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La Alhambra (Granada - Andalucía) vista desde el mirador de San Nicolás en el emblemático barrio del Albaicín.
English
The Alhambra (Granada - Andalusia) seen from the San Nicolás viewpoint in the emblematic Albaicín neighborhood.
Cámara Nikon D850 con lente Nikkor 24-120 F4/G-VR. Editada con Photoshop 2023
Tiempo de exposición : 3 sec
Bias de exposición : -.0.33 ev
Diafragma : F/8
Sensibilidad : 64 Iso
Distancia focal de : 78 mm
Tripode Si
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in larger, clicking double on the imagen.
- I like how the water ripples Through, as The Sunlight Emerges and Reflects from "The Shadow of Darkness" - Salt River, AZ. -
Imagen de "La Alhambra" capturada desde el mirador de San Nicolás, ubicado en el emblemático barrio del Sacromonte (Granada - Andalucía). Un maravilloso marco para un momento de luz y color inolvidable...Lo mejor fue compartir estos instantes en una ciudad mágica como es Granada, con amigos que sienten la misma pasión por la fotografía, y con los que a través de ella, nos une una sincera amistad......Imagen dedicada en especial a ellos y también a todos los amigos en Flickr.
Image of "La Alhambra" captured from the viewpoint of San Nicolás, located in the emblematic Sacromonte neighborhood (Granada - Andalusia). A wonderful setting for an unforgettable moment of light and color ... The best thing was to share these moments in a magical city such as Granada, with friends who feel the same passion for photography, and with those who, through it, unite us a sincere friendship ...... Image dedicated especially to them and also to all the friends on Flickr.
Cámara Nikon D850 con lente 24-120 F4/G-VR editada con Camera Raw y Photoshop CC 2019.
Esta captura se tomó con 3 segundos de exposición, con Iso 64, un diafragma de f/8 y una distancia focal fue de 78 mm en formato completo
Recomiendo hacer doble click sobre la imagen y ver en grande,
I recommend see in larger, clicking double on the imagen.
Imagen de "La Alhambra" capturada enla hora azul, desde el mirador de San Nicolás, ubicado en el emblemático barrio del Sacromonte (Granada - Andalucía). Un maravilloso marco para un momento de luz y color inolvidable
Image of "La Alhambra" captured at blue hour, from the San Nicolás viewpoint, located in the emblematic Sacromonte neighborhood (Granada - Andalusia). A wonderful setting for an unforgettable moment of light and color.
Cámara Nikon D850 con lente 24-120 F4/G-VR editada con Photoshop
Recomiendo hacer doble click sobre la imagen y ver en grande,
I recommend see in larger, clicking double on the imagen.
Macro Mondays - High Key
I was looking forward to this one but it turned out to be way harder to achieve than I thought. I thought I was all set and when I looked on the computer there was way too much shadow. So I had to get out a small soft light to help me out.
Happy Macro Mondays
This morning picture was taken with Agfa Isolette I and a copy film cut down to fit 120 format (IMAXproject). ISO 3 and Stand development Fomadon R09 1:100.
Taken with Agfa Isolette I (Agnar) and a copy film cut down to fit 120 format (IMAXproject). ISO 3 and Stand development Fomadon R09 1:100.
Taken with Mamiya RB67 and Kodak 2383, a copy film cut down to fit 120 format (IMAXproject).
ISO 3 and Stand development Fomadon R09 1:100.
Trots op dit resultaat, al had ik gehoopt op een mooie zonsondergang. Met een ND filter en mijn trouwe partner Olympus OM-d EM5 mark II.
Nikon F5, Nikkor 24mm f2.8, orange filter, Svema (FPP) Blue Sensitive, Kodak Tmax developer.
Another shot of this really very photogenic location. I disliked this shot at first - it's got a lot wrong with it technically. The sky is blown out, it has vignetting at the edges.
But, as I was thinking about the composition overall, and the imperfections - I realized that I couldn't stop looking at this image. I love the straight on portrait mode with these old houses. It formalizes their witness to time and the elements. It shows off their scars, and it gives them a certain proudness. This house has seen things, and you can't help but to see that immediately in this image. It reminds me of Harry Truman in a way. Not the president. The old codgeter that wouldn't leave his house on the flanks of Mt. St. Helens. He's under a lot of that mountain now, but he was proud and unwilling to give up his lived experiences in that place. This house seems to be stating something similar. 'I took care of mine. I did that right here. I am proud I did my job, and content in my fate.'
That is what this image says to me.
Nikon F5, Nikkor 24mm f2.8, FPP Low ISO Color Negative (Eastman 2254).
Interesting color negative film. I have had two rolls of this stuff for some time and decided last weekend to give it a try. It is very slow - so a tripod is a must - they recommend an ISO of 1.6. My F5 only goes down to ISO 6, so I just shot at ISO 6 with two stops of exposure compensation. Seems to have worked okay.
This film has a definite color cast. It seems to lean very much toward the blue and magenta, so it does require quite a bit of fidgeting with the colors in post to get it tamed down. The film base is a pale pink purple, which I think is one of the reasons for the difficulty. I am reasonably happy with the colors of this one - and although they are not accurate, this has the feeling of the colors I remember from the day. Just read the fine print on the negative border - this one is Eastman 2254.
This was a one-room cabin next to the house that was built after this one was abandoned. Often on the prairie, this is the case - the original family outgrows the old place and builds a new one right next to the old one, which then just gradually decays away.
This one had three old toilets inside, strewn about. Just outside of the door was the old Steelcase-style 'tanker' desk chair. Will definitely be going back to this one.
No grain and high resolution.
A 70mm movie film cut down to 120.
Stand development R09 1:100
Mamiya RB67 127mm SEKOR.
No grain and high resolution.
A 70mm movie film cut down to 120.
Stand development R09 1:100
Mamiya RB67 127mm SEKOR.
Nikon F5, Nikkor 24mm f2.8, FPP Slow ISO color (Eastman 2254).
This abandoned farmstead has a lot of interest. This is part of the 'new' house built adjacent to the old one room cabin toward the front of the property. This was a cattle operation - the chutes and barns all speak to that, but someone either just walked away from this place - probably in the 80's it looks like, or someone died and there was no one to inherit, or no one wanted to. Things were just left, pretty much as-is. No car in the garage, but there is lots of stuff in the house.
This film definitely has a look, and the more I play with the settings in Lightroom, the more control over it I think I am getting. I think the main thing of importance is to give it the full ISO 1.6 to get the most 'correct' color rendition. I know I underexposed a few of my shots, and those ones are the most difficult to get rid of the blue in. If you try this film, that is ISO 1.6 - my F5 only goes down to ISO 6, so I was using 2 stops of compensation to get to ISO 1.5, but I know I must have not re-metered on a few images.
A parasol mushroom, just a day or so before the parasol is fully opened. These large mushrooms are in abundance at the moment in my local woodland.
Hm...feels like I wasn't the only one with the idea to upload a picture of the moon today :D
Anyway I actually planed to take a picture when the "giant" moon rises over the top of the valley I live in. But clouds got in my way.
I managed to take a picture about 3h later, when the moon was high up in the sky and there weren't any clouds in the way for a few minutes!
Normally I don't feel comfortable with using my compact camera at 130mm (or 720mm equivalent) but for the moon, I'm happy to be able to!
Ps: Don't know if you can see it in this version of the picture but in the high resolution version of the pic I have on my computer there is a small (3 pixel) object slightly below and left the moon. Would really like to know what I caught there.
Kodak 2383 at ISO 3, stand development Fomadon R09. Taken with Agfa Isolette I, with the Agnar triplet lens.
It was a rainy morning with overcast skies, which I favor when speed is not an issue. It provides nice even lighting, and the camera can capture nice bright and dark tones. I promised this guy, and it is a guy, that if he turned his head a bit, I’d share his portrait. Being a man of my word, here it is. I could tell it was the male Great Blue Heron, from it’s behavior. His mate was sitting in the nest, hopefully laying eggs. He had been diligently bringing in sticks and they were busy with their mating rituals, both G and X rated. (Arden Herodias) (Sony a1, 400mm f/2.8 @ 2.8, 1/400 second, ISO 100)
Taken with Agfa Isolette I and a copy film cut down to fit 120 format (IMAXproject). ISO 3 and Stand development Fomadon R09 1:100.
This is another photo of the kirkjufjell waterfall without the classic mountain in the back as it is shot from the otherside. What do you guys think? (kirkjufells foss)
Today's capture for the "2019: one photo a day" group is a "Low ISO-Long Exposure" shot, using my Tripod and Remote Control.
I didn't noticed before I developed the photo that the moon was visible through the Clouds.
5x7 paper negative taken with Linhof color and Rodenstock Apo Ronar 360mm. Fomaspeed 311 at ISO 3 with yellow filter.
This male screech owls was often perched very low in a small bush and sometimes out in the open during the day.
# OwlsbyDay #NoFlash, #LowISO, #ElusiveOwls
The Colour of Winter, Part V, for lichen lovers everywhere. Some great things about lichens: 1 - they are as colourful as wildflowers; 2 - you can find them in winter as well as summer; 3 - the ones that grow on rocks don't move, so it doesn't matter if the wind is blowing; 4 - rock lichens often grow on flat or nearly flat surfaces, so all you have to do is stop down to f/16 or smaller and most or all of your subject will be in focus; 5 - you don't have to worry about backgrounds (again referring to rock lichens), just find a pleasing configuration; 6 - they're everywhere; 7 - they can live for thousands of years, so if you mess up the shot all you have to do is find that rock and try again; 8 - most photographers don't bother with them, so the competition is nil; and 9 - they're often very beautiful.
The down side for some is that to get a TOP quality photo, you have to use a tripod. A tripod allows you to stop your lens way down for maximum depth of field without worrying about the shutter speed. Using a tripod is the only way to achieve the ideal combination of small f-stop, slow shutter, and low ISO. If you don't, image quality will be compromised, either by insufficient depth of field, unintentional blur, or digital noise. Admittedly, these problems are not as great as in times past. In particular, modern sensors in high end cameras are so good - and noise reduction software is now so sophisticated - that you can get a good result at higher ISO settings. But for the BEST quality, without compromise, you still need to tick those three boxes. Oh, and you'll need a decent macro lens, too!
So, to summarize: sturdy tripod, good macro lens, low ISO, stop down the aperture. In addition, I use a cable release and lock my mirror up before exposure to eliminate vibration from mirror slap. Those with mirrorless cameras can skip this step. Of course, you have to be able to see and compose, too :-)
Photographed in Grasslands National Park, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2021 James R. Page - all rights reserved.
My owling karma continues and what a super fun, summer I had with my sightings. I never dreamed about seeing the toughest, three Washington owls this past weekend, and finished with SEEING all 15 owls species for Washington. The last one seen, is one of the most elusive to get a good visual and photo, an adult BOREAL OWL! So it was very special! What a beautiful owl, with it's stunning facial mask and sparkles!!
I have worked very hard the last few years trying to understand all the owls, and his has paid off tremendously. I am grateful and my passion for the owls, has gotten even more intense.
LowISO#, ElusiveOwls#, NoFlash#
FPP Sun Color film, ISO 1
Decor on Abandoned Filling Station
Griffin, Georgia
Canon IV camera with Jupiter 12 35mm f/2.8 lens.
Another fun encounter this weekend with this elusive, small owl. What amazing camouflage with this FLAMMULATED OWL (gray morph). It responded to my imitation and I was able to find it hiding in plain view.
Its beautiful rufous tones, dark eyes, and low, booming hoots are all so alluring. I think this is my favorite small owl! I decide which morph is prettier; the gray or red.
#NoFlash, #LowISO, #ElusiveOwls