prepared by Alice Coltrane & Ed Michel
Impulse AS 9211 LP
Bought the LP 30.11.1971 26 mk
My oldest Coltrane LP - but heard him a lot before that. Furious, fantastic, ecstatic... It took a while until I really learned to like it - quite difficult (and I was quite young in those days, 19 and listened more Jimi Hendrix and Eric Clapton... - it's still quite ruff and very strong....
My favourite here is the slow, peaceful and meditative Attaining.
ARTIST: John Coltrane tenor and soprano sax, McCoy Tyner piano, Jimmy Garrison bass, Elvin Jones drums, Art Davis bass (3)
TITLE: Quartet Plays
COMPOSERS: Coltrane, Sherman, Ahbez
YEAR: 1965
LABEL: LP Impulse AS 85
PRODUCER: Bob Thiele
COUNTRY: US
TIME: 46'43
BOUGHT: LP 11.1.1978 30 mk Kavalkad H:ki
COVER photo: Lee E. Tanner
GENRE: jazz, modal
FORMAT: vinyl LP 30 cm
STARS: ****½
RECORD BEFORE THIS: Rachmaninov: 2. Sinf. 21.12.1977
RECORD AFTER THIS: Coltrane: A Love Supreme 11.1.1978
4 TRACKS:
1. Chim Chim Cheree (Sherman)(6'56)
2. Brazilia (Coltrane)(12'56)
Side 2
3. Nature Boy (Ahbez)(8'02)
4. Song of Praise (Coltrane)(9'49)
Comments:
Coltrane's classic quartet with McCoy Tyner, Jimmy Garrison & Elvin Jones.
Some classic performances here: the Musical tune Chim Chim Cheree, Coltrane plays on soprano sax the same style as My Favourite Things five years earlier.
Forte di Bard (AO), 2 agosto 2010, Musicastelle
McCoy Tyner Trio with special guest Joe Lovano
McCoy Tyner - Piano
Forte di Bard (AO), 2 agosto 2010, Musicastelle
McCoy Tyner Trio with special guest Joe Lovano
Eric Gravatt - Batteria
McCoy Tyner is a jazz pianist from Philadelphia, Pennsylvania, known for his work with the John Coltrane Quartet and a long solo career
Forte di Bard (AO), 2 agosto 2010, Musicastelle
McCoy Tyner Trio with special guest Joe Lovano
Joe Lovano - Sassofono
Only Coltrane can take something like Chim Chim Cheree and turn it into something else. This is the Analogue Productions pressing. Good stuff.