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FullStack London 2018 skillsmatter.com/conferences/9815-fullstack-2018-the-conf... www.tellingphotography.com
The Peace Arts Anthology.
edited by Daniel Brooks & Enda Soostar.
Ottawa, Peace Arts Publishers, [january] 1985. 6oo copies numbered 1-6oo in black ink at colophon, p.ii. ISBN o-77o9-o158-1.
6 x 8-15/16, 38 sheets ivory Domtar Carlyle Japan folded to 152 pp in 9 signatures of 4 sheets each & a 1oth of 2, sewn cream in 7 double stitches & glued with plain white light card endpapers & approx.1/2" black & white cloth appliqué head & tail bands into 6-1/4 x 9-1/4 black cloth-covered boards, spine & front cover only printed white letterpress, interiors all except 1o pp (i, iv, viii, xv, xvi, & last 5 pp) printed black letterpress, in 6-5/16 x 9-1/4 white glossy dustjacket printed black offset recto only.
cover photo by Peter Hendrickson.
44 contributors ID'd:
Robert Allen, John Baglow, Earle Birney, Bill Bissett, Jean-Claude Blouin, George Bowering, Daniel Brooks, Shelley Brown, Mick Burrs, L.Andrew Coward, Michael Dennis, Mary Di Michele, Margaret Dyment, Robert Eady, Mark Frutkin, Gary Geddes, Kevin Gildea, Gordon Gilhuly, Richard Harrison, Sharon Havrot, Peter Hendrickson, Tom Henighan, Doris Hillis, Robert Hogg, Joy Kogawa, Margaret Laurence, Anne Le Dressay, David Lewis, Blaine Marchand, Daphne Marlatt, Robin Mathews, Ward Maxwell, Susan McMaster, Bruce Meyer, Colin Morton, bpNichol, Robert Priest, Libby Scheier, Enda Soostar, Raymond Souster, Anne-Marie Theriault, Talking Turkey, Bronwen Wallace, Adele Wiseman.
Nichol contributes a poem:
i) Hour 16 3:35 p.m. to 4:35 p.m. (pp.24>27)
Oil paint on canvas
This painting of a young woman - probably a domestic servant - captures an intimate moment as she pauses from dressing. Her blouse is not fully buttoned and her bare foot is exposed. In rendering the subtle effects of morning light filtering through the window, Edvard Munch was inspired by the new French Impressionist style, using loose brushstrokes and shimmering colours.
Painted when Munch was just twenty years old, Morning was one of the first major works he exhibited. It marked him out as a rising star modern painting in Norway but also drew harsh criticism. Whilst some admired the painting's modern sensibility, others found its technique rough and its subject matter distateful.
[Courtauld Gallery]
From the exhibition
Edvard Munch. Masterpieces from Bergen
(May to September 2022)
Seen together for the first time outside of Scandinavia, the collection presents an exceptional overview of Munch’s development as an artist, providing a rich and comprehensive account of his journey from the early breakthrough pictures of the 1880s which launched his career, through to the expressive and psychologically charged works of the 1890s for which he became known.
The remarkable collection was formed at the beginning of the 20th century by Norwegian industrialist and philanthropist Rasmus Meyer (1858-1916). An early champion of Munch’s work, Meyer knew the artist personally. He astutely acquired major canvases that chart the development of the painter’s unique expressive style that marks Munch as one of the most radical painters of the 20th century. At the time of Meyer’s death in 1916, the canvases encompassed what was then the most comprehensive documentation of Norwegian contemporary art in any collection and the largest single group of works by Edvard Munch. The collection was gifted to the city of Bergen in 1916, and housed since 1924 in a purpose-built gallery in the heart of Bergen, part of KODE Art Museums and Composer Homes.
The exhibition at The Courtauld begins with important early paintings from the 1880s, when Munch was drawing on social realism, Naturalist techniques, and the legacy of French Impressionism to create his own style. This is exemplified by the artist’s first major work, Morning (1884), painted when he was just twenty years old. Despite being controversial at the time for its unconventional style and its intimate subject, the picture helped to establish Munch’s critical and public recognition as a modern painter and was exhibited at the Paris World Fair in 1889.
Another early highlight in the exhibition is Munch’s large-scale canvas Summer Night. Inger on the Beach (1889), a powerful and evocative depiction of his sister Inger sitting by the shoreline of a fjord. This pivotal work has long been celebrated as the painting with which Munch found his artistic voice. Summer Night marks his move towards the expressive and psychologically charged output for which he became famous.
These early paintings launched Munch’s career in Norway and internationally and set the stage for his ground-breaking paintings of the 1890s when his compositions became powerful projections of his emotions and psychological state. Major examples of these 1890s works form the larger part of the exhibition. Instantly recognisable by Munch’s highly expressive handling of paint and rich colour, they include remarkable canvases from the artist’s famous ‘Frieze of Life’ series, such as Evening on Karl Johan (1892), Melancholy (1894-96) and By the Death Bed (1895). Munch’s ‘Frieze of Life’ canvases were intended to address profound themes of human existence, from love and desire to anxiety and death. The artist used his own experiences as source material to create visceral depictions of the human psyche, which he hoped would help others understand their own life. Munch’s ambition to create paintings that operated on a deeply emotional and psychological level, marked him out as one of the most distinctive voices of modern art at the turn of the 20th century.
The exhibition also includes Self-Portrait in the Clinic (1909), one of Munch’s most impressive and introspective self-portraits, painted when he was undergoing treatment for emotional stress in Copenhagen. This powerful work marked a significant and lasting shift in Munch’s style, as he adopted a brighter palette and started applying paint with loose, jagged brushstrokes that left parts of the canvas visible. Munch deployed this new approach to remarkable effect in Youth (1908), one of the paintings Meyer acquired directly from the artist. Its near-life sized depiction of a naked young man on the beach is full of a renewed sense of vitality that characterised Munch’s work at this time.
Edvard Munch. Masterpieces from Bergen is presented in The Courtauld’s Denise Coates Exhibition Galleries and is the second in The Morgan Stanley Series of temporary exhibitions at The Courtauld. The Courtauld’s permanent collection of Impressionist and Post-Impressionist masterpieces, on display in the adjacent newly refurbished LVMH Great Room, provide rich context for the exhibition, revealing some of the artistic inspirations Munch encountered during his experimental years in Paris from 1889 – 1892, where he discovered the modern styles of Gauguin, Toulouse Lautrec and Van Gogh.
[Courtauld Gallery]
Welcome speech by 5 Days Off director Bas van den Broeke. Photo by Jessica Dreu. www.codedmatters.nl
Black Lives Matter shuts down Eglinton Ave W and Allen Rd.
#BLMTOshutitdown #justiceforjermainecarby #justiceforandrewloku #blacklivesmatter
Nederland, Zeewolde, 02-03-2015Arjan Bos die uit protest tegen de gaswinning met een bakfiets vol klei van Groningen naar Den Haag fietst. AL de hele weg ondervindt hij een stormachtige tegenwind.Een medestander fiets spontaan met hem meeFoto Marco Okhuizen
FullStack London 2018 skillsmatter.com/conferences/9815-fullstack-2018-the-conf... www.tellingphotography.com
FullStack London 2018 skillsmatter.com/conferences/9815-fullstack-2018-the-conf... www.tellingphotography.com
Mrs. Bush speaks with Stovall Middle School teacher and students about their current reading assignment.
Built by Beyer, Peacock & Co Ltd, Gorton, Manchester in 1930 ( Beyer-Garratt) Number 2352 was used between Durban and Cato Ridge, South Africa between 1931 and 1938 to haul up sharp bends and steep gradients. 2352 weighs in at an impressive 214 tons. For those of you unsure of how heavy that is (including me). A male African Elephant comes in at 6tons, meaning this locomotive weighs the equivalent of 36 elephants!
No matter what race track Nascar goes to each weekend, you will still see the #3 flag for Nascar great Dale Earnhardt, the father of current Nascar driver Dale Jr.
You will probably see some Rebel Flags too, even if you are at a racetrack that is not in the south. I know I saw some in Kansas....and that is not the South !
laughingsquid.com/people-matter-art-show-by-nicrad-featur...
photo by Scott Beale / Laughing Squid
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
Scala eXchange 2018. skillsmatter.com/conferences/10488-scala-exchange-2018. Images copyright www.tellingphotography.com
FullStack London 2018 skillsmatter.com/conferences/9815-fullstack-2018-the-conf... www.tellingphotography.com
GENEVA CAMP. A small town in the mega city of DHAKA. The people here are still called “Biharis”. As an Urdu-speaking Muslim minority, they fled to East Pakistan when India was partitioned in 1947. They were unwanted and remained stateless. After Bangladesh gained independence in 1971, the ICRC built camps to protect the Biharis. One of these is the GENEVA CAMP, where 50,000 people have lived together in a small space for decades. Finally in 2008 they got an ID card from Bangladesh. Thanks to GMB Akash’s contacts, I was able to move freely around this camp and get an idea of this community - and I share my moving impressions here.
In the refugee camp almost every room is visible, one area of life flows seamlessly into the next, this narrow space leaves little room for private matters.
Hit 'L' to view on large.
I must have been mad but the other guys who missed out wanted to go so I thought what the hell, lets go again and maybe capture something different. So thats what I did today.
A real time capsule but nature is taking back a lot of the rooms with full on decay and collapsed floors. Not to mention a shotgun wielding farmer and a bull roaming the enclosure to make matters worse. No chase today - bull was curiously watching us run away but did not decide to pursue.
Full set here: www.flickr.com/photos/41371468@N05/sets/72157630462121120/
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
FullStack London 2018 skillsmatter.com/conferences/9815-fullstack-2018-the-conf... www.tellingphotography.com
Dodger Stadium
© 2019 J. Aaron Delgado
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Despite being in the middle of a pandemic I and many others felt it important to attend this Black Lives Matters Protest.
The Bury St Edmunds for Black Lives event was held on Angel Hill.
Protests were organised around the world in response to the death of a black man George Floyd in Minneapolis, who died after a police officer knelt on his neck.
The event included a nine minute silence to mark the length of time police officer Derek Chauvin knelt on George Floyd's neck.
As you can see attendees were urged to wear masks and adhere to social distancing
This is another of my street photography projects this time focussing on Protests and demonstrations observed in the street.
The documenting of the protest and the people is my object . I am just a witness and by taking images it does not indicate that I support the subject matter of any demonstration.
7th June 2020
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Impressions from Saturdays's #BlackLivesMatter protest in Berlin.
I have been scared last week, ever since Trump violently cleared the protestors in Lafayette Park for his bible photo op. Back when Bush was President, I remember seeing blog posts about how he was going to fabricate some kind of emergency to postpone the election. And then when Obama was president you could find the same talk by right-wing Twitter accounts. I've always disregarded these as conspiracy narratives because the regular transfer of power is such a strong norm in US politics.
But Trump is different. He is totally unconstrained by norms. Today, mainstream media articles ask what Trump will do if (hopefully!) he loses the election in November. What if the result is disputed like it was in 2000? Trump will not hesitate to stir up violence to get his way. His actions this week have shown that. And there are enough people in America who will follow him no matter what.
So, since last Monday I've been feeling pretty anxious. There isn't a whole lot I can do from Berlin which makes things worse. I went to the protest in Berlin to show my solidarity with everybody who's on the street right now in America. There were so many people which I did not expect and which made me quite happy.
visit for style information & where you can get these items ((^~^))
thewanderingfaun.blogspot.com/