LED Light Painting
View allAll Photos Tagged LED,
Macro Mondays
Radiant
Led torch shining on a crystal glass
laying on holographic paper.
Hand held to give
a bit of movement.
Kind of reminded me of a deep space nebula shot!
Was torn between the shot for this week, flip-flopped between this and a high speed capture created by dropping coins into a shot glass of water, but ended up with this. It’s a cobweb on our outside tap that I misted with a water atomiser and lit with LED lights.
HMM!
On April 30 I had a lovely chat with friendly visitors from space and I even could sneek a peek into their cockpit and take an image of it ! You see the captain of the crew.
Unfortunaltely this space ship was too small for me to hop in myself ... but it was a fun encounter nonetheless !
Crazy Tuesday - theme of May 3rd, 2022: Made of Plastic
This is actually the plastic head of a reusable metal cocktail stick for finger food; taken in front of the keyboard of my tablet with internal lighting switched on; additional lighting with a coloured LED-light
[ taken with the manual Laowa 60mm 2x magnification lens @ about f/4; the "head"' is about 2.5 cm high ]
I will catch up in the evening ! :)
* * * * * * * * * * * * *
Am 30. April hatte ich ein nettes Gespräch mit freundlichen Besuchern aus dem All und konnte sogar einen Blick in ihr Cockpit werfen und Aufnahmen davon machen ! Ihr seht den Kapitän der Crew.
Leider war das Raumschiff zu klein für mich, um einzusteigen ... dennoch: eine lustige Begegnung !
Crazy Tuesday - Thema: aus Plastik gemacht / Plastik
Das ist tatsächlich ein Cocktail-Spieß / Partyspießchen für Fingerfood (wiederverwendbar mit Metallspieß und witzigen Plastikfigürchen als Kopf; es sind insgesamt 8 verschiedene in der Packung), die Tastatur meines Tablets mit eingeschalteter Beleuchtung im Hintergrund und zusätzliche Beleuchtung durch farbiges (rotes) LED-Licht
The fortifications of the town were built after the Mongol Invasion. It had four gates, which opened to the south, west, north and northeast. The plain of the town slightly slopes north, so the southern gate, which was located on the highest point, was called Upper Gate, while the northeastern gate, which was located on the lowest point, was called Lower Gate. The walls were defended by wide moats.
The trade road coming from the central regions of Hungary left the town towards Poland through the Lower Gate. From the town gate a little wooden bridge led to a half-round barbican, which still stands, surrounded by moats. From the barbican a drawbridge led across the moat. After the fortifications of the town lost their significance, the wooden bridges over the moats were demolished and a new stone bridge was raised with two 5-metres wide arches in 1821. A similar stone bridge was built to connect the barbican with the town but it had only one arch.
White crayon on black cardboard, one LED lamp. Imagine a space of total equality and perfect non-distinction. The space would not be empty, but everything in it - energy and matter - would be completely evenly distributed. Because of this, there would be no movement, no energy consumed or generated. Therefore no heat and no light and no life. It would be the end. The space could be our universe, and its death.
The back of the house is pitch black in winter as there are no street lights, so it's always handy to keep a torch around. This small LED torch is always in my pocket and has lit the way up the back path on quite a few occasions.
The smallest 35 mm camera ever made in mass production (made in Singapore). Modern digital pocket cameras are smaller, but I found the pictures on Flickr made by this filmbox of great quality, so I decided to buy one, also inspired by a photograph made by Paul van Eik. The name LED refers to lightmeter indicator within the viewer, but it needs a battry which is not available today for reasons of environmental pollution. It also works on a pile of SR44 batteries but that costs about 20 euros, and I already have a separate lightmeter, so no LED for me.
The picture is too green, and I leave it that way as a protest against the overdone blue of the colour black which I can't get rid of in digital cameras, without affecting the other colours too much.
My Yema LED watch - a modern reincarnation of an original design from the 1970’s. My very first watch when I was a kid was a red LED black plastic thing … and I thought it was the most amazing technological masterpiece! Of course it stopped working in less than a year and being a future engineer I pulled it apart and eventually it got discarded.
Matthew 24:10 “Then many will be led into sin, and they will betray one another and hate one another.”
I last photographed the Thames Barrier a little over a year ago, but became inspired to revisit the location after coming across an article about the 1953 North Sea Flood, which overwhelmed British sea defences in the Thames Estuary and led to the deaths of more than 300 people across several counties. It was remarkable to read that the gates protect not only the immediate East London borough against tidal surges, but also the infratructure, underground network and power supplies stretching beyond the O2 Arena, the Docklands and Tower Bridge and all the way to Westminster. In addition to this, the barrier now also needs to contend with the impact of climate change and rising sea levels.
With all of this in mind, my aim with this image was a darker, moodier and altogether more sinister alternative to my last take on the location, capturing the formidable size and scale of the barrier's piers at dusk, but also contrasting the peaceful flow of the Thames and the reassuring glow of the piers' evening lights with the foreboding tones of the evening sky.
The final image is a blend of a dozen exposures captured over two hours, starting with a 90-second exposure as the sun was setting and continuing into the evening, at which point the shutter speed had extended to 12 minutes. My intention all along had been to weight the emphasis on the later exposures, but I knew I would also be using the earlier and brighter exposures to enhance the lighting across the roof of the piers and the tones along the Thames. Having created Pen Tool selections in Photoshop for the barrier's piers, the sky and the river, I blended in portions of each of these exposures using a combination of Soft Light, Lighten, Luminosity, Linear Dodge, Colour Dodge and Screen blend modes. The goal at this stage was to bring out the reflective finish and dimensionality along the tip of the piers, to emphasise the glow of the lights inside the barrier, to produce a clean finish in the concrete at the base of each pier, and to brighten the water and darken the sky. After blending the exposures,
I applied a gentle radial blur to the sky and used Silver Efex Pro to lower its midtone structure and soften its texture, creating a subtle contrast between the piers and their surroundings. I then used Colour Efex Pro to add some minor tonal contrast adjustments, with a gentle Detail Extractor to bring out the gritty nuance in the piers. The final touches were a combination of a Gradient Map to emphasise the chilly evening tones and a Colour Lookup set to Bleach Bypass to desaturate the tip of the piers, which helped to bring out their metallic texture and to add some definition to their background.
The end result involved more planning and attention to detail at both the shooting and editing stages than my previous take, but it hopefully brings out the immense feat of engineering behind the barrier's design, as well as the rock-steady industrial strength of the barrier against a sometimes menacing force of nature, which was the aspect that inspired me to revisit the location in the first place.
You can also connect with me on Facebook, 500px, Google+ and Instagram.
Eastbound CSX hotshot Q296 pops out of Carothers Tunnel near Paw Paw, WV on April 22, 2001, led by C40-8 No. 7563.
Took out the batteries and backlit the led end, I liked the reflections up the sides of the barrel.
Happy Macro Monday !
Product Description
Product: LED Lamps / LED Light Bulbs / LED Spotlights MR16 3x1W
Item No.: MR16-1W3-W
Features:
Input voltage: 12v ac/dc with reversed polarity protect
Output power: 3w
Total length: 52mm(including pins)
Beam angle: 15/30degrees
Light source: 3*1w high power led
Body temperature: <53centigrade
Led working temperature: <62centigrade
Temperature: -40~70 celsius degree
Life span: 50, 000 hours
Full range of color: Cool white, warm white, blue, green, red, yellow
Net weight: 55g
Aluminium housing
No uv or ir radiation
Certifications: CE & ROHS
Applications:
replacement for traditional halogen light bulbs, esp in galleries, museums, cosmetic counters where UV or IR radiation is undesirable
Was mache ich bloß mit der schönen aber einzeln stehenden Marone?
Hier habe ich drei LED-Lampen für das Licht eingesetzt:
Links Flächenleuchte Dörr DVL 192, rechts eine Nitecore P36 und seitlich von rechts hinten eine Nextorch PA5.
Highspeed-Stack mit der Samsung NX1, Walimex 100mm/2,8 Makro. Helicon Focus Pro.
1.Aluminum lamp body by CNC
2.Edison/Gree chips
3.Guarantee 1 year
4.CE & ROHS
More information,kindly ref. our shop:http://www.aliexpress.com/fm-store/601076
or contacte with us thank you very much for your attention
Rouda Power-saving Technology Co. Ltd
Email/MSN:rouda03@126.com
Skype:davidlee022 or walita.min