Library entrance at the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

Arsenel Tower in the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements. Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas like Scindias, Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on the tier above the water's edge".

The Dashashwamedh Ghat is the main and probably the oldest ghat of Varanasi located on the Ganges, close to the Kashi Vishwanath Temple.

It is believed that Brahma created this ghat to welcome Shiva and sacrificed ten horses during the Dasa-Ashwamedha yajna performed there. Above and adjacent to this ghat, there are also temples dedicated to Sulatankesvara, Brahmesvara, Varahesvara, Abhaya Vinayaka, Ganga (the Ganges), and Bandi Devi, which are all important pilgrimage sites. A group of priests performs "Agni Pooja" (Sanskrit: "Worship of Fire") daily in the evening at this ghat as a dedication to Shiva, Ganga, Surya (Sun), Agni (Fire), and the entire universe. Special aartis are held on Tuesdays and on religious festivals.

The Manikarnika Ghat is the Mahasmasana, the primary site for Hindu cremation in the city. Adjoining the ghat, there are raised platforms that are used for death anniversary rituals. According to a myth, it is said that an earring of Shiva or his wife Sati fell here. Fourth-century Gupta period inscriptions mention this ghat. However, the current ghat as a permanent riverside embankment was built in 1302 and has been renovated at least three times throughout its existence.

The Jain Ghat is believed to birthplace of Suparshvanatha (7th Tirthankara) and Parshvanatha (23rd tirthankara). The Jain Ghat or Bachraj Ghat is a Jain Ghat and has three Jain Temples located on the banks of the River. It is believed that the Jain Maharajas used to own these ghats. Bachraj Ghat has three Jain temples near the river's banks, and one them is a very ancient temple of Tirthankara Suparswanath.

INDIEN, Varanasi (Benares) frühmorgends entlang der Ghats

INDIEN, Varanasi (Benares) frühmorgends entlang der GhatsINDIEN, Varanasi (Benares) frühmorgends entlang der GhatsAls besonders erstrebenswert gilt es für strenggläubige Hindus, in Varanasi im Ganges zu baden, sowie dort einmal zu sterben und verbrannt zu werden. Entlang des Flusses ziehen sich kilometerlange, stufenartige Uferbefestigungen hin, die Ghats, an denen auf der einen Seite die Gläubigen im Wasser des für sie heiligen Flusses baden und wenige Meter weiter die Leichen der Verstorbenen verbrannt werden. Die Asche streut man anschließend ins Wasser. Ein Bad im Ganges soll von Sünden reinigen, in Varanasi zu sterben und verbrannt zu werden, ist der hinduistischen Mythologie zufolge, der Ausbruch aus dem ständigen Kreislauf der Wiedergeburt.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements.[90] Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on tier above the water's edge".

11th Century Nataraj (The Dancing Shiva) in the Royal Palace Museum in the Sadar Mahal Palace in the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

A spectacular sight of rain at a distance as it approaches us as viewed from the top of Aguada Fort.

The fort was constructed in 1612 to guard against the Dutch and the Marathas. It was a reference point for the vessels coming from Europe at that time. During the Salazar Administration, Fort Aguada was repurposed for use as a prison primarily, some claim, for Salazar's political opponents.

© All rights reserved, don´t use this image without my permission. Contact me at debmalya86@gmail.com

This beautiful 2 storeyed palace was built in the 15th century by Sultan Ghiyas-ud-din Khalji in Mandu ,the capital of the powerful Malwa kingdom in central India.It is called the Jahaz Mahal or Ship Palace because its location between two artificial bodies of water gave it the appearance of a floating ship.The palace had an intricate system of acoustics and aquaducts and had indoor swimming pools.It housed the harem of the Sultan.

Mandu is a ruined fort city at an elevation of just over 2000 feet in the central Indian state of Madhya Pradesh.It is situated on a rocky outcrop of the Malwa Plateau and commands breathtaking views of the surrounding countryside.

It was probably founded in the 6th century B.C and was ruled by the Paramars (a Rajput clan) until they were defeated by Muslim invaders in the 14th century. Mandu , which became the capital of the powerful central Indian kingdom of Malwa ,reached its zenith under Hoshang Shah who ruled from 1405 - 34.It suffered a decline after the advent of the Mughals in India and was subsequently conquered by them in the 16th century.The Marathas captured Mandu in 1732 after which it remained part of the territories of the Pawars of Dhar.

Mandu is famous for the story of Baz Bahadur (1551-61) ,a Muslim ruler of the Muzaffarid Dynasty and his Hindu Rajput queen ,Rupmati. It was during the reign of Baz Bahadur that the Mughals captured Mandu.

I am sorry I could not include the waterbody on this side of the palace as it would have involved a longish walk in the hot sun and also there was not enough water to tempt me.:-)

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements. Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas like Scindias, Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on the tier above the water's edge".

The Dashashwamedh Ghat is the main and probably the oldest ghat of Varanasi located on the Ganges, close to the Kashi Vishwanath Temple.

It is believed that Brahma created this ghat to welcome Shiva and sacrificed ten horses during the Dasa-Ashwamedha yajna performed there. Above and adjacent to this ghat, there are also temples dedicated to Sulatankesvara, Brahmesvara, Varahesvara, Abhaya Vinayaka, Ganga (the Ganges), and Bandi Devi, which are all important pilgrimage sites. A group of priests performs "Agni Pooja" (Sanskrit: "Worship of Fire") daily in the evening at this ghat as a dedication to Shiva, Ganga, Surya (Sun), Agni (Fire), and the entire universe. Special aartis are held on Tuesdays and on religious festivals.

The Manikarnika Ghat is the Mahasmasana, the primary site for Hindu cremation in the city. Adjoining the ghat, there are raised platforms that are used for death anniversary rituals. According to a myth, it is said that an earring of Shiva or his wife Sati fell here. Fourth-century Gupta period inscriptions mention this ghat. However, the current ghat as a permanent riverside embankment was built in 1302 and has been renovated at least three times throughout its existence.

The Jain Ghat is believed to birthplace of Suparshvanatha (7th Tirthankara) and Parshvanatha (23rd tirthankara). The Jain Ghat or Bachraj Ghat is a Jain Ghat and has three Jain Temples located on the banks of the River. It is believed that the Jain Maharajas used to own these ghats. Bachraj Ghat has three Jain temples near the river's banks, and one them is a very ancient temple of Tirthankara Suparswanath.

Murud Janjira is a fort and tourist attraction located on an island just off the coastal town of Murud in Raigad district of the state of Maharashtra, India.

The fort was originally just a wooden structure built in the 15th century by Kolis (local fisherman) to live peacefully away from the threat of pirates.Later it was captured by the Ahmednagar Sultanate of southern India.In 1567 a solid rock fortress was built by Malik Ambar, a regent of the Sultanate who was of Abyssinian descent.

Susequently the fort was lost to the Sidis, a unique tribe of African ancestory, who originally came to the Indian subcontinent through the slave trade or as merchants,sailors or mercenaries.

Due to its strategic location on a bustling maritime trade route, Murud Janjira fort was throughout its chequered history coveted by various powers like the Marathas,The Mughals or the Portuguese.The Marathas under Chhtrapati Shivaji Maharaj made several attempts to capture it but failed.

The fort is built on an oval shaped rock, off the Arabian Sea coast near the town of Murud, 165 kms south of Mumbai.It is considered one of the strongest coastal forts of India.The main gate of the fort can be seen when one is only about 40 feet away from it.It has 26 artillery towers which are still intact, some of them with ancient rusting canons.In its heydey, the fort had all facilities including barracks, quarters for officers, a mosque, 2 fresh water ponds and also a palace for the Nawabs which is still in pretty good shape.

The fort is now a tourist attraction and can be visited by sailboats from Rajapuri jetty.A slightly precarious journey but well worth the effort.

The fort might be visible better in large.

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Shot @ Thanjavur Maratha Palace , Thanjavur, Tamil Nadu , India.

I found her sitting alone in the dark near the store , though I was intended to shoot only the light through the door . I couldn't ignore her while I took the picture .

Detail in the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

Nahargarh Fort stands on the edge of the Aravalli Hills, overlooking the city of Jaipur in the Indian state of Rajasthan. Along with Amer Fort and Jaigarh Fort, Nahargarh once formed a strong defence ring for the city. The fort was originally named Sudershangarh, but it became known as Nahargarh, which means 'abode of tigers'. The popular belief is that Nahar here stands for Nahar Singh Bhomia, whose spirit haunted the place and obstructed construction of the fort. Nahar's spirit was pacified by building a temple in his memory within the fort, which thus became known by his name.

Built mainly in 1734 by Maharaja Sawai Jai Singh, the king of Jaipur, the fort was constructed as a place of retreat on the summit of the ridge above the city. Walls extended over the surrounding hills, forming fortifications that connected this fort to Jaigarh, the fort above the old capital of Amber. Though the fort never came under attack during the course of its history, it did see some historical events, notably, the treaties with the Maratha forces who warred with Jaipur in the 18th century. During the Indian Mutiny of 1857, the Europeans of the region, including the British Resident's wife, were moved to Nahargarh fort by the king of Jaipur, Sawai Ram Singh, for their protection.

The fort was extended in 1868, during the reign of Sawai Ram Singh. In 1883-92, a range of palaces was built at Nahargarh by Dirgh Patel at a cost of nearly three and a half lakh rupees. The Madhavendra Bhawan, built by Sawai Madho Singh had suites for the queens of Jaipur and at the head was a suite for the king himself. The rooms are linked by corridors and still have some delicate frescoes. Nahargarh was also a hunting residence of the Maharajas.

Until April 1944, the Jaipur State government used for its official purposes solar time read from the Samrat Yantra in the Jantar Mantar Observatory, with a gun fired from Nahargarh Fort as the time signal.

Some scenes in the movies Rang De Basanti, Shuddh Desi Romance and Sonar Kella were shot at Nahargarh Fort.

Statue at the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

The Art Gallery Thanjavur at the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

Nahargarh Fort stands on the edge of the Aravalli Hills, overlooking the city of Jaipur in the Indian state of Rajasthan. Along with Amer Fort and Jaigarh Fort, Nahargarh once formed a strong defence ring for the city. The fort was originally named Sudershangarh, but it became known as Nahargarh, which means 'abode of tigers'. The popular belief is that Nahar here stands for Nahar Singh Bhomia, whose spirit haunted the place and obstructed construction of the fort. Nahar's spirit was pacified by building a temple in his memory within the fort, which thus became known by his name.

Built mainly in 1734 by Maharaja Sawai Jai Singh, the king of Jaipur, the fort was constructed as a place of retreat on the summit of the ridge above the city. Walls extended over the surrounding hills, forming fortifications that connected this fort to Jaigarh, the fort above the old capital of Amber. Though the fort never came under attack during the course of its history, it did see some historical events, notably, the treaties with the Maratha forces who warred with Jaipur in the 18th century. During the Indian Mutiny of 1857, the Europeans of the region, including the British Resident's wife, were moved to Nahargarh fort by the king of Jaipur, Sawai Ram Singh, for their protection.

The fort was extended in 1868, during the reign of Sawai Ram Singh. In 1883-92, a range of palaces was built at Nahargarh by Dirgh Patel at a cost of nearly three and a half lakh rupees. The Madhavendra Bhawan, built by Sawai Madho Singh had suites for the queens of Jaipur and at the head was a suite for the king himself. The rooms are linked by corridors and still have some delicate frescoes. Nahargarh was also a hunting residence of the Maharajas.

Until April 1944, the Jaipur State government used for its official purposes solar time read from the Samrat Yantra in the Jantar Mantar Observatory, with a gun fired from Nahargarh Fort as the time signal.

Some scenes in the movies Rang De Basanti, Shuddh Desi Romance and Sonar Kella were shot at Nahargarh Fort.

INDIEN, Varanasi (Benares) frühmorgends entlang der Ghats

Als besonders erstrebenswert gilt es für strenggläubige Hindus, in Varanasi im Ganges zu baden, sowie dort einmal zu sterben und verbrannt zu werden. Entlang des Flusses ziehen sich kilometerlange, stufenartige Uferbefestigungen hin, die Ghats, an denen auf der einen Seite die Gläubigen im Wasser des für sie heiligen Flusses baden und wenige Meter weiter die Leichen der Verstorbenen verbrannt werden. Die Asche streut man anschließend ins Wasser. Ein Bad im Ganges soll von Sünden reinigen, in Varanasi zu sterben und verbrannt zu werden, ist der hinduistischen Mythologie zufolge, der Ausbruch aus dem ständigen Kreislauf der Wiedergeburt.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements.[90] Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on tier above the water's edge".[

Nahargarh Fort stands on the edge of the Aravalli Hills, overlooking the city of Jaipur in the Indian state of Rajasthan. Along with Amer Fort and Jaigarh Fort, Nahargarh once formed a strong defence ring for the city. The fort was originally named Sudershangarh, but it became known as Nahargarh, which means 'abode of tigers'. The popular belief is that Nahar here stands for Nahar Singh Bhomia, whose spirit haunted the place and obstructed construction of the fort. Nahar's spirit was pacified by building a temple in his memory within the fort, which thus became known by his name.

Built mainly in 1734 by Maharaja Sawai Jai Singh, the king of Jaipur, the fort was constructed as a place of retreat on the summit of the ridge above the city. Walls extended over the surrounding hills, forming fortifications that connected this fort to Jaigarh, the fort above the old capital of Amber. Though the fort never came under attack during the course of its history, it did see some historical events, notably, the treaties with the Maratha forces who warred with Jaipur in the 18th century. During the Indian Mutiny of 1857, the Europeans of the region, including the British Resident's wife, were moved to Nahargarh fort by the king of Jaipur, Sawai Ram Singh, for their protection.

The fort was extended in 1868, during the reign of Sawai Ram Singh. In 1883-92, a range of palaces was built at Nahargarh by Dirgh Patel at a cost of nearly three and a half lakh rupees. The Madhavendra Bhawan, built by Sawai Madho Singh had suites for the queens of Jaipur and at the head was a suite for the king himself. The rooms are linked by corridors and still have some delicate frescoes. Nahargarh was also a hunting residence of the Maharajas.

Until April 1944, the Jaipur State government used for its official purposes solar time read from the Samrat Yantra in the Jantar Mantar Observatory, with a gun fired from Nahargarh Fort as the time signal.

Some scenes in the movies Rang De Basanti, Shuddh Desi Romance and Sonar Kella were shot at Nahargarh Fort.

The Agra Fort (Qila Agra) is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

Detail in the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

11th Century Nataraj (The Dancing Shiva) in the Royal Palace Museum in the Sadar Mahal Palace in the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements. Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas like Scindias, Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on the tier above the water's edge".

The Agra Fort is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

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Indumati Palace (Mahal) is a Palace located just opposite to Lukshmi Villas Palace, Vadodara (Baroda). The Palace had very rare photographs of Royal Gaekwad Family and historic books. This 1880 brick building is named after Maharaja Sayajirao Gekwad IIIs daughter, Indumati, and now has the personal offices of the Gaekwad family. It is a typical Maratha-styled wada.

Earlier, the Ganesh Sthapna of the Royal Family used to be done here at Indumati Palace, so it was a important building for the Gaekwad Family. The Building has some very nice touch of Peshwa and Mughal Style Architecture.

The Agra Fort is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

After the First Battle of Panipat in 1526, Babur stayed in the fort, in the palace of Ibrahim Lodi. He later built a baoli (step well) in it. His successor, Humayun, was crowned in the fort in 1530. He was defeated at Bilgram in 1540 by Sher Shah Suri. The fort remained with the Suris till 1555, when Humayun recaptured it. Adil Shah Suri's general, Hemu, recaptured Agra in 1556 and pursued its fleeing governor to Delhi where he met the Mughals in the Battle of Tughlaqabad.

Realising the importance of its central situation, Akbar made it his capital, and arrived in Agra in 1558. His historian, Abul Fazl, recorded that this was a brick fort known as 'Badalgarh'. It was in a ruined condition and Akbar had it rebuilt with red sandstone from Barauli area Dhaulpur district, in Rajasthan. Architects laid the foundation and it was built with bricks in the inner core with sandstone on external surfaces. Some 4,000 builders worked on it daily for eight years, completing it in 1573.

It was only during the reign of Akbar's grandson, Shah Jahan, that the site took on its current state. Shah Jahan built the Taj Mahal in the memory of his wife, Mumtaz Mahal. Unlike his grandfather, Shah Jahan tended to have buildings made from white marble. When Shah Jahan suddenly fell ill, a bloody war of succession broke out between his sons, where Aurangazeb was victorious. Aurangazeb would go on to place his father under house arrest in Agra fort.

The fort was under the Jat rulers of Bharatpur for 13 years. In the fort, they built the 'Ratan Singh ki Haveli'. The fort was invaded and captured by the Maratha Empire in the early 18th century. Thereafter, it changed hands between the Marathas and their foes many times. After their catastrophic defeat at Third Battle of Panipat by Ahmad Shah Abdali in 1761, Marathas remained out of the region for the next decade. Finally Mahadji Shinde took the fort in 1785. It was lost by the Marathas to the British during the Second Anglo-Maratha War in 1803. The fort was the site of a battle during the Indian rebellion of 1857 which caused the end of the British East India Company's rule in India and led to a century of direct rule in India by Britain.

On 30 November 1871, thirty six people died when a cartridge factory located inside the fort exploded.

The Agra Fort (Qila Agra) is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

INDIEN, Varanasi (Benares) frühmorgends entlang der GhatsINDIEN, Varanasi (Benares) frühmorgends entlang der GhatsAls besonders erstrebenswert gilt es für strenggläubige Hindus, in Varanasi im Ganges zu baden, sowie dort einmal zu sterben und verbrannt zu werden. Entlang des Flusses ziehen sich kilometerlange, stufenartige Uferbefestigungen hin, die Ghats, an denen auf der einen Seite die Gläubigen im Wasser des für sie heiligen Flusses baden und wenige Meter weiter die Leichen der Verstorbenen verbrannt werden. Die Asche streut man anschließend ins Wasser. Ein Bad im Ganges soll von Sünden reinigen, in Varanasi zu sterben und verbrannt zu werden, ist der hinduistischen Mythologie zufolge, der Ausbruch aus dem ständigen Kreislauf der Wiedergeburt.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements.[90] Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on tier above the water's edge".

Way to ticket counter at the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

The Diwan-i-Khas, or Hall of Private Audiences, was a chamber in the Red Fort of Delhi built-in 1648 as a location for receptions. It was the location where the Mughal Emperor Shah Jahan received courtiers and state guests. It was also known as the Shah Mahal.

A gate on the north side of the preceding Diwan-i-Am audience hall led to the innermost court of the palace called Jalau Khana and the Diwan-i-Khas. Originally there were two enclosures on the west of the hall, one for the nobles and the other for those of a lower rank. These arcaded courts were destroyed after the Indian Rebellion of 1857.

It measures 90 x 67 feet. It consists of a rectangular central chamber, surrounded by a series of arches rising from marble piers. The lower parts of the piers are inlaid with floral designs, while the upper portions are painted and gilded. The four corners of the roof are surmounted by pillared chhatri.

The ceiling, which was originally inlaid with silver and gold, was stripped bare by successive financial crises of the empire by the Jats or Marathas. The current ceiling was installed in 1911. The later Peacock Throne from after Nader Shah's invasion once stood in this hall, towards the east side.

Through the centre of the hall flowed the Stream of Paradise (Nahar-i-Bihisht).. The building used to have red awnings, or shamianas. Over the corner-arches of the northern and southern walls below the cornice is inscribed the verse of Amir Khusrow: "If there be a paradise on earth, it is this, it is this, it is this." The French traveller François Bernier described seeing the Peacock Throne here. Jean-Baptiste Tavernier described seeing the throne in the Diwan-i-Am, to where it was probably moved, and described five smaller thrones with four on each corner and one in the middle of the hall.

The interior was completely plundered following the Indian Rebellion of 1857. The throne, the carpets, and any other items went missing. The hall today is, therefore, only a shell of what it used to be. Recent restoration work has been redone on the panels of inlay and has also reproduced the gilded pattern on one of the pillars fronting the hall.

In the riverbed below the hall and the connected buildings was the space known as zer-jharokha, or "beneath the lattices".

The Agra Fort is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

Nahargarh Fort stands on the edge of the Aravalli Hills, overlooking the city of Jaipur in the Indian state of Rajasthan. Along with Amer Fort and Jaigarh Fort, Nahargarh once formed a strong defence ring for the city. The fort was originally named Sudershangarh, but it became known as Nahargarh, which means 'abode of tigers'. The popular belief is that Nahar here stands for Nahar Singh Bhomia, whose spirit haunted the place and obstructed construction of the fort. Nahar's spirit was pacified by building a temple in his memory within the fort, which thus became known by his name.

Built mainly in 1734 by Maharaja Sawai Jai Singh, the king of Jaipur, the fort was constructed as a place of retreat on the summit of the ridge above the city. Walls extended over the surrounding hills, forming fortifications that connected this fort to Jaigarh, the fort above the old capital of Amber. Though the fort never came under attack during the course of its history, it did see some historical events, notably, the treaties with the Maratha forces who warred with Jaipur in the 18th century. During the Indian Mutiny of 1857, the Europeans of the region, including the British Resident's wife, were moved to Nahargarh fort by the king of Jaipur, Sawai Ram Singh, for their protection.

The fort was extended in 1868, during the reign of Sawai Ram Singh. In 1883-92, a range of palaces was built at Nahargarh by Dirgh Patel at a cost of nearly three and a half lakh rupees. The Madhavendra Bhawan, built by Sawai Madho Singh had suites for the queens of Jaipur and at the head was a suite for the king himself. The rooms are linked by corridors and still have some delicate frescoes. Nahargarh was also a hunting residence of the Maharajas.

Until April 1944, the Jaipur State government used for its official purposes solar time read from the Samrat Yantra in the Jantar Mantar Observatory, with a gun fired from Nahargarh Fort as the time signal.

Some scenes in the movies Rang De Basanti, Shuddh Desi Romance and Sonar Kella were shot at Nahargarh Fort.

Seven story observation tower at the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

Emperor Shah Jahan commissioned construction of the Red Fort on 12 May 1639, following his decision to shift his capital from Agra to Delhi. Originally adorned in red and white, the favorite colors of Emperor Shah Jahan, the design of the Red Fort is attributed to the architect Ustad Ahmad Lahori, renowned for his work on the Taj Mahal. The fort straddles the Yamuna River, which fed the moats surrounding most of the walls. Construction began in the sacred Islamic month of Muharram, on 13 May 1638.: 01  Supervised by Shah Jahan, it was completed on 6 April 1648. Unlike other Mughal forts, the Red Fort's boundary walls are asymmetrical to contain and subsume the older Salimgarh Fort. The fortress-palace served as the centerpiece of Shahjahanabad, the city now known as Old Delhi. Shah Jahan's successor, Emperor Aurangzeb, enhanced the Red Fort by adding the Moti Masjid (Pearl Mosque) to the emperor's private quarters. He also constructed barbicans in front of the two main gates to create a more circuitous approach to the palace.

Following the death of Emperor Aurangzeb, the administrative and fiscal structure of the Mughal dynasty experienced a decline, leading to the degeneration of the palace during the 18th century. In 1712, Jahandar Shah was crowned the Mughal Emperor. Within a year of commencing his rule, Shah was murdered and replaced by Farrukhsiyar. In 1739, the Persian emperor Nadir Shah decisively defeated the Mughal army, despite its considerable strength of approximately 200,000 soldiers. Following his victory, he plundered the Red Fort, seizing its treasures, including the legendary Peacock Throne. After three months, Nadir Shah returned to Persia, leaving the city a shadow of its former self and the Mughal Empire severely weakened under Muhammad Shah's reign. The internal weaknesses of the Mughal Empire reduced the Mughals to titular rulers of Delhi. A treaty signed in 1752 established the Marathas as the protectors of the throne in Delhi. The 1758 Maratha victory over the Afghans at Sirhind, and followed by their defeat at Panipat catapulted them into further conflict with Ahmad Shah Durrani.

From Wikipedia, the free encyclopedia

The Agra Fort is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

After the First Battle of Panipat in 1526, Babur stayed in the fort, in the palace of Ibrahim Lodi. He later built a baoli (step well) in it. His successor, Humayun, was crowned in the fort in 1530. He was defeated at Bilgram in 1540 by Sher Shah Suri. The fort remained with the Suris till 1555, when Humayun recaptured it. Adil Shah Suri's general, Hemu, recaptured Agra in 1556 and pursued its fleeing governor to Delhi where he met the Mughals in the Battle of Tughlaqabad.

Realising the importance of its central situation, Akbar made it his capital, and arrived in Agra in 1558. His historian, Abul Fazl, recorded that this was a brick fort known as 'Badalgarh'. It was in a ruined condition and Akbar had it rebuilt with red sandstone from Barauli area Dhaulpur district, in Rajasthan. Architects laid the foundation and it was built with bricks in the inner core with sandstone on external surfaces. Some 4,000 builders worked on it daily for eight years, completing it in 1573.

It was only during the reign of Akbar's grandson, Shah Jahan, that the site took on its current state. Shah Jahan built the Taj Mahal in the memory of his wife, Mumtaz Mahal. Unlike his grandfather, Shah Jahan tended to have buildings made from white marble. When Shah Jahan suddenly fell ill, a bloody war of succession broke out between his sons, where Aurangazeb was victorious. Aurangazeb would go on to place his father under house arrest in Agra fort.

The fort was under the Jat rulers of Bharatpur for 13 years. In the fort, they built the 'Ratan Singh ki Haveli'. The fort was invaded and captured by the Maratha Empire in the early 18th century. Thereafter, it changed hands between the Marathas and their foes many times. After their catastrophic defeat at Third Battle of Panipat by Ahmad Shah Abdali in 1761, Marathas remained out of the region for the next decade. Finally Mahadji Shinde took the fort in 1785. It was lost by the Marathas to the British during the Second Anglo-Maratha War in 1803. The fort was the site of a battle during the Indian rebellion of 1857 which caused the end of the British East India Company's rule in India and led to a century of direct rule in India by Britain.

On 30 November 1871, thirty six people died when a cartridge factory located inside the fort exploded.

In 1760, the Marathas stripped and melted the silver ceiling of the Diwan-i-Khas to raise funds for the defence of Delhi from the armies of Ahmed Shah Durrani. In 1761, after the Marathas lost the third battle of Panipat, Delhi was raided by Ahmed Shah Durrani. Ten years later, the Marathas, acting at the behest of the exiled Emperor Shah Alam II, recaptured Delhi from the Rohilla Afghans. Mahadaji Shinde, the commander of the Maratha Army, restored Shah Alam II to the throne.

In 1764, the Jat ruler of Bharatpur, Maharaja Jawahar Singh, attacked Delhi and eventually captured the Red Fort of Delhi on 5 February 1765. Two days later, after exacting tribute from the Mughals, the Jats withdrew their forces from the Red Fort, seizing the Mughal throne—often regarded as the pride of the dynasty—and the fort's doors as trophies. The throne now adorns the palace at Deeg, serving as a historical centerpiece. The doors are located in the Lohagarh Fort of Bharatpur.

In 1783, Sikh Misls led by Jassa Singh Ahluwalia, Jassa Singh Ramgarhia, and Baghel Singh Dhaliwal conquered Delhi and the Red Fort. With a consolidate force consisting of 40,000 troops, they looted the area spanning from Awadh to Jodhpur. After negotiations, the Sikh forces agreed to withdraw from Delhi and reinstate the Mughal emperor Shah Alam II. As a condition of their retreat, the Jats stipulated the construction of seven Sikh gurdwaras in Delhi, including the Gurudwara Sis Ganj Sahib in Chandni Chowk.

In 1788, a Maratha garrison occupied the Red Fort and Delhi, offering protection to the Mughal Emperor. Mahadaji Shinde negotiated a treaty with the Sikhs, cautioning them against entering Delhi or levying the Rakhi tribute. Control of the fort subsequently passed to the East India Company after the Second Anglo-Maratha War in 1803.

During the Second Anglo-Maratha War, the forces of the East India Company defeated the Maratha troops led by Daulat Rao Scindia in the Battle of Delhi; This event marked the end of Maratha control over Delhi and their authority over the Red Fort. After the battle, the British East India Company took over the administration of Mughal territories and installed a Resident at the Red Fort. The last Mughal emperor to occupy the fort, Bahadur Shah II, became a symbol of the 1857 rebellion against the British East India Company in which the residents of Shahjahanabad participated.

From Wikipedia, the free encyclopedia

Als besonders erstrebenswert gilt es für strenggläubige Hindus, in Varanasi im Ganges zu baden, sowie dort einmal zu sterben und verbrannt zu werden. Entlang des Flusses ziehen sich kilometerlange, stufenartige Uferbefestigungen hin, die Ghats, an denen auf der einen Seite die Gläubigen im Wasser des für sie heiligen Flusses baden und wenige Meter weiter die Leichen der Verstorbenen verbrannt werden. Die Asche streut man anschließend ins Wasser. Ein Bad im Ganges soll von Sünden reinigen, in Varanasi zu sterben und verbrannt zu werden, ist der hinduistischen Mythologie zufolge, der Ausbruch aus dem ständigen Kreislauf der Wiedergeburt.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements.[90] Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on tier above the water's edge".

11th-12th Century Natarajs (The Dancing Shivas) in the Royal Palace Museum in the Sadar Mahal Palace in the Thanjavur Maratha Palace Complex, locally known as Aranmanai, Thanjavur, Tamil Nadu, India.

The Agra Fort is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted his capital from Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats of Bharatpur for 13 years.

INDIEN, Varanasi (Benares) frühmorgends entlang der GhatsAls besonders erstrebenswert gilt es für strenggläubige Hindus, in Varanasi im Ganges zu baden, sowie dort einmal zu sterben und verbrannt zu werden. Entlang des Flusses ziehen sich kilometerlange, stufenartige Uferbefestigungen hin, die Ghats, an denen auf der einen Seite die Gläubigen im Wasser des für sie heiligen Flusses baden und wenige Meter weiter die Leichen der Verstorbenen verbrannt werden. Die Asche streut man anschließend ins Wasser. Ein Bad im Ganges soll von Sünden reinigen, in Varanasi zu sterben und verbrannt zu werden, ist der hinduistischen Mythologie zufolge, der Ausbruch aus dem ständigen Kreislauf der Wiedergeburt.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements.[90] Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on tier above the water's edge".

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Shot @ Interiors of Durbar Hall ,Thanjavur Maratha Palace , Thanjavur | Tanjore , Tamil Nadu , India.

Bunch of School kids ( Like hundreds of them ) turned all of a sudden to visit Thanjavur Maratha Palace . I was exiting the Durbar hall & I was lucky enough to capture this moment in a split second.

INDIEN, Varanasi (Benares) frühmorgends entlang der GhatsINDIEN, Varanasi (Benares) frühmorgends entlang der GhatsAls besonders erstrebenswert gilt es für strenggläubige Hindus, in Varanasi im Ganges zu baden, sowie dort einmal zu sterben und verbrannt zu werden. Entlang des Flusses ziehen sich kilometerlange, stufenartige Uferbefestigungen hin, die Ghats, an denen auf der einen Seite die Gläubigen im Wasser des für sie heiligen Flusses baden und wenige Meter weiter die Leichen der Verstorbenen verbrannt werden. Die Asche streut man anschließend ins Wasser. Ein Bad im Ganges soll von Sünden reinigen, in Varanasi zu sterben und verbrannt zu werden, ist der hinduistischen Mythologie zufolge, der Ausbruch aus dem ständigen Kreislauf der Wiedergeburt.

The Ghats in Varanasi are world-renowned embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. The ghats are an integral complement to the Hindu concept of divinity represented in physical, metaphysical, and supernatural elements.[90] Varanasi has at least 84 ghats, most of which are used for bathing by pilgrims and spiritually significant Hindu puja ceremony, while a few are used exclusively as Hindu cremation sites. Steps in the ghats lead to the banks of Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat, and the Harishchandra Ghat, where Hindus cremate their dead. Many ghats are associated with Hindu legends and several are now privately owned.

Many of the ghats were constructed under the patronage of the Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas. Most are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular tourist attraction. The extensive stretches of ghats in Varanasi enhance the riverfront with a multitude of shrines, temples, and palaces built "tier on tier above the water's edge".

An old Ganesh temple built by the Marathas inside Jhnasi Fort in Uttar Pradesh, India

Nahargarh Fort stands on the edge of the Aravalli Hills, overlooking the city of Jaipur in the Indian state of Rajasthan. Along with Amer Fort and Jaigarh Fort, Nahargarh once formed a strong defence ring for the city. The fort was originally named Sudershangarh, but it became known as Nahargarh, which means 'abode of tigers'. The popular belief is that Nahar here stands for Nahar Singh Bhomia, whose spirit haunted the place and obstructed construction of the fort. Nahar's spirit was pacified by building a temple in his memory within the fort, which thus became known by his name.

Built mainly in 1734 by Maharaja Sawai Jai Singh, the king of Jaipur, the fort was constructed as a place of retreat on the summit of the ridge above the city. Walls extended over the surrounding hills, forming fortifications that connected this fort to Jaigarh, the fort above the old capital of Amber. Though the fort never came under attack during the course of its history, it did see some historical events, notably, the treaties with the Maratha forces who warred with Jaipur in the 18th century. During the Indian Mutiny of 1857, the Europeans of the region, including the British Resident's wife, were moved to Nahargarh fort by the king of Jaipur, Sawai Ram Singh, for their protection.

The fort was extended in 1868, during the reign of Sawai Ram Singh. In 1883-92, a range of palaces was built at Nahargarh by Dirgh Patel at a cost of nearly three and a half lakh rupees. The Madhavendra Bhawan, built by Sawai Madho Singh had suites for the queens of Jaipur and at the head was a suite for the king himself. The rooms are linked by corridors and still have some delicate frescoes. Nahargarh was also a hunting residence of the Maharajas.

Until April 1944, the Jaipur State government used for its official purposes solar time read from the Samrat Yantra in the Jantar Mantar Observatory, with a gun fired from Nahargarh Fort as the time signal.

Some scenes in the movies Rang De Basanti, Shuddh Desi Romance and Sonar Kella were shot at Nahargarh Fort.

Nahargarh Fort stands on the edge of the Aravalli Hills, overlooking the city of Jaipur in the Indian state of Rajasthan. Along with Amer Fort and Jaigarh Fort, Nahargarh once formed a strong defence ring for the city. The fort was originally named Sudershangarh, but it became known as Nahargarh, which means 'abode of tigers'. The popular belief is that Nahar here stands for Nahar Singh Bhomia, whose spirit haunted the place and obstructed construction of the fort. Nahar's spirit was pacified by building a temple in his memory within the fort, which thus became known by his name.

Built mainly in 1734 by Maharaja Sawai Jai Singh, the king of Jaipur, the fort was constructed as a place of retreat on the summit of the ridge above the city. Walls extended over the surrounding hills, forming fortifications that connected this fort to Jaigarh, the fort above the old capital of Amber. Though the fort never came under attack during the course of its history, it did see some historical events, notably, the treaties with the Maratha forces who warred with Jaipur in the 18th century. During the Indian Mutiny of 1857, the Europeans of the region, including the British Resident's wife, were moved to Nahargarh fort by the king of Jaipur, Sawai Ram Singh, for their protection.

The fort was extended in 1868, during the reign of Sawai Ram Singh. In 1883-92, a range of palaces was built at Nahargarh by Dirgh Patel at a cost of nearly three and a half lakh rupees. The Madhavendra Bhawan, built by Sawai Madho Singh had suites for the queens of Jaipur and at the head was a suite for the king himself. The rooms are linked by corridors and still have some delicate frescoes. Nahargarh was also a hunting residence of the Maharajas.

Until April 1944, the Jaipur State government used for its official purposes solar time read from the Samrat Yantra in the Jantar Mantar Observatory, with a gun fired from Nahargarh Fort as the time signal.

Some scenes in the movies Rang De Basanti, Shuddh Desi Romance and Sonar Kella were shot at Nahargarh Fort.