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Polaroid photograph of Voors Jewelry and Lev's Pawn Shop. The two storefronts occupy the same building on the south side of Lower Huntington Road, between Old Trail Road and Bluffton Road, in the Waynedale area of Fort Wayne, Indiana. A billboard behind the building says "Recovery Helps People Heal."
Voors is a locally-owned store that has been in business in this location since 1949. The owner, Jeff Voors, is the son of the store's original owner. Lev's is a chain of pawn shops based in Ohio. They have a couple of other locations in Fort Wayne.
I made this in the evening shortly before sunset when the light was very warm in color.
Waynedale was once a small town, and Lower Huntington Road was the town's "Main Street." In 1957, Waynedale was annexed by the City of Fort Wayne. Though Waynedale has been part of the city longer than it was an independent town, it still looks like a small town and the area still has a small town culture.
6-20-22
This past week, local artist, and proprietor of Kansas City's West Bottoms hobby shop Doc's Caboose, Doc Snyder passed away at the age of 62.
A few days after the news came out, I stopped by to pay my respects to the shop that I've spent countless hours in over the years. Ever since I moved to the region after college, it's been my go-to shop in the region for supplies, and comradery. For those of you who have just come to know the West Bottoms recently, it wasn't nearly as gentrified 20 years ago. Doc was a trendsetter here in the urbanization of his business and studio when it came to KC, and I was more than happy to support his efforts.
This isn't to say that the shop is closing, but it certainly won't be the same without its namesake around anymore. You can visit their website here: docscaboose.biz/
As it was, I found it to be quite fitting that while I was on site, the NS 7630 rolled west by me on UP's KC Metro Sub towards 18th St. Yard. As you can tell, the shop has quite the view of the Main.
High Greens, Doc!
Marysville WA USA 8-31-2023: Opera House was originally built by the Independent Order of Oddfellows, it was placed on the National Register of Historic places in 1982
In keeping with the Christmas season...
Every year one of the local businesses erects this star above its building, proclaiming the Christmas message so simply and beautifully. I especially like the Cross in the center, reminding the viewer that Christ's birth led to His life and then His death and resurrection, bringing hope and salvation for all humanity!
I snapped this same star last year, but as I drove to work this morning, I noticed the moon right next to it! Of course my car automatically pulled over to the side of the road, allowing me to get out and capture the scene :)
Taken at dawn...
The Royal Fish Bar and Baan Thai Foods were closed, but the Worlds End Barber and Shop at No 9 seemed busy, "Open Late" the sign read. The small row of shops, situated just a hundred meters from the local Railway station, would, I imagined, come to life in the evenings, as the Commuters returned home. Perhaps not quite the anima of Soho though.
World's End is a northern district of Burgess Hill, West Sussex, England. It is thought that the name arrived with the railway â it was here that the 'up' line met the 'down' line during construction of the Brighton main line (1837 to 1841), though it may also reflect the workers' sense of remoteness while billeted in a local farm (in what is now the Noel Rise area).
Processed in Lr CC and On1 Photo RAW 2017
all copyrights reserved ©2017 Art Hutchins ~ Art's Eye photographic©. artseyephotographic.zenfolio.com/
“God’s Gift”
www.imbeccableimages.com/store/p592/GodsGift
Garden of the Gods is a beautiful place to be. The layers of red rock against the cool colors of the sky and distant mountains create an artistic landscape. Earth has the most beautiful palette!
#landscape #earth #nature #photography #mountain #snowcap #park #outdoors #optoutside #explore #hike #travel #adventure #wanderlust #colorado #localart #localbusiness #followme #imbeccable #capture #seewhatisee #color #saveourplanet @natgeoyourshot @natgeo @natgeocreative @natgeoadventure @natgeocreative @nikonusa @gardenofthegodspark @gardenofthegodscolorado @colorado @visitcolorado
Southern Newington’s prime pizza place, Elm Hill Pizza, is a family owned and operated pizza place since 1975. Serving people throughout Newington and the surrounding areas, the place is very welcoming and the decoration appeals people to sit and enjoy their meal. However, many regular customers—mostly addressed to by first name—will make their orders to go by phone, and when going to get it, they will simply stand and talk to the workers about life and memories. The friendly demeanor of the workers/owners, their high-quality service and the amazing food just put the icing on the cake.
La principal pizzería del sur de Newington, Elm Hill Pizza, es una pizzería familiar que opera desde 1975. Brindando servicios por todo Newington y áreas aledañas, el lugar es muy acogedor y la decoración invita a las personas que sentarse y disfrutar de su comida. Sin embargo, muchos clientes habituales—a quienes se les llama mayormente por su nombre de pila—realizarán su pedido para llevar por teléfono, y cuando van a buscarlo, sencillamente se paran y conversan con los trabajadores sobre la vida y recuerdos. El carácter amistoso de los trabajadores/dueños, su servicio de alta calidad y la increíble comida solo ponen la guinda en el pastel.
Raymond Johnson, owner of Myles Teddywedger's Cornish Pasty took a moment out of his evening to allow me to snap a quick photo of him on Tuesday evening. If you ever visit Madison, Teddywedger's is hard not to miss atop State Street and should be put atop the list for a place to eat. Great prices combined with great food, topped with always friendly service make this a go to place for a great meal anytime of day! (Just be sure to arrive early, as the daily specials are pretty popular and have been known to run out before noon)
Nikon D800E
50mm 1.4g
f3.2 1/80
ISO800
Who needs an inner-city IKEA?
“Frappant” Building in Hamburg-Altona situated in the Neue Grosse Bergstrasse, opened in 1973 as part of a highly praised and worldwide noticed concept of inner-city shopping and as a state of the art 70’s architecture. The world war two shaken and bombed street stood for a new and modern approach in which the gigantic building stood as a landmark. Already two years later and as an impact of the ‘73 oil crisis and its effects on business, the concept came to crisis, due to simple lack of profit. Different companies and enterprises tried to reprofit and revitalize the building, but failed through the years. Meanwhile the concept of concrete casted moderness also came to crisis and the last remaining retailer Karstadt left the building in 2003. The empty building, now under real estate speculation and not properly maintained, was then used by artists, musicians and alternative music-clubs, while the city was still unsuccessfully looking for new investors. Suspicious about the now alternative, non-profit but vital use of the building, the ECA, a local lobby group of business and politicians, started labeling the building as an eyesore and pressure was build up to tear it down. Politicians (including the Green Party) then offered the building to IKEA, that had already focused on another spot closer the motorway and never dreamed of such an offer. This decision then led to wide protest among the local population, fearing gentrification through higher rents and increasing pollution from Ikea traffic. Politicians and lobby groups now unsure of the developing resistance, staged a referendum in the district, under the suggestive question: Are you in favour of a new Ikea in Altona, that will sustainable vitalize and increase attractiveness of the Grosse Bergstrasse. An assertion that has yet to be proofed. Pro-Ikea, winning the referendum by 77%, gave way to IKEA to buy and build. With this decision, alternative concepts of a low and non-profit use were binned and to avoid squatting the whole building was soon demolished by the district.
Meanwhile, Ikea not having even started to build their 7 stories inner-city big-box, shop and resident rents in the area are leveling up and the first old shops already had to close or go. The area now started to become an investment-ground for real estate and with the rising of the Ikea building site, whole plans to restructure other parts of the street are in full affect.
The topic is as controversial and polarized as it was from the very start: Critics claim, that Ikea will not just bring traffic and pollution, but also and more important, a total change of the local structure, both in local business as in housing. It is feared that other chain companies like Starbucks , H&M and others will eventually destroy the local shops and social structure. It is also criticized that a box is replaced by a box, making the street even more narrow and shady. The resistance against IKEA not merely is a resistance against the company, but also a struggle for Altona-Altstadt, their diverse and not very wealthy population, their wellbeing and their very own right to the city.
This photograph is part of the Shipbuilding on the River Tyne, 1960 - 1977 collection which was kindly donated to Tyne & Wear Archives & Museums. Taken by Ronald Sanderson, this is a photograph of Spiller's flour mill at Gateshead Quay, with cranes alongside the river. The photograph was probably taken in1960. It is a 35mm slide.
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk
Date: ca.1910
Category: Cawston
Type: Image
Identifier: LP0588
Source: Unknown
Owner: South Pasadena Public Library
Previous Identifier: ark.cdlib.org/ark:/13030/kt3x0nd31t / csp_310
Rights Information: Copyright status is unknown. Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user.
Please direct questions and comments to the Local History Librarian (localhistory@southpasadenaca.gov).
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#business_woman #girl #woman #human_interest #hi #bogor #bosh #fn #kfb #human_photography #street_photography #local_business
Judy Ortiz Rizek is owner and president of The Circuit Shop in Albuquerque, a small, woman-owned business that contracts with Sandia National Laboratories. Rizek says being a Sandia supplier has helped her company grow in size and skill. “Sandia is amazing,” she says. “It has given us every opportunity in the circuit board industry. The lab stretches us to become better and better.”
Learn more at bit.ly/31BwV24.
Photo by Randy Montoya.
Who needs an inner-city IKEA?
“Frappant” Building in Hamburg-Altona situated in the Neue Grosse Bergstrasse, opened in 1973 as part of a highly praised and worldwide noticed concept of inner-city shopping and as a state of the art 70’s architecture. The world war two shaken and bombed street stood for a new and modern approach in which the gigantic building stood as a landmark. Already two years later and as an impact of the ‘73 oil crisis and its effects on business, the concept came to crisis, due to simple lack of profit. Different companies and enterprises tried to reprofit and revitalize the building, but failed through the years. Meanwhile the concept of concrete casted moderness also came to crisis and the last remaining retailer Karstadt left the building in 2003. The empty building, now under real estate speculation and not properly maintained, was then used by artists, musicians and alternative music-clubs, while the city was still unsuccessfully looking for new investors. Suspicious about the now alternative, non-profit but vital use of the building, the ECA, a local lobby group of business and politicians, started labeling the building as an eyesore and pressure was build up to tear it down. Politicians (including the Green Party) then offered the building to IKEA, that had already focused on another spot closer the motorway and never dreamed of such an offer. This decision then led to wide protest among the local population, fearing gentrification through higher rents and increasing pollution from Ikea traffic. Politicians and lobby groups now unsure of the developing resistance, staged a referendum in the district, under the suggestive question: Are you in favour of a new Ikea in Altona, that will sustainable vitalize and increase attractiveness of the Grosse Bergstrasse. An assertion that has yet to be proofed. Pro-Ikea, winning the referendum by 77%, gave way to IKEA to buy and build. With this decision, alternative concepts of a low and non-profit use were binned and to avoid squatting the whole building was soon demolished by the district.
Meanwhile, Ikea not having even started to build their 7 stories inner-city big-box, shop and resident rents in the area are leveling up and the first old shops already had to close or go. The area now started to become an investment-ground for real estate and with the rising of the Ikea building site, whole plans to restructure other parts of the street are in full affect.
The topic is as controversial and polarized as it was from the very start: Critics claim, that Ikea will not just bring traffic and pollution, but also and more important, a total change of the local structure, both in local business as in housing. It is feared that other chain companies like Starbucks , H&M and others will eventually destroy the local shops and social structure. It is also criticized that a box is replaced by a box, making the street even more narrow and shady. The resistance against IKEA not merely is a resistance against the company, but also a struggle for Altona-Altstadt, their diverse and not very wealthy population, their wellbeing and their very own right to the city.
This photograph is from the Robert Sanderson collection.
which was kindly donated to Tyne & Wear Archives & Museums. A poultry store in Newcastle upon Tyne displays their Christmas birds. This is a 35mm slide. It was taken in 1965.
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk
Product shot for their former website.
strobist: sb800 low to left with a shoot through umbrella, reflector to right for fill. White Balance set for strobe exposure. Didn't have to do much after setting my camera.
Signs, Icons & Logos of Ocean City, Maryland, part II ~ delmarvausa.blogspot.com/2016/03/signs-and-icons-of-ocean...
Wright's Biscuits being transported to and from the factory. Photograph taken by Turners Photographic of Newcastle.
Wright’s Biscuits was a well known company in South Shields, South Tyneside. Set up as a maker of biscuits, they started out by supplying their stock to ships in 1790, but after a fall in demand, Wright's turned to making more up-market biscuits. Wright's Biscuit factory closed in 1973.
Turner’s was established in Newcastle upon Tyne in the early 1900s. It was originally a chemists shop but in 1938 become a photographic dealer. Turners went on to become a prominent photographic and video production company in the North East of England. They had 3 shops in Newcastle city centre, in Pink Lane, Blackett Street and Eldon Square. Turner’s photographic business closed in the 1990s.
Ref: TWAS: DT.TUR/2/891/j
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.