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Church in the village of Krasnoye, Tver Region, Russia.(1790)
Camera: Nikon F 80;
Lens: Sigma 150mm F2.8 EX DG HSM APO Macro;
Film: KodakProImage100;
Filter: No filter;
Exposure: as ISO 100;
Scanned: Minolta Dimage Scan Elite 5400 by VueScan
Church of the Transfiguration of the Lord - in the village of Krasnoye, Staritsky District, Tver Region, Russia.
In the second half of the 18th century, M.F. Poltoratsky became the owner of the estate in the village of Krasnoye, Staritsky district, who decided to replace the old wooden church with a new one, copied from the famous Chesme church, built in 1777-1780 by order of Catherine II by architect Yu. M. Felten near Petersburg.
His first petition “to build a stone church with his own kosht” dates back to 1783. After a second petition, Bishop Ioasaph Zabolotsky signed the charter of the church on July 30, 1785.
The construction of the temple was carried out under the care and dependency of his wife for five years, and was completed in 1790.
Built in a pseudo-Gothic style, it is an almost exact copy of the Chesme Church in St. Petersburg, built 10 years earlier.
The height of the structure is 24 meters, length and width - about 20 meters.
In 1931, the Soviet authorities closed the temple. The bells were sent for melting down, the stone fence was dismantled and transported to Staritsa, to the city garden. The interior of the church was used for the needs of the local collective farm, destroyed and dilapidated.
In 1997, the restoration of the temple began.
Церковь Преображения Господня — в селе Красном Старицкого района Тверской области России.
Во второй половины XVIII века владельцем усадьбы в селе Красное Старицкого уезда стал М. Ф. Полторацкий, который решил взамен старой деревянной церкви построить новую, скопированную со знаменитой Чесменской церкви, сооружённой в 1777—1780 годах по повелению Екатерины II архитектором Ю. М. Фельтеном близ Петербурга.
Первое его ходатайство «построить каменную церковь собственным коштом» относится к 1783 году. После повторного прошения епископ Иоасаф Заболотский 30 июля 1785 года подписал храмоздательную грамоту.
Строительство храма осуществлялось попечением и иждивением его супруги на протяжении пяти лет, и было закончено в 1790 году.
Построен в псевдоготическом стиле, является почти точной копией Чесменской церкви в Санкт-Петербурге, построенной на 10 лет раньше.
Высота сооружения составляет 24 метра, длина и ширина — около 20 м.
В 1931 году советские власти закрыли храм. Колокола были отправлены на переплавку, каменная ограда разобрана, перевезена в Старицу, в городской сад. Внутреннее помещение церкви использовалось для нужд местного колхоза, разрушалось и ветшало.
В 1997 году началось восстановление храма.
These are the famous Tulip Stairs at the Queen's House in Greenwich. When you see it in person it really is a stunning piece of architectural design, made even more impressive when one considers it's age.
From the Royal Museums Greenwich website:
"The sweeping Tulip Stairs are one of the original features of the Queen’s House. This ornate, wrought iron structure was the first geometric self-supporting spiral stair in Britain."
35mm film photography
Leica M2
Zeiss Biogon C 35mm f/2.8 ZM
Kodak ProImage 100
Stone temple in honor of the Savior Not Made by Hands
Camera: Nikon F 80;
Lens: Sigma 12-24mm F4.5-5.6 EX DG ASP HSM;
Film: KodaklProImage100;
Filter: No filter;
Exposure: as ISO 100;
Scanned: Minolta Dimage Scan Elite 5400 by VueScan
Stone temple in honor of the Savior Not Made by Hands (Savior Church) in the Sergino tract not far (0.5 km north) from the village of Fatyanovo. The temple is a courtyard of the Staritsky Holy Assumption Monastery (Staritsa, Tver Region)
In 1914 in the village. Sergino had two temples - wooden and stone. The wooden temple in the name of the Savior Not Made by Hands was built in 1766, with one chapel - in the name of St. Nicholas the Wonderworker. The builder of the temple is a local landowner Alexei Petrovich Izmailov. The wooden bell tower was brought from the town of Staritsa from the church of Simeon the Stylite back in 1867. The stone church had the same name - in the name of the Savior Not Made by Hands and was built in 1897. The church had two chapels: the right one - in the name of St. Nicholas the Wonderworker and the left one - the Protection of the Most Holy Mother of God. The iconostasis was painted by the artist Shishkin.
The church was a double-height quadrangle crowned with five domes, with a refectory and a hipped bell tower.
During the Soviet period, the Church of the Savior was closed and devastated, the altar part and the refectory were destroyed.
Currently, the church is not functioning, it needs to be restored.
Каменный храм в честь Спаса Нерукотворного Образа (Спасская церковь) в урочище Сергино недалеко (0,5 км к северу) от деревни Фатьяново. Храм явяляется подворьем Старицкого Свято-Успенского мужского монастыря (г. Старица, Тверская область)
В 1914 г. в с. Сергино было два храма - деревянный и каменный. Деревянный храм во имя Спаса Нерукотворного построен в 1766 г., с одним приделом - во имя Николая Чудотворца. Строитель храма - местный помещик Алексей Петрович Измайлов. Деревянная колокольня была привезена из г. Старицы от церкви Симеона Столпника еще в 1867 г. Каменный храм носил такое же название - во имя Спаса Нерукотворного и был построен 1897 г. Церковь имела два придела: правый - во имя Николая Чудотворца и левый - Покрова Пресвятой Богородицы. Живопись иконостаса выполнил художник Шишкин.
Церковь представляла собой двухсветный четверик, увенчанный пятью главами, с трапезной и шатровой колокольней.
В советский период Спасская церковь была закрыта и разорена, разрушены алтарная часть и трапезная.
В настоящее время церковь не действует, требует восстановления.
Church in the village of Krasnoye, Tver Region, Russia.(1790)
Camera: Nikon F 80;
Lens: Sigma 150mm F2.8 EX DG HSM APO Macro;
Film: KodaklProImage100;
Filter: No filter;
Exposure: as ISO 100;
Scanned: Minolta Dimage Scan Elite 5400 by VueScan
Church of the Transfiguration of the Lord - in the village of Krasnoye, Staritsky District, Tver Region, Russia.
In the second half of the 18th century, M.F. Poltoratsky became the owner of the estate in the village of Krasnoye, Staritsky district, who decided to replace the old wooden church with a new one, copied from the famous Chesme church, built in 1777-1780 by order of Catherine II by architect Yu. M. Felten near Petersburg.
His first petition “to build a stone church with his own kosht” dates back to 1783. After a second petition, Bishop Ioasaph Zabolotsky signed the charter of the church on July 30, 1785.
The construction of the temple was carried out under the care and dependency of his wife for five years, and was completed in 1790.
Built in a pseudo-Gothic style, it is an almost exact copy of the Chesme Church in St. Petersburg, built 10 years earlier.
The height of the structure is 24 meters, length and width - about 20 meters.
In 1931, the Soviet authorities closed the temple. The bells were sent for melting down, the stone fence was dismantled and transported to Staritsa, to the city garden. The interior of the church was used for the needs of the local collective farm, destroyed and dilapidated.
In 1997, the restoration of the temple began.
Церковь Преображения Господня — в селе Красном Старицкого района Тверской области России.
Во второй половины XVIII века владельцем усадьбы в селе Красное Старицкого уезда стал М. Ф. Полторацкий, который решил взамен старой деревянной церкви построить новую, скопированную со знаменитой Чесменской церкви, сооружённой в 1777—1780 годах по повелению Екатерины II архитектором Ю. М. Фельтеном близ Петербурга.
Первое его ходатайство «построить каменную церковь собственным коштом» относится к 1783 году. После повторного прошения епископ Иоасаф Заболотский 30 июля 1785 года подписал храмоздательную грамоту.
Строительство храма осуществлялось попечением и иждивением его супруги на протяжении пяти лет, и было закончено в 1790 году.
Построен в псевдоготическом стиле, является почти точной копией Чесменской церкви в Санкт-Петербурге, построенной на 10 лет раньше.
Высота сооружения составляет 24 метра, длина и ширина — около 20 м.
В 1931 году советские власти закрыли храм. Колокола были отправлены на переплавку, каменная ограда разобрана, перевезена в Старицу, в городской сад. Внутреннее помещение церкви использовалось для нужд местного колхоза, разрушалось и ветшало.
В 1997 году началось восстановление храма.
Well I don't have a Christmas themed photo, at least a recent one to share but I'll share this one that was taken during winter of 2024.
I hope everyone has a great Christmas Eve and Christmas Day!
I love how the reds look on Kodak Pro Image 100 and the fine grain of this film stock. It just has a certain vibe that I enjoy.
Nikon N2000 + Nikkor AI 28mm f/3.5
It's been a while since I posted on Flickr. I took this photo a couple weeks ago when we had nearly 2 feet of snow fall just a few days before the eclipse (which by the way was a spectacular experience).
Taken using a Yashica FR-II + 50mm f/1.9 on Kodak Pro Image 100.
Camera: Agfa Super Silette L
Lens: Agfa Color Solinar 2.8/50mm
Film: Kodak ProImage 100
Developed by flash foto, München
Digitized with a Sony a7riii
Location: Laguna di Venezia, Italy
Actually, i do not really like the colors of this professional film. If i have the choice, i prefer the cheaper Kodacolor Gold 200. Due to Corona there was a shortage of that film in the summer of 2020 (and still is) so i had to resort to whatever film i could get.
The camera i used was my backup camera i fortunately took with me on this trip in case my main camera, an Agfa Ambi Silette, failed. When the Ambi fell apart in Burano and a vital part of the transport mechanism vanished in the water of a canal, i was glad i had the Super Silette with me.
I came across this intriguing scene in Berlin Lichtenberg, near the Dong Xuan market. Normally, I can't stand the bright orange of Berlin's iconic trash bins, but in this composition, they worked perfectly. This also marks my first street photograph posted in quite some time. Shot on a Konica Recorder with Kodak Image Pro 100 film, the development and scanning were handled by Safelight Berlin.