View allAll Photos Tagged LightWork
Spent a good couple of hours to get to this one. It just evolved over the course of the evening which I like.
Back-lit silhouette shot with the Minolta 50mm, Yongnuo 560iv on full power at 24mm fired at the wall behind. Lens swap to the Pentax 28mm and moved the flash to high camera left and mounted the beauty dish. Panned the camera up a little, lens cap off, pop flash now on 1/8th @70mm through the dish then filled in the dark space from the first silhouette with the Ryus Lightworks v2 awesome torch shone through the lp brushes black fibers.
Straight out the snappy box.
The days when boxes arrive from America are the best days and can mean only 1 thing. New www.lightpaintingbrushes.com tools to play with. Love it.
This is a crystal tipped light writer (my description) used in conjunction with a camera rotation device, a Ryus Lightworks modded torch and my kitchen wall.
Crazy deep space possibilities with these things.
I can't wait to introduce this to the wilds for a proper play.
Single long exposure light art.
Perth was alive with color in Kings Park botanical garden. 16 JUNE - 30 JULY 2023.
Begin your journey beneath tree canopies illuminated in color, walk under larger-than-life flowers and into dynamic, glowing tunnels. Enjoy breathtaking lightworks created by the best local and international artists. Winter in Perth will never be the same, Lightscape sells out across the world
My second choice from last night. No circle behind but used the dlw instead for a bit of abstract pillar action. Side lit by the Ryus Lightworks mini beast torch.
Great night in perfect conditions.
Cheers to Leon for standing still. Top man.
Moving lights, captured in one singe exposure, no edit.
lightpaintingparadise.com plexy shapes, adapters & color filters.
Ryu's Lightworks Edition V2 torch
Meyer Optik Görlitz 35/2
Little time or inclination this evening so out with my crt, light blade rig and the diy v24.
Circular blade from www.lightpaintingbrushes.com paired with the sublime Ryus Lightworks vii torch. Edge of blade coloured with highlighter pens and v24 set to orange as I have lost the remote :)
one single exposure, no edit except crop
Meyer Optik Görlitz 2/35 @f8 for the blade fidgeting, lens swap to my modified Helios 44-2 @f~3 for the attacking jellyfishs.
LightPaintingParadise plexy shapes, black fiber optic & adapters
Ryu's Lightworks Edition torches
A coastal industrial landscape captured at dusk or dawn, featuring two tall red-and-white striped chimneys rising above cranes and factory buildings. The calm water in the foreground reflects the structures and the soft hues of the sky, while birds linger near the shore—one perched on a dark, algae-covered platform. The contrast between natural elements and industrial infrastructure creates a moody, contemplative atmosphere. Photographed by Ceallach Lightworks, the image explores the intersection of human industry and coastal ecology.
I don't know who was the first to come up with the crazy idea of swapping lenses, working with several tripods and moving/rotating the camera during exposure. Without artists like Tim Gamble , Mart Barras and some others I would probably never have had the idea to do such crazy things. Thank you for the inspiration friends.
First i mounted a brush of black fiber from Light Painting Paradise with attached self made multicolor filter and the Ryu's Lightworks torch in slow strobe mode with a clamp. So the fibers were held in position. I used a modified Helios 44 (reversed front and back lens) for the jellyfish bokeh. I rotated the camera 24 stops, capping the lens between the stops. Then i swapped to the Nikkor 17-35/2,8, put the skull in place and lit it up with my Emisar D4V2 3000K 95+CRI torch. I removed the skull, changed from 35 to 24mm, changed the focus, mounted some light blue and gold fabric on a small motor and rotate the fabric. I put the Ryu's Lightworks torch with increased strobe frequency in positon and lit up the fabric. I rotated the camera again. This time without stops or capping the lens. I changed the focus to 17mm and rotated the camera another round. And the picture was ready. Easy, isn't it? 😉 This one is the thrid attempt. Happy times, even if it rains all day.
Exposure time was 291 seconds, but I drank coffee and smoked a cigarette during the work. Next time i will need only 289 seconds. 😉