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Taken 2 years ago, when Max was 15.5 months. His curls were flattened via hat-head.
I got my Nikon D100 3 weeks prior to taking this.
This Ford Falcon was a long time on my wish list. Now I have found the time to build it. All Stickers are original LEGO® Stuff. The Interceptor Types was cut from the Sentai Fortress (Exo Force) Sticker sheat.
Paris, France.
Model: Max Grey
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The Atlantic Washington Ideas Forum at the Harman Center, Tuesday, September 27 - Thursday, September 29, 2016, Washington, DC. (Photo by Max Taylor)
Meet Max, a local guy to our base in Rye, South-East England. We had spotted 21 year old Max on the street a few weeks ago and asked if he'd be interested in doing a shoot. This was his first time in front of the camera and we think he did a brilliant job, especially having to get changed on a very windy beach! Some people did get to see a lot more of Max that day!
A new addition to our family ...
This is a full body shot I took right before the previous picture.
Check out Max's blog at yorkie.wordpress.com/
Always loved the idea of buying a few small lego sets to make one huge thing but the Max builds only ever use half of the total parts. I've made a few of my own, this is the first in a long line of Max Mixel builds i'll be uploading over December.
Here is the three legged terror J.C.Beast, piloted by the evil Doctor Renovator. Equipped with a giant drill hand and pneumatic claw, I can see him fitting quite well into a Super Mario Galaxy style game.
This was probably introduced around 1960 but I can't find any reviews of it. It was an improvement on the Ricoh 300 of the previous year, which had only an F/2.8 lens and no frameline in the finder. The Max is a little-known model because it was quickly replaced by other models within a year or so. And because it was made only for about a year, it is today rather scarce, and the occasional available examples are offered for about CA$200.
It's a very nice model except that it would have been even better with an automatic parallax compensation that the best Japanese rangefinders of the period had (Minolta Hi-Matic 7 and 7S, Konica S-II and Auto S-II, Canonet 1.9 and 1.7, Yashica Electro-35 G and GS, plus others).
On the other hand, thanks to its smaller finder system, it is more compact than the others. It was more compact also because its lens was only F/2, while most of the others had F/1.9 or F/1.8 or F/1.7.
This camera worked when purchased from the Japanese seller with the user name of "sangetsu03," but because of some shock during transportation, the release button no longer releases the shutter and I need to remove the top cover and fix the problem (probably a linkage that got loose). The RF alignment was off at first, which I managed to fix (easy to do on this model, with adjustment screws behind cover-screws on top deck and at the back).
Us presento a Max, el meu gat, és un Gat del bosc de Noruega i és el rei de la casa
Os presento a Max, mi gato, es un Noruego de los Bosques y el rey de la casa.
It's Max, my cat, is a Norwegian Forest Cat and the king of the house.
Only a small window of opportunity this morning to take some shots of Max with Eos 1d mkiii borrowed from Steve Cookyboy Cooke.
Austrian postcard by Iris Verlag, no. 6307. Photo: Mondial Film.
Danish cabaret artist, actor, comedian, and singer Max Hansen (1897-1961) was known as 'The Little Caruso'. During the 1920s, he was one of the most popular stars in Berlin.
Max Hansen was born Max Josef Haller in Mannheim, Imperial Germany in 1897. He was an illegitimate child to the Danish actress Eva Haller and the Swedish Officer Schürer von Waldheim (according to other sources he had a Jewish father, the Hungarian artist Joseph Walder). Max grew up with foster parents in Munich, where he first appeared at the Cabaret Simplizissimus at the age of 17. In 1914 he moved to Vienna, where he completed his studies as a ballad singer. Filmportal.de: “Thinking that it may perhaps be advantageous to draw attention to his Scandinavian origins, he changes his name to Hansen. Profiting from his powerful, highly modulating voice, he becomes known as the ‘little Caruso’ in cabarets and variety theatres, performing comical couplets, sketches and opera parodies.” In 1923, Hansen was discovered by Hubert Marischka. He asked him for the tenor role of Baron Kolomán Zsupán in the Emmerich Kálmán operetta 'Gräfin Mariza' (Countess Mariza) at the Theater an der Wien in Vienna. After 900 performances, the popular production moved to the Metropoltheater in Berlin, where Hansen became very successful. In Berlin, he founded the KadeKo, the Kabarett der Komiker (the Cabaret of Comedians) with Paul Morgan and Kurt Robitschek in 1924. Hansen was engaged by Max Reinhardt for his revival of Jacques Offenbach's 'La belle Hélène', and by Erik Charell for his production of Franz Lehar's 'Die lustige Witwe' (The Merry Widow). Hansen's greatest stage success was playing Leopold the waiter in Ralph Benatzky's operetta-musical 'Im weißen Rößl' (The White Horse Inn) in 1930. He had already undertaken this part in the silent film Im weißen Rößl/The White Horse Inn (Richard Oswald, 1926) with Liane Haid. A year earlier, he had made his film debut in Husarenfieber/Hussars Fever (Georg Jacoby, 1925) with Georg Alexander. In the following years, he appeared in popular silent films like Familie Schimeck/The Schimeck Family (Alfred Halm, Rudolf Dworsky,1926), and Venus im Frack/Venus in evening dress (Robert Land, 1927) with Carmen Boni. From 1925, Hansen also recorded his own hits, which audiences appreciated for their parody and cabaret-like wit. His real film career began in the sound film era. His first sound film was Wien, du Stadt der Lieder/Vienna, City of Song (Richard Oswald, 1930) with Charlotte Ander and Paul Morgan. The excellent singer was soon pinned down for swinging musicals and comedies. He found an ideal partner in Jenny Jugo in films like Wer nimmt die Liebe ernst.../Who Takes Love Seriously? (Erich Engel, 1931). He also played opposite Gitta Alpar in Die - oder keine/She, or Nobody (Carl Froelich, 1932).
Max Hansen satirised Adolf Hitler as a homosexual with his song 'War'n Sie schon mal in mich verliebt?' (Have you ever been in love with me?), which caused the rage of the Nazis. He was thrown with tomatoes at the premiere of the comedy Das häßliche Mädchen/The Ugly Girl (Hermann Kosterlitz, 1933) with Dolly Haas. The film was made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premiered in September that year. According to Wikipedia, the film's representation of the ‘ugly girl’ as an outsider has been described as a metaphorical way to explore the outsider existence of Jews. Star Dolly Haas and director Hermann Kosterlitz, both Jewish, left Germany and later worked in the United States, where Kosterlitz became well known as Henry Koster. Hansen returned to Vienna and worked again at the Theater an der Wien. He starred in the film Csardas (Jacob Fleck, Luise Fleck, Walter Kolm-Veltée, 1935) with Irén Zilahy. He also performed in Switzerland, Amsterdam, Oslo and Helsinki. In 1936 he met Zarah Leander on a Scandinavian tour and engaged her as his stage partner in the operetta 'Axel an der Himmels Tür' (Axel at Heaven’s Gate), with music by Ralph Benatzky and produced in Theater an der Wien. It was a hit. After Austria was invaded by Germany in 1938, Hansen emigrated to Denmark, where he founded his own theatre at Copenhagen. He also appeared in Danish films like Tror du jeg er født i går!/Do you think I was born yesterday! (Lau Lauritzen, Jr., Alice O'Fredericks, 1941) and En flicka för mej/A girl for me (Börje Larsson, 1943). In addition, he wrote several songs under the pseudonymous ‘Sylvester’. In 1951 he returned to Germany and was successful once again singing the role of Leopold the waiter in 'The White Horse Inn'. In 1953 Hansen moved back to Copenhagen, where he died in 1961. His final film appearance was in the Danish comedy Hvad vil De ha'?/What do you want? (Jens Henriksen, Preben Neergaard, 1956) starring Dirch Passer. Hansen was married to Austrian actress Lizzi Waldmüller till 1938 and since 1940 to Britta Annette Sylvester-Hvid. He had four children. His daughter Ann-Mari Max Hansen (1949) and his son Max Hansen Jr. (1954) are both actors too. In 2004 German director Douglas Wolfsperger portrayed Hansen in his documentary War'n Sie schon mal in mich verliebt?
Sources: Thomas Staedeli (Cyranos), Stephanie D’heil (Steffi-line), Rudi Polt (IMDb), Filmportal.de, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Dozens of people came out for the No Pants Subway Ride, January 15, 2017, in downtown Portland. They rode the MAX train from Skidmore Fountain to Pioneer Square and back urging random people on the street to "Take off your pants!" Mark Graves/Staff
............ both Libby's parents. These two were devoted to each other, till Max left for Rainbow Bridge 5 years ago.