View allAll Photos Tagged LifeMagazine
by Andy Warhol
Acrylic paint and screenprint on canvas
In this painting Warhol used three photographs of a police dog attacking an African American man. The images were taken by Charles Moore and first published in Life magazine on 17 May 1963. They documented the non-violent direct action by civil rights demonstrators seeking to remove racial segregation in Birmingham Alabama. While the term 'race riot' was commonly used at the time, it is more accurate to refer to it as a race protest. The painting presents the oppression of African American citizens and police brutality, but it brings up questions about Warhol's decision as a white artist to depict Black suffering. Was the image of violence being used to shock or to promote social commentary, attempting to bring news imagery into the rarefied space of the gallery? Some have suggested that Warhol's desire to call his 1964 exhibition in Paris 'Death in America', in which this work was exhibited, was a comment on a United States that appeared to be falling apart.
[Tate Modern]
Andy Warhol
(March – November 2020)
A new look at the extraordinary life and work of the pop art superstar
Andy Warhol was the son of immigrants who became an American icon. A shy gay man who became the hub of New York’s social scene. An artist who embraced consumerism, celebrity and the counter culture – and changed modern art in the process.
He was born in 1928 as Andrew Warhola to working-class parents from present day Slovakia. In 1949 he moved from Pittsburgh to New York. Initially working as a commercial illustrator, his skill at transforming the imagery of American culture soon found its realisation in his ground-breaking pop art.
This major retrospective is the first Warhol exhibition at Tate Modern for almost 20 years. As well as his iconic pop images of Marilyn Monroe, Coca-Cola and Campbell’s soup cans, it includes works never seen before in the UK. Twenty-five works from his Ladies and Gentlemen series – portraits of black and Latinx drag queens and trans women – are shown for the first time in 30 years.
Popularly radical and radically popular, Warhol was an artist who reimagined what art could be in an age of immense social, political and technological change.
[Tate Modern]
Title: Life Magazine oil
Creator: Robert Yarnall Richie
Date: ca. July - December 1937
Place: Louisiana Bayou, Louisiana
Part Of: Robert Yarnall Richie Photograph Collection
Physical Description: 1 photographic print: gelatin silver; 12.8 x 17.9 cm.
File: ag1982_0234_1631_I_12_life_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/1284
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
Click to view the large size! The detail! The drama! The ocean zones as we thought they were in the late 1950s!
Direct scan of a spread from "The Sea: The Strange Animals and Plants of the Oceans." Adapted from the pages of Life Magazine; The Golden Library of Knowledge, Sterne, Elders and Lindsay, editiors. 1958, 1956, by Time, Inc.
BTW, this nifty hardback cost 50 cents new and $1.00 used at Saint Vincent de Paul Thrift Store in Houston.
Only half the ad---My scanner cannnot quite accomodate the size of the old LIFE magazine.
May 1, 1964
Commissioner Roger Hartsell of the Maricopa County Superior Court was recently assigned to the division I work in (Family Court), and today he let me photograph some of his baseball memorabilia, with which he decorates his new office. This is the cover of the June 25, 1956 issue of Life magazine, with Mickey Mantle on the cover. That was his favorite year, and for good reason, as the 1956 season ended with him winning the Triple Crown (52 home runs, .363 batting average, 130 RBI). That is a rare accomplishment, and Frank Robinson (1966) and Carl Yastrzemski (1967) are the only players who have achieved the feat since the Mick did it 51 years ago.
Note the other articles highlighted on the cover. One was about Yugoslavia's President Tito, who was considered a maverick among Communist leaders in eastern Europe. And 1956 was also a Presidential election year in the United States; here Lyndon Johnson, who would be elected Vice-President in 1960 and succeed to the Presidency under tragic circumstances three years after that, is referred to as a Southern dark-horse.
Meanwhile, in 1956 I was all of three years of age, and unaware of any of this, although all of it would be of great interest to me as I grew older.
This past weekend my EVERYONE COULD USE A HERO fine-art exhibition had been blessed by non-other than the incomparable and enigmatic entrepreneur and brand strategist (oh, did I mention a Millionaire by the ripe old age of fourteen) and also Author of the New York Times bestseller top ten listed self-realization book entitled: REALLIONAIRE!!! This was Royalty right here. I was humbled by the surprise visit. (peace, Dr. Farrah)...
A small group of people gathered on Federal Plaza, underneath the Alexander Calder sculpture, to protest the dictatorship in the African republic of Togo.
1961 Life Magaine cover of the M&M Boys - Mickey Mantle and Roger Maris and a 1953 rookie photo of Roger Maris playing with the Fargo-Moorhead Twins--a Cleveland Indains class C minor league team of the Northern League
Representing hope and freedom, a 25 foot, 6,000 pound statue named, UNCONDITIONAL SURRENDER, by world-renowned artist, J. Seward Johnson, is a three-dimensional interpretation of a photo taken by Alfred Eisenstaedt of a Sailor, Carl Muscarello, kissing a nurse, Edith Shain, in Times Square, New York City on Aug. 14, 1945, following the announcement of V-J Day.
Edith Shain, the nurse memorialized in Eisenstaedt’s photo, states, "There is so much romance in the statue; it gives such a feeling of hope to all who look at it."
“This statue brings back so many memories of peace, love and happiness. During the moment of the kiss I don’t remember much, it happened so fast and it happened at the perfect time. I didn’t even look at the Sailor who was kissing me,” Shain continued. “I closed my eyes and enjoyed the moment like any woman would have done.”
For the next year, the sculpture will stand next to the USS Midway Museum on the San Diego Bay. It was previously displayed in New York City in 2005 and Sarasota, Florida in 2006.
NY Times - Edith Shain, Who Said Famous Kiss Came Her Way, Dies at 91
LA Times - Edith Shain dies at 91; WWII nurse in iconic Times Square kissing photo