Linhof Gear
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Humbles Wood Farm, Moor Road, Walker Titan SF with Nikkor 90mm, HP5+ in Perceptol, Silver Gelatin Print, Ilford MG RC Deluxe Satin
Hyons Wood, Walker Titan SF with 150mm, Delta 100 in FX 39, 12x16 Silver Gelatin Print on Ilford MG RC Satin
The Sea defences at New Brighton, Wirral.
RealitySoSubtle 5x4, Fomapan 100. Developed in Kodak HC-110, dilution "F" (1+79) for 12.00 minutes @ 20'C.
Scanned with my Epson V800.
4X5 glass plate
Collodion Process
Camera: Sinar F
Lens: Schneider-Kreuznach F5.6/150mm
Shot at: F8, 45 Seconds, Outdoor
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Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Needed to slow down even further with some frustration on lack of inspiration. Using Intrepid 8x10, was able to refocus a bit toward a in the moment mindset. The pressures of today sometimes are best met with time to compose, create, and moving on. Thankfully colleagues in the photography world can relate.
Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
From a small street in Åsgårdsstrand in Norway, leading towards a house where Edvard Munch had his studio and lived during summer time.
A contact print made on Fomaspeed 311.
Taken with Linhof color, Leitz EPIS 400mm f4 at f8 and 5x7" Fomapan 200.
Another paper negative test. Iso 3 (overexposed) and developed by inspection (5 minutes, rodinal 1+60)
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Little Deer Isle, Maine.
Toyo 45G Nikkor SW 90mm/4.5. Ilford FP4+ @ASA100. Hoya 25A Red Filter 3-stops. Standard Development Ilfosol-3 @68F 4;15.
Mid-Morning, Bright Sun.
Through a magic lantern lens.
The lens made of Wrench & Son is probably from 1890.
5x7" Fomaspeed 311 paper negative taken on Linhof color with adapter.
Local woodland, Meltham, West Yorkshire.
MPP 4x5, Unnamed 8" F/4.5 brass petzval lens, Ilford FP4 developed in Ilfotec HC
Father and daughter...
Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.
Speedlight with grid and black flag above left.
Camera: Toyo Field 45A
Lens: Rodenstock Apo-Ronar 240mm f:9 (yellow filter)
Exposure: 1/30 @ F/16
Film: Foma Fomapan 400 Action 4x5" hand developed in Xtol Replenished