View allAll Photos Tagged Lith_Print,
Scanned lith print.
Graflex Crown Graphic w/ Wollensak Optar 135mm/f4.7.
Fomapan 100, 9x12 cm, semistand developed in Fomadon R09 1+100, 1h.
Lith printed on Fomatone MG 133 (24x30 cm). Moersch SE5 (15A+15B+some OB+970H2O).
Untoned.
Title inspired by the Finnish comedian Ismo's explanation of the English word "ass".
Scanned LF lith print.
Linhof Kardan Super Color ST w/ Rodenstock Sironar 250 mm f/5.6.
Photographed on backlit plexiglass table to isolate from background.
Fomapan 100 (9x12 cm) in Adonal 1+100, semistand 1 h.
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith + some undefined volume of Old Brown.
No Omega!
Untoned.
I guess I'm not finished with the shells yet :-)
Yes, it is a silver (lith) print onto black and white paper, albeit rather special in this case: Kodagraph Transtar.
And for those mobile enthusiasts, who don't get the whole frame, there will be an exposition in Vienna at the end of April - with the real stuff.
lith print w/ Kodak Transtar paper in Arista lith
Nikon F
Nikkor 300mm / f4.5 + 2x tele-converter=600mm w/R25 filter and i think i might have put my solar glasses in front of the lens.
Kodak HIE
contact lith print from 8x10 in camera negative. Fomabrom 123, LD20,1+30
Couple years ago I bought on auction this old Russian samovar, made between 1850 and 1860. It's impossible to boil water in it, but it is good enough make photos.
Scanned lith print.
Hasselblad 500C/M w/ Zeiss 80 mm/f2.8.
Fomapan 100 in Adonal 1+100, semistand 1 h.
Lith printed on Foma Retrobrom Sp 152 (8x10"). Moersch Easy Lith (20A+20B+150mlOB+H2Oqs700ml).
Untoned.
Yes, we are getting old and tired my friend (you 19 and me 61 this year). And the light leak of my HB 500C/M (probably due to an, as well, old and tired dark slide light seal (thanks, Alfred!)) doesn't help. As you can see.
Scanned lith print.
Rollei Vintage 332 RC (?) found in a black plastic bag, cut down to 8x8" (who knows how long it has been in there?) and lith printed.
Very unfamiliar process results and outcome for this, so I may be questioning if that's the paper noted on the bag or not (or has it just gotten old?).
A very quick establishment of the print contours already after <30 sec, and then almost nothing happend... On some of the prints there's this wavy cloudlike pattern all over, not bad IMO (but it was not there on the negative).
Jan 8, 2022. Rolleiflex T w/ Tessar 75 mm/3.5 + yellow filter.
Fomapan 100 dev in Rodinal 1+100, semistand 1 h.
Lith printed on Rollei vintage 332 RC and developed in Moersch Easy Lith (25A+25B+H2Oqs750ml).
Toned in Se 1+9, 45 sec.
Conclusion: The Rollei Vintage 332 RC har been aging during the years so it's not a very good lith paper anymore.
Skoghall, Värmland.
Lith print (11x14) on Agfa Brovira BH 111 4
Mamiya C-330
Fomapan 400
Rodinal 1+50, 11 min
EasyLith, 1+20, 10% OB
Seen and shot at the Baltic Sea (Darß)
Bessa R3M/Heliar 2/50
Lith-print (Moersch soups)
Scan from print (Fomabrom)
Very Zen, if you ask me. ;)
Lith Print
Paper: Defender "Velour Black" R-2 glossy 8x10 expired 1949
Developer: Moersch SE5 1:1:10
Toner: None
This paper was extremely fogged and could not be printed normally using standard print developer with a restrainer. However, it works very well in Lith developer. Some prints have uneven development and splotches of fog on the edges. In my opinion the imperfections add to the mood of the images in this series.
Scanned lith print.
The fifth of five consecutive lith prints on different lithable papers treated exactly in the same way except for order in the lith developer and snatch point.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8.
Feb 2013.
Adox CMS 20 in Adotech II (from the good old days when this extremely high resolution MF film still existed).
Lith printed on Oriental Seagull G-2 Blue Box
Exposure time 80 sec. Developed as print #5 in Moersch Easy Lith (20A+20B+760H2O, 25-30°C), snatched after 11 min. Fixed in Moersch ATS alkaline fixer 1+9, 2,5 min.
Untoned.
Scanned lith print.
The first of three consecutive lith prints on different lithable papers treated exactly in the same way except for order in the lith developer and snatch point.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8.
Feb 2013.
Adox CMS 20 in Adotech II (from the good old days when this extremely high resolution MF film still existed).
Lith printed on Foma Retrobrom Sp 151 (still lithable, emulsion batch nr 022948-01, you'd better hurry up and order some as I don't know when/if this paper will meet the same destiny as Fomatone which is dead as a lith paper from recent emulsion batches...).
Exposure time 80 sec. Developed as print #1 in Moersch Easy Lith (20A+20B+760H2O, 25-30°C), snatched after 6,5 min. Fixed in Moersch ATS alkaline fixer 1+9, 2,5 min.
Untoned.
I will probably also post this print after a short time in highly concentrated Se toner, which will get rid of the greenish tint in the shadows.
Scanned lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Kosmos Bromega FB Pearl and developed in Moersch Easy Lith (15A+15B+600H2O) @ 35°C.
Toned in Se 1+3, 25 sec.
Lith print with long exposure and development times (9-15 min).
Lith print on Tura Excellent 222
Moersch Easy Lith (20 ml A + 20 ml B + 850 ml H2O + 100 ml "Old Brown", if I recall correctly)
Printed on March 7, 2013
Lith print
Mamiya 645 Pro Tl, 120 mm macro lens
Adox CMS 20, 8,5 min in Adotech II
Fomatone MG 132 in Fotospeed LD20 (30A+30B+940 H2O)
Scanned lith print.
Mamiya 645 ProTL w/ M-S 300 mm/f5.6.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Orwo BN (?) glossy FB and developed in Moersch Easy Lith (25A+25B+H2Oqs700 ml) @ 30°C.
Untoned.
Orwo (from old DDR) is a very nice lithable paper with a touch of salmon/pink tones.
This paper (in my newly acquired lot of antique papers) was much better preserved from "the tooth of time" as we say in Swedish.
Scanned Lith Print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
Metz Mecablitz 15 MS-1 Macro Ringlight Flash in manual mode.
Oct 1, 2023.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 132 (emulsion batch 070748/06).
Developed in Moersch Easy Lith (15A+15B+120OB+H2Oqs700). Fixed in Moersch ATS alkaline fixer.
Untoned.
Selma in "stealth mode".
Picture taken in Sep 2010 on a trip to Normandy. The print is slightly cropped, scanner not large enough
Taken on the Rolleiflex, Kodak T-Max 400 film devd in Xtol, Paper is Foma 131 devd in Moersch easy lith, Moersch Omega, selenium
A lith print ode to my Oregon friend Travis Doane.
Dear Travis,
It's now been 4 years since you sent me this treasure of old lithable papers from big USA to small Sweden. This kind act of yours sends a message to all the world - we belong together and should not fight. And for me it's a treasure of old lithable papers I would never get hold of otherwise. This day I have gone through the remaining papers and - as to my ability - have made prints that are supposed to be as streamlined as possible from a given negative. But of course there's always the influence of "human variability" when it comes to snatch point and so forth...
Anyways, I hope you understand my gratitude for this possibility. Have a great rest of the year 2023, Travis and may we have lith contact for many years to come.
Best/Johan
Scanned lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2,8.Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev in Rodinal 1+100, semistand 1 h.
Lith printed and developed in Moersch SE5 (25A+25B+some OB+700H2O).
Untoned.
A lith print on fomatone 332 matt paper , developed in Moersch SE5 . Subsequently selectively toned (applied with Q-tip) the print with moersch carbon toner 1-20. The image was captured on a Leica M5 + 15mm heliar
Camera: Holga 120N
Film: Kodak Tri-X 400
Lith Printed in February 2020
Paper: Fomatone MG Classic 131
Lith developer: Kodalith( A & B 50ml each, 500ml of old brown and 2 litres of water)
London
November 2017
Lith print on Kodak Bomesko from the 1950s. A bit more time on my hands sees me getting back into my darkroom. Love the results from the lith process but it takes so long, about 1/2 hour int the tray for these , am I doing something wrong?
Found this little fellow having a bit of a sleep outside someones home in Grittleton last weekend.
Rolleiflex, Kodak Tri-X 400 (iso1600) devd in Kodak Xtol 1:1 for 13 minutes.
Paper is Foma 131 devd in Moersch easy lith 10+10+500+200OB. A quick dip in Moersch Omega 1+100
Negra Portrene Paper Lith Print. Described here... remorseblog.blogspot.com/2023/04/lith-printing-nerga-port...