View allAll Photos Tagged Marni
▶ KITCHEN SET - Marni - ADESQUIAT KITCHEN
The set is available in the MARNI Mainstore and Marketplace:
PS.: FOOD NOT INCLUDED
▶ LIVINGROOM SET - Marni - SEPHORA SET
The set is available in the MARNI Mainstore and Marketplace:
▶ LIVINGROOM SET - Marni - PARIS
The set is available in the MARNI Mainstore and Marketplace:
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[✔] 🌹 🔹 PBR Materials Enabled / LEGACY
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⟡ backdrop
⟡нєα∂ /AVALON
//skin trés beaux yenji⟡
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Thank you in advance for your amazing support, favs, comments and awards. Even though I don't always get the time to respond to your comments, please know that I read them and I appreciate them and each and every one of you very much, along with your support and the time taken to view my work. Big hugs 💖
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Poem between
Between you
and me
the skin is
speckled with ink
Between stars
and flowers
We are nothing more than
a winged sheet of paper,
and I grasp
the silver-hewn handle
to bid the time between
good day
by Oddfríður Marni Rasmussen
Translation: Kate Sanderson
Leica M10-P, Super-Elmar 21mm; ISO 400, 1/755 sec,
Taken at Kalsøy, near the lighthouse of Kallur.
Part of the album Faroe Islands:
www.flickr.com/photos/fransvanhoogstraten/albums/72177720...
▶ BATHROOM SET - Marni - Rock Bathroom
MAIN FEATURES:
🔹 Sculpted Black Marble Bathtub – Bold centerpiece carved from realistic PBR stone
🔹 Twin Gold Vanity Stations – Floating basins with glowing elliptical mirrors & integrated faucet design
🔹 Mid-Level Utility Shelf – Clean gold shelving with bath products and linen props
🔹 Side Accessories – Rolled towels, spa stools, vases, candles, and mini bath bar for an immersive vibe
🔹 Contrasting Textures – Matte ribbed walls with reflective floors to dramatize the shadows
🔹 Floating Toilet Section – Modern black-and-gold toilet for a fully coordinated look
The set is available in the MARNI Mainstore:
▶ POOL - Marni - POOL
MAIN FEATURES:
🔹 Sound + Particle Effects
🔹 Remote-Controlled Party Lights – Turn ON/OFF
🔹 Sofa HUD & Pillow HUD
🔹 Adult / PG / Rap Animations
🔹 Materials Enabled – PBR Ready
The pool is available exclusively at the LEVEL event July Round!!!
house not included
Mis amigos Juan Luis y Bárbara acaban de poner un showroom de ropa de segunda mano en su casa en Biarritz llamado "Marni & Chloé".
Venden vestidos, fotos de surf, etc...
Les hice este logo y desde aquí les deseo un montón de suerte con el proyecto:
My friends Juan Luis and Barbara have just set up a Vintage Clothing Showroom in the living room of their home in Biarritz called "Marni & Chloé".
They sell clothes, surf pictures and all kinds of things.
I have designed this logo for them, and I wish them the best luck with this project:
I started Street Photography in earnest at the Easter Parade in 2012. Marni was my most popular photo then.
Well, fall around here means rain and alot of it! I think we had rain for 5 days straight. Finally a day of sunshine ahead. We are getting out in it for sure. Enjoy your saturday!
This song is totally unrealated but I like it....Chris Brown Forever...
i can say with 99.9% certainty that the very first *friend* i made on flickr was marni. i think we found each other through one of those "post one/comment 12" groups. : ) she is beautiful inside and out, amazingly talented, and has the kindest spirit. i value our friendship very much.
have a wonderful birthday, my lavender loving friend! xo.
Italian postcard by Rotalfoto, Milano, no. N. 41.
American actress Natalie Wood (1938-1981) was one of Hollywood's most valuable and wanted actresses in the early 1960s. At 4, she started out as a child actress and at 16, she became a star, when she co-starred with James Dean in Rebel Without a Cause (1955). For this role, she was nominated for an Oscar for Best Supporting Actress. In 1961, she played Maria in the hit musical West Side Story. She was nominated twice for an Academy Award for Best Actress in a Leading Role, for Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Only 43, Wood drowned during a boating trip with husband Robert Wagner and Brainstorm (1983) co-star Christopher Walken.
Natalie Wood was born Natalia Nikolaevna Zakharenko in San Francisco, USA, in 1938. Her parents were Russian immigrants. Her father Nikolai Stepanovich Zakharenko was a day laborer and carpenter and her mother Maria Zudilova was a housewife. Wood's parents had to migrate due to the Russian Civil War (1917-1923). Maria had unfulfilled ambitions of becoming an actress or ballet dancer. She wanted her daughters to pursue an acting career, and live out her dream. Maria frequently took a young Wood with her to the cinema, where Maria could study the films of Hollywood child stars. The impoverished family could not afford any other acting training to Wood. The Zakharenko family eventually moved to Santa Rosa, where young Wood was noticed by members of a crew during a film shoot. The family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name "Natalie Wood for her. The first name was based on her childhood nickname Natalia, and the last name was in reference to director Sam Wood. Natalia's younger sister Svetlana Gurdin (1946) would eventually follow an acting career as well, under the stage name Lana Wood. Natalie made her film debut in the drama Happy Land (Irving Pichel, 1943) starring Don Ameche, set in the home front of World War II. She was only 5-years-old, and her scene as the 'Little Girl Who Drops Ice Cream Cone' lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family over the next few years. Wood had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role opposite Orson Welles as Wood's guardian and Claudette Colbert in the romance film Tomorrow Is Forever (Irving Pichel, 1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was "unable to cry on cue" for a key scene. So her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene. Wood started appearing regularly in films following this role and soon received a contract with the film studio 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (George Seaton, 1947), starring Edmund Gwenn and Maureen O'Hara. The film was a commercial and critical hit and Wood was counted among the top child stars in Hollywood. She received many more to play in films. She typically appeared in family films, cast as the daughter or sister of such protagonists as Fred MacMurray, Margaret Sullavan, James Stewart, Joan Blondell, and Bette Davis. Wood appeared in over twenty films as a child actress. The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom, Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. After school hours ended, Wood would hurry to the set to film her scenes.
Natalie Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953-1954). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (Nicholas Ray, 1955) opposite James Dean and Sal Mineo. She played the role of a teenage girl who dresses up in racy clothes to attract the attention of a father (William Hopper) who typically ignores her. The film's success helped Wood make the transition from child star to ingenue. She was nominated for the Academy Award for Best Actress in a Supporting Role, but the award was instead won by Jo Van Fleet. Her next significant film was the Western The Searchers (John Ford, 1956), playing the role of abduction victim Debbie Edwards, niece of the protagonist Ethan Edwards (John Wayne). The film was a commercial and critical hit and has since been regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School, with her graduation serving as the end of her school years. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, the studio had her paired up with teenage heartthrob Tab Hunter as a duo. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period is the role of the eponymous protagonist in the melodrama Marjorie Morningstar (Irving Rapper, 1958) with Gene Kelly, playing a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. Wikipedia: "The central conflict in the film revolves around the traditional models of social behavior and religious behavior expected by New York Jewish families in the 1950s, and Marjorie's desire to follow an unconventional path." The film was a critical success, and fit well with other films exploring the restlessness of youth in the 1950s. Wood's first major box office flop was the biographical film All the Fine Young Cannibals (Michael Anderson, 1960), examining the rags to riches story of jazz musician Chet Baker (played by Robert Wagner) without actually using his name. The film's box office earnings barely covered the production costs, and film studio Metro-Goldwyn-Mayer recorded a loss of 1,108,000 dollars. For the first time. Wood's appeal to the audience was in doubt.
With her career in decline following this failure, Natalie Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in Splendor in the Grass (Elia Kazan, 1961) with Warren Beatty. The film was a critical success and Wood for first nominated for the Academy Award for Best Actress in a Leading Role. The award was instead won by rival actress Sophia Loren. Wood's next important film was West Side Story (Jerome Robbins, Robert Wise, 1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth in a film, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about 44 million dollars in gross, the highest-grossing film of 1961. It was also critically acclaimed and is still regarded among the best films of Wood's career. However, Wood was disappointed that her singing voice was not used in the film. She was dubbed by Marni Nixon, who also dubbed Audrey Hepburn in My Fair Lady (George Cukor, 1964), and Deborah Kerr in The King and I (Walter Lang, 1956). Wood's next leading role was as burlesque entertainer and stripper Gypsy Rose Lee in the Biopic Gypsy (Mervyn LeRoy, 1962) alongside Rosalind Russell. Some film historians credit the part as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterisation. The film was the highest-grossing film of 1962 and well-received critically. Wood's next significant role was that of Macy's salesclerk Angie Rossini in the comedy-drama Love with the Proper Stranger (Robert Mulligan, 1963). In the film, Angie has a one-night-stand with musician Rocky Papasano (Steve McQueen), finds herself pregnant, and desperately seeks an abortion. The film underperformed at the box office but was critically well-received. The 25-year-old Wood received her second nomination for the Oscar for Best Actress in a Leading Role, but it was won by Patricia Neal. Wood continued her successful film career and made two comedies with Tony Curtis: Sex and the Single Girl (Richard Quine, 1964) and The Great Race (Blake Edwards, 1965), the latter with Jack Lemmon, and Peter Falk. For Inside Daisy Clover (Sydney Pollack, 1965) and This Property Is Condemned (Sydney Pollack, 1966), both of which co-starred Robert Redford, Wood received Golden Globe nominations for Best Actress. However, her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. 175,000 dollars to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Natalie Wood made her comeback in the comedy-drama Bob & Carol & Ted & Alice (Paul Mazursky, 1969), with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her 750,000 dollars fee on a percentage of the gross, earning a million dollars over the course of three years. Wood was pregnant with her first child, Natasha Gregson (1970). She chose to go into semi-retirement to raise the child, appearing in only four more theatrical films before her death. These films were the mystery-comedy Peeper (Peter Hyams, 1975) starring Michael Caine, the Science-Fiction film Meteor (Ronald Neame, 1979) with Sean Connery, the sex comedy The Last Married Couple in America (Gilbert Cates, 1980) with George Segal and Valerie Harper, and the posthumously-released Science-Fiction film Brainstorm (Douglas Trumbull, 1983). In the late 1970s, Wood found success in television roles. Laurence Olivier asked her to co-star with him in Cat on a Hot Tin Roof (Robert Moore, 1976). After that, she appeared in several television films and the mini-series From Here to Eternity (Buzz Kulik, 1979), with William Devane and Kim Basinger. For From Here to Eternity, she received a Golden Globe Award and high ratings. She had plans to make her theatrical debut in a 1982 production of 'Anastasia'. On 28 November 1981, during a holiday break from the production of Brainstorm (1983), Natalie Wood joined her husband Robert Wagner, their friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. The four of them were on board Wagner's yacht Splendour. On the morning of 29 November 1981, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat. The autopsy revealed that she had drowned. Wikipedia: "The events surrounding her death have been the subject of conflicting witness statements, prompting the Los Angeles County Sheriff's Department, under the instruction of the coroner's office, to list her cause of death as 'drowning and other undetermined factors' in 2012. In 2018, Wagner was named as a person of interest in the ongoing investigation into Wood's death." Natalie Wood was buried in Westwood Village Memorial Park Cemetery in Los Angeles. Her would-be comeback film Brainstorm (Douglas Trumbull, 1983) was incomplete at the time of her death. It was ultimately finished and released, but Wood's character had to be written out of three scenes while a stand-in and changing camera angles were used for crucial shots. Natalie Wood was married three times. Her second husband was the British film producer and screenwriter Richard Gregson (1969-1972). She was twice married to actor Robert Wagner, from 1957 till 1962 and from 1972 till her death in 1981. She had two daughters, Natasha Gregson Wagner (1970) with Richard Gregson, and Courtney Wagner (1974) with Robert Wagner. The 2004 TV film The Mystery of Natalie Wood chronicles Wood's life and career. It was partly based on the biographies 'Natasha: the Biography of Natalie Wood' by Suzanne Finstad and 'Natalie & R.J.' by Warren G. Harris. Justine Waddell portrays Wood.
Sources: Dimos I (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Hey, endlich mal ein Sportshooting! Auf die Gelegenheit habe ich mich schon lange gefreut. Glycerinspray, ein leeres Fitnessstudio ganz für uns allein und den Zauberkoffer mit der Strobistausrüstung dabei - das macht richtig Laune. Normalerweise hebe ich mir ja auch schon gern mal das beste Foto für den Schluss auf, aber diesmal bin ich zu ungeduldig und dies ist es, ich mag dieses Foto einfach.
Ein schönes Wochenende Euch allen!
Strobist info:
2x Canon ez420, bare, from cam left and right behind the model as rim,
1x Yongnuo yn560 through umbrella from cam right front as fill,
all triggered by rf602.