View allAll Photos Tagged MATRIX
Rick Sanders beat the record-breaking Atlanta heat and escaped to Alaska. Here, Rick was standing in front of Gold Creek Mine Falls in Juneau, Alaska.
metalab led matrix: all leds seem to work. the dark spots are the modules that drive the leds. this is actually the backside.
Week 10 Assignments
2. The Matrix - Photos inspired, in some way, by the movie The Matrix. Yep, it's my favorite movie. So there. If you've never seen it, the first part of your assignment is to rent it! If you are really, really opposed to doing so for some reason, and you don't know anything about the movie, poke around on the internet a little and you should be able to get some basic ideas. (tag with cwd102)
Just doing these in my own time, not part of any group
[Dia 24/100]
De repente me di cuenta que no habia tomado foto y ya iba a ser media noche, corri y saque una foto al televisor, estaba empezando Matrix (la primera).
Tiffany and Sherries' office looking refreshed with their newly assembled standing and sitting desks.
Matrix felt left out, seeing as we have been taking a huge number of pictures of Max. Only a couple came out decent, as Matrix tends to have ADD and is not able to sit still! :-)
Endlich sind wir wieder in der richtigen Matrix. Schnee auf den Bergen Österreichs.
Dienten 10.3.2007, Pulverschnee!
Matrix III, 2019
Approximately 6 tonnes of 6 mm mild steel reinforcing mesh
This vast cloud is a mesmerising visual labyrinth, hewn from an ordinary industrial material. 98% recycled, the steel mesh – commonly used to reinforce concrete walls – is transformed into a complex phenomenon, by way of hundreds of thousands of spot welds done by hand. Designed especially for this gallery, 21 suspended room-size cages intersect, surrounding a small concentrated chamber. This void at the core is what Gormley calls “the space of dreaming”, and is equivalent to the average size of a European new-build bedroom. Looking up at this structure, our ability to perceive distance is challenged: our eyes struggle to decide what is close or far, in front or behind.
The certainty and solidity of the three-dimensional world is undermined. Gormley has described ‘Matrix III’ as “the ghost of the environment we’ve all chosen to accept as our primary habitat”.
[Royal Academy]
Taken at Antony Gormley
(21 September — 3 December 2019)
The exhibition will explore Gormley’s wide-ranging use of organic, industrial and elemental materials over the years, including iron, steel, hand-beaten lead, seawater and clay. We will also bring to light rarely-seen early works from the 1970s and 1980s, some of which led to Gormley using his own body as a tool to create work, as well as a selection of his pocket sketchbooks and drawings.
Throughout a series of experiential installations, some brand-new, some remade for the RA’s galleries, we will invite visitors to slow down and become aware of their own bodies. Highlights include Clearing VII, an immersive ‘drawing in space’ made from kilometres of coiled, flexible metal, and Lost Horizon I, 24 life-size cast iron figures set at different orientations on the walls, floor and ceiling – challenging our perception of which way is up.
Perhaps best-known for his 200-tonne Angel of the North installation near Gateshead, and his project involving 2,400 members of the public for Trafalgar Square’s the Fourth Plinth, Antony Gormley is one of the UK’s most celebrated sculptors.
[Royal Academy]