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Wandering around Hanoi’s Old Quarter, famed for its '36 old streets. Enoyoing the hustle and bustle of the neigborhood. Dating back more than 1,000 years, the Old Quarter developed as a group of workshops outside of the royal palace.Today, the streets are still grouped by what they sell, with names to match, such as Bat Su (china bowls), Cha Ca (roasted fish), Hang Bac (jewelry), Hang Dau (shoes and sandals), Hang Gai (silks), To Tich (mixed fruits), Hang Luoc (combs), Hang Duong (candies and dried fruits), and Hang Buom (bamboo products) – Hanoi, Vietnam
Maker: Jacques-Athanase-Joseph Clouzard (1820-1903) & Charles Soulier (1840-1876)
Born: France
Active: France
Medium: albumen on glass stereoview
Size: 6 3/4 in x 3 1/4 in
Location: France
Object No. 2023.007
Shelf: C-38
Publication: John B Cameron & Janice G. Schimmelman, The Glass Stereoviews of Ferrier & Soulier, 1852-1908, The Collodion Press, Rochester, MI, 2016, fig 120
Other Collections:
Provenance:
Notes: In 1854 Clouzard & Soulier obtained a patent for a transparent passe-partout glass stereoview, which eliminated the need for a third piece of glass, a milestone in the international production of glass stereoviews.
Ferrier was born in 1811 in Lyon, France. He began his career as an artist, studying at the École nationale supérieure des beaux-arts de Lyon. He then became interested in photography and began to experiment with the new medium, initially becoming known for his portraits of notable French people. By 1851 he had settled in Paris and in that year he exhibited at the Great Exhibition in London. His work so impressed the organisers that, together with the English photographer, Hugh Owen, he was asked to make photographs of the exhibits. More than 140 bound sets of reports and accompanying photographs, known as the Exhibition of the Works of Industry of All Nations, 1851: Reports by the Juries on the Subjects in the Thirty Classes into which the Exhibition was Divided were presented to, among others, Queen Victoria, Heads of Foreign Governments, the Exhibition commissioners, and the British Museum. In 1855, Ferrier exhibited at the Exposition Universelle of Paris, where he was awarded a silver medal. He is credited with creating the first glass stereoviews for the Brewster stereoscope in 1852. These became very popular and in 1857 he produced several series of stereoviews of France, Switzerland, Germany, Italy, Greece and Turkey. Initially he collaborated with Jules Duboscq, with the two selling each other’s stereoviews. This arrangement came to an end when Duboscq experienced financial difficulties. In 1859 Ferrier went into partnership with his son and with another stereo photographer, Charles Soulier, with the business being sold in 1863 to Léon & Lévy, a company that specialized in stereoscopic views and picture postcards. However, Ferrier and Soulier continued to sell their photographs through the company. Ferrier continued to work as a photographer until his death on 13 July 1889.
The Exposition Universelle of 1855 was originally conceived as a French response to the Great Exhibition of the Works of Industry of All Nations, held in 1851 at the Crystal Palace in London, and widely considered the first modern world’s fair. Comprised of four sections [Raw Material, Machinery, Manufacturers, and Fine Arts] and over 109,000 exhibits, the Paris Exhibition was a financial and critical success. Determined to outdo their English rivals, French organizers mounted an even greater exposition to showcase the technological prowess of their newly industrialized society. The 1855 Exposition Universelle drew more than five million visitors during its six-month stint on the Champs-Élysées. It featured luxury items, foreign goods, and inexpensive, mass-produced consumer items to appeal to the needs of middle and working class visitors. Although these products of “domestic economy” received little critical notice at the time, they were integral to the Exposition’s success as a celebration of commodity culture, in which “the display of goods was surpassed only by the display of people… who came to look at them”
Ferrier made 16 views of the interior of the Exposition Universelle in 1855. They were not listed in the London Stereoscope Company or Gaudin & Frere 1856 catalogues, nor ere they ever included in any known Ferrier catalogue. Their only appearance was in Langenheims' American Stereoscopic Company's List of American and Foreign Pictures and Instruments in 1858.
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An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
MH toys at London Toy Fair 2011.
I don't know if this will be released here in the US, but I want it! I don't know what it's called but it looks like it's a little machine that makes MH keychain dolls. The girl on the box has a Draculara figure hanging from her bag. I think this cool. I hope they make refill packs to make other MH characters. This is just too cute!
I got this from: www.youtube.com/watch?v=QuZaDMAnRkk
South East Cornwall. Maker with Rame Parish.
en.wikipedia.org/wiki/St_Mary%27s_and_St_Julian%27s_Churc...
Hoek van Holland 23-4-2019 , MAERSK MAKER vertrok uit de Botlek met het booreiland RAN naar Morcambe Bay
An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
A productive afternoon making art together at Pataphysical Studios.
Doctors Canard and Rindbrain completed an illuminated painting that is constantly changing, as the light box around it cycles through the colors of the rainbow. This creates an ethereal experience, as the brush strokes quietly shimmer and transform, to the sound of Brian Eno’s Music for Airports (see video: vimeo.com/151282015 ). Nicely done, doctors!
Our visitors this week were Michael Easton and his son Kyan, who seemed to enjoy themselves. A friend of Dr. Figurine’s, Michael is quite an accomplished artist, inventor and engineer and showed us some of his cool creations, including magical mushroom lights inspired by this video: www.youtube.com/watch?v=D5LjGFkpApw
Doctor Fabio showed a Chinese New Year wonderbox prototype he is building for his upcoming maker workshops (bit.ly/wonderbox-overview ). Doctors Really and Igor worked on bringing sound to more wonderboxes. Dr. Rindbrain showed his new Universe cards about Mamie. Dr. Figurine worked on a Neopixel badge for her lab coat. Doctor Zboon showed some of his new pataphysical talismans. A fine time was had by all.
View more 'Pataphysical photos: www.flickr.com/photos/fabola/albums/72157623637793277
Watch 'Pataphysical videos: vimeo.com/album/3051039
Learn more about Pataphysical Studios: pataphysics.us/
An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
Air circulates in and around the barrels of bourbon @ Maker's Mark in Loretto KY. You can smell the "Angel's Share" leeching from the hand crafted charred oak barrels.
Makers 46 Bottle
More booze from Mephit Furmeet. ;-) I am told that this is very good. I do not know,because I really do not drink alcohol.
Thanks anyway! The thought is greatly appreciated, and someone is going to love this after it ages a few more decades.
An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
We had a blast at the first meetup for Tam Makers, our new makerspace in Mill Valley. We hosted this free event at the wood shop at Tamalpais High School in Mill Valley on June 8, 2016.
A diverse group of people came to the visit the shop, learn about our classes and discuss how to grow our maker community. Participants ranged from experienced artists, technologists, makers and woodworkers, to people interested in learning new skills, as well as high school and middle school students and their parents.
We opened the shop at 6pm and folks started to connect right away, checking out some of our demos, showing off recent projects and touring the space. At 7pm, we gave a presentation on Tam Makers, and talked about our first courses, meetups and tools for adults and youth. We then discussed these programs as a group and received some really helpful feedback.
Most people were very interested in participating in Tam Makers and using the makerspace regularly. They also liked the mix of classes, ranging from maker art to technology and woodworking. Some people signed up for classes on the spot and most wanted to join more meetups. Many offered to volunteer as well. One person said this event had a great community feeling, unlike more commercially motivated makerspaces.
We’re really happy that this first meetup went so well and that so many folks want to participate actively. We look forward to collaborating with our new maker friends very soon!
Learn more about Tam Makers:
Learn more about this Welcome Meetup:
Maker: Robert Jefferson Bingham (1824-1870)
Born: UK
Active: France
Medium: albumen print
Size: 4 3/4 in x 3 in
Location:
Object No. 2022.284u
Shelf: N-15
Publication: L-Ouevre de Jean-Leon Gerome, Goupil & Co.,Paris,1878
Gérôme & Goupil, Art and Enterprise, Reunion des Musees Nationaux, Paris, 2000, pg 76
Other Collections:
Notes: Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Designed for Philips display at an electric appliance show Hamburg.
Unfortunately most of his work for them is now unknown/lost.
Children of mask makers
Situated amidst the calming greenery, a village steeped in ancient animism and rituals, is the home of about 250 artisans carrying forward the tradition of ecstatic wooden mask making for generations. The craft of Gomira dance masks is practiced in a specific area in North Dinajpur district of West Bengal state, India, in and around the village of Mahisbathan (Khunia Danga, Kushmandi Block) located approximately 50km south-east of Raiganj, the district headquarter.
The mask dance (or Mukha Khel) is usually organized in between mid-April to mid-July though there are no fixed dates, but each village in the area organizes at least one Gomira dance during this period according to their convenience, at a central location. The Gomira dances have distinct forms. The Gomira format is the predominant one, which has characters with strong links to the animist tradition. It is performed to propitiate Gram-Chandi, the female deity, usher in the 'good forces' and drive out the 'evil forces'.
The craft of Gomira mask-making, in its pristine form, catered to the needs of the dancers (and any villager wishing to give a mask as an offering to the village deity). The masks make part of the costume of the traditional Gomira dance. Themes of the masks are usually spiritual, historic and religious.
Originally, the Gomira masks are crafted from neem wood, as per Hindu mythology. Later locally available cheaper wood such as gamhar, pakur, kadam, mango, and teak came to be used. The village craftsmen are very conscious of the environment and always plant one tree for trees cut down, usually of the same species.
The mask making begins with cutting the log and then immersed in water for seasoning. Once the basic shape has emerged, they use the broad chisel and heaviest hammer to bring out the final shape. The reverse side of the mask is scooped out very carefully. For finer finishing, narrower chisels, sand papers of various grades are being used and a coat or two of varnish, which provides smoothness to the mask and ensures durability. Formerly, the masks were hand-painted with natural dyes. Slowly the use of chemical dyes and even enamel paints have gained acceptance mainly because of ready availability and permanence.
The Gomira craftsmen are from Rajbongshi community and do not belong to any particular caste. The women folk have never been a part of mask-making. For most of the artisans, mask making is a supplementary source of income.
In association with UNESCO, Government of West Bengal's Department of Micro, Small and Medium Enterprises & Textiles has developed a Rural Craft Hub at Mahisbathan to resurrect this art form, by giving the craftsmen a place to work. The Mahisbathan Gramin Hasta Shilpa Samabay Samiti Limited (a cooperative of craftsmen and artisans who live in the nearby villages) runs the centre; ensures payments for work done and promotes the sale of masks and other wooden artefacts. The Samiti delivers more than 100 masks per month, where the selling price varies from Rs. 700 (USD $10) to Rs. 3500 (USD $50), depending on the complexity.
The Samity also runs a Folk Art Centre which is also equipped with accommodation facility for guests. One can participate in workshops, learn about the history of the community and craft, nuances of the mask making and the fascinating associated stories.
More, Gomira Dance Mask by Tulip Sinha - The Chitrolekha Journal on Art and Design
Beautiful Bengal, India
An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.