KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 20°C, 5'30"

Urdhva mukha śvānāsana / Upward facing dog

Kodak T-MAX400 shot at EI 400

Black and white negative film in 120 format shot as 6×4.5

Urdhva mukha śvānāsana / Upward facing dogKodak T-MAX400 shot at EI 400.Black and white negative film in 120 format shot as 6...

Read on at: emulsive.org/photography/medium-format/urdhva-mukha-svana...

Filed under: #Mediumformat, #Photography, #120FormatFilm, #2015August, #6X45, #BlackAndWhiteNegativeFilm, #EI400, #EMULSIVEDailyPhoto, #ISO400, #Kodak, #KodakTMAX400TMY2

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KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 19°C, 6'00"

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With the exception of an Olympus Trip, I sold all of my 35mm camera equipment at the beginning of 2017. This was a decision I have regretted since. Although not a big film user at the time, I missed my 35mm kit.

I have already replaced one of my cameras, a Canon EOS 30V Date, and while I...

More at:

emulsive.org/articles/5-frames-with/5-frames-with-73-koda...

Filed under:

#film, #filmphotography, #believeinfilm, #5FramesWith, #Canon, #CanonEOS30VDate, #Epson, #EpsonPerfectionV800, #Kodak, #KodakTMAX400TMY2, #PeakImaging, #5FramesWith, #Articles

KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 19°C, 6'00"

Kodak Elite Fine-Art (was'n Name...) in Moersch SE5 und SE1 zum schlichten. Ausgedehntes Selenbad...

KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 19°C, 6'00"

Today I’m speaking with Chuck Baker, whom some of you will know as the mad genius brains behind the The Brownie Camera page. What you may not know however, is that Chuck is also an accomplished fine art photographer, whose work can be found at Chuck Baker Photography. Better seen for ...

Read on at: emulsive.org/interviews/interview-13-i-am-chuck-baker-and...

Filed under: #FilmPhotographerInterviews, #Interviews, #ChuckBaker, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #Kodak, #KodakBrownie, #KodakTMAX400TMY2

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Stand apart – 2015-07-09

Kodak TMAX 100 shot at EI 100

Back and white negative film in 120 format shot as 6×6

Stand apart – 2015-07-09Kodak TMAX 100 shot at EI 100. Back and white negative film in 120 format shot as 6×6.

Contribute to EMULSIVE

EMULSIVE NEEDS YOU. The...

Large version at: emulsive.org/photography/stand-apart-kodak-tmax-100

Filed under: #Mediumformat #Photography #120/MediumFormatFilm #2015July #6X6 #BlackAndWhiteNegativeFilm #EI100 #EMULSIVEDailyPhoto #ISO100 #Kodak #KodakT-MAX400(TMY-2)

KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 20°C, 5'30""

Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii. Antonio is as enthusiastic about photography ...

Read on at: emulsive.org/interviews/interview-6i-am-antonio-biagiotti...

Filed under: #FilmPhotographerInterviews, #Interviews, #AntonioBiagiotti, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fomapan100Classic, #ILFORD, #ILFORDFP4PLUS, #Interview, #KodakTMAX100TMX, #KodakTMAX400TMY2, #Pentax, #Pentax67, #Pentax67II, #Pentax6X7

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Today I’m sitting down with Sorin Nita, AKA Twitter’s @FilmHasGrain. This interview has been a while coming but we’re finally able to share some of his beautiful work.

Grab a life vest, lean forward and immerse yourself in his beautiful images!

Over to you, ...

Read on at: emulsive.org/interviews/film-photographer-interviews/inte...

Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #Kodak, #KodakPortra400, #KodakTMAX400TMY2, #Nikon, #NikonF80, #SorinNita

#shootfilmbenice #filmphotography # believeinfilm

Week 3 has flown in, which means another interview and another unwilling victim ecstatic guest to grill.

I’m very, very pleased to have been able to grab some time with the venerable Roger Ballen; multifaceted photographer, painter and sculptor.

Today we’ll be exploring Roger’s...

Large version at: emulsive.org/interviews/i-am-roger-ballen-and-this-is-why...

Filed under: #Interviews #2015July #ILFORD #ILFORDDelta400Professional #Interview #Kodak #KodakT-MAX400(TMY-2) #RogerBallen

Stand apart

Shot on Kodak TMAX 100 shot at EI 100

Back and white negative film in 120 format shot as 6×6

Stand apart – 2015-07-09Kodak TMAX 100 shot at EI 100. Back and white negative film in 120 format shot as 6×6.

Write for EMULSIVE

The driving force...

Read on at: emulsive.org/photography/medium-format/stand-apart-kodak-...

Filed under: #Mediumformat, #Photography, #120FormatFilm, #2015July, #6X6, #BlackAndWhiteNegativeFilm, #EI100, #EMULSIVEDailyPhoto, #ISO100, #Kodak, #KodakTMAX400TMY2

#shootfilmbenice #filmphotography # believeinfilm

Thoughtful, measured and contemplative are just three words you can use to describe the approach of today’s interviewee, Erik Gould. Take one look and his website and you’ll begin to understand that tapping the shutter button is only a small part of his process; one which includes...

Read on at: emulsive.org/interviews/film-photographer-interviews/inte...

Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #ErikGould, #FilmPhotographerInterviews, #Interview, #KodakKODACHROME64, #KodakPortra400, #KodakTMAX400TMY2, #Olympus, #OlympusOM4D, #P

#shootfilmbenice #filmphotography # believeinfilm

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If you are old enough, you will remember a time when expired film was like kryptonite to a photographer. Stores would put film that was within a month of expiration on sale and if a photographer found expired film in his or her possession it almost immediately went in the trash bin. It was...

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Read on at: emulsive.org/darkroom/developing-film/developing-expired-...

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Filed under: #Articles, #Darkroom, #DevelopingFilm, #Experiments, #ExpiredFilm, #Kodak, #KodakHC110, #KodakTMAX400TMY2

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Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A. By day, he works at the Denver Post and by night (I assume), he harbours a not-so-secret passion: documentary photography and collecting film cameras. Of course, it’s the one and...

Large version at: emulsive.org/interviews/i-am-daniel-schneider-and-this-is...

Filed under: #Interviews #35MmFormatFilm #DanielJSchneider #ILFORD #ILFORDHP5 #ILFORDPanF #ISO100 #ISO3200 #Kodak #KodakTMAX400TMY2 #KodakTriX400 #Nikon #NikonF2

KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 19°C, 6'00"

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film stock. This article covers Kodak Professional T-MAX 400, which according to Kodak is the “world’s sharpest 400-speed b...

Read on at: emulsive.org/reviews/film-reviews/notes/field-notes-kodak...

Filed under: #Articles, #FilmReviews, #KodakFilms, #Notes, #Reviews, #BlackAndWhiteNegativeFilm, #FieldNotes, #Kodak, #KodakTMAX400TMY2

#shootfilmbenice #filmphotography # believeinfilm

We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film cameras.

Thought provoking, gritty and...

Large version at: emulsive.org/interviews/i-am-andrea-taurisano-and-this-is...

Filed under: #Interviews #AndreaTaurisano #Fomapan #Fujica #Hasselblad #Hasselblad500CM #Kodak #KodakTMAX100TMX #KodakTMAX400TMY2 #Leica #LeicaM6 #LeicaM7 #LeicaM9 #Nikon #Nikon35TI #NikonF100 #NikonF6 #Pentax #PentaxMX #Rollei

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Shot on Kodak T-MAX 400 (TMY-2) at EI 100.

Black and white film in 120 format shot as 6×6.

Hasselblad 16E extension tube (0.7 stop compensation).

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Large version at: emulsive.org/photography/medium-format/capped-shot-on-kod...

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Filed under: #Mediumformat #Photography, #120MediumFormatFilm #2017June #6X6 #BlackAndWhiteNegativeFilm #EI400 #Hasselblad #Hasselblad16E #Hasselblad2000FCW #HasselbladPlanarF8028 #ISO400 #Kodak #KodakTMAX400TMY2

fuji GSW690III w/ fujinon 65mm f/5.6 wide angle lens + kodak TMAX TMY2 400. lab: A&I color, hollywood, ca. scan: epson V750. EXIF tags: filmtagger.

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Shot on Kodak T-MAX 400 (TMY-2) at EI 100.

Black and white film in 120 format shot as 6×6.

Hasselblad 16E extension tube (0.7 stop compensation).

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Large version at: emulsive.org/photography/medium-format/crease-shot-on-kod...

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Filed under: #Mediumformat #Photography, #2017June #6X6 #BlackAndWhiteNegativeFilm #EI400 #Hasselblad16E #Hasselblad2000FCW #HasselbladHasselbladPlanarF8028 #ISO400 #Kodak #KodakTMAX400TMY2

We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.

It’s a great read for those of you who are thinking about dipping your toes in but be warned, it’s a deep, dark ...

More at: emulsive.org/articles/getting-started-pushing-pulling-fil...

Filed under: #Articles #Experiments

Pentax 67II 105 2,4 kodak t-max 400 tmy-2, cropped about 10%

We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film cameras.

Thought provoking, gritty and...

Read on at: emulsive.org/interviews/film-photographer-interviews/inte...

Filed under: #FilmPhotographerInterviews, #Interviews, #AndreaTaurisano, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fujica, #Hasselblad, #Hasselblad500CM, #Interview, #Kodak, #KodakTMAX100TMX, #KodakTMAX400TMY2, #Leica, #LeicaM6, #LeicaM7, #LeicaM9, #Nikon, #Nikon35TI, #NikonF100, #NikonF6, #Pentax, #PentaxMX, #Rollei

#shootfilmbenice #filmphotography # believeinfilm

KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 20°C, 5'30""

Mit der dicken Dame am See...

Ich habe das Tonerkit bestimmt seit 2 Jahren im Regal liegen, jetzt wird es Zeit für erste Schritte...

Kodak TMax400 in Moersch EFD.

Agfa Brovira BN111 in Moersch SE6 1+10 + 30ml 10%ige Natriumcarbonatlösung. Tonung in MT7 Eisenblau (800+10+10+20+10) + Alkalibad...

Der Plan sah vor dass die Holzkonstruktion warm bleiben sollte. Ich glaube allerdings der Selentoner ist entweder am Ende oder noch zu dünn, 7 Minuten und es fehlt immer noch ein Tick...

Ich werde einige Zeit (und Teststreifen) brauchen um die richtige Balance zu finden. Für's erste bin ich damit zufrieden, mal sehen was ich morgen davon halte :)

Kodak TMax400 in Moersch EFD.

Agfa Brovira BN111 in Moersch SE6 1+10 + 30ml 10%ige Natriumcarbonatlösung. Anschließend MT1 Selen 1+10, gefolgt von MT7 Eisenblau.

Vor dem Toner

recently processed film. fuji GSW690III w/ fujinon 65mm f/5.6 wide angle lens + kodak TMAX TMY2 400. lab: A&I color, hollywood, ca. scan: epson V750. EXIF tags: filmtagger.

best viewed large

KODAK PROFESSIONAL TMAX 400 @ 320

Kodak HC-110 1+31 (dilution B), 20°C, 5'30""

We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film cameras.

Thought provoking, gritty and...

Large version at: emulsive.org/interviews/i-am-andrea-taurisano-and-this-is...

Filed under: #Interviews #AndreaTaurisano #Fomapan #Fujica #Hasselblad #Hasselblad500CM #Kodak #KodakTMAX100TMX #KodakTMAX400TMY2 #Leica #LeicaM6 #LeicaM7 #LeicaM9 #Nikon #Nikon35TI #NikonF100 #NikonF6 #Pentax #PentaxMX #Rollei

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Shot on Kodak T-MAX 400 (TMY-2) at EI 100.

Black and white film in 120 format shot as 6×6.

Hasselblad 16E extension tube (0.7 stop compensation).

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Large version at: emulsive.org/photography/medium-format/16993

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Filed under: #Mediumformat #Photography, #2017June #6X6 #BlackAndWhiteNegativeFilm #EI400 #Hasselblad16E #Hasselblad2000FCW #HasselbladHasselbladPlanarF8028 #ISO400 #Kodak #KodakTMAX400TMY2

building in Beacon, NY

I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Sapin’s San Sebastian.

I’ll keep this short so you can spend as much time as possible on the images below. Enjoy!

Hi Ezequiel, what’s this picture, t...

Read on at: emulsive.org/interviews/film-photographer-interviews/inte...

Filed under: #FilmPhotographerInterviews, #Interviews, #Contax, #ContaxG2, #FED3, #Fuji, #FujiSuperia100, #FujiSuperia200, #ILFORD, #ILFORDHP5PLUS, #Kodak, #KodakTMAX400TMY2, #LeicaM6, #Mamiya, #Mamiya645AF, #Minolta, #MinoltaGX9, #MinoltaXD11, #NikonF100, #Voigtlander, #VoigtlanderBessaR

#shootfilmbenice #filmphotography # believeinfilm

Week 3 has flown in, which means another interview and another unwilling victim ecstatic guest to grill.

I’m very, very pleased to have been able to grab some time with the venerable Roger Ballen; multifaceted photographer, painter and sculptor.

Today we’ll be exploring Roger’s ...

Read on at: emulsive.org/interviews/interview-3-i-am-roger-ballen-and...

Filed under: #FilmPhotographerInterviews, #Interviews, #2015July, #EMULSIVEInterview, #FilmPhotographerInterviews, #ILFORD, #ILFORDDelta400Professional, #Interview, #Kodak, #KodakTMAX400TMY2, #RogerBallen

#shootfilmbenice #filmphotography # believeinfilm

Thanks to everyone who lent their support to the PrintItForward competition we kicked off a back at the end of January. It was very welcome and you have our gratitude.

Entries closed at the end of February and the panel of judges have finished their deliberations and in a haze of what can only...

Large version at: emulsive.org/articles/competition-results-printitforward

Filed under: #Articles #Competition #ILFORD #ILFORDMultigradeRC #Kodak #KodakT-MAX400(TMY-2) #Printitforward #ShawnMozmode

Mit der dicken Dame am See...

Für den Nebel kam ich zu spät -> Grundbelichtung 2 Sekunden mit Grad. 2, danach den Steg 6 Sekunden mit Gradation 5.

Kodak TMax400 in Moersch EFD.

Ilford Multigrade FB in Moersch SE6 1+10 + 30ml 10%ige Natriumcarbonatlösung.

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film stock. This article covers Kodak Professional T-MAX 400, which according to Kodak is the “world’s sharpest 400-speed b...

Read on at: emulsive.org/reviews/film-reviews/notes/field-notes-kodak...

Filed under: #Articles, #FilmReviews, #KodakFilms, #Notes, #Reviews, #BlackAndWhiteNegativeFilm, #FieldNotes, #Kodak, #KodakTMAX400TMY2

#shootfilmbenice #filmphotography # believeinfilm

Waiting for first catch – 2016-05-17

Kodak T-MAX 400 (TMY 6053) shot at EI 400

Black and white negative film in 120 format shot as 6×6

All wrapped up – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400. Black and white negative film in 120 format shot as 6×6.

Contribute...

Large version at: emulsive.org/photography/waiting-for-first-catch

Filed under: #Mediumformat #Photography #120/MediumFormatFilm #2016May #6X6 #BlackAndWhiteNegativeFilm #EI400 #EMULSIVEDailyPhoto #ISO400 #Kodak #KodakT-MAX400(TMY6053) #KodakT-MAX400(TMY-2)

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800. It went down quite well and in the time since, has raised a bit of thought and discussion about the real limits of this film.

With all the recent super high ISO digital cameras announced these p...

More at: emulsive.org/articles/black-and-white-high-ei-shootout-pa...

Filed under: #Articles #Experiments #Featured

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I asked my self this question very recently: can one photo make a difference?

You betcha! Here is the photograph that made the difference for me:

Rediscovering my 35mm soul through one photograph – Minolta XD-11 with Tamron 28-200 zoom lens; Kodak T-MAX 400 film.

For more than a decade...

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Read on at: emulsive.org/articles/photostory/photo-story-rediscoverin...

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Filed under: #Articles, #Photostory, #KathleenEJohnson, #KodakTMAX400TMY2, #Minolta, #MinoltaXD11, #PhotoStory, #Tamron, #Tamron28200

#shootfilmbenice #filmphotography # believeinfilm

All wrapped up – 2016-05-16

Kodak T-MAX 400 (TMY 6053) shot at EI 400

Black and white negative film in 120 format shot as 6×6

All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400. Black and white negative film in 120 format shot as 6×6.

Contribute to...

Large version at: emulsive.org/photography/all-wrapped-up-kodak-t-max-400-120

Filed under: #Mediumformat #Photography #120/MediumFormatFilm #2016May #6X6 #BlackAndWhiteNegativeFilm #EI400 #EMULSIVEDailyPhoto #ISO400 #Kodak #KodakT-MAX400(TMY6053) #KodakT-MAX400(TMY-2)

Camera: Hasselblad 500C/M, Distagon C 4,0/40. Film: Kodak T-MAX 400, developed in Rodinal 1+50 10 min, 20°C.

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Shot on Kodak T-MAX 400 at EI 400.

Black and white negative film in 120 format shot as 6×6.

Full-size version at: emulsive.org/photography/medium-format/no-garbage-shot-on...

Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018December, #6X6, #BlackAndWhiteNegativeFilm, #EI400, #EMULSIVEDailyPhoto, #ISO400, #Kodak, #KodakTMAX400TMY2

#shootfilmbenice #filmphotography #believeinfilm

Camera: Hasselblad 500C/M, Distagon C 4,0/40. Film: Kodak T-MAX 400, developed in Rodinal 1+50 10 min, 20°C.

Perspective correction and recropping to square with Paint Shop Pro. Just to give it a try.