Manasa photos on Flickr

"Snakes are considered holy by Hindus. They are revered through festivals like Nag Panchami and worshipped via the Snake-goddess Manasa. The Sheshnag is basically a 5 headed snake that plays a very important role in Hindu mythology. "

Happy Chinese New Year_011 by Cat

28

Year of the Dragon

Dress : AVEC TOI - Manasa Qipao SILK PACK

Hair : DALGONA - Candy Jelly Love GACHA - B

Hair Pins : Beloved Jewellery : Dynasty Set

.cococat. GIFT Red envelope - Lunar new year

Pale Hockey-stick Sailor by Mike Friel

94 2

NS 8771 South symbol V94, Harrisonburg, Virginia by wccnds John Leopard

17

After making a turn to the feed mill at the current end of the line at Broadway, local V94 nears the end of its run at Harrisonburg passing through a "blue stone" cut in the process. This was once part of the Southern Railway's branch that started in Manasas.

Falling Leaves by Angela Pan

272 9

So glad I’m home for all the leaves on trees to be changing. Something about it makes me so happy. I think it reminds me of my mom. You can’t go on a walk with her without her stopping every few steps to look at flowers or fruits growing from a tree. Now that I think of it, people can probably say the same thing about me and taking pictures. HAHA.

The Pale Hockeystick Sailor - ผีเสื้อกะลาสีไม้ฮ็อคกี้สีจาง by Antonio Giudici

80 6

Nymphalidae, Limenitidinae: Neptis manasa mientrunga

Remnant of the Past by Dan Lenzman

32 4

Image of a house used during the American Civil War. Photo taken at the National Battlefield Park at Manasas, VA.

Nothing really matters, anyone can see by Allison Krause

56

Head: Lelutka Avalon

Hair: DOUX - Cynthia

Dress: AVEC TOI - Manasa Qipao

Serpentine by A R

2 3

In the dream, she caught a glimpse of herself in a mirror. The mark had returned. She reached to caress it and was startled to feel it move under her touch.

This time her spiral was a serpent. Coiled around her neck and shoulders, she felt the flick of its tongue in her ear. She tilted her head to hear its secret. Story told it slithered slowly about her torso. She began to dance.

[project365-363]

Opulence by Jahdiel D.

67 2

✧˖ ° AVEC TOI✧˖ °

Manasa Qipao

This tight-fitting bodice Qipao features, a mandarin collar, and short sleeves. The deep sweetheart neckline, and open sides entice, while the bejewelled pankou calls to a timeless elegance.

Customisable shininess & environment by hud.

Panties can be turned on and off by Hud.

Edging, knots and laces are hud driven.

Includes BOM alpha.

It is available in:

4 Mini Latex packs of 6 plain colours each.

48 colours Latex Fatpack. It includes 24 fatpack exclusive colours, 12 plain colours and 12 colors with Dragon and floral print

Silk Pack of 12 colours with Dragon and floral print.

Fitted mesh for:

Maitreya + Petite

Legacy + Perky

eBODY Reborn

Dragon and floral print latex versions, are exclusive to the latex Fatpack.

Located @ Mainstore

Taxi:

maps.secondlife.com/secondlife/Avec%20Toi/12/128/1302

Hockeystick Sailer (Neptis manasa narcissina(?), Nymphalidae) by itchydogimages

41 5

Pu'er, Yunnan, China

Star by Manasa

1 7

Shot @ Lalbagh Flowershow

View On Black

XENO TRINITY by Claudia C. Erdesathi

8

XENO TRINITY

The 3 Xeno Gynomarchs, forming the trinity of the biomechanoid universe.

Models (from left to right)

SARIRANTA: Drusilla Manasa

LIL'SHAKTI: Myself

XVANTHI: Lilitu Blackheart

Light by Manasa

3 2

A temple at Pajaka

The Pale Hockeystick Sailor - ผีเสื้อกะลาสีไม้ฮ็อคกี้สีจาง by Antonio Giudici

11

Nymphalidae, Limenitidinae: Neptis manasa mongkholi

The Pale Hockeystick Sailor - ผีเสื้อกะลาสีไม้ฮ็อคกี้สีจาง by Antonio Giudici

10

Nymphalidae, Limenitidinae: Neptis manasa mongkholi

Hockeystick Sailer (Neptis manasa narcissina(?), Nymphalidae) by itchydogimages

19 3

Pu'er, Yunnan, China

see comments for additional image (another individual)...

06 by Aiko Yashida

26

OUTFIT :

★ AVEC TOI : Manasa Qipao - Latex Fatpack

★ PALETTE : Neima Garters

★ TENTACIO : Lotus Headpiece

Anatomy

★ Body: EBODY / Reborn

★ Head : LELUTKA / Ryn Evox

★ Eyebrows : SIMPLE BLOOM / Avalon

★ Ears : SWALLOW / Gauged ears

★ Brow : SIMPLE BLOOM / Avalon LA S.AM

★ Skin : [HEAUX] / Laurel - Browless - Grey Alien

★ Hair : DOUX - Hallucination

Cosmetics

★ LEPUNK / Kala Eyeshadows

★ LEPUNK / Svea Lipgloss

★ NOSFERATUM / Tomentum Smeared Mascara

★ MARPESIA Body Shine

★ BOSSIE / quick eyeliners

Tattoos

★ GOK - Baba Yaga

★ ABSENCE : Damned Tattoo

Jewelery

★ YUMMY / Kelly Septum - Gold

★ BLAXIUM / Venenosa Piercing

★ CODEX / BASIC GAUGED

★ CODEX / itadaki gauged

Colorado Sunflowers by Chase Willsey

20 140

Manasa, CO

The BioMechanoid Queen and her court - II by Claudia C. Erdesathi

7

The BioMechanoid Queen and her court - II

Another set of the 3 characters of the BioMechanoid Series:

The BioMechanoid Queen: Lil'Shakti (Center)

Xvanthi (left), adoptive daughter of the Queen

Sariranta, the xeno-companion of the Queen, always prowling in the shadows around her mistress and always eager to get a prey..

Models:

LIL'SHAKTI: Myself

XVANTHI: Lilitu Blackheart

SARIRANTA: Drusilla Manasa

The BioMechanoid Queen and her court - II by Claudia C. Erdesathi

7

The BioMechanoid Queen and her court - II

Another set of the 3 characters of the BioMechanoid Series:

The BioMechanoid Queen: Lil'Shakti (Center)

Xvanthi (left), adoptive daughter of the Queen

Sariranta, the xeno-companion of the Queen, always prowling in the shadows around her mistress and always eager to get a prey..

Models:

LIL'SHAKTI: Myself

XVANTHI: Lilitu Blackheart

SARIRANTA: Drusilla Manasa

Shine in the Dark by Karessa Karas

105 3

virtualnightmare.blogspot.com.es/2017/09/ghee-ip-nails-lu...

Ghee - *Manasa* Snakeskin Minidress & Peep Toe Boots

Lush Poses

*Lit Five pack w/Mirrors*

[POUT!] - *Ritual Makeup*

IP Nails - *Bathori*

The Darkness Monthly Event!

September 5th to 30th.

The BioMechanoid Queen and her court - II by Claudia C. Erdesathi

6

The BioMechanoid Queen and her court - II

Another set of the 3 characters of the BioMechanoid Series:

The BioMechanoid Queen: Lil'Shakti (Center)

Xvanthi (left), adoptive daughter of the Queen

Sariranta, the xeno-companion of the Queen, always prowling in the shadows around her mistress and always eager to get a prey..

Models:

LIL'SHAKTI: Myself

XVANTHI: Lilitu Blackheart

SARIRANTA: Drusilla Manasa

The BioMechanoid Queen and her court - II by Claudia C. Erdesathi

6

The BioMechanoid Queen and her court - II

Another set of the 3 characters of the BioMechanoid Series:

The BioMechanoid Queen: Lil'Shakti (Center)

Xvanthi (left), adoptive daughter of the Queen

Sariranta, the xeno-companion of the Queen, always prowling in the shadows around her mistress and always eager to get a prey..

Models:

LIL'SHAKTI: Myself

XVANTHI: Lilitu Blackheart

SARIRANTA: Drusilla Manasa

The Pale Hockeystick Sailor by Antonio Giudici

17

Nymphalidae, Nymphalinae: Neptis manasa manasa

15-2711 by George Hamlin

12

Norfolk & Western 611 awaiting the departure of its round-tri[p excursion train to Front Royal, at Manasas, Virginia on June 6, 2015.

Angie - Manassa by Angie Takeda

19

{le fil cassé} - Manasa Dress

Fatpack have 24 color Full Hud

Compatible with Ebody Reborn/Waifu Boobs♥, Legacy/Perky, Maitreya/Petite

Available at Kustom9

Rememeber Click L for Full Screen ♥

{le fil cassé} Flickr

Neptis manasa ssp. by Antonio Giudici

7 1

Onme for the rarest, biggest and most beautiful Neptis of Thailand

The BioMechanoid Queen and her court - II by Claudia C. Erdesathi

6

The BioMechanoid Queen and her court - II

Another set of the 3 characters of the BioMechanoid Series:

The BioMechanoid Queen: Lil'Shakti (Center)

Xvanthi (left), adoptive daughter of the Queen

Sariranta, the xeno-companion of the Queen, always prowling in the shadows around her mistress and always eager to get a prey..

Models:

LIL'SHAKTI: Myself

XVANTHI: Lilitu Blackheart

SARIRANTA: Drusilla Manasa

Happy Chinese New Year_024 by Cat

8

Year of the Dragon

Dress : AVEC TOI - Manasa Qipao SILK PACK

Hair : DALGONA - Candy Jelly Love GACHA - B

Hair Pins : Beloved Jewellery : Dynasty Set

.cococat. GIFT Red envelope - Lunar new year

Dragon : #9 Red Dragon {egosumaii}

The Pale Hockeystick Sailor - ผีเสื้อกะลาสีไม้ฮ็อคกี้สีจาง by Antonio Giudici

14 1

Nymphalidae, Limenitidinae: Neptis manasa mientrunga

The Pale Hockeystick Sailor - ผีเสื้อกะลาสีไม้ฮ็อคกี้สีจาง by Antonio Giudici

11 2

Nymphalidae, Limenitidinae: Neptis manasa mientrunga

Snake Goddess Manasa - Rubin Museum by bronxbob

23

15-2716 by George Hamlin

11 2

Norfolk & Western 611 awaiting the departure of its round-tri[p excursion train to Front Royal, at Manasas, Virginia on June 6, 2015.

Panchmura, The Potters’ Village by pallab seth

52 6

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Experience Bengal, Experience India

Wednesday afternoon 11-23-2016 here on the ranch out of Manasa, Co #manassa #coloradophotos #crohnslife #coloradosky #sanluisvalleycolorado #mtblanca #coloradoffallphotos #coloradophotos #jj_colorado #clouds #viewcolorado #littleriverranch #dailyphoto by Kim Vaughn Sowards

Panchmura, The Potters’ Village by pallab seth

12 2

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Panchmura, The Potters’ Village by pallab seth

10 4

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

MANASA - GHEE by Sita Writer

7

sitawriter.blogspot.com/2017/09/mr-x-manasa-ghee-and-dark...

Ghee Manasa by Ghee Store

5

WEEKEND SALE - WOW EVENT SL

Manasa Dress - 90L

(8 colour options)

LM: maps.secondlife.com/secondlife/Qeestein/142/131/1501

Panchmura, The Potters’ Village by pallab seth

10 1

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Panchmura, The Potters’ Village by pallab seth

23 2

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

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View allAll Photos Tagged Manasa