View allAll Photos Tagged LCDpanel
Macro Mondays theme: Photography Gear
LCD Panel of Sony a200 (DSLR-A200)
photographed with Canon IXUS 265 HS
which is reflected in the surface
HMM
Supererò le correnti gravitazionali
lo spazio e la luce per non farti invecchiare
ti salverò da ogni malinconia
Perchè sei un essere Speciale
ed io avrò cura di te.
Io sì che avrò cura di te...
Hai mai fatto un sogno tanto realistico da sembrarti vero?
E se da un sogno così non dovessi più svegliarti, come potresti distinguere il mondo dei sogni dalla realtà?
Difficile districarsi…
Grovigli di pensieri pesanti ed avvolgenti
Emozioni intrappolate nella ragnatela della vita
Lacrime verdi forse per credere che ancora c’è speranza
Percezioni inspiegabili
Visioni spaziali incomprensibili
Entità cosmica da abbracciare con l’Intelligenza del Cuore
Tried HDR with my old 1D -- the colors came out a bit mottled in this one. I love how everything kinda glows even late into the night after it snows.
Flickr extracts most of the MetaData. EXIFTools sees:
Make : Canon
Model : Canon EOS-1D
Artist : Morgan Glines
EnvelopeNumber :
DateSent :
TimeSent :
ExposureTime : 1
FNumber : 2.8
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ISO : 1600
ExifVersion : 0220
DateTimeOriginal : 2008:01:17 20:39:07
ComponentsConfiguration : YCbCr
ShutterSpeedValue : 1
ApertureValue : 2.8
Flash : No Flash
FocalLength : 50.0mm
MacroMode : Normal
Self-timer : 2 sec
Quality : RAW
CanonFlashMode : Off
ContinuousDrive : Movie
FocusMode : One-shot AF
RecordMode : TIF
CanonImageSize : Large
EasyMode : Manual
DigitalZoom : None
MeteringMode : Evaluative
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LongFocal : 50mm
ShortFocal : 50mm
FocalUnits : 1
MaxAperture : 1.8
MinAperture : 23
FlashActivity : 0
FlashBits : (none)
FocalType : Fixed
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FocalPlaneYSize : 19.61mm
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BaseISO : 1600
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TargetAperture : 2.8
ExposureCompensation : +1/3
SlowShutter : None
SequenceNumber : 6
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FlashGuideNumber : 0
FlashExposureComp : 0
AutoExposureBracketing : Unknown (7)
AEBBracketValue : +3
ControlMode : Camera Local Control
FocusDistanceUpper : 0
FocusDistanceLower : 0
BulbDuration : 0
CameraType : EOS High-end
CanonImageType : Canon EOS-1D
CanonFirmwareVersion : Firmware Version 1.4.0
LensType : Canon EF 50mm f/1.8 MkII
ContrastStandard : Normal
ContrastPortrait : Normal
ContrastLandscape : Normal
ContrastNeutral : Normal
ContrastFaithful : Normal
ContrastMonochrome : Normal
ContrastUserDef1 : Normal
ContrastUserDef2 : Normal
ContrastUserDef3 : Normal
SharpnessStandard : 0
SharpnessPortrait : 0
SharpnessLandscape : 0
SharpnessNeutral : 0
SharpnessFaithful : 0
SharpnessMonochrome : 0
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SaturationStandard : 0
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SaturationLandscape : 0
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FilterEffectMonochrome : None
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FocusingScreen : Ec-A,B,C,CII,CIII,D,H,I,L
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ShutterReleaseNoCFCard : Yes
ISOSpeedExpansion : Yes
ShutterAELButton : AF/AE lock stop
ManualTv : Tv=Main/Av=Control
ExposureLevelIncrements : 1/3-stop set, 1/3-stop comp.
USMLensElectronicMF : Turns on after one-shot AF
LCDPanels : ISO/Remain. shots
AEBSequence : -,0,+/Enabled
AFPointIllumination : On without dimming
AFPointSelection : H=AF+Main/V=AF+Command
MirrorLockup : Disable
AFPointSpotMetering : 45/Center AF point
FillFlashAutoReduction : Enable
ShutterCurtainSync : 2nd-curtain sync
SafetyShiftInAvOrTv : Enable
AFPointActivationArea : Automatic expanded (max. 13)
SwitchToRegisteredAFPoint : Only while pressing assist
LensAFStopButton : AF stop
AIServoTrackingSensitivity : Moderately slow
PF0CustomFuncRegistration : Off
PF1DisableShootingModes : On
PF2DisableMeteringModes : On
PF3ManualExposureMetering : On
PF4ExposureTimeLimits : On
PF5ApertureLimits : On
PF6PresetShootingModes : On
PF7BracketContinuousShoot : On
PF8SetBracketShots : On (257)
PF9ChangeBracketSequence : On
PF10RetainProgramShift : On
PF13DrivePriority : On
PF14DisableFocusSearch : On
PF15DisableAFAssistBeam : On
PF16AutoFocusPointShoot : On
PF17DisableAFPointSel : On
PF18EnableAutoAFPointSel : Off
PF19ContinuousShootSpeed : On
PF20LimitContinousShots : On
PF21EnableQuietOperation : On (257)
PF23SetTimerLengths : On
PF24LightLCDDuringBulb : On
PF25DefaultClearSettings : On (257)
PF26ShortenReleaseLag : Off
PF27ReverseDialRotation : On
PF28NoQuickDialExpComp : Off
PF29QuickDialSwitchOff : Off
PF30EnlargementMode : Off
PF1Value : 47
PF2Value : 112
PF3Value : 64
PF4ExposureTimeMin : 1/8389
PF4ExposureTimeMax : 31.2
PF5ApertureMin : 20
PF5ApertureMax : 2
PF8BracketShots : 7
PF19ShootingSpeedLow : 10
PF19ShootingSpeedHigh : 14
PF20MaxContinousShots : 12
PF23ShutterButtonTime : 240
PF23FELockTime : 320
PF23PostReleaseTime : 80
PF25AEMode : 32
PF25MeteringMode : 32
PF25DriveMode : 2
PF25AFMode : 4
PF25AFPointSel : 255
PF25ImageSize : 2
PF25WBMode : 0
PF25Parameters : 1
PF25ColorMatrix : 3
PF27Value : 6
ShutterCount : 34480
BracketMode : AEB
BracketValue : 96
BracketShotNumber : 7
NoiseReduction : Off
AFPointsInFocus1D : Auto (C9,D8)
SharpnessFrequency : High
SensorRedLevel : 5195
SensorBlueLevel : 3513
WhiteBalanceRed : 996
WhiteBalanceBlue : 332
WhiteBalance : Auto
ColorTemperature : 5000
PictureStyle : Set 2
DigitalGain : 0
ToneCurveTable : (Binary data 1778 bytes, use -b option to extract)
SharpnessTable : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
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ModifiedParamFlag : 0
ModifiedToneCurve : Standard
ModifiedSharpness : 0
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ModifiedSensorRedLevel : 0
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ModifiedWhiteBalanceRed : 0
ModifiedWhiteBalanceBlue : 0
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ToneCurveMatching : (Binary data 95 bytes, use -b option to extract)
WhiteBalanceMatching : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
UserComment :
FlashpixVersion : 0100
FocalPlaneXResolution : 2209.865471
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FocalPlaneResolutionUnit : inches
CustomRendered : Normal
ExposureMode : Auto bracket
SceneCaptureType : Standard
Sharpness : Hard
ThumbnailOffset : 9024
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EnvelopeRecordVersion : 2
Destination :
FileFormat : Tagged Image File Format (Adobe/Aldus Image data)
FileVersion : 2
ServiceIdentifier :
EnvelopePriority : 5
CodedCharacterSet : ESC ( B, ESC & @, ESC $ ) B, ESC ! @
ApplicationRecordVersion : 1
ObjectName :
Category :
SupplementalCategories :
Keywords : , outdoors, Canon EF 50mm 1.8 II, winter, snow, weather, storm, ice
SpecialInstructions :
DateCreated : 2008:01:17
TimeCreated : 20:39:07+00:00
OriginatingProgram :
By-line : Morgan Glines
By-lineTitle :
City :
OriginalTransmissionReference :
Headline :
Credit : Morgan M Glines
Source : Morgan M. Glines 301 947 5988.
Caption-Abstract :
Province-State : Maryland
Country-PrimaryLocationCode : USA
Country-PrimaryLocationName : United States
Writer-Editor : Morgan Glines
DisplayedUnitsX : inches
DisplayedUnitsY : inches
GlobalAngle : 30
GlobalAltitude : 30
CopyrightFlag : False
CreatorContactInfoCiEmailWork : morganglines@gmail.com
Location : Glines Front Yard
OwnerName : Morgan M Glines
SerialNumber : 028345
ToneCurve : Standard
Creator : Morgan Glines
Format : image/jpeg
ColorSpace : sRGB
ExifImageWidth : 2464
ExifImageHeight : 1648
CaptionWriter : Morgan M Glines
ColorMode : 3
HDRLuminance : 3.41181707382202
History :
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Orientation : Horizontal (normal)
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ResolutionUnit : inches
SamplesPerPixel : 3
XResolution : 72
YCbCrPositioning : Centered
YResolution : 72
CreateDate : 2008:01:17 20:39:07Z
MetadataDate : 2008:01:17 21:09:15-05:00
ModifyDate : 2008:01:17 20:39:07Z
InstanceID : uuid:028D7925D1C6DC1183C999FB3E67994B
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ProfileVersion : 2.1.0
ProfileClass : Display Device Profile
ColorSpaceData : RGB
ProfileConnectionSpace : XYZ
ProfileDateTime : 1998:02:09 06:49:00
ProfileFileSignature : acsp
PrimaryPlatform : Microsoft Corporation
CMMFlags : Not Embedded, Independent
DeviceManufacturer : IEC
DeviceModel : sRGB
DeviceAttributes : Reflective, Glossy, Positive, Color
RenderingIntent : Media-Relative Colorimetric
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ProfileCreator : HP
ProfileID : 0
ProfileCopyright : Copyright (c) 1998 Hewlett-Packard Company
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DeviceMfgDesc : IEC www.iec.ch
DeviceModelDesc : IEC 61966-2.1 Default RGB colour space - sRGB
ViewingCondDesc : Reference Viewing Condition in IEC61966-2.1
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ViewingCondIlluminantType : D50
Luminance : 76.03647 80 87.12462
MeasurementObserver : CIE 1931
MeasurementBacking : 0 0 0
MeasurementGeometry : Unknown (0)
MeasurementFlare : 0.999%
MeasurementIlluminant : D65
Technology : Cathode Ray Tube Display
RedTRC : (Binary data 2060 bytes, use -b option to extract)
GreenTRC : (Binary data 2060 bytes, use -b option to extract)
BlueTRC : (Binary data 2060 bytes, use -b option to extract)
DCTEncodeVersion : 100
APP14Flags0 : [14]
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Aperture : 2.8
DateTimeCreated : 2008:01:17 20:39:07+00:00
DriveMode : Continuous shooting
FlashOn : Off
ImageSize : 3070x2053
Lens : 50.0mm
ScaleFactor35efl : 1.2
ShootingMode : Aperture-priority AE
ShutterSpeed : 1
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CircleOfConfusion : 0.025 mm
FOV : 32.8 deg
FocalLength35efl : 50.0mm (35mm equivalent: 61.2mm)
HyperfocalDistance : 36.39 m
Lens35efl : 50.0mm (35mm equivalent: 61.2mm)
LightValue : -1.0
Resting and testing
Tagged, Waterfront, San Francisco, California
Leica M8, Zeiss Biogon 2,8/25 ZM
B+W 386 UV IR cut filter
Aperture 2.0 (raw fine tuning, crop, exposure)
1/20 sec @ f/2.8, iso 160, 25mm (33mm)
____________________________________________________
Tagged shots with Zeiss 28/2.8 and Tokina 165.
A comparison of two cameras and lenses. This one was taken by a Leica M8 with my new Zeiss Biogon 25mm lens (vs Nikon D3 + Tokina AT-X Pro 165 in FX mode) If you are wondering why I didn’t ask him to shoot the same scene at the same focal distance it is because I believe the system affects how a person decides to shoot the shot. For instance, if you are using a fixed lens, it is natural to zoom with your feet (or, in this case, ask me to move closer).
I had to move closer to Mark in order to give him a similar sized subject to shoot. I am a little over two feet away from him. In actuality, the lens can close focus up to a foot and a half, but it becomes rangefinder uncoupled at that point. The shutter speed had to be dropped but it is pretty easy to hold a rangefinder past the shake limit. The filter kept me from getting the classic digital Leica “sunburn” and the brightness of the scene meant that Leica’s primitive white balance system wasn’t confused by the fluorescents as they weren’t contributing much to the scene. The place is lit by skylights as well as incandescent and fluorescent lighting.
I cropped off the ceiling, but other than that, no postprocessing was done. The bokeh is very smooth, but this wasn’t exactly the most challenging lighting situation. The scene was metered a third of a stop ovrexposed from ideal so I adjusted that using Aperture’s exposure control.
I have a feeling that this will be a great lens for daytime documentary photography.
(This is the original image other than what was noted).
This is a typical camera of the famous Japanese design theme so current in the 90's, "Bio Design. Inspired by organic forms, it has no defined shape, normally being oval at the very best. The camera is very comfortable to hold and ergonomically very sound. The commands are very original with a wheel disc surrounding a LCDpanel in the back door to choose the available modes, there are even personal custom modes. Quality stuff, all with a wide angle zoom lens.
Contemplating
Tagged, Waterfront, San Francisco, California
Nikon D3,Tokina 16-50mm AT-X PRO f/2.8 DX
Aperture 2.0 (raw fine tuning)
1/100 sec @ f/5, iso 1600, 50mm (75mm)
____________________________________________________
Tagged shots with Zeiss 28/2.8 and Tokina 165.
A comparison of two cameras and lenses. This one was taken by a Nikon D3 in DX mode shot in Program mode with Auto White balance and auto ISO (vs Leica M8 + Zeiss Biogon 2,8/25). If you are wondering why I didn’t ask him to shoot the same scene at the same focal distance it is because I believe the system affects how a person decides to shoot the shot. If you have a zoom, then it’s natural to use the zoom, for instance.
The system chose to do ISO 1600 and get a f/5 depth of field. I would have chosen f/2.8 and dropped the ISO down to 420. You can see that the image has very little noise at what used to be my maximal working ISO on my D70 adn D200.
There is no point in shooting on FX mode on with this lens as it vignettes at all focal lengths. Also, since it is a third party lens, the camera does not automatically shade the aperture, this has to be done in the custom menu.
(This is the original image)
Successful LCD panel replacement on my Lenovo T61, with old cracked screen and toolkit used also pictured. Ralph Steadman illustration of Hunter Thompson is the current the wallpaper de-jour.
I recently bought a Kenko 1.4x teleconverter for my 70-200mm lens - bad weather forced me to stay indoors and do some macro shots with it and the reversed 50mm... This is a picture of the lcd panel of my mobile phone. One pixel (RGB) is approx. 0.15mm x 0.15mm in size. It's hard to align subject and camera so it's a bit unsharp in the corners, but nevertheless it is a pretty impressive magnification... Let's try this with some (dead) insects...
280mm + 50mm reversed, f16, 1sec., ISO100
(original picture available, 3456x2304)
100% crop. Some fun with my new super-cheap set of Chinese extension tubes. Stacked together, it's about 60mm of tubes. This is a Canon 50mm f1.4 on my XT right up against my LCD TV.
It's a sizable TV with big pixels, so it actually looks more magnified than it appears at first. Additional testing reveals that the real magnification is about 1.3.
Please view large on black!
It seems that every significant office with an IT department has a cubical that accumulates old used equipment. It was even parodied successfully in a Dilbert cartoon. To my knowledge all of this stuff works and is reasonably useful, but somehow we as a department have outgrown it. The e-waste problem of our technological society is a dark one. I find this image symbolic of the hidden but ever present nature of our e-waste.
I'm open to critical feed back should you have any.
pinhole f/138 -- 13min 56 second
FujiFilm Acros ISO 100
taken with Zero Image 45 camera at 25mm
Developed in Ilford Ilfotec DD-X for 9min at 68F
Scanned with Epson Perfection V750 PRO
my identifier: junk cube
This is an extreme closeup of the 24" Apple LED Cinema Display where you can see the individual pixels in all three color channels. You can see the (rather large) distance between rows and between the color channels. Shame on you Apple... :-)
If you look closely you can even see the little wire that makes up the individual dot, I sharpened it a bit to make that more visible.
Each of these dots are about 90 microns wide. This image was cropped about x25 to about 700K pixels from the 18MP image produced by the 7D's sensor.
The screen was showing pure white, which is why all 3 color channels are fully on. I have no idea why red glows so much and why I am not seeing any detail on those red pixels, even if I reduce sensitivity. Any ideas?
Blogging in The Woodwork: Da Grip
Noseprint
South of Market, San Francisco, California
Nikon D200, Nikkor 85mm f/1.4D, Kenko Extension Tubes, Gitzo G1228LVL, Really Right Stuff RRS BH-55 ballhead
DxO Optics Pro, Aperture (vignette), BorderFX
1sec @ f/5.6 iso200, 85mm (127mm)
____________________________________________________
Used Simplify to clean up the area around the noesprint and Adjust to magnify the detail.
Click for original photograph (If you cannot view this, add me to your contacts and I’ll add you to my friends. If you are already a contact of mine then just jet me a message and I'll fix your status.)
The thermometer on my car registered 95 degrees Fahrenheit as I was leaving school. It was most likely only about 92 degrees, but my black car was sitting in the bright sunlight near a brick wall which means that it was probably registering a higher temperature.
The wildfires are still burning. The wind is not blowing at all. Humidity is 25 percent. We have not had any rain. No rain is in the forecast.
We were alerted yesterday that there was a possibility schools could be closed today if the smoke from the fires caused poor visibility on the roads, but the schools were open. The newspaper says that there is suspicion of some arson in some fires--after the initial one was set by winds blowing a tree onto a power line - causing a spark. NO BURNING even with a PERMIT is allowed at the present time.
Blue flight information lcd board in the airport. Shallow dof. You can purchase this photo for commercial use in high-res and without watermark here: j.mp/greycoastphoto || If you have any issues with finding specific image, please contact me: danr@yandex.com
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I have heard about these things for a while, and saw one recently for the first time at a wake for a photographer friend. His family had put some of his pictures on one of these things. It didn't look too bad. Then I got a spam from Wolf Camera offering one for $60 bucks. I thought it might be fun to have at parties. And I also thought it might be interesting to put it on my product table in my seminars. I'll put cat, flower, animal and people pictures on it (you know, cute stuff) and maybe that'll draw customers to the table and they'll buy stuff. At least that's the thinking when the IRS asks me why I'm writing this thing off. By the way, the quality of the pictures isn't very good (which is why it was only $60). The resolution of the screen is less than 400 pixels on the long side. But, at 4 or 5 feet, it looks OK. Just OK.
Batavia, Illinois
October 3, 2007
Day 272
e071003c001a-wb
Copyright 2007 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent.