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Doctorfingertips I Love You Official Video available on Google Play play.google.com/store/search?q=Doctorfingertips&hl=en
iTunes or Amazon search for Doctorfingertips (one word)
The #FlickrFriday #ChainedToTheSky challenge
This photo of the 9 day old moon was taken from the back yard using an adapter to attach the camera to a Newtonian telescope through a 2x magnifier (a Barlow lens for those who know about such things) which proved necessary to get a focus. That provided an effective focal length of 1300mm at f5. There is no facility to change aperture, so exposure could be controlled by shutter speed and ISO selection only. Atmospheric conditions, wind, the rotation of The Earth (yes, really!) and the focusing precision of the 'scope made it a more challenging project than expected. Trial and error, mainly the latter, demonstrated that the camera's metering was useless for this shot, and that blurring due to camera shake and (probably) the rotation of the Earth at such a high focal length had to be countered by a short shutter speed and therefore high ISO; and micro changes in focusing. The truly impressive shots of The Moon we see frequently involve motorised camera tripod mounts, which constantly move the 'scope in time with the change of The Moon's position in the sky, a large number of individual photos and focus stacking software, all rather beyond me and my modest kit.
The large darker areas are the lunar seas, the maria, although no water is involved. The dark matter are volcanic deposits from the time when the moon was volcanically active. Bottom right is The Sea of Crises, to its left The Sea of Fecundity, to the left of that, the Sea of Nectar, work up to The Sea of Tranquillity (made famous by Apollo 11 making the first landing there) and then the Sea of Serenity. All craters are named. In particular Crater Archimedes (diameter 83km) is obvious in the upper centre and Crater Plato (diameter 109km) is showing very well in the upper right. To the left of the photo within The Sea of Clouds is Crater Bullialdus (61km) together with two smaller craters, Bullialdus A (nearest) and B. Like many craters, Bullialdus has a complex system of peaks within it, which are just apparent here. Shadows cast by many of the the crater walls are evident across the photo, especially near the terminator where lunar day becomes night. Faint, long straight rays are present across various regions. These are ejecta, matter thrown outward from meteorite impacts.
The Moon has illuminated our night sky for around 4 billion years. It is believed to have formed when a Mars sized object (Theia) collided with the young Earth, obliterating itself and sending fragments of both bodies into orbit which coalesced under gravity to form The Moon. At one sixth the mass of its host planet, it is the largest satellite in those terms in the Solar System and fifth largest in absolute terms. Its great size relative to The Earth creates a fundamental relationship between the two bodies, and thereby between it and every form of life on the planet. Allow me to explain.
Before the collision it is believed that the axis of rotation of The Earth was, on average, perpendicular to the plane of its orbit around The Sun, although it was subject to a prominent wobble as a spinning top does. However, bear in mind that this wobble is very much in slow motion so far as our senses are concerned. One complete wobble takes millennia to complete. The Theia collision tilted the average angle of the axis of rotation to about 23 degrees from the perpendicular. The wobble which existed before is dampened in magnitude by The Moon's presence. The tilt causes the seasons in non tropical areas and the wobble causes, when assessed over many millennia, seasonal climatic variations which are far more gentle and less extreme than they would be in the absence of The Moon. That means that, over millennia, summers and winters naturally become milder or harsher in accordance with the magnitude of the wobble while being affected by many other factors too. Had Theia missed, the extra mass remaining on The Earth would have increased the force due to gravity we all experience. In other words, either we would be heavier for our present build or our design may have evolved differently to allow for this. Would we and our fellow species have evolved stronger muscles and the skeletons to accommodate them, or would we be smaller and lighter in our existing terms?
Land can only bear so much weight, so our highest mountains would be lower than we find them. Our ocean tides would be caused by The Sun only, and would therefore be far less extreme, the waters of our seas mixing less energetically. Our days would be less than 9 hours long because The Moon has gradually reduced the speed of Earth's rotation. Without it, our far shorter days would make the tides we have just considered more frequent, our seas and oceans perhaps obviously in constant flux as rivers are. The Coriolis Effect (rotating weather patterns on each side of The Equator caused by the rotation of The Earth) would be far more extreme, causing a correspondingly more energetic climate than the one we enjoy and increasingly battle with. Although the length of a year would be the same when measured in seconds, the thousand days in it would have resulted in far shorter periods of daylight and dark, although many more of them. This would would have affected the evolution of diurnal and nocturnal species. Indeed, would evolution have even selected a difference between them? How would photosynthesis have been affected, and what effect would that have had on plant growth and, through that, on the entire food chain?
To add another dimension too, the fact that the rotation of The Earth has slowed means that energy seems to have been lost from the Moon/Earth system. However, physics says that is impossible. Energy cannot simply disappear. The 'lost' energy has actually been transferred from slower rotation of The Earth to increased velocity of The Moon in its orbit. This presently causes it to drift a little less than 4cm centimetres further from The Earth every year which is roughly the rate at which our fingernails grow. Astronomers tell us that when it formed it was only about 27,000km from The Earth and that it would have appeared about 17x bigger in the sky than it does today had anybody been around to see it. The effects due to gravity on both bodies in those far-off times would have been very significant indeed. We are familiar with tidal forces upon water, but they also affect rock if strong enough. The gravitational effect of The Moon, billions of years ago, may have triggered seismic activity on the new Earth, affecting the shape of the land, and correspondingly there would have been regular moonquakes, the Earth being so much bigger.
Clearly all this means that The Moon is far more than a beautiful adornment to our night sky. It has affected evolution, maybe even allowing it. Given that it has, it provides us with stability in many meanings of the word. Would life even exist on Earth without it? Perhaps Jim, but not as we know it.
Divers 2022 - July
Photos of July 2022
Photos de juillet 2022
( Divers albums de photos prisent en 2022 sans sujet precis.
Various albums of pictures taken in 2022 without subject. )
I finally stuck it through and donated my hair to Pantene Beautiful Lengths. I cut off about 9 inches. =)
This is what I look like after.
With AF-S NIKKOR 28mm f/1.8G
Shutter Speed: 1/90s
Aperture: f/8
ISO 100
Focal length: 28mm
© Koji Nakano
The Sixth Street Bridge, with its long 544 foot length excellent physical condition, is a fitting tribute to its builder, the Massillon Bridge Company of Massillon Ohio. Constructed in 1886, this bridge is made of wrought iron. This bridge is one of the most important historic bridges in the entire state of Michigan, since it is the longest pin-connected highway truss in the state. Also, Michigan only has a few truss bridges that are more than one span in length, and most of those are two spans. A four span bridge in Michigan is thus extremely rare for its unusually long length, for Michigan. The bridge is also significant for the length of its individual spans. The bridge has three spans that are 154 feet in length. This is a very long span length for a pin-connected Pratt truss, and is among the longest in Michigan. Any longer, and the bridge might have employed a Whipple, Baltimore, or Pennsylvania truss. Image by MattsLens, [Information courtesy of Historical Bridges]: www.historicbridges.org/bridges/browser/?bridgebrowser=tr...
Lovely scene. Beautiful dress-length gowns also - shame they couldn't have been a prettier colour or floral print.
Konika Hexar AF (1993)
35 mm fixed lens, fixed focal length, autofocus film camera
Hexar 35mm f2 lens
Active-infrared autofocus with manual focus possible
ExposureProgram or aperture priority AE, manual exposure possible
Hot shoe electronic flash
Single-shot automatic film advance 2fps
137.5mm x 76.5mm x 64.5mm; 490g without batteries
Pictures taken with it.
You can find here a great article about it.
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
A Phronima amphipod (length ~ 3 cm) in its salp host, which was photographed under water while scuba diving over deep water several miles offshore of Hawaii Island at night. Aspect Ratio = 1:1.
Program:Aperture-priority AE
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:11.0
Speed:1/250
ISO:100
Focal Length:28.0 mm (35 mm equivalent 42.0 mm)
Focus Mode:AF-S
AF Area:Single Area
Shooting Mode:[3], IR Control
VR:Off
EV:-1/2
Metering Mode:Multi-segment
WB:Auto1
Focus Distance:5.62 m
Dof:inf (2.19 m - inf)
HyperFocal:3.56 m
This otter lives at Thrigby Hall Wildlife Gardens.
The Asian small-clawed otter is the worlds smallest otter. Its head-to-body length ranges from 18.5 to 24 in. (470 to 610 mm) with a 10 to 13.5 in. (255 to 343 mm) long, thick and muscular tail. Adults weigh from 6 to 7.7 lb. (2.7 to 3.5 kg). The otter has deep brown fur with some rufous tinge on the back with lighter underfur.
These are the most social of all the otter species and live in extended family groups numbering up to 20 individuals. Groups with more than 30 otters have been recorded feeding together in Malaysia.
They inhabits shallow, fast flowing fresh waters from India to Southeast Asia including the islands of Sumatra, Java, Borneo and Palawan. When swimming on the surface they row with the forelimbs and paddle with the hind limbs, when diving they undulate their bodies and tails.
The otters short claws allow their sensitive toe tips to feel for food items, especially in shallow, muddy water.
This otters feeds mainly on crabs, mudskippers and fish. When and where available, it also catches snakes, frogs, snails, insects, rats and small mammals, small birds and paddy field fish like catfish, perch and snakehead. It will also eat eggs.
This otter has two litters a year. Sometimes as many as 8 pups may be born but 4 or 5 is more usual. Pups are born in a nest built of grass, hay or straw with closed eyes, which open in the 5th. week. They weigh between 1.61 and 2.20 oz. (45.5 and 62.5 g) and reach a weight of 14.5 to 34.9 oz. (410 to 990 g) after 60 days. They start exploring the area around the breeding den at the age of 10 weeks. At about 3 months, they enter and paddle in shallow water under the guidance of the mother. They become independent at the age of 4 to 5 months. A pup can expect a lifespan of between 11 to 16 years.
The Asian small-clawed otter is threatened by poaching for its fur, loss and destruction of habitats such as hill streams, peat swamp forests and mangroves. Threats in India include deforestation, conversion of natural habitat for tea and coffee plantations, overfishing of rivers and water pollution through pesticides.
It is the most sought after otter species for the illegal pet trade in Asia. At least 711 Asian small-clawed otters were offered for sale through online websites by 280 traders in Indonesia, Thailand, Malaysia and Vietnam between 2016 and 2017. Between December 2015 and October 2018, 49 Asian small-clawed otters were confiscated from wildlife traffickers in Thailand, Vietnam and Japan, 35 of them were bound for sale in Japan.
The estimated total population size of the species might be around 5,000 otters. Currently, Asian small-clawed otters are classified as 'Vulnerable' on the IUCN Red List.
Camera Model Name:Canon EOS 5D Mark III
Artist:SARAH H. ALSAYEGH
Copyright:SARAH H. ALSAYEGH
Exposure Time:30sec
F Number:11
Exposure Program:Manual
ISO:125
Metering Mode:Multi-segment
Flash:Off, Did not fire
Focal Length:16-35mm
Things tend to get worse before they get better......
OLDENBURG (IMO: 5262146) is a Passenger/Cargo Ship and is sailing under the flag of United Kingdom. Her length overall (LOA) is 43.57 meters and her width is 7.8 meters.
Valley of Fire State Park, Nevada. A five image HDR. Another one from the archives that had yet to processed.
Camera Canon EOS 5D
Exposure 0.2 sec (1/5)
Aperture f/16.0
Focal Length 24 mm
ISO Speed 200
Best if viewed large on black by pressing "L"
-------
From Wikipedia - Valley of Fire State Park is Nevada's oldest State Park. It covers an area of 34,880 acres (141 km²) and was dedicated in 1935.
Valley of Fire is located 50 miles (80 km) northeast of Las Vegas at an elevation of between 2,000 and 2,600 feet (610 and 790 m). It abuts the Lake Mead National Recreation Area at the Virgin River confluence. It lies in a basin 4 miles (6 km) wide by 6 miles (10 km) long, 15 miles (24 km) southwest of Overton, Nevada.
The rough floor and jagged walls of the park contain brilliant formations of eroded sandstone and sand dunes more than 150 million years old. These features, which are the centerpiece of the park's attractions, often appear to be on fire when reflecting the sun's rays.
The Valley of Fire derives its name from red sandstone formations, formed from great shifting sand dunes during the age of dinosaurs. Complex uplifting and faulting of the region, followed by extensive erosion, have created the present landscape. Other important rock formations include limestones, shales, and conglomerates.
A little table I've worked up in Excel. I *think* it's accurate, following the formulae available online for bellows factor, bellows extension, and total working distance.
B = total bellows extension
W = working distance
T = total distance from subject to film plane
dimensions in inches at top are subject size dimensions.
I've already used this successfully once so it's pretty good I think.
Why is this useful? Because working out lens choice and setup for large-format closeup work can be tricky, especially if you don't have a tape-measure with you (but no self-respecting large-format photographer should be without one of those, surely??). Depending on whether a given camera front focuses or back focuses or both, setup can be time-consuming.
Using this table, I first figure out roughly what the subject dimensions are, then figure out roughly where I am in terms of magnification and which vertical part of the column I'm on. Depending on how much working distance I want or have available, I would then work down the list of lenses and select the lens I need (or indeed have) and set up the camera roughly according to the total distance indicated. Some adjustment is required for in-between magnifications, but that's much better than wasting half an hour guessing and getting frustrated.
Measurements with underlines are amounts of bellows extension where I would need to use the extension board for my Chamonix 810V (without extension, bellows is limited to 680mm; with extension board, this extends to 850mm). I haven't therefore included bellows lengths that would exceed 850mm.
Having a reasonably long QR plate on the camera also helps. I use a Wimberley P50 on both 8x10 and 5x4, which is 167mm in length.
For time to add, I use the reciprocity timer app for consistency with bellows extension calculations. It automatically calculates reciprocity time and adds this too, according to its own formulae.
LADIES ON THE BEACH ENJOYING A DAY WITH THERE FAMILY . MY INTENTION WAS TO SHOOT A PHOTO OF THE SEA SERPENT THAT CAUGHT MY EYE . ON MY NIKON CAMERA THERE IS NO VIEW FINDER AND SO I JUST AIMED IN THE GENERAL DIRECTION AND PRESSED THE SHUTTER BUTTON. OF COURSE THE SEA SERPENT TURNED OUT TO BE A LENGTH OF SEA WEED . I THINK I HAD DRANK TO MUCH COFFEE THAT MORNING . DSCN1712 C
Name: The Iron Falcon
Length: 106 studs
Width: 70 studs
Build time: 25 days
Guns: mounts 18
Crew: 640 souls
So I had a blast this year and already can't wait till next ShIPtember! Hope you enjoy my SHIP this year; compared to my last one, it's truly glorious :P !
Name: Ace
Length: 87m
World's largest yacht number: 84
Shipyard: Lurssen
Price: 103 000 000€
Name: Nirvana
Length: 86m
World's largest yacht number: 68
Shipyard: Oceanco
Price: 230 000 000€
Name: Zeus
Length: 74m
World's largest yacht number: 138
Shipyard: Blohm + Voss
Price: 45 000 000€
Name: Saluzi
Length: 69m
World's largest yacht number: 185
Shipyard: Austal
Price: ~40 000 000€
"Across the length of the mural the River Wear moves from source to sea; it celebrates life in County Durham, past present and future.
The Mural was designed by Barrie Ormsby, fifty (50) people took a year to complete the work on twelve boards which when brought together measured 60ft. long by 10ft. high (18.28metres x 3.05metres).
It hung on a long wall near to Durham Market Place from 1987 to 2000 then it was removed to the Bearpark Artists Co-operative and subsequently divided into several pieces and auctioned for charity, it raised the sum of £500.
I remember that each time I visited Durham I would stand in front of it and find some new meaning in some small detail that I had previously missed. It was a sad day when this disappeared from the city centre and even sadder when its fate was revealed; I strongly feel that it should have been saved for all to see and contemplate".
Dinnertime shot and severely back lit by this stage - but the length of bill and head size is all apparent here in this pose - kingfishers are all head and beak!!!!
Length of insect: approx 8mm
Lens: Venus Optics Laowa 25mm 2.5x-5x @ 3.5x @ f3.4
Number of shots: 165 @ 35um stepsize using an MJKZZ Qool Rail 250
Illumination: 4 Ulanzi L1 powerleds + Ulanzi VL100, custom diffuser
Edit: Helicon focus, Photoshop CC, Lightroom C
Scene: Staged
Quoting Smithsonian National Air and Space Museum | Concorde, Fox Alpha, Air France:
The first supersonic airliner to enter service, the Concorde flew thousands of passengers across the Atlantic at twice the speed of sound for over 25 years. Designed and built by Aérospatiale of France and the British Aviation Corporation, the graceful Concorde was a stunning technological achievement that could not overcome serious economic problems.
In 1976 Air France and British Airways jointly inaugurated Concorde service to destinations around the globe. Carrying up to 100 passengers in great comfort, the Concorde catered to first class passengers for whom speed was critical. It could cross the Atlantic in fewer than four hours - half the time of a conventional jet airliner. However its high operating costs resulted in very high fares that limited the number of passengers who could afford to fly it. These problems and a shrinking market eventually forced the reduction of service until all Concordes were retired in 2003.
In 1989, Air France signed a letter of agreement to donate a Concorde to the National Air and Space Museum upon the aircraft's retirement. On June 12, 2003, Air France honored that agreement, donating Concorde F-BVFA to the Museum upon the completion of its last flight. This aircraft was the first Air France Concorde to open service to Rio de Janeiro, Washington, D.C., and New York and had flown 17,824 hours.
Gift of Air France.
Manufacturer:
Societe Nationale Industrielle Aerospatiale
Dimensions:
Wingspan: 25.56 m (83 ft 10 in)
Length: 61.66 m (202 ft 3 in)
Height: 11.3 m (37 ft 1 in)
Weight, empty: 79,265 kg (174,750 lb)
Weight, gross: 181,435 kg (400,000 lb)
Top speed: 2,179 km/h (1350 mph)
Engine: Four Rolls-Royce/SNECMA Olympus 593 Mk 602, 17,259 kg (38,050 lb) thrust each
Manufacturer: Société Nationale Industrielle Aérospatiale, Paris, France, and British Aircraft Corporation, London, United Kingdom
Physical Description:
Aircaft Serial Number: 205. Including four (4) engines, bearing respectively the serial number: CBE066, CBE062, CBE086 and CBE085.
Also included, aircraft plaque: "AIR FRANCE Lorsque viendra le jour d'exposer Concorde dans un musee, la Smithsonian Institution a dores et deja choisi, pour le Musee de l'Air et de l'Espace de Washington, un appariel portant le couleurs d'Air France."
Shot with Nikon D90
F14, 1/640
ISO:320
AF-S DX VR Zoom-Nikkor 18-200mm
Focual Length: 48mm
Post processing in Pixelmator (Starlights) / Aperture (Curves Adjustment)
Bain News Service,, publisher.
Farrar [in full length fur coat]
[between ca. 1920 and ca. 1925]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from data provided by the Bain News Service on the negative.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.34139
Call Number: LC-B2- 5715-9
Outside it is rainy so I can't go out for a stroll or my full length skirt will sweep over the wet pavement and get dirty.
ORIENT ANGEL (IMO: 9384916, MMSI: 372897000) is a bulk carrier built in 2007 and currently sailing under the flag of Panama. ORIENT ANGEL has 280m length overall and beam of 45m. Her gross tonnage is 89603 tons. Entering Newcastle, New South Wales, Australia.
Information From: en.wikipedia.org/wiki/Brooklyn_bridge
Brooklyn Bridge
From Wikipedia, the free encyclopedia
(Redirected from Brooklyn bridge)
Jump to: navigation, search
For other uses, see Brooklyn Bridge (disambiguation).
Brooklyn Bridge
Carries Motor vehicles (cars only)
Elevated trains (until 1944)
Streetcars (until 1950)
Pedestrians, and bicycles
Crosses East River
Locale New York City (Manhattan–Brooklyn)
Maintained by New York City Department of Transportation
Designer John Augustus Roebling
Design Suspension/Cable-stay Hybrid
Total length 5,989 feet (1825 m)[1]
Width 85 feet (26 m)
Longest span 1,595 feet 6 inches (486.3 m)
Clearance below 135 feet (41 m) at mid-span
Opened May 24, 1883
Toll Free both ways
Daily traffic 123,781 (2008)[2]
Coordinates 40°42′20″N 73°59′47″W / 40.70569°N 73.99639°W / 40.70569; -73.99639 (Brooklyn Bridge)Coordinates: 40°42′20″N 73°59′47″W / 40.70569°N 73.99639°W / 40.70569; -73.99639 (Brooklyn Bridge)
Brooklyn Bridge
U.S. National Register of Historic Places
U.S. National Historic Landmark
NYC Landmark
Built/Founded: 1883
Architectural style(s): Gothic
Added to NRHP: 1966[3]
Designated NHL: January 29, 1964[4]
NRHP Reference#: 75001237
The Brooklyn Bridge is one of the oldest suspension bridges in the United States. Completed in 1883, it connects the New York City boroughs of Manhattan and Brooklyn by spanning the East River. With a main span of 1,595.5 feet (486.3 m), it was the longest suspension bridge in the world from its opening until 1903, and the first steel-wire suspension bridge.
Originally referred to as the New York and Brooklyn Bridge, it was dubbed the Brooklyn Bridge in a January 25, 1867 letter to the editor of the Brooklyn Daily Eagle,[5] and formally so named by the city government in 1915. Since its opening, it has become an iconic part of the New York skyline. It was designated a National Historic Landmark in 1964[4][6][7] and a National Historic Civil Engineering Landmark in 1972.[8]
Contents [hide]
1 Construction
2 Pedestrian and vehicular access
2.1 Notable events
2.2 100th anniversary celebrations
2.3 125th anniversary celebrations
3 Cultural significance
4 References
5 Further reading
6 External links
[edit] Construction
The Brooklyn Bridge was initially designed by German immigrant John Augustus Roebling, who had previously designed and constructed shorter suspension bridges, such as Roebling's Delaware Aqueduct in Lackawaxen, Pennsylvania, and the John A. Roebling Suspension Bridge in Cincinnati, Ohio.
While conducting surveys for the bridge project, Roebling sustained a crush injury to his foot when a ferry pinned it against a piling. After amputation of his crushed toes he developed a tetanus infection which left him incapacitated and soon resulted in his death, not long after he had placed his 32 year-old son Washington Roebling in charge of the project.[9]
Washington Roebling also suffered a paralyzing injury as a result of decompression sickness shortly after the beginning of construction on January 3, 1870.[10] This condition, first called "caisson disease" by the project physician Dr. Andrew Smith, afflicted many of the workers working within the caissons.[11][12] After Roebling's debilitating condition left him unable to physically supervise the construction firsthand, his wife Emily Warren Roebling stepped in and provided the critical written link between her husband and the engineers on-site.[13] Under her husband's guidance, Emily had studied higher mathematics, the calculations of catenary curves, the strengths of materials, bridge specifications, and the intricacies of cable construction.[14][15][16] She spent the next 11 years assisting Washington Roebling helping to supervise the bridge's construction.
When iron probes underneath the caisson found the bedrock to be even deeper than expected, Roebling halted construction due to the increased risk of decompression sickness. He deemed the aggregate overlying the bedrock 30 feet (9 m) below it to be firm enough to support the tower base.[17]
The Brooklyn Bridge was completed thirteen years later and was opened for use on May 24, 1883. The opening ceremony was attended by several thousand people and many ships were present in the East Bay for the occasion. President Chester A. Arthur and New York Mayor Franklin Edson crossed the bridge to celebratory cannon fire and were greeted by Brooklyn Mayor Seth Low when they reached the Brooklyn-side tower. Arthur shook hands with Washington Roebling at the latter's home, after the ceremony. Roebling was unable to attend the ceremony (and in fact rarely visited the site again), but held a celebratory banquet at his house on the day of the bridge opening. Further festivity included the performance of a band, gunfire from ships, and a fireworks display.[18]
On that first day, a total of 1,800 vehicles and 150,300 people crossed what was then the only land passage between Manhattan and Brooklyn. Emily Warren Roebling was the first to cross the bridge. The bridge's main span over the East River is 1,595 feet 6 inches (486.3 m). The bridge cost $15.5 million to build and approximately 27 people died during its construction.[19]
One week after the opening, on May 30, 1883, a rumor that the Bridge was going to collapse caused a stampede, which crushed and killed at least twelve people.[20] On May 17, 1884, P. T. Barnum helped to squelch doubts about the bridge's stability—while publicizing his famous circus—when one of his most famous attractions, Jumbo, led a parade of 21 elephants over the Brooklyn Bridge.[21][22][23][24]
Plan of one tower for the Brooklyn Bridge, 1867At the time it opened, and for several years, it was the longest suspension bridge in the world—50% longer than any previously built — and it has become a treasured landmark. Since the 1980s, it has been floodlit at night to highlight its architectural features. The towers are built of limestone, granite, and Rosendale cement. Their architectural style is neo-Gothic, with characteristic pointed arches above the passageways through the stone towers. The paint scheme of the bridge is "Brooklyn Bridge Tan", although is has been argued that the original paint was "Rawlins Red".[25]
At the time the bridge was built, the aerodynamics of bridge building had not been worked out. Bridges were not tested in wind tunnels until the 1950s—well after the collapse of the original Tacoma Narrows Bridge (Galloping Gertie) in 1940. It is therefore fortunate that the open truss structure supporting the deck is by its nature less subject to aerodynamic problems. Roebling designed a bridge and truss system that was six times as strong as he thought it needed to be. Because of this, the Brooklyn Bridge is still standing when many of the bridges built around the same time have vanished into history and been replaced. This is also in spite of the substitution of inferior quality wire in the cabling supplied by the contractor J. Lloyd Haigh—by the time it was discovered, it was too late to replace the cabling that had already been constructed. Roebling determined that the poorer wire would leave the bridge four rather than six times as strong as necessary, so it was eventually allowed to stand, with the addition of 250 cables. Diagonal cables were installed from the towers to the deck, intended to stiffen the bridge. They turned out to be unnecessary, but were kept for their distinctive beauty.
After the collapse in 2007 of the I-35W highway bridge in the city of Minneapolis, increased public attention has been brought to bear on the condition of bridges across the US, and it has been reported that the Brooklyn Bridge approach ramps received a rating of "poor" at its last inspection.[26] According to a NYC Department of Transportation spokesman, "The poor rating it received does not mean it is unsafe. Poor means there are some components that have to be rehabilitated." A $725 million project to replace the approaches and repaint the bridge was scheduled to begin in 2009.[27]
The construction of the Brooklyn Bridge is detailed in the 1978 book The Great Bridge by David McCullough[13] and Brooklyn Bridge (1981), the first PBS documentary film ever made by Ken Burns.[28] Burns drew heavily on McCullough's book for the film and used him as narrator.[29] It is also described in Seven Wonders of the Industrial World, a BBC docudrama series with accompanying book.
[edit] Pedestrian and vehicular access
Cross section diagramAt various times, the bridge has carried horse-drawn and trolley traffic; at present, it has six lanes for motor vehicles, with a separate walkway along the centerline for pedestrians and bicycles. Due to the roadway's height (11 ft (3.4 m) posted) and weight (6,000 lb (2,700 kg) posted) restrictions, commercial vehicles and buses are prohibited from using this bridge. The two inside traffic lanes once carried elevated trains of the BMT from Brooklyn points to a terminal at Park Row via Sands Street. Streetcars ran on what are now the two center lanes (shared with other traffic) until the elevated lines stopped using the bridge in 1944, when they moved to the protected center tracks. In 1950 the streetcars also stopped running, and the bridge was rebuilt to carry six lanes of automobile traffic.
The Brooklyn Bridge is accessible from the Brooklyn entrances of Tillary/Adams Streets, Sands/Pearl Streets, and Exit 28B of the eastbound Brooklyn-Queens Expressway. In Manhattan, motor cars can enter from either direction of the FDR Drive, Park Row, Chambers/Centre Streets, and Pearl/Frankfort Streets. Pedestrian access to the bridge from the Brooklyn side is from either Tillary/Adams Streets (in between the auto entrance/exit), or a staircase on Prospect St between Cadman Plaza East and West. In Manhattan, the pedestrian walkway is accessible from the end of Centre Street, or through the unpaid south staircase of Brooklyn Bridge-City Hall IRT subway station.
View from the pedestrian walkway. The bridge's cable arrangement forms a distinct weblike pattern.The Brooklyn Bridge has a wide pedestrian walkway open to walkers and cyclists, in the center of the bridge and higher than the automobile lanes. While the bridge has always permitted the passage of pedestrians across its span, its role in allowing thousands to cross takes on a special importance in times of difficulty when usual means of crossing the East River have become unavailable.
During transit strikes by the Transport Workers Union in 1980 and 2005, the bridge was used by people commuting to work, with Mayors Koch and Bloomberg crossing the bridge as a gesture to the affected public.[30][31]
Following the 1965, 1977 and 2003 Blackouts and most famously after the September 11, 2001, attacks on the World Trade Center, the bridge was used by people in Manhattan to leave the city after subway service was suspended. The massive numbers of people on the bridge could not have been anticipated by the original designer, yet John Roebling designed it with three separate systems managing even unanticipated structural stresses. The bridge has a suspension system, a diagonal stay system, and a stiffening truss. "Roebling himself famously said if anything happens to one of [his] systems, 'The bridge may sag, but it will not fall.'"[32] The movement of large numbers of people on a bridge creates pedestrian oscillations or "sway" as the crowd lifts one foot after another, some falling inevitably in synchronized cadences. The natural sway motion of people walking causes small sideways oscillations in a bridge, which in turn cause people on the bridge to sway in step, increasing the amplitude of the bridge oscillations and continually reinforcing the effect. High-density traffic of this nature causes a bridge to appear to move erratically or "to wobble" as happened at opening of the London Millennium Footbridge in 2000.[33]
Frank Leslie's Illustrated Newspaper c.1883[edit] Notable events
First jumper
The first person to jump from the bridge was Robert E. Odlum on May 19, 1885. He struck the water at an angle and died shortly thereafter from internal injuries.[34] Steve Brodie was the most famous jumper, or self-proclaimed jumper (in 1886).
Bungee jump
On June 1993, following 13 reconnoiters inside the metal structure, and with the help of a mountain guide, Thierry Devaux performed (illegally) eight acrobatic bungee jumps above the East River close to the Brooklyn pier, in the early morning. He used an electric winch between each acrobatic figure.[35]
1994 Brooklyn Bridge shooting
Main article: Brooklyn Bridge Shooting
On March 1, 1994, Lebanese-born Rashid Baz opened fire on a van carrying members of the Chabad-Lubavitch Orthodox Jewish Movement, striking sixteen-year-old student Ari Halberstam and three others traveling on the bridge.[36] Halberstam died five days later from his wounds. Baz was apparently acting out of revenge for the Hebron massacre of 29 Muslims by Baruch Goldstein that had taken place days earlier on February 25, 1994. Baz was convicted of murder and sentenced to a 141-year prison term. After initially classifying the murder as one committed out of road rage, the Justice Department reclassified the case in 2000 as a terrorist attack. The entrance ramp to the bridge on the Manhattan side was named the Ari Halberstam Memorial Ramp in memory of the victim.[37]
The 2003 plot
In 2003, truck driver Iyman Faris was sentenced to about 20 years in prison for providing material support to Al-Qaeda, after an earlier plot to destroy the bridge by cutting through its support wires with blowtorches was thwarted through information the National Security Agency uncovered through wiretapped phone conversations and interrogation of Al-Qaeda militants.[38]
2006 bunker discovery
In 2006, a Cold War era bunker was found by city workers near the East River shoreline of Manhattan's Lower East Side. The bunker, hidden within the masonry anchorage, still contained the emergency supplies that were being stored for a potential nuclear attack by the Soviet Union.[39]
[edit] 100th anniversary celebrations
The centennary celebrations on May 24, 1983, saw a cavalcade of cars crossing the bridge, led by President Ronald Reagan. A flotilla of ships visited the harbor, parades were held, and in the evening the sky over the bridge was illuminated by Grucci fireworks.[40] The Brooklyn Museum exhibited a selection of the original drawings made for the bridge's construction, some by Washington Roebling himself.
[edit] 125th anniversary celebrations
Beginning on May 22, 2008, festivities were held over a five-day period to celebrate the 125th anniversary of the opening of the Brooklyn Bridge. The events kicked off with a live performance of the Brooklyn Philharmonic in Empire–Fulton Ferry State Park, followed by special lighting of the bridge's towers and a fireworks display.[41] Other events held during the 125th anniversary celebrations, which coincided with the Memorial Day weekend, included a film series, historical walking tours, information tents, a series of lectures and readings, a bicycle tour of Brooklyn, a miniature golf course featuring Brooklyn icons, and other musical and dance performances.[42]
Just before the anniversary celebrations, the Telectroscope, which created a video link between New York and London, was installed on the Brooklyn side of the bridge. The installation lasted for a few weeks and permitted viewers in New York to see people looking into a matching telectroscope in front of London's Tower Bridge.[43] A newly renovated pedestrian connection to DUMBO was also unveiled before the anniversary celebrations.[44]
[edit] Cultural significance
Contemporaries marveled at what technology was capable of and the bridge became a symbol of the optimism of the time. John Perry Barlow wrote in the late 20th century of the "literal and genuinely religious leap of faith" embodied in the Brooklyn Bridge ... "the Brooklyn Bridge required of its builders faith in their ability to control technology."[45]
References to "selling the Brooklyn Bridge" abound in American culture, sometimes as examples of rural gullibility but more often in connection with an idea that strains credulity. For example, "If you believe that, I've got a bridge to sell you."[citation needed] References are often nowadays more oblique, such as "I could sell you some lovely riverside property in Brooklyn ...".[citation needed] George C. Parker and William McCloundy are two early 20th-century con-men who had (allegedly) successfully perpetrated this scam on unwitting tourists.[46] The 1949 Bugs Bunny cartoon Bowery Bugs is a joking reference to Bugs "selling" a story of the Brooklyn Bridge to a naive tourist.
In his second book The Bridge, Hart Crane begins with a poem entitled "Proem: To Brooklyn Bridge." The bridge was a source of inspiration for Crane and he owned different apartments specifically to have different views of the bridge.
[edit] References
^ "NYCDOT Bridges Information". New York City Department of Transportation. www.nyc.gov/html/dot/html/bridges/bridges.shtml#brooklyn. Retrieved 2008-08-23.
^ "New York City Bridge Traffic Volumes 2008" (PDF). New York City Department of Transportation. March 2010. p. 63. www.nyc.gov/html/dot/downloads/pdf/bridgetrafrpt08.pdf. Retrieved 2010-07-10.
^ "National Register Information System". National Register of Historic Places. National Park Service. 2007-01-23. www.nr.nps.gov/.
^ a b "Brooklyn Bridge". National Historic Landmark summary listing. National Park Service. tps.cr.nps.gov/nhl/detail.cfm?ResourceId=376&Resource....
^ E.P.D. (January 25, 1867). "Bridging the East River – Another Project". The Brooklyn Daily Eagle: p. 2. www.brooklynpubliclibrary.org/eagle/. Retrieved 2007-11-26.
^ "The Brooklyn Bridge", February 24, 1975, by James B. Armstrong and S. Sydney Bradford "National Register of Historic Places Inventory-Nomination"]. National Park Service. 1975-02-24. pdfhost.focus.nps.gov/docs/NHLS/Text/66000523.pdf "The Brooklyn Bridge", February 24, 1975, by James B. Armstrong and S. Sydney Bradford].
^ The Brooklyn Bridge—Accompanying three photos, from 1975. "National Register of Historic Places Inventory-Nomination"]. National Park Service. 1975-02-24. pdfhost.focus.nps.gov/docs/NHLS/Photos/66000523.pdf The Brooklyn Bridge—Accompanying three photos, from 1975.].
^ "Brooklyn Bridge". ASCE Metropolitan Section. www.ascemetsection.org/content/view/339/872/. Retrieved 2010-06-30.
^ "THE BUILDING OF THE BRIDGE.; ITS COST AND THE DIFFICULTIES MET WITH-- DETAILS OF THE HISTORY OF A GREAT ENGINEERING TRIUMPH.". The New York Times. May 24, 1883. query.nytimes.com/gst/abstract.html?res=9F01E5DC1431E433A.... Retrieved 2009-10-27.
^ Butler WP (2004). "Caisson disease during the construction of the Eads and Brooklyn Bridges: A review". Undersea Hyperb Med 31 (4): 445–59. PMID 15686275. archive.rubicon-foundation.org/4028. Retrieved 2008-06-19.
^ Smith, Andrew Heermance (1886). The Physiological, Pathological and Therapeutical Effects of Compressed Air. Detroit: George S. Davis. books.google.com/?id=hLq981_A5bMC&printsec=frontcover.... Retrieved 2009-04-17.
^ Acott, Chris (1999). "A brief history of diving and decompression illness.". South Pacific Underwater Medicine Society journal 29 (2). ISSN 0813-1988. OCLC 16986801. archive.rubicon-foundation.org/6004. Retrieved 2009-04-17.
^ a b Amazon.com: The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge: J'aime Drisdelle: Books
^ Weigold, Marilyn (1984). Silent Builder: Emily Warren Roebling and the Brooklyn Bridge. Associated Faculty Press.
^ McCullough, David (1983). The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge. New York: Simon & Schuster. p. 421.
^ "Emily Warren Roebling". American Society of Civil Engineers. www.asce.org/PPLContent.aspx?id=2147487328. Retrieved 2010-06-30.
^ "GlassSteelandStone: Brooklyn Bridge-tower rests on sand". www.glasssteelandstone.com/BuildingDetail/435.php. Retrieved 2007-02-20.
^ Reeves, Thomas C. (1975). Gentleman Boss. New York: Alfred A. Knopf. pp. 359–360. ISBN 0-394-46095-2.
^ "Brooklyn Daily Eagle 1841–1902 Online". Archived from the original on 2007-11-14. web.archive.org/web/20071114135249/http://eagle.brooklynp.... Retrieved 2007-11-23.
^ "Dead on the New Bridge; Fatal Crush at the Western Approach". The New York Times. May 31, 1883. query.nytimes.com/gst/abstract.html?res=980DE3DA1431E433A.... Retrieved 2010-02-20.
^ Bildner, Phil (2004). Twenty-One Elephants. New York: Simon & Schuster. ISBN 0689870116.
^ Prince, April Jones (2005). Twenty-One Elephants and Still Standing. Boston: Houghton Mifflin. ISBN 061844887X.
^ "P.T. Barnum – MSN Encarta". Archived from the original on 2009-10-31. www.webcitation.org/5kwQPajtQ.
^ Strausbaugh, John (November 9, 2007). "When Barnum Took Manhattan". The New York Times. www.nytimes.com/2007/11/09/arts/09expl.html. Retrieved 2008-09-21.
^ Gary Buiso, New York Post (May 25, 2010). "A True Cover Up. Brooklyn Bridge Paint Job Glosses over History". www.nypost.com/p/news/local/brooklyn/true_cover_up_brookl.... Retrieved October 23, 2010.
^ Chan, Sewell (August 2, 2007). "Brooklyn Bridge Is One of 3 With Poor Rating". The New York Times. cityroom.blogs.nytimes.com/2007/08/02/brooklyn-bridge-is-.... Retrieved 2007-09-10.
^ "Brooklyn Bridge called 'safe' – DOT says span is okay despite getting a 'poor' rating". Courier-Life Publications. www.baynewsbrooklyn.com/site/news.cfm?newsid=18685076&.... Retrieved 2007-08-12.
^ Burns, Ken. "Why I Decided to Make Brooklyn Bridge". Public Broadcasting Service. www.pbs.org/kenburns/brooklynbridge/about/. Retrieved 2010-02-20.
^ "Burns, Ken – U.S. Documentary Film Maker". The Museum of Broadcast Communications. www.museum.tv/eotvsection.php?entrycode=burnsken. Retrieved 2010-02-20.
^ Quindlen, Anna (April 2, 1980). "Koch Faces Day Ebulliently; He Looks Well Rested". The New York Times. select.nytimes.com/gst/abstract.html?res=F3061EFB395C1272.... Retrieved 2010-06-30.
^ Rutenberg, Jim (December 21, 2005). "On Foot, on Bridge and at City Hall, Bloomberg Is Irate". The New York Times. www.nytimes.com/2005/12/21/nyregion/nyregionspecial3/21ma.... Retrieved 2010-06-30.
^ Julavits, Robert (August 26, 2003). "Point of Collapse". The Village Voice. www.villagevoice.com/2003-08-26/news/point-of-collapse/. Retrieved 2010-02-20.
^ Steven Henry, Strogatz (2003). Sync: The Emerging Science of Spontaneous Order. New York: Hyperion. pp. 174–175, 312, 320. ISBN 0786868449.
^ "Odlum's Leap to Death". The New York Times: p. 1. May 20, 1885. query.nytimes.com/gst/abstract.html?res=990DE4D91739E533A.... Retrieved 2008-04-15.
^ "Brooklyn Bridge". SunnyDream. www.sunnydream.info/index.php?page=brooklyn. Retrieved 2010-06-25.
^ Sexton, Joe (March 2, 1994). "4 Hasidic Youths Hurt in Brooklyn Bridge Shooting". The New York Times. www.nytimes.com/1994/03/02/nyregion/4-hasidic-youths-hurt.... Retrieved 2010-06-30.
^ "In Memoriam". Ari Halberstam Memorial Site. www.arihalberstam.com/in-memoriam/. Retrieved 2010-06-30.
^ "Iyman Faris". GlobalSecurity.org. www.globalsecurity.org/security/profiles/iyman_faris.htm. Retrieved 2010-06-30.
^ Lovgren, Stefan (March 24, 2006). "Cold War "Time Capsule" Found in Brooklyn Bridge". National Geographic. news.nationalgeographic.com/news/2006/03/0324_060324_broo.... Retrieved 2010-02-20.
^ NYC Roads. "The Brooklyn Bridge". www.nycroads.com/crossings/brooklyn/. Retrieved October 23, 2010.
^ Burke, Kerry; Hutchinson, Bill (May 23, 2008). "Brooklyn Bridge turns 125 with a bang". Daily News (New York). www.nydailynews.com/ny_local/brooklyn/2008/05/22/2008-05-.... Retrieved 2009-08-01.
^ "Brooklyn Bridge 125th Anniversary Celebration". ASCE Metropolitan Section. www.ascemetsection.org/content/view/121/830/. Retrieved 2009-08-01.
^ Ryzik, Melena (May 21, 2008). "Telescope Takes a Long View, to London". The New York Times. www.nytimes.com/2008/05/21/arts/design/21tele.html. Retrieved 2009-08-01.
^ Farmer, Ann (May 21, 2008). "This Way to Brooklyn, This Way". The New York Times. cityroom.blogs.nytimes.com/2008/05/21/welcome-to-dumbo-it.... Retrieved 2009-08-01.
^ Cultural Significance
^ Cohen, Gabriel (November 27, 2005). "For You, Half Price". The New York Times. www.nytimes.com/2005/11/27/nyregion/thecity/27brid.htm. Retrieved 2010-02-20.
[edit] Further reading
Cadbury, Deborah. (2004), Dreams of Iron and Steel. New York: HarperCollins. ISBN 0-00-716307-X
Haw, Richard. (2005). The Brooklyn Bridge: A Cultural History. New Brunswick: Rutgers University Press. ISBN 0-8135-3587-5
Haw, Richard. (2008). Art of the Brooklyn Bridge: A Visual History. New York: Routledge. ISBN 0-415-95386-3
McCullough, David. (1972). The Great Bridge. New York: Simon & Schuster. ISBN 0-671-21213-3
Strogatz, Steven. (2003). Sync: The Emerging Science of Spontaneous Order. New York: Hyperion books. 10-ISBN 0-7868-6844-9; 13-ISBN 978-0-7868-6844-5 (cloth) [2nd ed., Hyperion, 2004. 10-ISBN 0-7868-8721-4; 13-ISBN 978-0-7868-8721-7 (paper)]
Strogartz, Steven, Daniel M. Abrams, Allan McRobie, Bruno Eckhardt, and Edward Ott. et al. (2005). "Theoretical mechanics: Crowd synchrony on the Millennium Bridge," Nature, Vol. 438, pp, 43–44.link to Nature articleMillennium Bridge opening day video illustrating "crowd synchrony" oscillations
Trachtenberg, Alan. (1965). Brooklyn Bridge: Fact and Symbol. Chicago: University of Chicago Press. ISBN 0226811158 [2nd ed., 1979, ISBN 0-226-81115-8 (paper)]
[edit] External links
New York City portal
Wikimedia Commons has media related to: Brooklyn Bridge
360° Interactive panorama from the top of the Brooklyn Bridge
The Brooklyn Bridge: A Study in Greatness
NYCroads.com – Brooklyn Bridge
Transportation Alternatives Fiboro Bridges – Brooklyn Bridge
The story of Brooklyn Bridge – by CBS Forum
Panorama of Brooklyn Bridge 1899 – Extreme Photo Constructions
Structurae: Brooklyn Bridge
Great Buildings entry for the Brooklyn Bridge
American Society of Civil Engineers
Railroad Extra – Brooklyn Bridge and its Railway
Images of the Brooklyn Bridge from the Brooklyn Museum
Brooklyn Bridge Photo Gallery with a Flash VR 360 of the Brooklyn Bridge Pedestrian Walkway
Opening Ceremonies of the New York and Brooklyn Bridge, May 24, 1883 at Project Gutenberg
Brooklyn Bridge at Historical Marker Database
Rom - Circus Maximus
You can see the Palatine Hill in the background.
Im Hintergrund ist der Palatin zu sehen.
The Circus Maximus (Latin for greatest or largest circus; Italian: Circo Massimo) is an ancient Roman chariot-racing stadium and mass entertainment venue located in Rome, Italy. Situated in the valley between the Aventine and Palatine Hills, it was the first and largest stadium in ancient Rome and its later Empire. It measured 621 m (2,037 ft) in length and 118 m (387 ft) in width and could accommodate over 150,000 spectators. In its fully developed form, it became the model for circuses throughout the Roman Empire. The site is now a public park.
The Circus was Rome's largest venue for ludi, public games connected to Roman religious festivals. Ludi were sponsored by leading Romans or the Roman state for the benefit of the Roman people (populus Romanus) and gods. Most were held annually or at annual intervals on the Roman calendar. Others might be given to fulfill a religious vow, such as the games in celebration of a triumph. In Roman tradition, the earliest triumphal ludi at the Circus were vowed by Tarquin the Proud to Jupiter in the late Regal era for his victory over Pometia.
Ludi ranged in duration and scope from one-day or even half-day events to spectacular multi-venue celebrations held over several days, with religious ceremonies and public feasts, horse and chariot racing, athletics, plays and recitals, beast-hunts and gladiator fights. Some included public executions. The greater ludi at the Circus began with a flamboyant parade (pompa circensis), much like the triumphal procession, which marked the purpose of the games and introduced the participants.
During Rome's Republican era, the aediles organised the games. The most costly and complex of the ludi offered opportunities to assess an aedile's competence, generosity, and fitness for higher office. Some Circus events, however, seem to have been relatively small and intimate affairs. In 167 BC, "flute players, scenic artists and dancers" performed on a temporary stage, probably erected between the two central seating banks. Others were enlarged at enormous expense to fit the entire space. A venatio held there in 169 BC, one of several in the 2nd century, employed "63 leopards and 40 bears and elephants", with spectators presumably kept safe by a substantial barrier.
As Rome's provinces expanded, existing ludi were embellished and new ludi invented by politicians who competed for divine and popular support. By the late Republic, ludi were held on 57 days of the year; an unknown number of these would have required full use of the Circus. On many other days, charioteers and jockeys would need to practice on its track. Otherwise, it would have made a convenient corral for the animals traded in the nearby cattle market, just outside the starting gate. Beneath the outer stands, next to the Circus' multiple entrances, were workshops and shops. When no games were being held, the Circus at the time of Catullus (mid-1st century BC) was likely "a dusty open space with shops and booths ... a colourful crowded disreputable area" frequented by "prostitutes, jugglers, fortune tellers and low-class performing artists."
Rome's emperors met the ever-burgeoning popular demand for regular ludi and the need for more specialised venues, as essential obligations of their office and cult. Over the several centuries of its development, the Circus Maximus became Rome's paramount specialist venue for chariot races. By the late 1st century AD, the Colosseum had been built to host most of the city's gladiator shows and smaller beast-hunts, and most track-athletes competed at the purpose-designed Stadium of Domitian, though long-distance foot races were still held at the Circus. Eventually, 135 days of the year were devoted to ludi.
Even at the height of its development as a chariot-racing circuit, the circus remained the most suitable space in Rome for religious processions on a grand scale, and was the most popular venue for large-scale venationes; in the late 3rd century, the emperor Probus laid on a spectacular Circus show in which beasts were hunted through a veritable forest of trees, on a specially built stage. With the advent of Christianity as the official religion of the Empire, ludi gradually fell out of favour. The last known beast-hunt at the Circus Maximus took place in 523, and the last known races there were held by Totila in 549.
After the 6th century, the Circus fell into disuse and decay, and was quarried for building materials. The lower levels, ever prone to flooding, were gradually buried under waterlogged alluvial soil and accumulated debris, so that the original track is now buried 6m beneath the modern surface. In the 11th century, the Circus was "replaced by dwellings rented out by the congregation of Saint-Guy." In the 12th century, a watercourse was dug there to drain the soil, and by the 1500s the area was used as a market garden. Many of the Circus' standing structures survived these changes; in 1587, two obelisks were removed from the central barrier by Pope Sixtus V, and one of these was re-sited at the Piazza del Popolo. Mid 19th century workings at the circus site uncovered the lower parts of a seating tier and outer portico. Since then, a series of excavations has exposed further sections of the seating, curved turn and central barrier but further exploration has been limited by the scale, depth and waterlogging of the site.
The Circus site now functions as a large park area, in the centre of the city. It is often used for concerts and meetings. The Rome concert of Live 8 (July 2, 2005) was held there. The English band Genesis performed a concert before an estimated audience of 500,000 people in 2007 (this was filmed and released as When in Rome 2007). The Rolling Stones played there in front of 71,527 people on June 22, 2014 for the Italian date of their 14 On Fire tour. The Circus has also hosted victory celebrations, following the Italian World Cup 2006 victory and the A.S. Roma Serie A victory in 2001.
(Wikipedia)
Der Circus Maximus (italienisch Circo Massimo) war der größte Circus im antiken Rom. Er hatte eine Gesamtlänge von 600 Metern (die Arena und Stufen eingerechnet) sowie eine Breite von 140 Metern. Sein Fassungsvermögen soll laut Dionysios von Halikarnassos im Ausbaustand zur Zeit des Augustus 150.000 Plätze, zur Zeit des älteren Plinius 250.000 Plätze betragen haben. Er wurde bis ins 6. Jahrhundert für Wagenrennen genutzt.
Bereits im 6. Jahrhundert v. Chr. wurde das sumpfige Murciatal zwischen Palatin und Aventin trockengelegt und konnte darauf für verschiedene Wettkämpfe genutzt werden. König Lucius Tarquinius Priscus soll, der Sage nach, erste hölzerne Tribünen errichtet haben, die in der weiteren Geschichte des Circus immer wieder einstürzten, was zuweilen viele Todesopfer forderte.
Erst Caesar, der den Circus in seiner Breite erweiterte, ließ anlässlich seiner Triumphalspiele im Jahr 46 v. Chr. zum Teil dauerhafte Sitzstufen aus Marmor einbauen und umgab die Arena mit einem Wassergraben, um sie vom Zuschauerraum zu trennen. Nach einem Brand im Jahr 31 v. Chr. erneuerte Augustus den Circus, baute ihn weiter aus, errichtete eine erste Kaiserloge und stellte im Jahr 10 v. Chr. den ersten Obelisken in der Mitte der Spina, der damals wohl noch hölzernen Trennwand zwischen den Bahnen, auf. Der Obelisk steht heute auf der Piazza del Popolo in Rom. Den zweiten, heute vor dem Lateran zu findenden Obelisken fügte Constantius II. im Jahr 357 hinzu. Der Circus diente in der Kaiserzeit nicht zuletzt der Kommunikation der Herrscher mit der Stadtbevölkerung, deren Akklamationen man hier entgegennahm.
Domitian ließ den Kaiserpalast auf dem Palatin daher so erweitern, dass er direkt von dort die Spiele verfolgen und sich von einer mit dem Palast verbundenen Kaiserloge aus dem Volk zeigen konnte. Doch erst unter Trajan wurde bis zum Jahr 103 der Circus komplett mit Stein, opus caementitium und Ziegeln ausgeführt. Er ließ die Kaiserloge Domitians abreißen und fügte eine Kaiserloge wieder dem Circus selbst ein. Im frühen 4. Jahrhundert n. Chr. erreichte der Circus dann seinen maximalen Ausbaustand.
Ein für die Rekonstruktion des damaligen Bauzustandes bedeutendes Mosaik wurde in der für ihren Carraramarmor berühmten Stadt Luna an der ligurischen Küste im „Haus der Mosaiken“ aufgedeckt. Der im 3./4. Jahrhundert n. Chr. verlegte Fußbodenschmuck zeigt den Circus sehr genau und ermöglicht zusammen mit anderen, nicht aus Luna stammenden Fundstücken, eine Rekonstruktion der berühmten Rennbahn mit Kaiserloge.
Die Circi der Römer hatten eine langgestreckte Form mit geradem Abschluss bei den Startboxen und gerundetem Abschluss an der gegenüberliegenden Seite. Die unter anderem mit zwei ägyptischen Obelisken verzierte Spina teilte die Bahn in der Längsachse. Die Gespanne umrundeten die Spina gegen den Uhrzeigersinn, in der Regel siebenmal. Auf der Spina befand sich im Circus Maximus ein Gestell mit sieben absenkbaren hölzernen Eiern, das später durch eines mit sieben marmornen Delphinen ersetzt wurde. An der Zahl der abgesenkten Eier bzw. Delphine konnten die Fahrer und Zuschauer ablesen, wie viele Runden zurückgelegt worden waren.
Die Wagenrennen (ludi circenses) im Circus Maximus waren öffentliche Veranstaltungen, die im Rahmen von Feierlichkeiten und zumeist auf Staatskosten veranstaltet wurden. Zu Zeiten der römischen Republik bestand ein tagfüllendes Programm aus 12 Rennen. In der Kaiserzeit wurde diese Zahl auf 24 erhöht. Zu diesen Anlässen wurden Bildnisse der Götter in silbernen und elfenbeinernen Wagen, die in der aedes Tensarum auf dem Kapitol aufbewahrt wurden, in einer Prozession in den Circus gebracht.
Die ersten Rennen im Circus Maximus fanden, wie Bestimmungen über Siegespreise im Zwölftafelgesetz belegen, wohl spätestens Mitte des 5. Jahrhunderts v. Chr. statt, die letzten bezeugten erst in der ausgehenden Spätantike – unter der Herrschaft des Ostgotenkönigs Totila im Jahr 549 oder 550 n. Chr.
Es gab in Rom weitere kleinere Circi, so den Circus Flaminius auf dem Marsfeld, den Circus des Nero im Bereich des heutigen Vatikan, den Circus Varianus an der Via Labicana und den Circus des Maxentius an der Via Appia.
Auch in den Provinzen wurden Circi und Hippodrome angelegt, um den dort lebenden Römern und Veteranen die gleichen Unterhaltungsmöglichkeiten wie in Rom zu bieten. Zudem spielten Wagenrennen in Kaiserresidenzen und Statthaltersitzen eine wichtige Rolle für die politische Kommunikation.
Außer den Wagenrennen der „Zirzensischen Spiele“ fanden im Circus Maximus auch Gladiatorenkämpfe und Tierhetzen statt.
Ab 186 v. Chr. wurden im Circus Maximus zudem „Spiele im griechischen Stil“, also athletische Wettkämpfe, veranstaltet. Caesar ließ für sie jedoch auf dem Marsfeld ein eigenes Stadion errichten, das spätere Stadion des Domitian.
In den Circus Maximus waren auch religiöse Gebäude integriert. Auf der Seite zum Aventin stand der Tempel des Sonnengottes. Nach Tertullian befand sich ein unterirdischer Altar für Consus unter der ersten, sogenannten Murcischen Wendemarke.
In die westlichen Unterbauten wurde ein noch heute erhaltenes Mithräum eingebaut.
Ab dem späteren 6. Jahrhundert zerfiel der Circus Maximus. Die große Freifläche wurde im Mittelalter dann teilweise landwirtschaftlich genutzt. Im Ostteil wurde die Kirche Santa Lucia in Settizodio mit zahlreichen Nebengebäuden eingebaut. Einen anderen Teil nutzte die Familie der Frangipane als Festung. Zur Wiederverwendung für den Bau des Petersdoms wurden schließlich die meisten marmornen Sitzstufen abgebaut. Im 19. Jahrhundert entstand im Westteil ein Gasometer. Die restliche Fläche war vor allem mit Kleingewerbe überbaut. In den 1930er Jahren begann man damit, die Fläche wieder freizulegen.
Der Circus Maximus ist heute eine Rasenfläche, in der die alte Form noch erkennbar ist. An der östlichen Kurve, hinter der die Via Appia beginnt, gibt es seit dem Jahr 1936 Ausgrabungen. Es wurden hier Teile der antiken Sitzreihen und Treppen wie auch die Reste eines Turms des Komplexes von Santa Lucia in Settizodio freigelegt.
Die Anlage wird für Großanlässe und ein Massenpublikum verwendet. So fand hier am 2. Juli 2005 das italienische Konzert von Live 8 laut Veranstaltern vor rund 200.000 Besuchern statt. Ebenfalls im Circus Maximus wurde die italienische Fußballnationalmannschaft am 10. Juli 2006 nach dem Gewinn der Weltmeisterschaft empfangen. Am 14. Juli 2007 spielte die britische Rockband Genesis laut Angaben der italienischen Presse im Circus Maximus vor über 500.000 Fans.
Von 2008 bis 2016 wurden am südlichen Rand der Anlage Ausgrabungen in den Fundamenten der Tribünen gemacht. Dabei konnten Wasserbecken für Pferde gleichermaßen freigelegt werden, wie Essensstände, Latrinen und mehrere Kammern, die zu einem Bordell gehörten. Unerwartet waren Fundamente des Triumphbogens des Titus, der anlässlich seines Sieges in Jerusalem errichtet wurde. Er galt als völlig zerstört. Ende 2016 öffnete eine Ausstellung in den Tribünen, die Zugang zu den Bauteilen gewährt.
(Wikipedia)
Creator: Unidentified.
Location: Goondiwindi, Queensland.
Description: Two women pose holding hands, dressed in matching outfits in 1914. Both women wear light coloured dresses, with unusual zig zag shaped front plackets, three quarter length sleeves with turned up cuffs, and wide collars. They also wear matching lace-up, light coloured shoes. The matching outfits could be a uniform (nurses?). Back of postcard reads: To Gert, with fond love from Eileen. 22.5.14 Goondiwindi.
View the original image at the State Library of Queensland: hdl.handle.net/10462/deriv/136430.
Information about State Library of Queensland’s collection: www.slq.qld.gov.au/research-collections.
You are free to use this image without permission. Please attribute State Library of Queensland.
The last rays of the evening sun on a couple of autumn leaves in my garden....captured for the focal length challenge I have with Gary.
www.flickr.com/photos/garygillette/
(Summer heat and autumn leaves is a pure coincidence though ;-))
For my video; youtu.be/uSGqovKqQkU,
Gross Tonnage: 99
Deadweight: - Length Overall x Breadth Extreme: 23.78m × 6.3m
Year Built: 1943
Fraser River, Burnaby, British Columbia, Canada
Enoch Seeman (c.1694-1744) - Portrait of Mary Gybbon, standing three-quarter length alongside an organ holding the sheet music for Aria dall’amor piu sventurato
www.chiswickauctions.co.uk/auction/lot/lot-37---enoch-see...
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Fifty metres at 11:51am on a beautiful springtime morning on Saturday 16th April 2022, off Chessington Avenue in Bexleyheath, Kent.
Here we see a Male and Female Carrion crow (Corvus corone), a passerine bird of the family Corvidae and the genus Raven (Higher classification: Corvus), which is native to western Europe and eastern Asia. It can grow to twenty inches in length with a wingspan of up to thirty nine inches. In the distance are the contrails of two passing aeroplanes.
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
By Paul Williams
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rumbunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months. The two adults are still here in December and now taking the food that I put out to help all birds survive in the winter months. They also have a pair of Magpies to compete with now.
Late February 2022 and Cheryl and Russell and their youngster are still with me, still dominant in the area and still taking raw chicken, hotdogs, biscuits and fatballs that I put out for them. Today I saw them mating for the first time this year in the tree and the cycle continues.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021 (Updated in April 2022)
Nikon D850 Focal length: 460mm Shutter speed: 1/1250s (Electronic front curtain enabled) Aperture: f/6.3 iso160 Hand held with Tamron VC Vibration control set to ON (Position 1) 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1, 0, 0 (5080k) Colour space: RGB Picture control: Neutral (Sharpening +2) Active D-lighting: Low
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 28m 28.19s
LONGITUDE: E 0d 8m 10.66s
ALTITUDE: 52.00m
RAW (TIFF) FILE: 130.00MB NEF FILE: 89.4MB
PROCESSED (JPeg) FILE: 46.10MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
It has 3 different focal lengths 25mm, 50mm, and 75mm by using 1, 2 or 3 frames and 3 different pinhole sizes on a rotating turret inside. It is extreme wide angle with the 35mm equivalent focal lengths coming out at 7mm, 14mm and 22mm.
The 4x5 film back which is held in by the elastic bands fits into the back of each frame to increase or decrease the focal length as required.
The first picture shows the shutter closed this one it is open.
It has got tripod sockets on the bottom and one side and bubble levels on the top and the other side.
The bubble levels and the spring in the shutter are the only off the shelf parts the rest I made.
The greylag goose (Anser anser) is a species of large goose in the waterfowl family Anatidae and the type species of the genus Anser. It has mottled and barred grey and white plumage and an orange beak and pink legs. A large bird, it measures between 74 and 91 centimetres (29 and 36 in) in length, with an average weight of 3.3 kilograms (7.3 lb). Its distribution is widespread, with birds from the north of its range in Europe and Asia migrating southwards to spend the winter in warmer places. It is the type species of the genus Anser and is the ancestor of the domestic goose, having been domesticated at least as early as 1360 BC. The genus name is from anser, the Latin for "goose".
Greylag geese travel to their northerly breeding grounds in spring, nesting on moorlands, in marshes, around lakes and on coastal islands. They normally mate for life and nest on the ground among vegetation. A clutch of three to five eggs is laid; the female incubates the eggs and both parents defend and rear the young. The birds stay together as a family group, migrating southwards in autumn as part of a flock, and separating the following year. During the winter they occupy semi-aquatic habitats, estuaries, marshes and flooded fields, feeding on grass and often consuming agricultural crops. Some populations, such as those in Southern England and in urban areas across the species' range, are primarily resident and occupy the same area year-round.
The greylag is the largest and bulkiest of the grey geese of the genus Anser, but is more lightly built and agile than its domestic relative. It has a rotund, bulky body, a thick and long neck, and a large head and bill. It has pink legs and feet, and an orange or pink bill with a white or brown nail (hard horny material at tip of upper mandible). It is 74 to 91 centimetres (29 to 36 in) long with a wing length of 41.2 to 48 centimetres (16.2 to 18.9 in). It has a tail 6.2 to 6.9 centimetres (2.4 to 2.7 in), a bill of 6.4 to 6.9 centimetres (2.5 to 2.7 in) long, and a tarsus of 7.1 to 9.3 centimetres (2.8 to 3.7 in). It weighs 2.16 to 4.56 kilograms (4.8 to 10.1 lb), with a mean weight of around 3.3 kilograms (7.3 lb). The wingspan is 147 to 180 centimetres (58 to 71 in). Males are generally larger than females, with the sexual dimorphism more pronounced in the eastern subspecies rubirostris, which is larger than the nominate subspecies on average.
Three domesticated hybrids of greylag geese at Koutavos Lagoon, Cephalonia, Greece.
Three eastern greylag geese (A. a. rubrirostris) at Keoladeo National Park in Rajasthan, India
The plumage of the greylag goose is greyish-brown, with a darker head and paler breast and belly with a variable amount of black spotting. It has a pale grey fore-wing and rump which are noticeable when the bird is in flight or stretches its wings on the ground. It has a white line bordering its upper flanks, and its wing coverts are light-coloured, contrasting with its darker flight feathers. Its plumage is patterned by the pale fringes of the feathers. Juveniles differ mostly in their lack of black-speckling on the breast and belly and by their greyish legs. Adults have a distinctive 'concertina' pattern of folds in the feathers on their necks.
The greylag goose has a loud cackling call similar to that of the domestic goose, "aahng-ung-ung", uttered on the ground or in flight. There are various subtle variations used under different circumstances, and individual geese seem to be able to identify other known geese by their voices. The sound made by a flock of geese resembles the baying of hounds.[11] Goslings chirp or whistle lightly, and adults hiss if threatened or angered.
For more information, please visit en.wikipedia.org/wiki/Greylag_goose
Reflection is not duplication.
It is a second world that agrees to exist only as long as the first remains undisturbed.
The osprey or more specifically the western osprey (Pandion haliaetus) — also called sea hawk, river hawk, and fish hawk — is a diurnal, fish-eating bird of prey with a cosmopolitan range. It is a large raptor, reaching more than 60 cm (24 in) in length and 180 cm (71 in) across the wings. It is brown on the upperparts and predominantly greyish on the head and underparts.
The osprey tolerates a wide variety of habitats, nesting in any location near a body of water providing an adequate food supply. It is found on all continents except Antarctica, although in South America it occurs only as a non-breeding migrant.
As its other common names suggest, the osprey's diet consists almost exclusively of fish. It possesses specialised physical characteristics and exhibits unique behaviour to assist in hunting and catching prey. As a result of these unique characteristics, it has been given its own taxonomic genus, Pandion and family, Pandionidae. Three subspecies are usually recognized; one of the former subspecies, cristatus, has recently been given full species status and is referred to as the eastern osprey.
The osprey is unusual in that it is a single living species that occurs nearly worldwide. Even the few subspecies are not unequivocally separable. There are four generally recognised subspecies, although differences are small, and ITIS lists only the first two.
The osprey is 0.9–2.1 kg (2.0–4.6 lb) in weight and 50–66 cm (20–26 in) in length with a 127–180 cm (50–71 in) wingspan. It is, thus, of similar size to the largest members of the Buteo or Falco genera. The subspecies are fairly close in size, with the nominate subspecies averaging 1.53 kg (3.4 lb), P. h. carolinensis averaging 1.7 kg (3.7 lb) and P. h. cristatus averaging 1.25 kg (2.8 lb). The wing chord measures 38 to 52 cm (15 to 20 in), the tail measures 16.5 to 24 cm (6.5 to 9.4 in) and the tarsus is 5.2–6.6 cm (2.0–2.6 in).
The upperparts are a deep, glossy brown, while the breast is white and sometimes streaked with brown, and the underparts are pure white. The head is white with a dark mask across the eyes, reaching to the sides of the neck. The irises of the eyes are golden to brown, and the transparent nictitating membrane is pale blue. The bill is black, with a blue cere, and the feet are white with black talons. A short tail and long, narrow wings with four long, finger-like feathers, and a shorter fifth, give it a very distinctive appearance.
In flight, Northern Territory, Australia
The sexes appear fairly similar, but the adult male can be distinguished from the female by its slimmer body and narrower wings. The breast band of the male is also weaker than that of the female, or is non-existent, and the underwing coverts of the male are more uniformly pale. It is straightforward to determine the sex in a breeding pair, but harder with individual birds.
The juvenile osprey may be identified by buff fringes to the plumage of the upperparts, a buff tone to the underparts, and streaked feathers on the head. During spring, barring on the underwings and flight feathers is a better indicator of a young bird, due to wear on the upperparts.
In flight, the osprey has arched wings and drooping "hands", giving it a gull-like appearance. The call is a series of sharp whistles, described as cheep, cheep or yewk, yewk. If disturbed by activity near the nest, the call is a frenzied cheereek
he osprey is piscivorous, with fish making up 99% of its diet. It typically takes fish weighing 150–300 g (5.3–10.6 oz) and about 25–35 cm (9.8–13.8 in) in length, but the weight can range from 50 g (1.8 oz) to 2 kg (4.4 lb). Virtually any type of fish in that size range are taken.
Ospreys have vision that is well adapted to detecting underwater objects from the air. Prey is first sighted when the osprey is 10–40 m (33–131 ft) above the water, after which the bird hovers momentarily then plunges feet first into the water.
Occasionally, the osprey may prey on rodents, rabbits, hares, other birds, and small reptiles.
The osprey has several adaptations that suit its piscivorous lifestyle:
reversible outer toes
sharp spicules on the underside of the toes
closable nostrils to keep out water during dives
backwards-facing scales on the talons which act as barbs to help hold its catch
dense plumage which is oily and prevents its feathers from getting waterlogged.
The osprey breeds near freshwater lakes and rivers, and sometimes on coastal brackish waters. Rocky outcrops just offshore are used in Rottnest Island off the coast of Western Australia, where there are 14 or so similar nesting sites of which five to seven are used in any one year. Many are renovated each season, and some have been used for 70 years. The nest is a large heap of sticks, driftwood, turf or seaweed built in forks of trees, rocky outcrops, utility poles, artificial platforms or offshore islets. As wide as 2 meters and weighing about 135 kg, large nests on utility poles may be fire hazards and have caused power outages.
Generally, ospreys reach sexual maturity and begin breeding around the age of three to four, though in some regions with high osprey densities, such as Chesapeake Bay in the U.S., they may not start breeding until five to seven years old, and there may be a shortage of suitable tall structures. If there are no nesting sites available, young ospreys may be forced to delay breeding. To ease this problem, posts are sometimes erected to provide more sites suitable for nest building. In some regions ospreys prefer transmission towers as nesting sites, e.g. in East Germany.
Egg, Collection Museum Wiesbaden
The platform design developed by one organization, Citizens United to Protect the Maurice River and Its Tributaries, Inc. has become the official design of the State of New Jersey, U.S. The platform plans and materials list, available online, have been utilized by people from a number of different geographical regions. Osprey-watch.org is the global site for mapping osprey nest locations and logging observations on reproductive success.
Ospreys usually mate for life. Rarely, polyandry has been recorded. The breeding season varies according to latitude; spring (September–October) in southern Australia, April to July in northern Australia and winter (June–August) in southern Queensland. In spring the pair begins a five-month period of partnership to raise their young. The female lays two to four eggs within a month, and relies on the size of the nest to conserve heat. The eggs are whitish with bold splotches of reddish-brown and are about 6.2 cm × 4.5 cm (2.4 in × 1.8 in) and weigh about 65 g (2.3 oz). The eggs are incubated for about 35–43 days to hatching.
The newly hatched chicks weigh only 50–60 g (1.8–2.1 oz), but fledge in 8–10 weeks. A study on Kangaroo Island, South Australia, had an average time between hatching and fledging of 69 days. The same study found an average of 0.66 young fledged per year per occupied territory, and 0.92 young fledged per year per active nest. Some 22% of surviving young either remained on the island or returned at maturity to join the breeding population. When food is scarce, the first chicks to hatch are most likely to survive. The typical lifespan is 7–10 years, though rarely individuals can grow to as old as 20–25 years.
The oldest European wild osprey on record lived to be over thirty years of age. In North America, great horned owls (Bubo virginianus), golden eagles (Aquila chrysaetos), and bald eagles (Haliaeetus leucocephalus) are the only major predators of ospreys, capable of taking both nestlings and adults. However, kleptoparasitism by bald eagles, where the larger raptor steals the osprey's catch, is more common than predation. The white-tailed eagle (Haliaeetus albicilla), which is very similar to the bald eagle, may harass or prey on the osprey in Eurasia. Raccoons (Procyon lotor) can be a serious threat to nestlings or eggs if they can access the nest. Endoparasitic trematodes (Scaphanocephalus expansus and Neodiplostomum spp.) have been recorded in wild ospreys.
from Wikipedia
The first full length shot of the southbound is captured at MP58.5. just outside of GCNP. A little smoke is left after having just topped a small hill back by the crossing behind the rear of the train. The same smoke surrounds one of the many helicopters, an Eurocopter in this case, that is used for aerial tours of the Grand Canyon.