View allAll Photos Tagged MULTIPLE
Art Roamers Pop Up Outdoor Art Gallery in Downtown Baker City Oregon
Amazing Pop up public art display in historic downtown Baker City, Oregon. Spent the day exploring downtown Baker City's amazing architecture and this fun metal art sculpture art exhibit. This temporary outdoor exhibit was provided by Art Roamers.
Downtown Baker City has a vibrant art scene already with multiple galleries and art events throughout the year including the First Friday Art Walk. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like āem Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker Cityās historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about the Art Roamers outdoor art display, First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
This was a bit of an experiment. There are three 60second exposures here, and during each one I adjusted the zoom ring a few times so that mulitple images developed on the same exposure.
Unfortunately each image comes out a little faint because of the limited exposure at each point and the overlying sky. Still, I though I would share it. Let me know what you think.
A view I think from outside the modestly-named Universal Buses Limited's Smithybridge depot, showing off two of its Optare Excels, R817/9 WJA. Perhaps as a result of hubris, Universal Buses were not with us for long and the operation was purchased by Stagecoach in 2000. 817 was sold by Stagecoach in 2001 and ended its days with Essex County Buses. 819 has been more fortunate; by 2003 it found itself converted to dual door and providing shuttle services to and from the P&O Ferry Port at Dover. I understand it, together with stablemate R818 WJA , remains active with P&O in Hull.
This got me thinking about the dual door business. Itās not often one hears of a used bus getting a door inserted. Usually opposite arrangement applies as a vehicle from a London operator is cascaded or sold on to the provinces. What do they do with all the doors, I wonder? I canāt imagine there is a ready market for used centre doors. Perhaps thereās a big pile of them somewhere, stockpiled in case of a Great Door Shortage
Some colour multiple exposures with the LomoApparat in the City of London. Another walk back to the train station from the office
LomoApparat
Portra 160
Experimental multiple exposure of a pregnant model I worked with earlier this year, with Hoya Red & Blue Pop Colour Filters. Taken at Victoria Park near the University of Sydney.
Nikon F4. AF Nikkor 24mm F2.8D lens. Kodak Pro Image 100 35mm C41 film.
Richard Harvey UK threw a challenge at me recently. In his words
"Let me tempt you with Still Life. Grab some onions or other fruit/vegetables. Find a dark corner, experiment with lighting, shoot shoot shoot!
Your wife will think youāre crazy, butā¦..surely thatās not a new thing?"
Since the wife wasn't home to pass judgment I thought I'd give it a go.
I passed on the fruit/veg and instead grabbed this concrete statuary piece that we keep in the garden as a remembrance of all the dogs that have passed through our doors. Went into the darkest room in the house and shot, shot, shot!
Out of all the shots I took this one spoke to me the most. The lighting is just a StreamLight flashlight (torch for Richard Harvey UK and my UK compadres) that I positioned all around the room.
Now, is this still life? Since it's a statue it certainly fits the still bill. Is there a story? Sure, if you've read this far you'll know there's a story behind the piece. Was it enjoyable? Yes, it was. Pretty interesting to see how this little light played with the statuette. Was I comfortable. Absolutely not, I truly felt a bit silly taking multiple shots of the same thing. Will I continue down the Still Life path? If I can convince the wife I'm not crazy taking photos of fruity baskets and concrete statues then yes!
Thanks. Richard Harvey UK for throwing this at me. I appreciate the challenge to step out of my proverbial box and try something new.
BTW, this is SOOC the camera except for some crop with GIMP.
INSTRUCTIONS AVAILABLE FOR P558 SUPERDUTY - MULTIPLE CONFIGURATIONS
On September 24, 2015, Ford unveiled the 2017 Ford Super Duty line at the 2015 State Fair of Texas. he frame is made from 95% high strength steel and the body (like the contemporary F-150) is made from 6000 series aluminum alloy. For the first time since 1999, both the Super Duty and F-150 lines are constructed using the same cab.
For 2017 production, the Super Duty line shares its powertrain lineup with its 2016 predecessor: a 6.2L gasoline V8, 6.8L V10 (F-450 and above), with a 6.7L diesel V8 available in all versions. The 6.2L gasoline V8 engine remains at 385 hp but torque rises from 405 lb-ft to 430 lb-ft. Additionally, the gasoline V8 produces its max torque at over 700 rpm less than the previous 405 lb-ft engine. The 6.7L diesel engine also remains at the same 440 hp (323 kW) but torque increases from 860 lb-ft upwards to 925 lb-ft.
The 2020 Super Duty debuted at the 2019 Chicago Auto Show. It features a revised grille and tailgate design, new wheel options, and higher-quality interior materials for the Limited trim. A new 7.3-liter gasoline engine is available. Nicknamed "Godzilla", it makes 430 horsepower and 475 lb-ft of torque.
Cab configurations continue to be 2-Door Regular Cab, 4-Door Super Cab, and 4-Door Super Crew Cab, with Short Box (6' 9") and Long Box (8') bed lengths. The truck will be available in F-250, F-350, and F-450 pickup truck models, and F-350, F-450, and F-550 chassis cab models. All will be available in both 4X2 and 4X4 configurations. The F-350 will be the only model available in either Single Rear Wheel (SRW) or Dual Rear Wheel (DRW) configurations, the F-450 and F-550 will only be available in a Dual Rear Wheel (DRW) configuration, and the F-250 will only be available in a Single Rear Wheel configuration.
_DSC6819_NKD500
Daina
Posem-nos en situació,
Aiguamolls de l'Empordà , s'acaba el dia i per tant la llum. Són les 19:31:57 del 17 de Març, encara no s'ha canviat l'hora.
Les daines, tot el dia amagades i tĆmides, segurament pensant-se que ningĆŗ les vigilava em van regalar un munt de corredisses i salts com si d'un ballet es tractĆ©s.
20.000 ISO i 1/800 , això és el que n'he obtingut.
- . - . - .
PongÔmonos en situación,
Aiguamolls de l'EmpordĆ , se termina el dĆa y por lo tanto la luz. Son las 19:31:57 del 17 de Marzo, aĆŗn no aplicamos hora de verano.
Los gamos, todo el dĆa escondidos y tĆmidos, seguramente pensando estar solos me regalaron mĆŗltiples saltos y carreras como si de un ballet se tratase.
20.000 ISO y 1/800, esto es lo que he obtenido.
This is one from last summer that I'd completely forgotten about.
Class 150 diesel multiple unit No. 150104 arrives at Yatton with 2Y10, the 09:26 Bristol Temple Meads to Weston-super-Mare service on Saturday 26th August 2017.
A Question of Balance is the name of the classic 1970 album by The Moody Blues.
Experimental multiple exposure with the fountain at Piazza Barberini in Rome taken with Hoya Pop Colour Filters.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
Well - finally bit the bullet, took a day off work and headed to the Bellarine Peninsula for 2 days of photography. With travel though and lousy weather this afternoon (gale force winds), this amounted to around 1 full day, but I am pretty happy with what I have come away with.
This image is from the moorings of the old boat building dock at Rippleside, which is now being redeveloped into apartments etc etc. I suspect that access to this site won't be available soon based on Google satellite images from last year and site conditions today.
Anyway, I am a firm believer of doing as the "locals" do, so following the local fishermen I went through a few gates, through a hole in the fence here and there, and then I had ready access to my subject from multiple vantage points!
Realising that I may not get to photograph this subject again I made the most of it despite the cold and wind and wouldn,t leave until I had the shots I wanted.
More to come!
Cheers, Ross.