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From "All That Is Solid Melts Into Air" exhibition in Mechelen, B.
21.03.09 - 21.06.09
"All That Is Solid Melts Into Air is organised by the Antwerp museum of contemporary art MuHKA as part of a large-scale, city-wide program of events, exhibitions and projects devoted to the question of the role of the spiritual and the status of spiritual experience in contemporary ‘post-secular’ society.
The focal point of All That Is Solid Melts Into Air is an attempt to articulate, in five distinct chapters, the seeming or real paradox of what could be called a materialist spirituality – the fundamental dialectic of spirit (animus) and matter that is one of the defining features of what is commonly called ‘art’, or ‘culture’ more generally.
Five exhibitions, curated by MuHKA's team of curators and comprising close to a hundred artists in total, seek to shed light on art's timeless quest for the added value of the spiritual that lurks within the materiality of the world."
Team of curators: Edwin Carels, Bart De Baere, Liliane De Wachter, Dieter Roelstraete, Grant Watson / Project coordinator: Robert Ghesquière / Coproduction: MuHKA & MMMechelen vzw in collaboration with Cultuurcentrum Mechelen /
Links :
www.stadsvisioenen.be/en_0/details.asp?recid=233
www.muhka.be/press.php?project_id=2807&subbase=actuee...
Mark Manders :
Venezia, I - 2013.
LV Esposizione Internazionale d’Arte – La Biennale di Venezia.
Padiglione Olanda | Dutch Pavillion by Mark Manders.
From "All That Is Solid Melts Into Air" exhibition in Mechelen, B.
21.03.09 - 21.06.09
"All That Is Solid Melts Into Air is organised by the Antwerp museum of contemporary art MuHKA as part of a large-scale, city-wide program of events, exhibitions and projects devoted to the question of the role of the spiritual and the status of spiritual experience in contemporary ‘post-secular’ society.
The focal point of All That Is Solid Melts Into Air is an attempt to articulate, in five distinct chapters, the seeming or real paradox of what could be called a materialist spirituality – the fundamental dialectic of spirit (animus) and matter that is one of the defining features of what is commonly called ‘art’, or ‘culture’ more generally.
Five exhibitions, curated by MuHKA's team of curators and comprising close to a hundred artists in total, seek to shed light on art's timeless quest for the added value of the spiritual that lurks within the materiality of the world."
Team of curators: Edwin Carels, Bart De Baere, Liliane De Wachter, Dieter Roelstraete, Grant Watson / Project coordinator: Robert Ghesquière / Coproduction: MuHKA & MMMechelen vzw in collaboration with Cultuurcentrum Mechelen /
Links :
www.stadsvisioenen.be/en_0/details.asp?recid=233
www.muhka.be/press.php?project_id=2807&subbase=actuee...
Mark Manders :
Mark Manders
Tilted Head, 2015-18
Patinated bronze
Courtesy the artist, Zeno X Gallery, Antwerp and Tanya Bonakdar Gallery New York / Los Angeles
Photo: Jason Wyche, Courtesy of Public Art Fund, NY
Mark Manders
Tilted Head, 2015-18
Patinated bronze
Courtesy the artist, Zeno X Gallery, Antwerp and Tanya Bonakdar Gallery New York / Los Angeles
Photo: Jason Wyche, Courtesy of Public Art Fund, NY
Mark Manders ‘Shadow Study’ (Femur and Upper Arm Bone Connected by One Single Shadow), 2011, exhibition ‘Room with Broken Sentence’, the Netherlands, Venice Biennale 2013
Mark Manders
Tilted Head, 2015-18
Patinated bronze
Courtesy the artist, Zeno X Gallery, Antwerp and Tanya Bonakdar Gallery New York / Los Angeles
Photo: Jason Wyche, Courtesy of Public Art Fund, NY
Exhibition Bergen Kunsthall (Norway), January-March 2008.
(The gallery accepted photos and net publication).
Exhibition Review - Dusadee Huntrakul:'To Dance Is To Be Everywhere' Chan + Hori Contemporary, Singapore till 8th October 2017.
“A turn of the line, like an asymptote, may approach an indent in time."- Drenched Co.
Notes: "Consider the Neck. A narrow connector whose shape and surface may evoke a season, a landscape or an architectural detail. Think of the Neck, pale, scented, a recipient of a thousand kisses or a long slender snake that may suddenly slither up a wall dragging the whole body. Think of its gestural throwing lines, its dynamic volumes and the way its lies about the backbone. Think of the Neck when looking at Dusadee Huntrakul's art and his interest in meanings transfered through objects, gestures and forms. In this exhibition, the Neck is the creamy beacon that invites contemplation through the ages, an albatross full of metaphors slung around it, clinging on to an unwritten head and a trace of meaningness. Dusadee once made a film titled 'My Armpit's my Beer', but I am convinced he is a neck man. Fabulous " - Raj
See www.chanhori.com/2017-current#/to-dance-is-to-be-everywhere/
See also www.soaked.space/2017/09/exhibition-review-dusadee-huntra...
See also www.woundsthatbind.com/2017/09/exhibition-review-dusadee-...
Caption: Image above: Installation view Dusadee Huntrakul Chan + Hori Contemporary, Singapore 2017.
Image courtesy of artist and Chan + Hori Contemporary, Singapore
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #DusadeeHuntrakul #ChanHoriContemporary #ChanHoriContemporarygallery #ToDanceIsToBeEverywhere #artinsingapore #artsingapore #singaporeanart #artinthailand #thaiart #artthai #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #neck #exhibitionreview #artreview #reviewart #ceramics #drawings #artifacts #Picasso #JoanMiro #MarkManders #asymptote #coleridge #collectivememory #myth #armpit #throwlines #gesture #form #object
Entourés d’une membrane transparente, des simulacres de cellules forment un parcours accidenté. Comme la mise en forme d’un espace mental, cette installation réalisée spécifiquement pour le lieu par Mark Manders (né en 1968, vit et travaille à Ronse, Belgique) évoque l’atelier de l’artiste mais aussi un chantier de fouilles archéologiques. On imagine l’humidité de l’argile sous les bâches, alors qu’il s’agit de sculptures en bronze, tandis que des figures humaines amputées entrent en symbiose avec des éléments d’architecture. Depuis plus de vingt ans, Mark Manders développe un autoportrait au long cours au moyen de sculptures, installations et architectures. Définissant lui-même son travail comme un « autoportrait en bâtiment », l’artiste mêle les références empruntées à l’histoire de l’art – des édifices solitaires de Giorgio De Chirico aux sculptures de jeunes gens dans l’Antiquité grecque – pour imaginer des oeuvres qu’il souhaite voir réunies dans ce bâtiment aux fenêtre obstruées, mêlant le futur au passé.
The crypt was probably the coolest place in the whole of London today.
Loved the work by Dom Agius - thepandorian.com/whispers/dom-agius/
And this by Mark Mander - thepandorian.com/whispers/mark-mander/
Pre-opening installation view of the 2008 Carnegie International, Life on Mars, at Carnegie Museum of Art in Pittsburgh. Mark Manders installation in progress.
Pre-opening installation view of the 2008 Carnegie International, Life on Mars, at Carnegie Museum of Art in Pittsburgh. Mark Manders installation in progress.
Artist: Mark Manders
Work: "Window with Fake Newspapers" (2005-2013), part of the installation, Room with Broken Sentence
Site: Netherlands Pavilion, Giardini
Rokinfontein was designed by a Dutch artist, Mark Manders. This piece entitled “Two Immovable Heads” was officially unveiled not too long ago on 5 September 2017. It is located on the Rokin, outside former Hudson’s Bay Amsterdam and bookstore Scheltema, surrounded by seating area.
Unfortunately, the fountain is temporarily out of operation due to water overflowing all over the sidewalk.