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Today I’m very happy to have the opportunity to interview the incredibly enthusiastic Sprocket-Shooting-Swede, Jonas Lundström!

Jonas is a bit of a force of nature when it comes to experimenting with and talking about film and I’m looking forward to hearing what he has to say. Le...

  

Read on at: emulsive.org/interviews/interview-5-i-am-jonas-lundstrom-...

 

Filed under: #FilmPhotographerInterviews, #Interviews, #2015July, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #JonasLundstrom

#shootfilmbenice #filmphotography # believeinfilm

Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter. The idea was brutally simple; while I’m lucky enough to have access to a wide range of film stocks and formats, there remain a few – quite a few in fact – which stay out of every day ...

  

Read on at: emulsive.org/reviews/film-reviews/efke-film-reviews/film-...

 

Filed under: #EfkeFilms, #FilmReviews, #35MmFormatFilm, #BlackAndWhiteNegativeFilm, #Efke, #EfkeKB25, #EI25, #Filmswap, #Helios, #Helios442, #ISO25, #JonasLundstrom, #Nikon, #NikonF100

#shootfilmbenice #filmphotography # believeinfilm

EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström. In fact, Jonas was also the man behind our very first #filmswap and one ...

  

Read on at: emulsive.org/reviews/film-reviews/kodak-film-reviews/film...

 

Filed under: #FilmReviews, #KodakFilms, #Reviews, #BlackAndWhiteNegativeFilm, #EastmanKodak, #EMULSIVE, #Filmswap, #ISO200, #JonasLundstrom, #Kodak, #KodakEASTMANDOUBLEX5222, #KodakPlusX5231, #KodakTriX400, #LongForm, #M42, #Minolta, #MinoltaXD, #MotionPictureFilmBlackAndWhite, #Pentax, #PentaxTakumar5518, #Rodinal

#shootfilmbenice #filmphotography # believeinfilm

Here is the dslr scanned version of a photo i uploaded back in 2011.

 

This picture is created thanks to a cooperation between two photographers:

A friend of mine first shot the roll using a half frame camera and then i double exposed it using a full frame slr, as a extra bonus i sent the roll of slide to be cross processed and this is the result!

 

Half frame camera

Canon 1v

Canon 50mm 1.4 usm

Agfa ct precisa 100 slide, cross processed

 

på rikssvenska; gäss till dig

  

eg. "Gåsavallarens kärlekssång till Ester"

Av: Helmer Bryd

Mel: Yesterday

 

Gäss te dej

Jag vill giva nåra gäss te dej

Om du bara säger yes te mej

Så ger jag nåra te dej

Ester, dej

Gillar jag om blott du fäster dej

Vid en sån som vill ge gäss te dej

Så kommer jag med präst te dej

Pärlor får du ej av en fattiglapp som mej

Ändå vill jag ge som en ringa gest te dej

-Yeah! Yeah! Yeah

Gäss te dej

De ä min delikatess te dej

Den som kunde ge en häst te dej

Men jag har bara gäss te dej

Jag har bara gäss te dej

 

(texten stämmer inte helt med den som sjungs, men denna verkar vara den korrekta)

EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström. In fact, Jonas was also the man behind our very first #filmswap and one...

 

Large version at: emulsive.org/reviews/filmswap-03-eastman-double-x-5222

 

Filed under: #Articles #Featured #FilmReviews #Reviews #BlackAndWhiteNegativeFilm #Eastman #EMULSIVE #Filmswap #ISO200 #JonasLundstrom #Kodak #KodakDoubleX5222 #KodakPlusX5231 #KodakTriX400 #M42 #Minolta #MinoltaXD #MotionPictureFilmBlackAndWhite #Pentax #PentaxTakumar5518 #Rodinal

Well, it seems like we hit a nerve with Jonas Lundström and he’s out for blood.

With all the hubbub surrounding Holga Week 2015, he wrote in to complain softly ask why we haven’t yet featured any “toy cameras”. Well, we’ve got news for you, Jonas…the first pi...

  

Read on at: emulsive.org/articles/the-photographers-daypack-part-3-to...

 

Filed under: #Articles, #DayPack, #Holga, #JonasLundstrom

#shootfilmbenice #filmphotography # believeinfilm

Shortly after opening the doors to EMULSIVE I kicked off a little #filmswap project on Twitter. The idea was brutally simple; while I’m lucky enough to have access to a wide range of film stocks and formats, there remain a few – quite a few in fact – which stay out of every day ...

 

emulsive.org/articles/filmswap-01-efke-25-jonas-lundstrom

 

#35Mm_Format_Film, #Black_And_White_Film, #Efke, #Efke_Kb_25, #Filmswap, #Helios, #Helios_442, #Jonas_Lundstrom, #Nikon, #Nikon_F100

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Give your friends memorable experiences that they will enjoy and remember you by, that’s what I say. About 2 years ago I was given a roll of cold-stored 1998-expired Kodak EKTACHROME Infrared EIR E6 35mm film and knowing how special this film is I decided that I would go out and enjoy this ...

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Read on at: emulsive.org/reviews/film-reviews/kodak-film-reviews/film...

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Filed under: #Articles, #FilmLove, #FilmReviews, #KodakFilms, #Reviews, #JonasLundstrom, #Kodak, #KodakEKTACHROMEInfraredEIR, #SinaFarhat

#shootfilmbenice #filmphotography # believeinfilm

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

Canon f1n

Canon 50mm 1.4 fd

polypan f 50 @ 100

T-max dev 7 min

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

I used a Canon f1n and a Canon 35mm 2.8, fuji press 1600@400.

Jonas used a Agfa optica 1035 and shot the film backwards as redscale at iso 100.

Dslr scanned

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