View allAll Photos Tagged Machinelearning
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
This image shows a series of info-aesthetic visualisation about the emotional state expressed in 2011 by users on social networks, explaining shortly the mechanism used in "Enlarge Your Consciousness in 4 Days, 4 Free!" project.
The image was used as a poster during the exhibit at BT'F Contemporary Art Gallery
About:
Human beings continuously mutate. Over the last few years, this transformation has taken place at incredibly high speeds, mostly thanks to the wide and ubiquitous availability of digital networks and devices.
This changed the ways in which we work, learn, relate, consume, communicate, love.
"Enlarge Your Consciousness in 4 Days 4 Free!" uses people’s real time emotional expressions on social networks to animate a physical installation.
The emotions of millions of users on social networks such as Twitter, Facebook, Flickr and FourSquare are harvested in real time (using open available APIs and techniques such as Natural Language Processing and Machine Learning) and used to give life to physical manifestations and info-aesthetic visualizations.
The project is the result of a wonderful collaboration between Salvatore Iaconesi / Oriana Persico (Art is Open Source) and Lara Mezzapelle / Giacomo Deriu.
"Enlarge Your Consciousness in 4 Days 4 Free!" was officially launched at BT’F Contemporary Art Gallery Friday, January 27th 2012, as an official initiative of Arte Fiera OFF.
Credits:
Concept & realisation: Oriana Persico & Salvatore Iaconesi, Lara Mezzapelle & Giacomo Deriu
Curated by: Marco Aion Mangani & Alice Zannoni
Produced by: Miria Baccolini - BT'F Gallery
Site:
More info at:
www.btfgallery.com/exhibitions/mezzapelle-deriu-persico-i...
This info-aesthetic shows the relative intensity of emotions expressed by people on social networks (Twitter, Facebook, Flickr, Youtube) in 2011, according to R. Plutchik wheel of emotions.
The image was used as a card inserted in the "Enlarge Your Consciousness in 4 Days 4 Free!" Personal User Box.
About:
Human beings continuously mutate. Over the last few years, this transformation has taken place at incredibly high speeds, mostly thanks to the wide and ubiquitous availability of digital networks and devices.
This changed the ways in which we work, learn, relate, consume, communicate, love.
"Enlarge Your Consciousness in 4 Days 4 Free!" uses people’s real time emotional expressions on social networks to animate a physical installation.
The emotions of millions of users on social networks such as Twitter, Facebook, Flickr and FourSquare are harvested in real time (using open available APIs and techniques such as Natural Language Processing and Machine Learning) and used to give life to physical manifestations and info-aesthetic visualizations.
The project is the result of a wonderful collaboration between Salvatore Iaconesi / Oriana Persico (Art is Open Source) and Lara Mezzapelle / Giacomo Deriu.
"Enlarge Your Consciousness in 4 Days 4 Free!" was officially launched at BT’F Contemporary Art Gallery Friday, January 27th 2012, as an official initiative of Arte Fiera OFF.
Credits:
Concept & realisation: Oriana Persico & Salvatore Iaconesi, Lara Mezzapelle & Giacomo Deriu
Curated by: Marco Aion Mangani & Alice Zannoni
Produced by: Miria Baccolini - BT'F Gallery
Site:
More info at:
www.btfgallery.com/exhibitions/mezzapelle-deriu-persico-i...
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate colorful ::burning-man-festival, illustrations, botanical illustration, earthy palette, natural dyes. Volumetric shading. Many species. Colored pencil and water color. Isometric false perspective. Long shot. Style of Rousseau, Seuss, Sendak, Arts-and-Crafts. The playa at golden hour. --ar 3:2"
Jerry Yang, Founding Partner, AME Cloud Ventures; Co-Founder and Former CEO of Yahoo! Inc.; Independent Director on the Board of Directors, Alibaba
Jerry Yang, Founding Partner, AME Cloud Ventures; Co-Founder and Former CEO of Yahoo! Inc.; Independent Director on the Board of Directors, Alibaba
16 cubes of jellies corresponding to R. Plutchik wheel of emotions, animated by people's emotions expressed on social network.
The installation is animated by a real time system which harvests and analyses online conversations on global social network, to "read" and understand the emotional state expressed by users.
Users profiles are projected in real time on the cubes, according to the emotion expressed in their messages, while an electronic system moves the gelatinous body.
About:
Human beings continuously mutate. Over the last few years, this transformation has taken place at incredibly high speeds, mostly thanks to the wide and ubiquitous availability of digital networks and devices.
This changed the ways in which we work, learn, relate, consume, communicate, love.
"Enlarge Your Consciousness in 4 Days 4 Free!" uses people’s real time emotional expressions on social networks to animate a physical installation.
The emotions of millions of users on social networks such as Twitter, Facebook, Flickr and FourSquare are harvested in real time (using open available APIs and techniques such as Natural Language Processing and Machine Learning) and used to give life to physical manifestations and info-aesthetic visualizations.
The project is the result of a wonderful collaboration between Salvatore Iaconesi / Oriana Persico (Art is Open Source) and Lara Mezzapelle / Giacomo Deriu.
"Enlarge Your Consciousness in 4 Days 4 Free!" was officially launched at BT’F Contemporary Art Gallery Friday, January 27th 2012, as an official initiative of Arte Fiera OFF.
Credits:
Concept & realisation: Oriana Persico & Salvatore Iaconesi, Lara Mezzapelle & Giacomo Deriu
Curated by: Marco Aion Mangani & Alice Zannoni
Produced by: Miria Baccolini - BT'F Gallery
Site:
More info at:
www.btfgallery.com/exhibitions/mezzapelle-deriu-persico-i...
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate colorful ::burning-man-festival, illustrations, botanical illustration, earthy palette, natural dyes. Volumetric shading. Many species. Colored pencil and water color. Isometric false perspective. Long shot. Style of Rousseau, Seuss, Sendak, Arts-and-Crafts. The playa at golden hour. --ar 3:2"
Voiture sans conducteur dans l'au-delà, 2017.
francois-quevillon.com/w/?page_id=1430&lang=fr
Driverless Car Afterlife, 2017.
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate colorful ::burning-man-festival, illustrations, botanical illustration, earthy palette, natural dyes. Volumetric shading. Many species. Colored pencil and water color. Isometric false perspective. Long shot. Style of Rousseau, Seuss, Sendak, Arts-and-Crafts. The playa at golden hour. --ar 3:2"
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Engram : Data Sculpture
3+1 AP
6M x 5M Media Wall, 3MM LED, Custom Software
Sound Design : Kerim Karaoglu
Custom Software : Kyle McLean
Deaigned and developed at Refik Anadol Studio
From February 7 through March 17, 2018, Pilevneli Gallery presented Refik Anadol’s latest project on the materiality of remembering. Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art. By showcasing several interdisciplinary projects that translate the elusive process of memory retrieval into data collections, the exhibition immersed visitors in Anadol’s creative vision of “recollection.”
“Science states meanings; art expresses them,” writes American philosopher John Dewey and draws a curious distinction between what he sees as the principal modes of communication in both disciplines. In Melting Memories, Refik Anadol’s expressive statements provide the viewer with revealing and contemplative artworks that will generate responses to Dewey’s thesis.
Comprising data paintings, augmented data sculptures and light projections, the project as a whole debuts new advances in technology that enable visitors to experience aesthetic interpretations of motor movements inside a human brain. Each work grows out of the artist’s impressive experiments with the advanced technology tools provided by the Neuroscape Laboratory at the University of California, San Francisco. Neuroscape is a neuroscience center focusing on technology creation and scientific research on brain function of both healthy and impaired individuals. Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.
For more information: refikanadol.com/works/melting-memories/
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
Engram : Data Sculpture
3+1 AP
6M x 5M Media Wall, 3MM LED, Custom Software
Sound Design : Kerim Karaoglu
Custom Software : Kyle McLean
Deaigned and developed at Refik Anadol Studio
From February 7 through March 17, 2018, Pilevneli Gallery presented Refik Anadol’s latest project on the materiality of remembering. Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art. By showcasing several interdisciplinary projects that translate the elusive process of memory retrieval into data collections, the exhibition immersed visitors in Anadol’s creative vision of “recollection.”
“Science states meanings; art expresses them,” writes American philosopher John Dewey and draws a curious distinction between what he sees as the principal modes of communication in both disciplines. In Melting Memories, Refik Anadol’s expressive statements provide the viewer with revealing and contemplative artworks that will generate responses to Dewey’s thesis.
Comprising data paintings, augmented data sculptures and light projections, the project as a whole debuts new advances in technology that enable visitors to experience aesthetic interpretations of motor movements inside a human brain. Each work grows out of the artist’s impressive experiments with the advanced technology tools provided by the Neuroscape Laboratory at the University of California, San Francisco. Neuroscape is a neuroscience center focusing on technology creation and scientific research on brain function of both healthy and impaired individuals. Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.
For more information: refikanadol.com/works/melting-memories/
Machine Growth is a series of AI-driven videos that imagines and images a biological-like life for everyday technologies, by creatively morphing them into, for example, trees, house plants, flowers, fish, or coral. Cassette tapes, phones, cameras, headphones, projectors, typewriters, and other electronic waste are “alive” in as much as they grow and spread, consume and break down, diffuse waste and minerals, shift power and stories into and around the world – literally and metaphorically. This series visually compares and contrasts electronic and biological vitality, asking:
What will digital media be and do, after us?
How will our devices weather or grow over time?
What else might our techno-waste be, and how might we sense and feel this?
Where might electronics lead our environmental and economic politics?
Can we plan and act toward new and different futures?
Machine Growth is priced to own at .05 ETH via opensea.io/collection/machine-growth. The series is almost complete, with three final pieces still in production. The series presents the potentials of alternate life cycles for what we use and throw out, what it might grow into, and how the Earth may (or may not) claim it.
This is the poster-cover created for "Enlarge Your Consciousness in 4 Days 4 Free"
About:
Human beings continuously mutate. Over the last few years, this transformation has taken place at incredibly high speeds, mostly thanks to the wide and ubiquitous availability of digital networks and devices.
This changed the ways in which we work, learn, relate, consume, communicate, love.
Enlarge Your Consciousness in 4 Days 4 Free uses people’s real time emotional expressions on social networks to animate a physical installation.
The emotions of millions of users on social networks such as Twitter, Facebook, Flickr and FourSquare are harvested in real time (using open available APIs and techniques such as Natural Language Processing and Machine Learning) and used to give life to physical manifestations and info-aesthetic visualizations.
The project is the result of a wonderful collaboration between Salvatore Iaconesi / Oriana Persico (Art is Open Source) and Lara Mezzapelle / Giacomo Deriu.
"Enlarge Your Consciousness in 4 Days 4 Free!" was officially launched at BT’F Contemporary Art Gallery Friday, January 27th 2012, as an official initiative of Arte Fiera OFF.
Credits:
Concept & realisation: Oriana Persico & Salvatore Iaconesi, Lara Mezzapelle & Giacomo Deriu
Curated by: Marco Aion Mangani & Alice Zannoni
Produced by: Miria Baccolini - BT'F Gallery
Site:
More info at:
www.btfgallery.com/exhibitions/mezzapelle-deriu-persico-i...
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate colorful ::burning-man-festival, illustrations, botanical illustration, earthy palette, natural dyes. Volumetric shading. Many species. Colored pencil and water color. Isometric false perspective. Long shot. Style of Rousseau, Seuss, Sendak, Arts-and-Crafts. The playa at golden hour. --ar 3:2"
Machine Growth is a series of AI-driven videos that imagines and images a biological-like life for everyday technologies, by creatively morphing them into, for example, trees, house plants, flowers, fish, or coral. Cassette tapes, phones, cameras, headphones, projectors, typewriters, and other electronic waste are “alive” in as much as they grow and spread, consume and break down, diffuse waste and minerals, shift power and stories into and around the world – literally and metaphorically. This series visually compares and contrasts electronic and biological vitality, asking:
What will digital media be and do, after us?
How will our devices weather or grow over time?
What else might our techno-waste be, and how might we sense and feel this?
Where might electronics lead our environmental and economic politics?
Can we plan and act toward new and different futures?
Machine Growth is priced to own at .05 ETH via opensea.io/collection/machine-growth. The series is almost complete, with three final pieces still in production. The series presents the potentials of alternate life cycles for what we use and throw out, what it might grow into, and how the Earth may (or may not) claim it.
A digital image 'dreamed by' Midjourney, an artificial intelligence program that creates images from textual descriptions.
Machine Growth is a series of AI-driven videos that imagines and images a biological-like life for everyday technologies, by creatively morphing them into, for example, trees, house plants, flowers, fish, or coral. Cassette tapes, phones, cameras, headphones, projectors, typewriters, and other electronic waste are “alive” in as much as they grow and spread, consume and break down, diffuse waste and minerals, shift power and stories into and around the world – literally and metaphorically. This series visually compares and contrasts electronic and biological vitality, asking:
What will digital media be and do, after us?
How will our devices weather or grow over time?
What else might our techno-waste be, and how might we sense and feel this?
Where might electronics lead our environmental and economic politics?
Can we plan and act toward new and different futures?
Machine Growth is priced to own at .05 ETH via opensea.io/collection/machine-growth. The series is almost complete, with three final pieces still in production. The series presents the potentials of alternate life cycles for what we use and throw out, what it might grow into, and how the Earth may (or may not) claim it.
Machine Growth is a series of AI-driven videos that imagines and images a biological-like life for everyday technologies, by creatively morphing them into, for example, trees, house plants, flowers, fish, or coral. Cassette tapes, phones, cameras, headphones, projectors, typewriters, and other electronic waste are “alive” in as much as they grow and spread, consume and break down, diffuse waste and minerals, shift power and stories into and around the world – literally and metaphorically. This series visually compares and contrasts electronic and biological vitality, asking:
What will digital media be and do, after us?
How will our devices weather or grow over time?
What else might our techno-waste be, and how might we sense and feel this?
Where might electronics lead our environmental and economic politics?
Can we plan and act toward new and different futures?
Machine Growth is priced to own at .05 ETH via opensea.io/collection/machine-growth. The series is almost complete, with three final pieces still in production. The series presents the potentials of alternate life cycles for what we use and throw out, what it might grow into, and how the Earth may (or may not) claim it.
Machine Growth is a series of AI-driven videos that imagines and images a biological-like life for everyday technologies, by creatively morphing them into, for example, trees, house plants, flowers, fish, or coral. Cassette tapes, phones, cameras, headphones, projectors, typewriters, and other electronic waste are “alive” in as much as they grow and spread, consume and break down, diffuse waste and minerals, shift power and stories into and around the world – literally and metaphorically. This series visually compares and contrasts electronic and biological vitality, asking:
What will digital media be and do, after us?
How will our devices weather or grow over time?
What else might our techno-waste be, and how might we sense and feel this?
Where might electronics lead our environmental and economic politics?
Can we plan and act toward new and different futures?
Machine Growth is priced to own at .05 ETH via opensea.io/collection/machine-growth. The series is almost complete, with three final pieces still in production. The series presents the potentials of alternate life cycles for what we use and throw out, what it might grow into, and how the Earth may (or may not) claim it.
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate colorful ::burning-man-festival, illustrations, botanical illustration, earthy palette, natural dyes. Volumetric shading. Many species. Colored pencil and water color. Isometric false perspective. Long shot. Style of Rousseau, Seuss, Sendak, Arts-and-Crafts. The playa at golden hour. --ar 3:2"