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Tässä etsii piiloa piilottaa yhden. / A scabby fox catched kid rabbits. It searches here place to hide one for later need.
Red Fox ( Vulpes vulpes ). 29.4.2012, Rovaniemi, Finland.
Red Fox running on hard snow. In the spring snow sometimes gets so hard that it`s possible even drive by car.... An old pic that I didn`t even remember have taken....
Copyright © 2012 Matti Suopajärvi. All rights reserved. Use without permission is illegal.
Lagunã incita e incendeia a savana.
Exu não deixa que a rainha se vista.
Assoa o nariz e todos acham
que a barca vai partir.
De longe ele seca a árvore do enxerto.
Faz cabeça de cobra assoviar.
Anda pelos campos, caminha entre os ebós.
Exu matou o pássaro ontem
com a pedra que atirou amanhã.
(Trechos do oriki* de Ésù)
The WalKeR
-------------------------------
*oriki = reza, canto sagrado, ponto/ candomblé ketu
El libro de Azowano se centra en diversas ceremonias y rituales relacionados con esta deidad, que es fundamental en las tradiciones yorubas y en su expresión en el contexto de Dahomey y Ketu. Este análisis se enfoca en el papel del Babalawo en la ceremonia del viaje de Azowano, los componentes del awán y el significado de los odun en la atena del awán.
www.tratadosafrocubanos.com/product/15743507/tratado-de-a...
Washi-no-yado, Hokkaido, Japan.
Possibly the highlight of my trip to Japan. With a wingspan of around 6ft this beautiful creature is the largest of the Owl family and also probably the rarest.
An all-night vigil of the stream was required to obtain views of a couple of different birds, with 5 visits at various times during the night.
Note: Thomas Blakiston was a. 19th century English naturalist who first collected a specimen of this Owl in 1883
Excerpt from thebuddhistgarden.com/places-of-interest-%E5%AF%BA%E9%99%...:
The Seven Treasures Wish-Fulfilling Pagodas
七寶如意塔
The Seven Treasures Wish-Fulfilling Pagodas is located by the Wisdom Pond, and there is a story behind the Seven Treasures Wish-Fulfilling Pagodas.
First of all, Wisdom Pond was discovered as a natural spring in a marshy area. After the spring was discovered, the lake kept getting bigger. Within two or three days of its discovery, the lake's water continued to gush forth, even washing away the soil by the lake. Therefore, Venerable Dayi Shi arranged for the construction of the Seven Treasures Wish-Fulfilling Pagodas by the Wisdom Pond to protect its shores. Since the Seven Treasures Wish-Fulfilling Pagodas were built by the lake, the water never overflowed again.
What is special about this Seven Treasures Wish-Fulfilling Pagodas? Buddhist stone pagodas are typically composed of various parts, including the base, body, spire, finial, pedestal, and ornamentation. The "base" consists of two parts: the underground foundation and the above-ground pedestal, both of which are connected, forming the solid foundation of the pagodas to anchor them securely.
The Seven Treasures Wish-Fulfilling Pagoda on Wutai Shan Buddhist Garden has a square-shaped body with a four-cornered Sumeru pedestal, greatly enhancing its stability and making it highly earthquake and typhoon resistant. The upper part of the pagoda is designed in a step-like pattern, typical of Tibetan-style pagodas. The Sumeru pedestal is adorned with lotus patterns, and the body of the pagoda is decorated with auspicious clouds and fierce lions. It has a flat and wide finial with niche doors, which contain carved Buddha images.
At the top of the pagoda's finial, there are 13 rings of "ornamental wheels" or "Dharma wheels." The "ornamental wheel" is positioned in the middle section of the pagoda's spire and is one of the most important components. In physical terms, the ornamental wheel consists of concentric rings linked together, serving as a symbol to gaze upon and venerate. It plays a role in showing reverence to the Buddha. The number of rings on an ornamental wheel on a pagoda is generally determined by the size and rank of the pagoda; it can range from three to five rings for smaller pagodas and up to thirteen rings for larger ones. Thirteen rings of ornamental wheels are referred to as the "thirteen heavens."
Regarding the Seven Treasures Wish-Fulfilling Pagodas themselves, they symbolize the names of the Seven Buddhas of the Seven Treasures: Namo Ratna-ketu Tathagata, Namo Ratna-sambhava Tathagata, Namo Ratna-kara Tathagata, Namo Arya-jña-na-garbha Tathagata, Namo Ratna-vikrama Tathagata, Namo Ratna-ruci Tathagata, Namo Amitabha Tathagata.
A Buddhist pagoda is a symbolic treasure in Buddhism, revered by believers. It also possesses a powerful, sacred quality capable of subduing all evil or alien forces and can be used for supplication and seeking help. Therefore, the spiritual benefits obtained by circumambulating a Buddhist pagoda while reciting scriptures and turning prayer beads are immeasurable.
So, when you pray, turn your prayer beads, recite scriptures, and walk clockwise around the pagodas’ bases. You will undoubtedly have a very auspicious experience! This is the story of the Seven Treasures Wish-Fulfilling Pagodas on Wutai Shan Buddhist Garden.
七寶如意塔的位置是在靈泉湖畔。大家知道七寶如意塔是怎麼來的呢？
首先要說，靈泉湖是在沼澤地裡發現的一個天然泉眼。這個泉眼發現以後，湖水越來越大。在發現泉眼的兩三天后，湖水不斷湧現，甚至把湖畔的泥土都沖掉了，所以達義大和尚就安排在靈泉湖畔做了七寶塔，鎮在湖邊。自從湖畔有了七寶如意塔，湖水就再也沒有漫過。
這個七寶如意塔有什麼特別之處呢？佛教石塔常以塔基、塔身、塔剎、剎座、寶頂、相輪等組成。 「塔基」包括基礎和基座兩個部分，基礎是埋入地下的部分，基座是露出地面的部分，兩部分上下相連，堅固完整，作為塔的根基，以固定整個佛塔。
五台山的七寶如意塔是四角須彌座形式的底座，塔身方形，大大加強了塔的牢固性，具有極強的抗地震和抗颱風能力。塔的腰部以上逐層收分如階梯，屬於藏傳的樣式，並且須彌座上雕刻仰蓮花紋，塔身刻有祥雲雄獅等，上有覆缽形塔腹，覆缽扁而寬大，設有龕門，其中雕刻佛像。
塔的寶剎上置13級環相輪，「相輪」居於塔剎的中段，它是塔剎的剎身中最重要的組成部分。相輪在寺院佛塔的實物中，就是一圈一圈的環，環環相連，用在塔上作為一種仰望觀瞻的標識，起著敬佛的作用。一座塔上相輪圈數的多少，一般依塔的形體大小和等級來定，少的有三五圈，多的可達十三圈。十三圈的相輪便被稱為「十三天」。
就七寶如意塔本身而言，象徵七寶如來名號：南無多寶如來、南無寶勝如來、南無妙色身如來、南無廣博身如來、南無離麋畏如來、南無甘露王如來、南無阿彌陀如來。
佛塔是佛教的一種象徵性寶物，供信徒頂禮崇拜；佛塔又是一種具有威懾力量、能夠壓制一切邪惡或異己力量的神聖之物，可供人們祈禱求助。因此，圍繞佛塔轉經所獲得的精神利益是無法估量的。
所以，大家在禱告時須轉動佛珠，背誦經文，繞著塔基順時針走一圈，一定會有非常殊勝的體驗！
這就是五台山七寶如意塔的故事。
"Pombagira, Bombogira, Exú Mulher ou ainda Bomobonjira, são todas formas de a denominar. Em especial, é mais utilizada a denominação Pombagira que nos chega pela influência Banta (Angola). A Entidade Banta Aluvaiá-Pombagira que foi trazida de África durante o fluxo de escravos para o Brasil e então submetida à entidade Iorubana Exú, durante todo o processo de miscigenação que se desenvolveu no Brasil, sendo colocada e entendida como a sua vertente feminina.
O facto de esta ser uma entidade que é entendida e cultuada de diferentes formas por diversas nações do Candomblé, pela Umbanda e pela Kimbanda, prova desde logo que se tratou de um processo de adaptação não consensual que ainda hoje perdura.
No Candomblé mais tradicional, como o Ketu, estas entidades não são cultuadas. No Candomblé tradicional, cultua-se exclusivamente o Orixá Exú que é uma entidade masculina, cuja simbologia é unicamente fálica, e portanto nada tem de feminino. No entanto, as Pombagiras existem de facto, não são Orixás, mas assim mesmo, são cultuadas também no Candomblé, embora nas nações menos tradicionais.
Como membro do Candomblé Ketu, o conceito que formei sobre quem são as Pombagiras é simples: são seres do mundo astral, guerreiras tanto quanto Exú, que estão bem próximas da nossa esfera humana, algumas já reencarnaram e outras não. Convivi de perto com Maria Padilha. Tive oportunidade durante os anos de vê-la, assim como às outras que pertenciam a várias médiuns do terreiro, realizarem inúmeros trabalhos: ajudar a vencer obstáculos, a ser feliz no amor, vencer problemas de saúde de desarmonia conjugal, e muitas outros problemas que as pessoas tinham e sobre os quais lhe pediam auxílio.
Pombagira subdivide-se numa enorme legião onde cada qual tem o seu nome próprio, conforme a sua área de actividade. Temos a linha das que pertencem às encruzilhadas como Pomba Gira Rainha das 7 Encruzilhadas; a linha do cemitério liderada pela Pombagira da Calunga; a linha das ciganas, lideradas pela Pombagira Cigana; e a linha ligada aos locais ermos, liderada pela Pombagira, Maria Mulambo. Com relação às suas manifestações nos médiuns, normalmente como mulheres, as suas legiões podem adoptar nomes como Pombagira Rosa, mas pertencendo a esta ou àquela linha, liderada pela chefe correspondente.
Uma coisa é muito certa, todo e qualquer problema que colocamos nas mãos de qualquer uma delas tem solução. A sua força é guerreira, a sua vibração magnética é carregada de sensualidade e alegria, tanto que a sua chegada aos médiuns é sempre alegre, solta e sensual.
Exú tem ligação com a força sexual criativa, e a Pombagira por sua vez com a circulação dessa energia criativa existente na vida e no Universo. Lamentavelmente a sua reputação tornou-se péssima devido a erros de incorporação dos próprios médiuns, que por deturpações pessoais as transformaram em seres com fama de depravadas, libidinosas e cruéis.
O importante ao invocá-las é lembrar sempre que, são entidades complexas de personalidade forte, e que nunca perdoam uma falta de palavra dada. O importante também é não invocá-las para trazer prejuízo a outrem, porque elas o farão com certeza, mas a dívida kármica adquirida ficará por conta de quem pediu.
Quanto ao seu aspecto sensual, faz parte de sua polaridade, não querendo significar com isso depravação ou perversão. Até hoje não conheci nenhuma mulher que tenha deixado de ser honesta por culpa de qualquer uma delas."
Ketu is the descending lunar node in Vedic, or Hindu astrology. After the head of Svarbhānu, an Asura, was cut off by God Vishnu, his head and body joined with a snake to form 'Ketu', representing the body without a head, and Rahu, representing the head without a body.
Ketu is generally referred to as a "shadow" planet. It is believed to have a tremendous impact on human lives and also the whole creation. Astronomically, Rahu and Ketu denote the points of intersection of the paths of the Sun and the Moon as they move on the celestial sphere. Therefore, Rahu and Ketu are respectively called the north and the south lunar nodes. The fact that eclipses occur when the Sun and the Moon are at one of these points gives rise to the understanding of swallowing of the Sun and the Moon by the snake. (Wikipedia)
This is Ketu! Like many other Matoran of his kind, he's quite the virtuosic. With his handmade contrabass he carved from the finest wood he brings music to the people.
This is my Piece Out: Blitz Out contest entry against Grayson, where each contestant had to build something to the topic "Music" within 24 hours. Go check out the group and vote for me if you like mine more!
Na casa do meu irmão Ketu - Caju crew!
valeu por tudo irmão, vc é sem palavras, por isso Deu sempre estar te abençoando...
um abraço.
_________________________
© All rights reserved world wide. Using without permission is illegal. None of these photographs or stories may be reproduced and/or used publicly in any way without the written permission. If you are interested in using my pictures, please contact me at taganiared@gmail.com
In Hindu astrology and mythology, Saturn known as Shani in Sanskrit is a sinister influence on the birth, death of human beings who believe in such planetary influences on their life.
There are 9 planets/ houses in the astrological symbolism covering most of the planets, moon and 2 other capricious entities called Rahu and Ketu which are the ascending and descending lunar nodes.
So there are 3 baddies out there in a Hindu believer's future as foretold by the planets.
Now to consecrate one of the malefic entities and worship it in a temple is in itself quite an oxymoron but then the purveyors of astrology and Hinduism manage to make a situation out of anything and we in India will worship anyhoo.
There are a few such temples and some have been in news recently courtesy modern day suffragettes and liberals demanding equal rights to pray at all temples. Yes you guessed it right women are not allowed inside some very famous temples in India. One such Shani temple is located in Shinganapur near Ahmednagar in Maharashtra and somehow I missed going there during my few years stay in Pune.
Whether women are allowed inside this particular temple, I know not. This is located on the road from Arehalli to Belur and it was a Monday so it was closed. Saturday would be the day for Saturn, right ?
_DSC4166 nef
Suomen eläinsadussa kerrotaan, että talon emäntä heitti kettua kohti piimää, koska kettu oli talon kanatarhassa vaanimassa kanoja.
dua tahun lalu, tengah malam masuk perbatasan Bosnia dari Serbia, lalu ke pom bensin. Aku Tanya yang jualan, apa Anda orang Bosnia, dengan ketus dijawab bukan dan Dia bilang kalau Dia Serbian. Bgt pun waktu mau masuk Serbia, di wilayah Kosovo yg berbatasan Serbia berkibar bendera Serbia dikiri kanan jalan. Selain Slovenia, negara yg mau lepas dari Yugoslavia pasti diperangi Serbia, krn tidak mau wilayahnya lepas.
Begitu pun dengan kasus rusia dan ukarian. Crimea, wilayah ukarian yg berbatasan dengan Russia, banyak penduduknya yg pro Russia. Ini dimanfaatkan Russia dengan bantu an senjata agar Ukraine tdk pernah stabil sehingga tidak pernah bisa gabung nato. Karena sekali gabung Maka kalau rusiaa macam2, Maka nato dan America akan backup.
Ekonomi rusia juga lagi ngak bagus, termausk yg paling banyak korban karena covid.
Kjo është tavolina e punës së Skënder Kamberit. Që këtu "lindin" ngjyrat dhe pikturat që unë ia dashuroj pamasë.
Con sus 8611m de altura, el K2 pasa por ser la montaña de las montañas, la pirámide perfecta. Foto tomada desde Concordia, la intersección del los glaciares Godwin-Austen y Baltoro.
The mountain of mountains, a 8611m high pyramid. Seen from Concordia, the intersection between the Baltoro and Godwin-Austen glacier.
View my images in DARCKR or Flickriver.
Escola Estadual Jardim Maria Luiza
Agradeço ao Rone, Rodrigo e todo pessoal da organizaçao, pela recepçao e apoio.
Escritores:
Apuros, Jão, Bizonho, Nanico, Réu Origis, Bob, Centavo, Sapão, Doug, Krusty, Spinha, Kbeça, Sir, Imortal, Gordon, Esgoto, Rod Vepea, Dium, Del, Snak, Fedos, Wal, Ketu, Monk, Rone. Não sei se acabei esquecendo de alguém..
This strange stone curving represents "Nabagraha" means "Nine Planets " which were worshiped in ancient Indian society by Hindus.Detailed narratives on this could be found in various ancient Indian History and archaeology manuscripts and books.
Name of those Nine planets -
Sun ( in the middle )
Venus
Moon
Mars
Rahu ( the ascending lunar node )
Satrun
Ketu ( the descending lunar node )
Jupitar
Mercury
K2 (also known as Chhogori/Qogir, Ketu/Kechu, Savage Mountain, Mountaineer's Mountain or Mount Godwin-Austen) is the second-highest mountain on Earth, after Mount Everest. With a peak elevation of 8,611 m (28,251 feet), K2 is part of the Karakoram Range, and is located on the border[2] between Baltistan, in the Gilgit–Baltistan region of Pakistan, and the Taxkorgan Tajik Autonomous County of Xinjiang, China.[3] It is more hazardous to reach K2 from the Chinese side; thus, it is mostly climbed from the Pakistani side.
K2 is known as the Savage Mountain due to the difficulty of ascent and the second-highest fatality rate among the "eight thousanders" for those who climb it. For every four people who have reached the summit, one has died trying.[4] Unlike Annapurna, the mountain with the highest fatality-to-summit rate, K2 has never been climbed in winter.
La población de China e India se preparaban para la llegada del mayor eclipse solar de este siglo, un acontecimiento que sigue siendo interpretado por algunos sectores como augurio de desastres.
Más de dos mil millones de personas, en su mayoría indios y chinos, se quedarán a oscuras en pleno día por la interposición de la Luna entre el Sol y la Tierra, un acontecimiento único cuya magnitud no se repetirá hasta el año 2132, según los expertos.
El fenómeno comenzará a las 06:24 locales (02:54 GMT) en el occidental estado indio de Gujarat y culminará en Shanghai, en la costa este china, donde el "apagón" durará cinco minutos, antes de dirigirse hacia el océano Pacífico, de acuerdo con las previsiones.
En total, el área que quedará en penumbras se extenderá por más de 15 mil kilómetros de largo y unos 250 kilómetros de ancho, y pasará por India, Nepal, Myanmar, Bután, Bangladesh, China y una pequeña parte de Japón.
Pese a los llamados de las autoridades chinas para que la población no se deje llevar por supersticiones, en foros de internet es común que se considere al fenómeno como augurio de desastres naturales o de la muerte de un alto funcionario del gobierno.
"La astronomía china explica desde hace decenas de siglos el fenómeno del eclipse en clave científica, pero los emperadores se obstinaron en darle un significado metafísico", dijo a Notimex la profesora Xu Fengxien, especialista en historia astronómica china en la Academia de Ciencias del país.
En China está aún fresco el recuerdo del eclipse del 1 de agosto de 2008, considerado por algunos como colofón de un año marcado por las nevadas de febrero, la revuelta del Tíbet en marzo y el terremoto de Sichuán de mayo, donde murieron más de 90 mil personas.
"En la cultura tradicional china un eclipse así se interpreta como una llamada del cielo, como una especie de represalia por un acto de los humanos que ha molestado a los dioses", explicó Xu.
En India, los hinduistas -que representan el 80 por ciento de los mil 170 millones de indios- atribuyen el fenómeno a los dioses Rahu y Ketu, quienes supuestamente devoran la estrella solar.
"Algunas ramas del hinduismo creen que el eclipse es nocivo: las mujeres embarazadas corren el riesgo de perder a sus bebés. Algunos consideran los rayos solares durante el eclipse como tóxicos", según Sabyasabhi Chatterjee, profesor del Instituto Indio de Astrofísica.
El pavor a este fenómeno natural se explica por las referencias de los clásicos hinduistas, quienes afirman que dragones y serpientes devoran el Sol y la Luna hasta su extinción.
Los textos evocan incluso un código de comportamiento a respetar durante el eclipse para escapar a sus malas vibraciones.
Se insta a que los creyentes se bañen mientras el cielo oscurece, que oren y den una limosna antes de volver a sumergirse en el agua, lo cual es visto como un elemento purificador.
Perdon a todos por no comentar, es que estoy con problmas de cervical y no puedo estar mucho tiempo en la computadora.
La foto la tome de internet y la publique como noticia
Besos a todos
Mariana
Venetian Spirit || Venice, Italy
While the weather in Bled was getting worse and it started raining I packed my bags and left that mesmerizing little town. The journey continued to one of the most unique cities in Italy, Venice. A three hour drive through the heavy rain really made me hopeless for the weather and the sunset I have planned to shoot that day, but as I was coming closer to Venice I realized that the weather is clearing up, and I have to say I did check the weather forecast app more than 30 times during the road trip, concluding that they Lie a lot, and actually the predictions are terrible (That was good, because they predicted rain). I parked the car, and the price of this was damn high, really terrible experience and something that you should be careful if you plan to go to Venice, (I suggest leaving the car a bit further away and go there by train) Dragging the bags was not fun as well, and when I arrived at the hotel around 6 o’clock I was super exhausted, never the less I just checked in, got some water and headed to the Rialto Bridge.
With the perfect view through the Grand Canal which is the division part between San Polo and San Marco, Ponte di Rialto is the most beautiful bridge and the biggest one in Venice, and believe me there are hundreds, or maybe even thousands of them there. Arriving there at around 18.30 and seeing the magnificent sunset that was about to happen was a big relief! Navigating through people who were taking selifes from the rialto bridge was really difficult and worse than that was finding a safe spot so people won’t actually touch the tripod while it was shooting, and that was definitely necessary (I’ll explain why in the part where I show how I processed the image). And it all went as planned!
Regarding the shot, I did around 200 different shots with many different settings, and this is why it was necessary for the position of the camera to be exact in all the shots so it won’t cause any trouble in the post production. The base image is consisted of 4 blended images in Oloneo (for the first time), and after that I did load the same images again on top of that so I could manually blend some parts which I did not like in photoshop, using different techniques such as luminosity masking, free hand masking and color Selection… I really loved what Oloneo did to the sky, but I was not really happy with the bottom part of the images… Other than that, later on I did capture a single shot only for the water, where the gondola was placed in the part that leads the viewer eye into the shot, and I did use a different speed for this shot to eliminate any motion that could happen… The third series of shots were actually for the city lights, and I did capture around 1.30 latest I did place my tripod to this exact location… With the help of Color efex pro4 and Viveza2 I was able to fine tune this image and the colors, achieving the exact colors I wanted, further more with Topaz DeNoise I eliminated the noise in some part of the sky and the darkest parts of the image to achieve the best quality
Shqip:
Pasi që koha po përkeqsohej në Bled dhe filloj të binte një shi i fortë mblodha të gjitha torbat dhe u largova nga aj qytet i kënshëm. Udhtimi vazhdon tek një qytet tjetër i veçantë i Italis, Venedik. Një udhëtim i tëri nën shiun e furishëm i cili më bëri të humb shpresat për përmirsim të kohes dhe të perendimit të diellit që kisha planifikuar te fotografoj atë dit, por sapo i afrohësha qytetit po shikoja se si po pastrohet qielli prej reve të shumta, dhe mundem me cek se kam hap applikacionin për parashikim te motit me shum se 30 her për te pa mos do tket ndryshim. Edhe pse aty kishin parashikuar reshje, koha vetëm po kthehej ne favorin tim. (Konstatova se aplikacionet sjon fort te besushme :P ) Parkova makinën, edhe pse ishte një qmim tepër i lartë dhe bëni mir me planifiku kët (Ësht me mir me e lan makinën ma larg dhe te udhtoni me tren deri aty) Pjesa e zvaritjeve të valixhefe sishte aq argëtuese poashtu, dhe kur mbrina në hotel reth ores 6 pasdite isha i lodhur tejmase, po prap se prap vetem mora pak ujë dhe u nisa per te Ura Rialto.
Me pamjen më te mir te kanalit te madh i cili e ndan pjesen e San Polo dhe San Marco, Rialto është ura më e bukur dhe më e madhe ne Venedik, dhe më besoni ka me qindra ose mijra ura aty. Arrita të jem aty afër ores 18.30 duke e par perendimin fantastik që pas pak do të ndodhte ishte një lehësim i madh. Levizja përmes njerërzve te cilit po bënin Selife ishte shumë e vështir, po pjesa tjetër më e tmerrshme ishte të gjeja një lokacion te sigurt për trekëmbshin, që njerzt e shumt të cilit kalonin aty mos ta lëviznin, dhe kjo ishte tepër e rëndesishme. Dhe gjithcka ishte ashtu siç e planifikova.
Sa i përket pjesës të fotografis... Kam bër reth 200 fotografi me shumë eksponazhe të ndryshme, dhe kjo ësht arsya pse ishte e domosdoshme që mos të lëvizej trekëmshi gjat pjesës se fotografimit, ajo paraqet problem ne editimin e fotografis. Fotografia bazë esht e përpunuar në Oloneo prej 4 fotografive. . Oloneo kishte arit te nxjer një rezultat shumë të mir sa i perket pjeses të qiellit, mirpo nuk më pëlqente pjesa e poshtme për at shkak mbi foton të përfituar nga Oloneo kam hapur përsëri 4 fotot me eksponazh për të përmirsuar ato pjes, duke përdor teknika të ndryshme si Luminosity Masking, Free hand Masking and Color Selection. Me von, kam fotografuar ujin dhe gondolën per te eliminuar ndonje lëvizje, ketu kam përdor exponazh më te shpejt. Dhe si perfundim pas një or e gjys në pikërisht të njejtin lokacion, pa lëviz as edhe një milimeter pasi që dritat e qytetit u ndezën kam bër edhe 3 fotografi. Me ndihmën e Color Efex Pro4 dhe Viveza2 kam pas mundsim me përmirsu ngjyrat dhe fotografin, duke arrit pikërisht ngjyrat e dëshiruara, më tutje me nihmen e Topaz DeNoise kam eliminuar Noise prej pjesës të qiellit dhe prej pjesëve më të erta te fotografis per një kualitet superior
Technical info:
Camera: Nikon D800
Lens: Nikon 16-35mm f/4 VR
Base exposure: 0.8sec F16 iso50 (-2,-1,0 and +1)
Water Exposure: 1/60 f4 iso 640
City Lights: 13sec f16 iso 50 (-1.0+1)