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I'm overdue for another morning out here, it's always worthwhile. Until then, however, here's one that's been laying around for a while from a trip last year.
Connecticut Southern Railroad's Hartford to Springfield turn job CSO-4 is led by a pair of B39-8Es in the form of orange repainted CSOR 3901 and CSOR 8530 still in its as delivered LMX gray paint and number dating from it Nov. 1987 build date by GE.
They are on Amtrak's Springfield Line main near MP 50 crossing the Connecticut River on the Warehouse Point Bridge crossing from the town of Windsor Locks into Enfield. The 1470 ft long double track bridge (though only one track is in service) dates from 1903 when the circa 1866 iron bridge was rebuilt by the New Haven Railroad, but even that structure was the second one on the site replacing a wooden Howe truss that first crossed here in 1843 by NH predecessor Hartford and Springfield Railroad.
Enfield, Connecticut
Friday March 11, 2022
When people talk about macro, they mostly mention the flower, but we can find many small interesting subjects in nature, which will be beautiful. I like 35mm macro lenses because it is a wide-angle lens and I can have less blurry subject. When the focal length gets longer, the focus points gets more complex. That’s why people are using photo stacking. They take many pictures in different focus points and stack together with post processing software.
Three tiny juvenile snails, fattening themselves up for overwintering. The leaf is backlit by sunshine so the translucent eye stalks allow the light to glow through.
The image shows a line-up of three snails/six eye stalks for Macro Mondays theme 'In a Row'.
It was W.C. Fields who said "Never work with children or animals." Perhaps he was referring specifically to snails?
No snails were harmed in the making of this photograph.
This is the new 54,000 square metres large concert, congress and hotel complex in Malmö. The building consists of a composition of cubic volumes that are mutually twisted and given different sizes to meet the directions and building heights of the surrounding city. The façades are designed with a homogeneous expression to make the composition appear as one architectonic sculpture.
The new cultural centre becomes an open, expressive and dynamic building that is manifold in both its activities and its architecture. The point of departure for the building design is the modern Scandinavian architectural tradition with the clear functional organisation and the accessible and open ground floor lay-out. The building becomes the focal point and a landmark for Malmö – a place where the spirit of the city, the diversity and the intimacy is given an architectonic expression.
A lane in Woldingham Valley. It has a wonderful row of horse chestnut trees. And some good fences. Happy Fence Friday!
"Cuando me refiero a encontrar a la persona indicada no me refiero a encontrar a alguien que resuelva mis problemas, ni que me sirva de muleta para cuando me sienta decaída. Tampoco me refiero a alguien que esté siempre pensando en mí, que me extrañe o que sienta que me necesita. Sino a encontrar a alguien que esté ahí, que comparta el tiempo conmigo ya que yo le compartiría el mío también. Alguien que sepa estar sin mí pero que prefiera estar conmigo, alguien que sienta y actúe pensando en un “nosotros” y no en un “tú” y un “yo” por separado. Alguien que me ame porque sí y no porque yo le ame"
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A memorable day at the beach. These juvenile Peregrine falcons were more busy eating than paying attention that I am lying close by. One can see the difference in size between male (the one waiting) female.
The Great Falls in Paterson, New Jersey is only 15 miles west from Manhattan in New York City. If President Obama approves the bill, this will be the latest addition to the US national parks.
Showmans Engines,Steamrollers, and Agricultural Steam Engines,Seen at the opening of the Driffield Steam & Vintage Rally,
If spiritual experience is first of all marked by a kind of illumination, love needs time to attain its perfection. The word “growth” (wassen, volwassen) appears on many occasions in Hadewijch’s writings. In them we can trace a gradual development, a real pedagogy of time. This spiritual growth is continuous and, using a very feminine metaphor, she says that, if it was interrupted, it would be like “stopping the labour of a woman in confinement” (L.XXI).
Poem XVI (MDXVI,ll.160-164): To see oneself devoured, engulfed In Love’s abyssal essence, Ceaselessly to founder in ardour or in coldness In the profound and lofty darkness of Love: This indeed surpasses the torments of Hell.
-Hadewijch of Antwerp (13th Century), WOMEN MYSTICS IN Medieval Europe, Emilie Zum Brunn and Georgette Epiney-Burgard
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