View allAll Photos Tagged Kodak_High_Speed_Infrared
Nikon F2+50/1.4, Kodak High Speed Infrared film 100 iso, Paterson Acuspecial 1+29 21.3ºC 21 min. Epson V700.
The Yaquina Head Lighthouse, Newport, OR
Photographed with Kodak HIE (2008) and a glass IR filter made specifically for the Kodak Retina IIIC, the camera I used. HIE developed in home-brewed D-76
This is an oldie. The bridge no longer exists . It was burned by arsonists many years ago. Photographed using Kodak High Speed Infrared Film.
Yellowstone National Park
Pentax MX
18mm f/11 Takumar-Fisheye with a No. 25 Red Filter (handheld in place)
Kodak High-Speed Infrared (HIE) Film
HC-110B
Pentax ME-Super
Kalimar 28-200mm f/3.5-5.3 MC Auto Macro Zoom Lens with No. 29 Deep Red Filter
Kodak High Speed Infrared (HIE)
HC-110B
Shot in April 2000
Pentax ME-Super
Kalimar 28-200mm f/3.5-5.3 MC Auto Macro Zoom Lens with No. 29 Deep Red Filter
Kodak High Speed Infrared (HIE)
HC-110B
Shot in April 2000
Joshua Tree National Park
Pentax MX, 35mm f/3.5 SMC Pentax K with a No. 25 Red Filter
Kodak High-Speed Infrared Film (dated 2009), HC-110B
Independence Missouri, 7/99
Leica IIIc (1946)
Collapsible Elmar (1949)
Infrared filter
Kodak High Speed Infrared, HC-110
Ilford MG FB #3, Dektol
Digitized on copy stand
Davis–Besse Nuclear Power Station in Oak Harbor, Ohio. With the cemetery close by it makes a much photographed cliché image. I photographed this on Kodak High Speed Infrared, which gave it an even more ominous look.
Film: Kodak HIE Infrared, 35mm, ISO 400, 25A red filter.
Developed in D76, 1:1. 13 minutes @ 68 degrees
Camera: Modified Nikon FM2n, 28-80 Nikkor lens.
Image by Leslie Lazenby,
Oak Harbor, Ohio Mid 1990s.
Nikomat FT2
Nikkor-K 28mm F/3.5
Kodak High Speed Infrared 200 Expired 2002
Nikkor R60 Red
Agfa Rodinal 1-100
Infrared photo shot on a Pentax SP500 on Kodak High Speed Infrared film
Houmas House, located between Baton Rouge and New Orleans
A tall ship in Boston Harbor with the crew at attention in the rigging. For a few years the city held "Sail Boston" and invited sailing ships from around the world. It was a great festival: sadly, Boston isn't Montreal and after several successful seasons it just stopped. Here the crew from a Latin American country (its been so long I've forgotten which) stand in the rigging as they pull out under steam...(or diesel, to be more modern).
I've not had this negative scanned so instead I shot the print with a 5DII and macro lens, something I never do. It was doubly challenging as it is one of my few glossy prints so reflections were annoying. Indirect light and a polarizing filter ended up doing the trick...
Image shot with a Canon EOS 620 and EF 80-200mm f/2.8 L on Kodak High Speed Infrared, EI about ISO 250 and using a 25A red filter to block the blue wavelengths.
This is a box of black & white negative film that I still have to this day. The film expired in November. 1981.
Cassette held 20 exposures and had to be handled in total darkness.
Film is designated HIE 135-20
Required a deep red r72 filter or 25a filter.
The film speed was a bit arbitrary. I seem to recall shooting at ASA 400.
Ancient inspiration for the Taj Mahal, this gem sits quietly, absent the thronging mobs of that other landmark...
Canon EOS 620 with TS-E 24mm lens (no tripod so no shift) on classic Kodak High Speed Infrared film (HIE). Exposure not recorded, but my standard for daytime architecture is EI 200, and with a red B+W filter the exposure would have been in the ballpark of 1/125 at f/11.
Finishing my series of images taken on KODAK High Speed Infrared film. I think that this might have been around the Omeo region in Victoria, though not sure. Pentax camera and smc PENTAX 24mm f2.8
Back in the film days there were many considerations in selecting what film to load.
The obvious choices were black & white negatives, color transparency (slides) or color negatives and the selection would depend on the use case. Even within each group there was a long list of manufactures, film speed, color balance, etc.
When it came to black & white film, by far the most artistic choice was infrared film.
This image is such an example. Film was Kodak high speed infrared film. Required an almost opaque red filter on the lens.
Lens is most likely Pentax 55mm f1.8
Nikomat FT2
Nikkor-K 28mm F/3.5
Kodak High Speed Infrared 200 Expired 2002
Nikkor R60 Red
Agfa Rodinal 1-100
Lake Powell, Glen Canyon National Recreation Area, Arizona
Yashica TL-Electro
35mm f/2.8 Auto Chinon
Kodak High Speed Infrared Film (HIE), No. 29 Deep Red Filter
Kodak High Speed Infrared, 4" x 5", 100 iso with #25 Red Filter. Normal development in T-Max developer, 1:6, 6:45 minutes, Minimal agitation. 24C. Taken July 2017. Ebony SV45TU. Rodenstock Grandagon N 90mm.
Kodak discontinued this film back in the 1990's. The last batches they made expired in 2000 and 2001. Surprisingly I'm still shooting it 20 years later. They used to ship the film to retailers in boxes with dry ice. There were warnings about how susceptible it was to fogging. I bought all I could get my hands on when they stopped making it. Over the years a number of friends that have dropped film photography to jump on the digital bandwagon, gave me their remaining stock. I still have quite a few boxes in my freezer. I keep it frozen until I load it, but then sometimes it sits in holders for quite some time before I shoot it. After exposure I unload and keep it in the fridge until I process it. The image quality is certainly deteriorating, but as can be seen in this image, it still isn't too bad. This particular sheet of film reached its best before date in October of 2001. I loaded it into a film holder in April of 2017, and exposed it in July of that summer. After exposure I kept it in my fridge until March of 2020 when I processed it.
Wagon Wheels and Old House, Lamont County, Alberta.
Nikomat FT2
Nikkor-K 28mm F/3.5
Kodak High Speed Infrared 200 Expired 2002
Nikkor R60 Red
Agfa Rodinal 1-100
A couple weeks ago I found boxes of 8X10 Kodak High Speed Infrared film for sale. The film has not been manufactured since 2000, and this batch was dated "Use by April 1999". I made an offer on a box and received it last week.
Tests with it have been frustrating; the Deardorff apparently cannot be sufficiently shielded from IR leakage to be usable, so yesterday I resorted to placing a sheet in my 8X10 Cookie Tin pinhole camera, using the Lee opaque IR filter over the pinhole. I let the exposure go from noon to 6PM. The film shifted inside the camera at least once - likely due to the tin warming in the sunlight, but hey - I got this!
Nikomat FT2
Nikkor-K 28mm F/3.5
Kodak High Speed Infrared 200 Expired 2002
Nikkor R60 Red
Agfa Rodinal 1-100
North of Fredericksburg, TX
Pentax MG
50mm f/2 SMC Pentax-M
Kodak High Speed Infrared (HIE) with No. 25 Red Filter
HC-110B
Kodak High Speed Infrared, 4" x 5", 100 iso, Normal development in T-Max 1:6, 6:45 minutes, 24C.
Taken October 2013. Ebony SV45TE. Fujinon-W 125mm.
Mud Hole, Buckskin Gulch, Vermilion Cliffs National Monument, Utah.
Nikomat FT2
Nikkor-K 28mm F/3.5
Kodak High Speed Infrared 200 Expired 2002
Nikkor R60 Red
Agfa Rodinal 1-100