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Macro Mondays theme: Photography Gear

 

LCD Panel of Sony a200 (DSLR-A200)

 

photographed with Canon IXUS 265 HS

which is reflected in the surface

 

HMM

Hai mai fatto un sogno tanto realistico da sembrarti vero?

E se da un sogno così non dovessi più svegliarti, come potresti distinguere il mondo dei sogni dalla realtà?

Difficile districarsi…

Grovigli di pensieri pesanti ed avvolgenti

Emozioni intrappolate nella ragnatela della vita

Lacrime verdi forse per credere che ancora c’è speranza

Percezioni inspiegabili

Visioni spaziali incomprensibili

Entità cosmica da abbracciare con l’Intelligenza del Cuore

 

Tried HDR with my old 1D -- the colors came out a bit mottled in this one. I love how everything kinda glows even late into the night after it snows.

 

Flickr extracts most of the MetaData. EXIFTools sees:

 

Make : Canon

Model : Canon EOS-1D

Artist : Morgan Glines

EnvelopeNumber :

DateSent :

TimeSent :

ExposureTime : 1

FNumber : 2.8

ExposureProgram : Aperture-priority AE

ISO : 1600

ExifVersion : 0220

DateTimeOriginal : 2008:01:17 20:39:07

ComponentsConfiguration : YCbCr

ShutterSpeedValue : 1

ApertureValue : 2.8

Flash : No Flash

FocalLength : 50.0mm

MacroMode : Normal

Self-timer : 2 sec

Quality : RAW

CanonFlashMode : Off

ContinuousDrive : Movie

FocusMode : One-shot AF

RecordMode : TIF

CanonImageSize : Large

EasyMode : Manual

DigitalZoom : None

MeteringMode : Evaluative

FocusRange : Not Known

CanonExposureMode : Aperture-priority AE

LongFocal : 50mm

ShortFocal : 50mm

FocalUnits : 1

MaxAperture : 1.8

MinAperture : 23

FlashActivity : 0

FlashBits : (none)

FocalType : Fixed

FocalPlaneXSize : 29.39mm

FocalPlaneYSize : 19.61mm

AutoISO : 100

BaseISO : 1600

MeasuredEV : -2.88

TargetAperture : 2.8

ExposureCompensation : +1/3

SlowShutter : None

SequenceNumber : 6

OpticalZoomCode : 8

FlashGuideNumber : 0

FlashExposureComp : 0

AutoExposureBracketing : Unknown (7)

AEBBracketValue : +3

ControlMode : Camera Local Control

FocusDistanceUpper : 0

FocusDistanceLower : 0

BulbDuration : 0

CameraType : EOS High-end

CanonImageType : Canon EOS-1D

CanonFirmwareVersion : Firmware Version 1.4.0

LensType : Canon EF 50mm f/1.8 MkII

ContrastStandard : Normal

ContrastPortrait : Normal

ContrastLandscape : Normal

ContrastNeutral : Normal

ContrastFaithful : Normal

ContrastMonochrome : Normal

ContrastUserDef1 : Normal

ContrastUserDef2 : Normal

ContrastUserDef3 : Normal

SharpnessStandard : 0

SharpnessPortrait : 0

SharpnessLandscape : 0

SharpnessNeutral : 0

SharpnessFaithful : 0

SharpnessMonochrome : 0

SharpnessUserDef1 : 0

SharpnessUserDef2 : 0

SharpnessUserDef3 : 0

SaturationStandard : 0

SaturationPortrait : 0

SaturationLandscape : 0

SaturationNeutral : 0

SaturationFaithful : 0

FilterEffectMonochrome : None

CanonModelID : EOS-1D

FocusingScreen : Ec-A,B,C,CII,CIII,D,H,I,L

FinderDisplayDuringExposure : On

ShutterReleaseNoCFCard : Yes

ISOSpeedExpansion : Yes

ShutterAELButton : AF/AE lock stop

ManualTv : Tv=Main/Av=Control

ExposureLevelIncrements : 1/3-stop set, 1/3-stop comp.

USMLensElectronicMF : Turns on after one-shot AF

LCDPanels : ISO/Remain. shots

AEBSequence : -,0,+/Enabled

AFPointIllumination : On without dimming

AFPointSelection : H=AF+Main/V=AF+Command

MirrorLockup : Disable

AFPointSpotMetering : 45/Center AF point

FillFlashAutoReduction : Enable

ShutterCurtainSync : 2nd-curtain sync

SafetyShiftInAvOrTv : Enable

AFPointActivationArea : Automatic expanded (max. 13)

SwitchToRegisteredAFPoint : Only while pressing assist

LensAFStopButton : AF stop

AIServoTrackingSensitivity : Moderately slow

PF0CustomFuncRegistration : Off

PF1DisableShootingModes : On

PF2DisableMeteringModes : On

PF3ManualExposureMetering : On

PF4ExposureTimeLimits : On

PF5ApertureLimits : On

PF6PresetShootingModes : On

PF7BracketContinuousShoot : On

PF8SetBracketShots : On (257)

PF9ChangeBracketSequence : On

PF10RetainProgramShift : On

PF13DrivePriority : On

PF14DisableFocusSearch : On

PF15DisableAFAssistBeam : On

PF16AutoFocusPointShoot : On

PF17DisableAFPointSel : On

PF18EnableAutoAFPointSel : Off

PF19ContinuousShootSpeed : On

PF20LimitContinousShots : On

PF21EnableQuietOperation : On (257)

PF23SetTimerLengths : On

PF24LightLCDDuringBulb : On

PF25DefaultClearSettings : On (257)

PF26ShortenReleaseLag : Off

PF27ReverseDialRotation : On

PF28NoQuickDialExpComp : Off

PF29QuickDialSwitchOff : Off

PF30EnlargementMode : Off

PF1Value : 47

PF2Value : 112

PF3Value : 64

PF4ExposureTimeMin : 1/8389

PF4ExposureTimeMax : 31.2

PF5ApertureMin : 20

PF5ApertureMax : 2

PF8BracketShots : 7

PF19ShootingSpeedLow : 10

PF19ShootingSpeedHigh : 14

PF20MaxContinousShots : 12

PF23ShutterButtonTime : 240

PF23FELockTime : 320

PF23PostReleaseTime : 80

PF25AEMode : 32

PF25MeteringMode : 32

PF25DriveMode : 2

PF25AFMode : 4

PF25AFPointSel : 255

PF25ImageSize : 2

PF25WBMode : 0

PF25Parameters : 1

PF25ColorMatrix : 3

PF27Value : 6

ShutterCount : 34480

BracketMode : AEB

BracketValue : 96

BracketShotNumber : 7

NoiseReduction : Off

AFPointsInFocus1D : Auto (C9,D8)

SharpnessFrequency : High

SensorRedLevel : 5195

SensorBlueLevel : 3513

WhiteBalanceRed : 996

WhiteBalanceBlue : 332

WhiteBalance : Auto

ColorTemperature : 5000

PictureStyle : Set 2

DigitalGain : 0

ToneCurveTable : (Binary data 1778 bytes, use -b option to extract)

SharpnessTable : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

SharpnessFreqTable : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

WhiteBalanceTable : (Binary data 2218 bytes, use -b option to extract)

ModifiedParamFlag : 0

ModifiedToneCurve : Standard

ModifiedSharpness : 0

ModifiedSharpnessFreq : n/a

ModifiedSensorRedLevel : 0

ModifiedSensorBlueLevel : 0

ModifiedWhiteBalanceRed : 0

ModifiedWhiteBalanceBlue : 0

ModifiedWhiteBalance : Auto

ModifiedColorTemp : 0

ModifiedPictureStyle : None

ModifiedDigitalGain : 0

ToneCurveMatching : (Binary data 95 bytes, use -b option to extract)

WhiteBalanceMatching : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

UserComment :

FlashpixVersion : 0100

FocalPlaneXResolution : 2209.865471

FocalPlaneYResolution : 2209.115282

FocalPlaneResolutionUnit : inches

CustomRendered : Normal

ExposureMode : Auto bracket

SceneCaptureType : Standard

Sharpness : Hard

ThumbnailOffset : 9024

ThumbnailLength : 7065

EnvelopeRecordVersion : 2

Destination :

FileFormat : Tagged Image File Format (Adobe/Aldus Image data)

FileVersion : 2

ServiceIdentifier :

EnvelopePriority : 5

CodedCharacterSet : ESC ( B, ESC & @, ESC $ ) B, ESC ! @

ApplicationRecordVersion : 1

ObjectName :

Category :

SupplementalCategories :

Keywords : , outdoors, Canon EF 50mm 1.8 II, winter, snow, weather, storm, ice

SpecialInstructions :

DateCreated : 2008:01:17

TimeCreated : 20:39:07+00:00

OriginatingProgram :

By-line : Morgan Glines

By-lineTitle :

City :

OriginalTransmissionReference :

Headline :

Credit : Morgan M Glines

Source : Morgan M. Glines 301 947 5988.

Caption-Abstract :

Province-State : Maryland

Country-PrimaryLocationCode : USA

Country-PrimaryLocationName : United States

Writer-Editor : Morgan Glines

DisplayedUnitsX : inches

DisplayedUnitsY : inches

GlobalAngle : 30

GlobalAltitude : 30

CopyrightFlag : False

CreatorContactInfoCiEmailWork : morganglines@gmail.com

Location : Glines Front Yard

OwnerName : Morgan M Glines

SerialNumber : 028345

ToneCurve : Standard

Creator : Morgan Glines

Format : image/jpeg

ColorSpace : sRGB

ExifImageWidth : 2464

ExifImageHeight : 1648

CaptionWriter : Morgan M Glines

ColorMode : 3

HDRLuminance : 3.41181707382202

History :

ICCProfileName : sRGB IEC61966-2.1

Compression : Uncompressed

NativeDigest : 256,257,258,259,262,274,277,284,530,531,282,283,296,301,318,319,529,532,306,270,271,272,305,315,33432;B8AF2E4655D3C8AC04E739C71BDC14BF

Orientation : Horizontal (normal)

PhotometricInterpretation : RGB

PlanarConfiguration : Chunky

ResolutionUnit : inches

SamplesPerPixel : 3

XResolution : 72

YCbCrPositioning : Centered

YResolution : 72

CreateDate : 2008:01:17 20:39:07Z

MetadataDate : 2008:01:17 21:09:15-05:00

ModifyDate : 2008:01:17 20:39:07Z

InstanceID : uuid:028D7925D1C6DC1183C999FB3E67994B

ProfileCMMType : Lino

ProfileVersion : 2.1.0

ProfileClass : Display Device Profile

ColorSpaceData : RGB

ProfileConnectionSpace : XYZ

ProfileDateTime : 1998:02:09 06:49:00

ProfileFileSignature : acsp

PrimaryPlatform : Microsoft Corporation

CMMFlags : Not Embedded, Independent

DeviceManufacturer : IEC

DeviceModel : sRGB

DeviceAttributes : Reflective, Glossy, Positive, Color

RenderingIntent : Media-Relative Colorimetric

ConnectionSpaceIlluminant : 0.9642 1 0.82491

ProfileCreator : HP

ProfileID : 0

ProfileCopyright : Copyright (c) 1998 Hewlett-Packard Company

ProfileDescription : sRGB IEC61966-2.1

MediaWhitePoint : 0.95045 1 1.08905

MediaBlackPoint : 0 0 0

RedMatrixColumn : 0.43607 0.22249 0.01392

GreenMatrixColumn : 0.38515 0.71687 0.09708

BlueMatrixColumn : 0.14307 0.06061 0.7141

DeviceMfgDesc : IEC www.iec.ch

DeviceModelDesc : IEC 61966-2.1 Default RGB colour space - sRGB

ViewingCondDesc : Reference Viewing Condition in IEC61966-2.1

ViewingCondIlluminant : 19.6445 20.3718 16.8089

ViewingCondSurround : 3.92889 4.07439 3.36179

ViewingCondIlluminantType : D50

Luminance : 76.03647 80 87.12462

MeasurementObserver : CIE 1931

MeasurementBacking : 0 0 0

MeasurementGeometry : Unknown (0)

MeasurementFlare : 0.999%

MeasurementIlluminant : D65

Technology : Cathode Ray Tube Display

RedTRC : (Binary data 2060 bytes, use -b option to extract)

GreenTRC : (Binary data 2060 bytes, use -b option to extract)

BlueTRC : (Binary data 2060 bytes, use -b option to extract)

DCTEncodeVersion : 100

APP14Flags0 : [14]

APP14Flags1 : (none)

ColorTransform : YCbCr

ImageWidth : 3070

ImageHeight : 2053

EncodingProcess : Baseline DCT, Huffman coding

BitsPerSample : 8

ColorComponents : 3

YCbCrSubSampling : YCbCr4:4:4 (1 1)

Aperture : 2.8

DateTimeCreated : 2008:01:17 20:39:07+00:00

DriveMode : Continuous shooting

FlashOn : Off

ImageSize : 3070x2053

Lens : 50.0mm

ScaleFactor35efl : 1.2

ShootingMode : Aperture-priority AE

ShutterSpeed : 1

ThumbnailImage : (Binary data 7065 bytes, use -b option to extract)

CircleOfConfusion : 0.025 mm

FOV : 32.8 deg

FocalLength35efl : 50.0mm (35mm equivalent: 61.2mm)

HyperfocalDistance : 36.39 m

Lens35efl : 50.0mm (35mm equivalent: 61.2mm)

LightValue : -1.0

 

Resting and testing

Tagged, Waterfront, San Francisco, California

 

Leica M8, Zeiss Biogon 2,8/25 ZM

B+W 386 UV IR cut filter

Aperture 2.0 (raw fine tuning, crop, exposure)

1/20 sec @ f/2.8, iso 160, 25mm (33mm)

____________________________________________________

 

Tagged shots with Zeiss 28/2.8 and Tokina 165.

 

A comparison of two cameras and lenses. This one was taken by a Leica M8 with my new Zeiss Biogon 25mm lens (vs Nikon D3 + Tokina AT-X Pro 165 in FX mode) If you are wondering why I didn’t ask him to shoot the same scene at the same focal distance it is because I believe the system affects how a person decides to shoot the shot. For instance, if you are using a fixed lens, it is natural to zoom with your feet (or, in this case, ask me to move closer).

 

I had to move closer to Mark in order to give him a similar sized subject to shoot. I am a little over two feet away from him. In actuality, the lens can close focus up to a foot and a half, but it becomes rangefinder uncoupled at that point. The shutter speed had to be dropped but it is pretty easy to hold a rangefinder past the shake limit. The filter kept me from getting the classic digital Leica “sunburn” and the brightness of the scene meant that Leica’s primitive white balance system wasn’t confused by the fluorescents as they weren’t contributing much to the scene. The place is lit by skylights as well as incandescent and fluorescent lighting.

 

I cropped off the ceiling, but other than that, no postprocessing was done. The bokeh is very smooth, but this wasn’t exactly the most challenging lighting situation. The scene was metered a third of a stop ovrexposed from ideal so I adjusted that using Aperture’s exposure control.

 

I have a feeling that this will be a great lens for daytime documentary photography.

 

(This is the original image other than what was noted).

 

This is a typical camera of the famous Japanese design theme so current in the 90's, "Bio Design. Inspired by organic forms, it has no defined shape, normally being oval at the very best. The camera is very comfortable to hold and ergonomically very sound. The commands are very original with a wheel disc surrounding a LCDpanel in the back door to choose the available modes, there are even personal custom modes. Quality stuff, all with a wide angle zoom lens.

Contemplating

Tagged, Waterfront, San Francisco, California

 

Nikon D3,Tokina 16-50mm AT-X PRO f/2.8 DX

Aperture 2.0 (raw fine tuning)

1/100 sec @ f/5, iso 1600, 50mm (75mm)

____________________________________________________

 

Tagged shots with Zeiss 28/2.8 and Tokina 165.

 

A comparison of two cameras and lenses. This one was taken by a Nikon D3 in DX mode shot in Program mode with Auto White balance and auto ISO (vs Leica M8 + Zeiss Biogon 2,8/25). If you are wondering why I didn’t ask him to shoot the same scene at the same focal distance it is because I believe the system affects how a person decides to shoot the shot. If you have a zoom, then it’s natural to use the zoom, for instance.

 

The system chose to do ISO 1600 and get a f/5 depth of field. I would have chosen f/2.8 and dropped the ISO down to 420. You can see that the image has very little noise at what used to be my maximal working ISO on my D70 adn D200.

 

There is no point in shooting on FX mode on with this lens as it vignettes at all focal lengths. Also, since it is a third party lens, the camera does not automatically shade the aperture, this has to be done in the custom menu.

 

(This is the original image)

GDF-100 is The Master ? - 06072017

Successful LCD panel replacement on my Lenovo T61, with old cracked screen and toolkit used also pictured. Ralph Steadman illustration of Hunter Thompson is the current the wallpaper de-jour.

I recently bought a Kenko 1.4x teleconverter for my 70-200mm lens - bad weather forced me to stay indoors and do some macro shots with it and the reversed 50mm... This is a picture of the lcd panel of my mobile phone. One pixel (RGB) is approx. 0.15mm x 0.15mm in size. It's hard to align subject and camera so it's a bit unsharp in the corners, but nevertheless it is a pretty impressive magnification... Let's try this with some (dead) insects...

 

280mm + 50mm reversed, f16, 1sec., ISO100

(original picture available, 3456x2304)

 

Video Standards

 

XGA: 1024x768 - Yellow (Planar 15" PL1500)

SXGA: 1280x1024 - Blue (Acer 19" AL1912)

UXGA: 1600x1200 - Green(ViewSonic 20.1" VP2030b)

WSXGA+: 1680x1050 - Red (Acer 22" AL2223W)

WUXGA: 1920x1200 - Light Blue (Samsung 24" LTM240CT01)

WQXGA: 2560x1600 - Grey (Dell 30" 3007WFP)

 

Thank you Prismo

 

Wikipedia's page named, "Computer display standard" explains it well too.

100% crop. Some fun with my new super-cheap set of Chinese extension tubes. Stacked together, it's about 60mm of tubes. This is a Canon 50mm f1.4 on my XT right up against my LCD TV.

 

It's a sizable TV with big pixels, so it actually looks more magnified than it appears at first. Additional testing reveals that the real magnification is about 1.3.

Please view large on black!

 

It seems that every significant office with an IT department has a cubical that accumulates old used equipment. It was even parodied successfully in a Dilbert cartoon. To my knowledge all of this stuff works and is reasonably useful, but somehow we as a department have outgrown it. The e-waste problem of our technological society is a dark one. I find this image symbolic of the hidden but ever present nature of our e-waste.

 

I'm open to critical feed back should you have any.

 

pinhole f/138 -- 13min 56 second

 

FujiFilm Acros ISO 100

taken with Zero Image 45 camera at 25mm

Developed in Ilford Ilfotec DD-X for 9min at 68F

Scanned with Epson Perfection V750 PRO

 

my identifier: junk cube

This is an extreme closeup of the 24" Apple LED Cinema Display where you can see the individual pixels in all three color channels. You can see the (rather large) distance between rows and between the color channels. Shame on you Apple... :-)

 

If you look closely you can even see the little wire that makes up the individual dot, I sharpened it a bit to make that more visible.

 

Each of these dots are about 90 microns wide. This image was cropped about x25 to about 700K pixels from the 18MP image produced by the 7D's sensor.

 

The screen was showing pure white, which is why all 3 color channels are fully on. I have no idea why red glows so much and why I am not seeing any detail on those red pixels, even if I reduce sensitivity. Any ideas?

Blogging in The Woodwork: Da Grip

 

Noseprint

South of Market, San Francisco, California

 

Nikon D200, Nikkor 85mm f/1.4D, Kenko Extension Tubes, Gitzo G1228LVL, Really Right Stuff RRS BH-55 ballhead

DxO Optics Pro, Aperture (vignette), BorderFX

1sec @ f/5.6 iso200, 85mm (127mm)

____________________________________________________

 

Used Simplify to clean up the area around the noesprint and Adjust to magnify the detail.

 

Click for original photograph (If you cannot view this, add me to your contacts and I’ll add you to my friends. If you are already a contact of mine then just jet me a message and I'll fix your status.)

Open for Optimists Production Stills TV Commercial directed by Bob Giraldi photography by Johnny Martyr

 

www.JohnnyMartyr.com

The thermometer on my car registered 95 degrees Fahrenheit as I was leaving school. It was most likely only about 92 degrees, but my black car was sitting in the bright sunlight near a brick wall which means that it was probably registering a higher temperature.

 

The wildfires are still burning. The wind is not blowing at all. Humidity is 25 percent. We have not had any rain. No rain is in the forecast.

 

We were alerted yesterday that there was a possibility schools could be closed today if the smoke from the fires caused poor visibility on the roads, but the schools were open. The newspaper says that there is suspicion of some arson in some fires--after the initial one was set by winds blowing a tree onto a power line - causing a spark. NO BURNING even with a PERMIT is allowed at the present time.

 

www.valdostadailytimes.com/local/local_story_121233654.html

 

365 Days

Blue flight information lcd board in the airport. Shallow dof. You can purchase this photo for commercial use in high-res and without watermark here: j.mp/greycoastphoto || If you have any issues with finding specific image, please contact me: danr@yandex.com

Panel Computers & Displays:

Alltronix industrial-grade panel computers and displays are built to withstand the elements and feature a ruggedized design that makes them ideal for HMI applications in outdoor, hazardous, and marine environments. Certifications include C1D2 and ATEX Zone 2, and marine standards such as DNV GL and CCS.

 

EXPC-1519 Series:

Zone 2 19-inch panel computers with multiple connectivity options.

Features and Benefits:

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2.High-performance Intel® processor, Intel® Core™ i7-3555LE or Intel® Celeron® 1047UE CPU

3.Fanless design with highly efficient heat dissipation for 70°C environments

4.Boots up within 3 minutes at -40°C, without a heater

5.The multi-touch, glove-friendly touchscreen interface

6.Cable gland and standard USB Type-A/RJ45 connector design

7.4 LAN ports with independent MACs; 2 RJ45 and 2 fiber ST

8.Totally sealed IP66/NEMA 4X enclosure

9.Class 1 Division 2, ATEX Zone 2, and IECEx certified

10.Dual AC/DC power supply

11.Optional WLAN and TPM module, available by request

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I have heard about these things for a while, and saw one recently for the first time at a wake for a photographer friend. His family had put some of his pictures on one of these things. It didn't look too bad. Then I got a spam from Wolf Camera offering one for $60 bucks. I thought it might be fun to have at parties. And I also thought it might be interesting to put it on my product table in my seminars. I'll put cat, flower, animal and people pictures on it (you know, cute stuff) and maybe that'll draw customers to the table and they'll buy stuff. At least that's the thinking when the IRS asks me why I'm writing this thing off. By the way, the quality of the pictures isn't very good (which is why it was only $60). The resolution of the screen is less than 400 pixels on the long side. But, at 4 or 5 feet, it looks OK. Just OK.

Batavia, Illinois

October 3, 2007

Day 272

e071003c001a-wb

 

Copyright 2007 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent.

 

World on a digital display.

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