View allAll Photos Tagged Kodak_Proimage_100

Kodak Proimage 100

Sigma 105mm f/2.8 EX DG Macro

 

(More than the "depth of field", this photo seems to show the "shallowness of field" )

Kodak Proimage 100

Pentax K 1000

 

Shot with an Olympus 35RC

Olympus E. Zuiko 42mm f/2.8 lens

Kodak ProImage 100 film

Shot at EI 100

Developed and scanned by The Darkroom

canon ae1p FL 55mm f1.2 kodak proimage 100

Kodak ProImage 100

Camera : Pentax KM

Lens : Pentax SMC 55/F1.8

Film : Kodak Proimage 100

Dev & Scan : Photo City Digital

Kodak ProImage 100

Nikon FM2n

Nikkor 85mm f/1.8 AF-D

kodak proimage 100

kodak colorplus 200

fuji 業務用100

fuji permuim 400

This the first color film with my lens Auto Miranda 1:2.8 f=105mm (year 1975) that I own since 2022. In Lyon, France, on June 13, 2023, accompanied by my SLR Miranda Auto Sensorex EE.(year 1972).

 

The camera was loaded with a color negative film Kodak ProImage 100 and configured with the regular pentaprism eye-level finder. The 105mm lens was also equipped during the photo session with a Nikon L38 anti-UV filter and a Nikon HS-4 metal shade hood specific of my Nikkor-P lens 1:2.5 f=105mm.

 

The film was exposed for 100 ISO following the readings of the camera (measuring mode "S") or of a Minolta Autometer III fitted with a 10° finder. Typically at I used the 1/250 to 1/1000s and apertures of 1/2.8 to 8.

 

Parc de la Tête d'Or, June 13, 2023

69006 Lyon

France

 

After exposure, the film was processed the same day by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.

 

All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.

  

About the camera :

 

This camera was initially sold to its first owner on March 15, 1972 in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.

 

The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.

 

EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).

Kodak ProImage 100

 

canon ae1p FL 55mm f1.2 kodak proimage 100

Camera: Lomography Fisheye 2

Film: Kodak Proimage 100

 

Camara: Voigtlander

Rollo: Kodak Proimage 100

 

Kodak ProImage 100

This the first color film with my lens Auto Miranda 1:2.8 f=105mm (year 1975) that I own since 2022. In Lyon, France, on June 13, 2023, accompanied by my SLR Miranda Auto Sensorex EE.(year 1972).

 

The camera was loaded with a color negative film Kodak ProImage 100 and configured with the regular pentaprism eye-level finder. The 105mm lens was also equipped during the photo session with a Nikon L38 anti-UV filter and a Nikon HS-4 metal shade hood specific of my Nikkor-P lens 1:2.5 f=105mm.

 

The film was exposed for 100 ISO following the readings of the camera (measuring mode "S") or of a Minolta Autometer III fitted with a 10° finder. Typically at I used the 1/250 to 1/1000s and apertures of 1/2.8 to 8.

 

Parc de la Tête d'Or, June 13, 2023

69006 Lyon

France

 

After exposure, the film was processed the same day by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.

 

All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.

  

About the camera :

 

This camera was initially sold to its first owner on March 15, 1972 in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.

 

The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.

 

EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).

canon ae1p FL 55mm f1.2 kodak proimage 100

canon ae1p FL 55mm f1.2 kodak proimage 100

This the first color film with my lens Auto Miranda 1:2.8 f=105mm (year 1975) that I own since 2022. In Lyon, France, on June 13, 2023, accompanied by my SLR Miranda Auto Sensorex EE.(year 1972).

 

The camera was loaded with a color negative film Kodak ProImage 100 and configured with the regular pentaprism eye-level finder. The 105mm lens was also equipped during the photo session with a Nikon L38 anti-UV filter and a Nikon HS-4 metal shade hood specific of my Nikkor-P lens 1:2.5 f=105mm.

 

The film was exposed for 100 ISO following the readings of the camera (measuring mode "S") or of a Minolta Autometer III fitted with a 10° finder. Typically at I used the 1/250 to 1/1000s and apertures of 1/2.8 to 8.

 

Parc de la Tête d'Or, June 13, 2023

69006 Lyon

France

 

After exposure, the film was processed the same day by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.

 

All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.

  

About the camera :

 

This camera was initially sold to its first owner on March 15, 1972 in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.

 

The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.

 

EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).

Kodak Proimage 100

Pentax K 1000

Kodak Proimage 100

Kodak ProImage 100//MinoltaXg9

 

Kodak proimage 100

Voigtlander Bessamatic

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