+44 No.1 lost love spell caster(real) in UK, scotland,new irelan
View allAll Photos Tagged MARYLAS
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* "Cabra, el Guernica de la Subbética". Acrílico sobre lienzo, 800x350; 2018, obra de la pintora Maryla Dabrowska. Cabra de Córdoba, la antigua Igabrum tartesso-romana. Centro geográfico de Andalucía.
* A las 7,30 de la mañana del 7 de noviembre de 1938, a cuatro meses del final de la Guerra Civil Española, tres bombarderos de las FUERZAS AÉREAS REPUBLICANAS dejaron caer sobre Cabra 2000 kilos de bombas y metralla causando 109 muertos y más de 300 heridos.
* La pintora Maryla Dabrowska, de origen polaco pero asentada en Alicante, artista de proyección internacional, -su obra figura en Instituciones de Argentina, Polonia, Alemania, Suiza, Bélgica, Francia, Gran Bretaña-, ante la noticia de tal suceso elaboró esta pintura mural con motivo del ochenta aniversario de tan terrible matanza, que estuvo expuesta en la antesala del teatro “El Jardinito” de la ciudad de Cabra de Córdoba.
* Traemos a colación, ante este episodio, la canción del Grupo Jarcha.
¿Quién fabrica las pistolas? ¿Quién?
¿Quién las cargará con balas? ¿Quién?
¿Quién apretará el gatillo? ¿Quién?
¿Quién ha de morir mañana? ¿Quién?
¡Puedes ser tú, puedo ser yo!
Las balas no han de respetarnos.
¡Puede ser éste, quizás aquél!
El quién no importa, sólo el porqué.
¿Quién apretó el gatillo? ¿Quién?
¿Quién nos disparó?
Izquierdas o derechas. ¿Quién?
¡Qué sé yo!
Se mezclan intereses con rencor,
los odios con doctrinas.
Y el resultado de esta mezcla es
muerte y dolor.
Nadie da licencia de matar,
el hombre no es un blanco.
Guardad vuestras pistolas de una vez
que todos queremos paz.
(GRUPO JARCHA. ¿Por qué?.)
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* Detalle del mural Cabra, el Guernica de la Subbética. Acrílico sobre lienzo, 800x350, 2018, obra de la pintora Maryla Dabrowska. Cabra de Córdoba, la antigua Igabrum tartesso-romana.
* A las 7,30 de la mañana del 7 de noviembre de 1938, junto a la Plaza de Abastos, una larga fila de personas, sobre todo ancianos y niños, hacían cola para recibir el pan correspondiente con su cartilla de racionamiento. Tuvo lugar un cobarde bombardeo sobre aquella población civil por parte de la aviación del bando republicano. 2000 kilos de bombas causando 109 muertos y más de 300 heridos. Hubo quienes tuvieron que recoger los miembros dispersos de sus seres queridos en espuertas.
* Aún viven testigos de aquella masacre que así lo atestiguan. Para que la tan traída y llevada cuestión de la “Memoria Histórica” sea equilibrada, la artista Maryla Dabrowska, realizó esta obra y la tituló con mucha ironía “Cabra, el Guernica de la Subbética”.
* Pongo sobre la mesa hoy, en son de paz y para concordia de un bando y otro, los versos del poeta Blas de Otero
Fragmento
Pido
la paz y la palabra.
Me llamarán, nos llamarán a todos.
Tú, y tú, y yo, nos turnaremos,
en tornos de cristal, ante la muerte.
Y te expondrán, nos expondremos todos
a ser trizados ¡zas! por una bala.
Bien lo sabéis. Vendrán
por ti, por ti, por mí, por todos.
Y también por ti.
(Aquí no se salva ni dios.
Lo asesinaron.)
(BLAS DE OTERO. Pido la paz y la palabra.)
After 23 years living in the African Watering Hole of the MD Zoo, Stubby is moving on Monday to a private wildlife conservatory in FL that cares for a large crash of Southern White Rhinos. So good for him, but he will be missed by so many here. Glad we got to see him one more time, even if he was taking a snooze.
baltimore.cbslocal.com/2020/09/19/stubby-the-rhino-maryla....
My thanks to Matt Scott www.flickr.com/photos/mattscott33 who gave me directions to this location. Already there were Maryla Kula www.flickr.com/photos/kulama and David Carlsson www.flickr.com/photos/129242234@N08/
My first close encounter with a cuckoo. A wonderful sight.
After 23 years living in the African Watering Hole of the MD Zoo, Stubby is moving on Monday to a private wildlife conservatory in FL that cares for a large crash of Southern White Rhinos. So good for him, but he will be missed by so many here. This was taken a year ago.
baltimore.cbslocal.com/2020/09/19/stubby-the-rhino-maryla....
Macro Mondays - My Favorite Novel (Fiction)
"Anne of Green Gables" is a 1908 novel by Canadian author Lucy Maud Montgomery.
It recounts the adventures of Anne Shirley, an 11-year-old orphan girl who is mistakenly sent to Matthew and Marilla Cuthbert, a middle-aged brother and sister who had intended to adopt a boy to help them on their farm in the fictional town of Avonlea on Prince Edward Island. The novel recounts how Anne makes her way with the Cuthberts, in school, and within the town.
This picture reminds me of the day when Anne is suspected of losing a valuable family memento, the Maryla brooch. Everything indicates that she will be sent back to the orphanage, but fortunately this and all Anne's stories end happily :)
HMM :)
7 Days with Flickr Wednesday - Macro or close-up
My thanks to Matt Scott www.flickr.com/photos/mattscott33 who gave me directions to this location. Already there were Maryla Kula www.flickr.com/photos/kulama and David Carlsson www.flickr.com/photos/129242234@N08/
My first close encounter with a cuckoo. A wonderful sight.
to get into the train - doesn't matter which one
do not care about the luggage,
do not care about the ticket
and go away
.......
Maryla Rodowicz Wsiąść do pociągu
Explored #213 on 15-10-2009
Thank You
It is a great idea to tell the story behind the image
so this is my story
I was driving back home, passing by a small town (Wolsztyn, Poland)where once a year in first weekend of May, the steam train parade takes place. I noticed, that they have some steam locomotives standing as an open air museum and stopped to make some pictures. Then I noticed a steam locomotive warming and slowly going away. After app. 1 km it stopped at a little station. I followed the locomotive and found out, that this steam trains are still serving a small distance line. I liked the mood of a solitude, small train station and old steam train... tried to put it in this photo.....
'Get on a random train'
Warszawa, Dwordzec Centralny 18.08.2016
Thank you to my lovely wife Emilia for being in the picture.
WMATA Red Line Silver Spring Bound Train at Union Station in NE Washington DC on Tuesday night, 4 July 2017 by Elvert Barnes Photography
AFTER THE 4 JULY FIREWORKS CROWD Series
Return Trip to Baltimore from Catering
INDEPENDENCE DAY 4 July 2017 Project at elvertbarnes.com/4July2017.html
Published at ggwash.org/view/64665/breakfast-links-hogan-wont-support-...
Published at ggwash.org/view/71011/red-line-riders-at-the-glenmont-whe...
Published at wamu.org/story/19/07/01/metro-includes-bus-trips-in-month...
Published at dcist.com/story/20/01/31/four-red-line-stations-in-maryla...
Published at ggwash.org/view/79117/breakfast-links-metro-board-questio...
Published at ggwash.org/view/81860/breakfast-links-metro-july-4-riders...
Published at www.sourceofthespring.com/silver-spring-news/metro-to-imp...
Published at ggwash.org/view/85050/safety-first-time-for-wmata-to-put-...
Published at www.sourceofthespring.com/silver-spring-news/2813029/metr...
Long live the ball! They won't invite us at all for a
second time!
This is excerpt from Agnieszka Osiecka song lyrics sung by Maryla Rodowicz. It refers to life. Enjoy as long as you can to the fullest. You won't get another invitation.
Polish original:
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Niech żyje bal!
Bo to życie to jest bal nad bale!
Niech żyje bal!
Drugi raz nie zaproszą nas wcale!
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As usual, one BrickLink order from completion; needs two orange minifig hands and a little more orange tubing. Preorder yours here: brickmodelrailroader.com/index.php/product/western-maryla...
“No Profession” (A story of prejudice)
It has not been uncommon, over the years, to find myself captivated by the stories of the many artists relegated by history to the “minor” category; and it has been with great admiration and respect that I have viewed works that, in my opinion, have been judged superficially through the filter of a certain a priori prejudice aimed at depriving those artists of their due recognition. Yet, there is no doubt in my mind that these works represent an unbroken, centuries-long artistic continuum; or that political and social biases have often been at the root of so many cases of oblivion, dismissal and alienation that, in the arts in particular, have most deeply targeted women.
So I began to investigate and expand on this theme in a series of works – the substance of this exhibition – but instead of focusing my attention on the underlying reasons for this state of affairs, I set out instead from various perspectives and interpretations to try to make a small contribution to repaying this enormous debt.
Considered aptly suited to decorative painting – still life, flowers, etc. – for centuries other outlets for the display of “talent” were also earmarked for women, such as playing the piano, singing and embroidery; these were, moreover, reserved for the daughters of the upper classes and certainly suffocated among the humble ranks of the domestic servant class.
Maria Anna Mozart, endearingly known as Nannerl, a talented musician and composer raised in the shadow of her brother Wolfgang Amadeus and, owing to her gender alone, forced by their father to perform solely within the private confines of home and family. Only a single example of her many compositions remains today.
Élisabeth Louise Vigée Le Brun, portrait artist to the royal family, earned her fame thanks to the unparalleled support of the most celebrated woman of the times – Marie Antoinette – in what turned out to be a momentary (perhaps illusory?) high point for women’s art. Indeed, with the French Revolution and the Napoleonic Code that followed, women were once again demoted to a station inferior to that of men and no longer permitted to attend the art academies or institutes.
Édouard Manet’s sister-in-law, Berthe Morisot, was a master Impressionist painter, whose death certificate described her as having “no profession”, thereby definitively dooming any recognition of her astonishingly fertile artistic career to burial along with her body.
Camille Claudel, sculptress and muse to French master sculptor Rodin, whose eventual abandonment triggered a steep decline that led to her confinement in the Montfavet mental hospital for the remainder of her life.
A humble scullery maid , Séraphine de Senlis, and an imperious headmistress Aloïse Corbaz: two very different stories, yet whose protegonists’ artistic pursuits are similarly redeemed by objective, albeit tardy, artistic recognition.
Vanessa Bell, elder sister of novelist Virginia Woolf and Gabriele Muenter , member of German Expressionism and of the “Blaue Reiter Group” but probably best known as lover of her colleague Wassily Kandinsky.
Nori de’ Nobili and Carla Maria Maggi, who renounced their creative passions for the sake of the social conventions of their times, and the great poet Alda Merini.
Indeed, the list goes on and on of the variously unrecognised women in this tale of clearly politically-motivated prejudice and exclusion.
This exhibition, therefore, is intended as my simple personal homage to gender; my convinced support for an alternative vision of the history of art and an invitation to wonder how it might have evolved if male and female artists had always been allowed to develop their talents as equals.
On this occasion, additional homage is paid to two splendid but ill-fated artists: Polish sculptor Maryla Lednika-Szczytt and Ukrainian painter Marija Prymachenko, whose artistic legacies have been almost entirely eradicated by the violence of war.
In conclusion, it is not out of step that an exhibition focused on gender-based prejudice, would also take the trouble to recall a man: my uncle, who unwittingly provided the initial inspiration for my passion for drawing and colour, for whom another sort of prejudice – against being mentally and socially different – presented a barrier to personal expression.... but... that’s another story…
Paolo Bigelli
As usual, one BrickLink order from completion; needs two orange minifig hands and a little more orange tubing. Preorder yours here: brickmodelrailroader.com/index.php/product/western-maryla...
2015.09.05 Babimost - Roman Ratajczak, Jarosław Reut, Roman Gnalicki, Ireneusz Lara, Zbigniew Gieruła, Marek Hauszczak, Waldemar Kłosiński, Bernadeta Bogusz, Witold Szuster, Marek Bogusz, Maryla Tomecka, Ewa Radwańska, Lidia Romanow, Mirosława Walęcka, Waldemar Judt, x,x, Katarzyna Lipińska, Barbara Borowiec, Piotr Borowiec
2012.11.24 Bogota - Benia Bogusz, Marek Bogusz, Artur Reut, Ewa Jeske, Zbigniew Zarzycki, Ireneusz Lara, Maryla Tomecka
As usual, one BrickLink order from completion; needs two orange minifig hands and a little more orange tubing. Preorder yours here: brickmodelrailroader.com/index.php/product/western-maryla...
2010.02.06 Poznań Markowa knajpka - Maryla Golusik-Tomecka, Magda Radwańska, Bogdan Sobiech, Ewa Radwańska
2012.11.24 Bogota - Zbyszek Zarzycki, Ireneusz Lara, Maryla Tomecka, Ewa Radwańska, Iwona Szepelak, Marek Bogusz
2012.03.17 Bogota - Adam Loba, Krzysztof Romanow, Maryla Tomecka, Ewa Radwańska, Ireneusz Lara, Magda Radwańska