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We stayed the night in Whitehall Montana with sights on chasing the Bozeman local the next day, on our way over to Bozeman we discovered the ML picking up a loaded BNSF ballast train in Logan. We chased them into Bozeman where they made a crew change, in the meantime the bozeman local left light power so we stuck with the ML for the morning. With a new crew on board the ML heads east with 5 on the head end and mid train helpers as the climb up Bozeman pass!

YASHICA ML 24MM 2.8

 

Thank you all for your comments and favs!

We stumbled upon the ML grinding up Mullan outside of Elliston on our way to Helena, beautiful sun and fall colors on the pass added to the scene!

Yashica ML 24mm 2.8

MRL’s Essential Workers engine leads the eastbound Missoula-Laurel by the often photographed barn at Jens, MT, on the 3rd Sub.

Yashinon 50mm F1.7 ML

7DWF Crazy Tuesday Theme: "Drinks"

  

From the garden, White Swan, hybrid Coneflowers I planted last fall. Yashica ML 50mm 1.7 with a C/Y to Nikon F adapter.

Always a vision of delight in a garden pond

Yashica ML 500 Mirror lens on Leica SL2-S

(Exif data not valid here)

MonaLisa Advent Calender ☻ 12 Days : dec 12 - dec24 ♥ new Gift each day .enjoy!

taxi:

maps.secondlife.com/secondlife/Capodorso/166/92/1892

"The line_up is a paperwork series I developed since 2010. The“liners” are made out of paper (Din A3),

oil paint and graphite, the theme is the hermetical laws of polarity and movement. There is no ending and no beginning in any direction, just an endless movement. You have the possibility to arrange the papers like you want and that makes it an endless playground for my photo-work and the eyes of the viewers."

Yanomano

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Dati Tecnici

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a) Fuji X-H1 + Anello adattatore FRINGER-EF-FXPRO2 + Canon Zoom Lens EF 24/70mm f.2,8 L USM

b) Tempo 1/60s apertura a f.5,6 + 2/3 di stop (a mano libera no flash);

c) Focale nell'ottica 55mm, reale circa 83mm, ISO/ASA 6400

d) Tecnica di impressione del sensore (Tecnica dell'Esposizione a Destra)

e) Lettura Esposimetrica in Media a Prevalenza Centrale con esposimetro della macchina;

f) Messa a fuoco (auto);

g) File Tif/Raw 137Mb convertito;

h) Lux Ambiente indiretta 3250° kelvin (cielo coperto leggermente nuvoloso);

i) Prima Post-Produzione per effettuare un minimo intervento del bilanciamento tonale nelle varie aree del fotogramma con Nikon Capture NX 2

l) Seconda Post-Produzione con Adobe Photoshop CS6 per il bilanciamento della compensazione dell’Esposizione con le zone d’ombra;

m) Post-Produzione di completamento con Nikon Capture NX 2.

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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:

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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord

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Tutti i diritti riservati ©2020/2030 da ArchiMlFotoWord/Luigi Mirto/Photography

Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.

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All rights reserved ©2020/2030 by ArchiMlFotoWord/Luigi Mirto/Photography

No images or part thereof may be reproduced or transmitted in any form or by any means

Without prior permission.

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All Love Can Be - James Horner

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…una mente brillante

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...piove a dirotto e

in una via deserta si sente

d'un carro lo scricchiolio,

degli zoccoli lo scalpitio

in mezzo al triste mondo.

Abbandonato, un bambino

piange dietro una bara,

pallido il viso, occhi nel vuoto

chiede conforto alla nebbia

che stretto lo avvolge là…

dove la pupilla incerta

è in cerca d’una madre

del suo bacio, dell’ultimo abbraccio

ma oramai… tutto ha perso.

E’ solo coi suoi stracci addosso

lerci e inzuppati di pioggia

rimane la sua memoria

più santa e la più cara.

…sarai per sempre

il figlio di una donna muta.

Alza gli occhi al triste cielo

una figura intravede,…che

una silenziosa parola eleva,

sarai,….una mente brillante

e il suo ricordo lo conforta.

Gli dirà con placida fermezza;

con la gelosa e veggente tenerezza

avrò per lei sempre parole dolci

era un angelo, era la sua mamma.

………………………..…….. Luigi Mirto

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…a beatiful mind

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... it rains heavily and

you hear a deserted street

the creaking of a cart,

the trampling of the hooves

in the middle of the sad world.

Abandoned, a child

cries behind a coffin,

face pale, eyes blank

asks comfort from the fog

how tightly it wraps it there ...

where his pupil is uncertain

is looking for a mother

of her kiss, the last hug

but now ... everything has lost.

He is alone with his rags on

filthy and drenched in rain

his memory remains

holiest and most expensive.

…you will be forever

the son of a dumb woman.

He rolls his eyes to the sad sky

a figure glimpses,… that

a silent word elevates,

you will be, …a beatiful mind

and the memory of him comforts him.

He will tell him with placid firmness;

with jealous and visionary tenderness

I will always have sweet words for her

she was an angel, she was his mother.

………………………..…….. Luigi Mirto

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Teaching Mathematics Again - James Horner

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Emerging from the tunnel under Medicine Tree Hill, MRL's ML manifest crosses the Clark Fork River and enters the siding at Nimrod on MRL's 3rd Sub.

 

Just to the left of the lead locomotive, behind the signal mast, is a number of bridge girders. These are from the former Milwaukee Road bridge here that was dismantled in the last several years. The MILW Pacific Extension once paralleled the former Northern Pacific from Garrison through Nimrod to Missoula.

 

MRL ML (Missoula to Laurel, MT)

MRL SD70ACe #4405

MRL SD70ACe #4404

 

Nimrod, MT

May 5th, 2022

Revue ML, + Super Multi Coated Takumar 135 F3.5 + Fujicolor C200

On the eastern end of the Montana Rail Link, MRL's 2nd Sub races across broad valleys along the Yellowstone River. Here, just east of Greycliff, things are fairly flat as the ML races across open prairies on its way to Laurel.

 

MRL ML (Missoula to Laurel, MT)

MRL SD70ACe #4311

MRL SD70ACe #4404

 

Greycliff, MT

August 29th, 2021

DSB-DANSKE STATSBANER, ML 4901, 28-12-2001, Helsingor station - Denmark.

Yashica FX3 2000 - ML 35-105mm

Kodak Ultramax 400

Develop and scan in lab

Yashica FX3 Super 2000 | Yashica ML 35-105mm F3.5 | Orange filter + CPL filter (maybe?)

 

Ilford FP4+ 125 | Home developed in R09 1+50 | 14:30/21.5C

 

Scanned with EPSON V600

Wearing the Christmas Mini Pattern Dress from their advent calendar

OLYMPUS DIGITAL CAMERA yashica ml 50mm f1.7

Credit to Zach for picking this spot out. We saw this guy heading out of the sunset and into darkness the evening prior and assumed it was long gone, but upon arrival in Logan in the morning found them about to swap crews for a nicely lit run up the pass!

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