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Further "Painting with Pixels". Based on a musical piece by "Shakti" a four-piece ensemble comprised of Jazz/Rock guitarist, John McLaughlin, Tabla player Zakir Hussain, Violinist L. Shankar and Mrdangam player, Vikku Vinayakram.
Image created July 17, 2022
Zoom in for a more immersive view.
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Music Link: "La Danse du Bonheur" - Shakti, from their album, "A Handful of Beauty".
www.youtube.com/watch?v=RZ3l_ml07Go
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© 2022, Richard S Warner. All Rights Reserved. This image may not be used or copied or posted to another website in any form whatsoever without express permission of the creator of this work, with whom the sole copyright resides.
"Because the pleasure of discovery is just unequalled."
Title Quote: Guitar legend John McLaughlin
interview
I apologise for the lack of comments. Still busy ...
Thanks for looking ... Catch up soon... :-)
New blog: I was looking for an affordable action camera and this is it. This camera is everything I would expect it to be.
REVIEW: Sunplus SP5K Series
blog
Port.: ...para ser vista ao som de "Manhã De Carnaval",
música de Luiz Bonfá, interpretada aqui por Paco De Lucia, Al Di Meola E John Mclaughlin.
Eng.: ...to be seen at the sound of "Manhã De Carnaval",
music by Luiz Bonfa, played here by Paco De Lucia, Al Di Meola and John Mclaughlin.
The Beyond / Heft-Reihe
"I have brought a new Disciple to our Cult."
cover: Jim McLaughlin
Ace Magazines / USA 1951
Reprint / Comic-Club NK 2010
ex libris MTP
John McLaughlin (April 8, 1956 – October 24, 1990), better known as "John Sex" was a cabaret singer and performance artist in New York City from the late 1970s until his death.
He was born in Long Island as John McLaughlin. He was given the last name of Sex soon after moving to New York City. He attended the School of Visual Arts in New York City where he knew Keith Haring, and Jean-Michel Basquiat. He often used the print studio there to create punk-style posters for downtown bands, and later for himself. He exhibited some of his word-based art at the "Beyond Words" show at the Mudd Club (alongside artists such as Keith Haring, Kenny Scharf and Futura 2000; and performers Iggy Pop, Fab Five Freddy and Alan Vega), and at the "New York / New Wave" exhibition at P.S.1, both in 1981. He soon met Klaus Nomi and Joey Arias in the downtown New York scene and gave up painting, finding he could better express himself in performance.
After early work as a gay stripper, John Sex became an alternative performance artist, creating a character based on an exaggerated, cheesy Las Vegas lounge singer / MC. First along with other SVA graduates and students and Club 57 "Sex developed a persona that simultaniously masked and amplified his polymorphous self, elaborating a mythinc yet parodic rock-star figure of mercurial presence" (Frank & McKentie, 1987). His "Acts of Live Art" series there brought performance art into the club context. He was able to further refine the combination of performance art, drag act, gay go-go dancer, cabaret singer, lounge MC, etc. as a performance art dancer who performed at such legendary New York clubs as Club 57, the Pyramid Club, Danceteria, The Palladium, Paradise Garage and Andy Warhol's Underground. His famous backup singers, The Bodacious TaTa's were often mistaken for drag queens but always consisted of female singers and dancers including Micki French, Wendy Wild, April Palmieri and Myra Schiller. His costumes were designed by the famous Katy K, who occasionally sat in with the TaTa's. John used to claim the surname Sex was an Americanization of his family's original name, Sexton, but in fact it was created for him by fellow performers Joey Arias and Klaus Nomi early in his career "during a period of rampent promescuity" (Hagar). For the 1986 gay parade in New York City, he organized and helped build a float called the Go-Go Stars float which had go-go dancers from various night clubs go-go dancing on it. His last public performance was at the club Mars in New York in 1989. He recorded a four song E.P for Sire Records, produced by Mark Kamins and Ivan Ivan, as well as 12" singles and music videos for his songs "Rock Your Body" and "Hustle with the Muscle." Mr. Sex's trademark was his long, blond hair which stood straight up, and which he claimed was kept erect by a combination of Dippity-do, Aqua Net, egg whites, beer, and semen. He also dressed in flamboyant costumes. He owned a python named Delilah that was often included in his cabaret act, and was a friend of artist Andy Warhol. Sometimes he would leave the python on stage and come down into the audience and wrestle with patrons of the club. He died from AIDS-related complications.
The name 'New Directions' is taken from Miles Davis' album of the similar title - it contained number of his never published pieces of music. 'Big Fun' is a great, great piece of a continuous flow of sound. It starts 'in the middle' and seem to have no finish... The original art cover by Corky McCoy... I attach a sampler of Miles' '70s psychedelia - couldn't find anything from Big Fun album: the flow The musicians playing with Davis were the cream of Fusion Jazz. John McLaughlin was the guitarist and a had musical piece by Davis on the album dedicated to him 'Go Ahead John'.
Miles Davis: Live-Evil 1971
1. Sivad (Davis) 15'13
2. Little Church (Pascoal) 3'14
3. Medley: Gemini (Davis)/Double Image (Zawinul) 5'53
Side 2
4. What I Say (Davis) 21'09
5. Nem Um Talvez (Davis) 4'03
Disc: 2 - side 1
6. Selim (Davis) 2'12
7. Funky Tonk (Davis) 23'26
Side 2 Disc 2
8. Inamorata And Narration (Davis) 26'29
(total 102 min)
Miles Davis Trumpet
Gary Bartz Sax (Alto), Sax (Soprano), Liner Notes
Wayne Shorter Sax (Soprano)
Steve Grossman Sax (Soprano)
John McLaughlin Guitar
Khalil Balakrishna Sitar (Electric)
Herbie Hancock Keyboards, Piano (Electric)
Keith Jarrett Organ, Keyboards, Piano (Electric) 1,2,4-8
Joe Zawinul Piano (Electric) 3
Chick Corea Piano (Electric)
Michael Henderson Bass (Electric), Guitar (Bass)
Ron Carter Bass, Bass (Acoustic)
Dave Holland Bass, Bass (Electric), Bass (Acoustic)
Airto Moreira Percussion
Hermeto Pascoal Drums, Piano (Electric), Vocals, Voices, Whistle (Human)
Jack DeJohnette Drums (solo 4)
Billy Cobham Drums
Recording Date: Feb 6, 1970 - Dec 19, 1970
Release 1971: Columbia/Legacy #65135
Cover painting Mati Klarwein
bought the Double LP 23.11.1972 36 mk
Miles' intensive period goes on with top musicians,
see the list! McLaughlin is at his best!
Waiting for the start of 'The Meeting of the Spirits' show.
"In a career that spans over five decades, John McLaughlin, one of music’s most influential and prolific guitarists, composers, and bandleaders, will begin his farewell U.S. tour on November 1 in Buffalo, NY. McLaughlin will be joined by Jimmy Herring, who has been in the creative forefront of the American rock-jam movement for 25 years. The Meeting of the Spirits tour will hit 23 cities before ending in Los Angeles on December 9."
Highlighting this musical adventure will be John McLaughlin revisiting the pioneering music he introduced with his genre-defying Mahavishnu Orchestra. In addition, McLaughlin is expected to release a new album just before the tour launches. More details to be announced.
McLaughlin’s first extensive U.S. tour in seven years, The Meeting of the Spirits also marks his first extended exploration of the Mahavishnu Orchestra material from seminal albums such as Inner Mounting Flame, Birds of Fire, Between Nothingness and Eternity, Visions of the Emerald Beyond and more since the band’s original heyday in the 1970s.
Jimmy Herring, best known for his inspired contributions to the Aquarium Rescue Unit, The Allman Brothers, Widespread Panic, The Dead, and others, will be co-headlining each show with his new band ‘The Invisible Whip,’ comprised of Jeff Sipe-Apt Q258 (drums), Matt Slocum (B3 and Clavinet), Jason Crosby (Fender Rhodes, Wurlitzer) and Kevin Scott (bass).
On The Meeting of the Spirits tour, separate sets by Herring and McLaughlin will be followed by the two joining forces for an expansive closing jam based on classic Mahavishnu Orchestra material. The tour will feature the first extended collaborations between two of world’s foremost guitarists. McLaughlin will be backed by his current band, the 4th Dimension – Ranjit Barot (drums), Gary Husband (keyboards, drums), and Etienne M’Bappé (bass) – each an established composer and recording artist in his own right. Expect special surprise guests to be added when available.
~ www.johnmclaughlin.com/2017/02/john-mclaughlin-jimmy-herr...
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Miles Davis: Bitches Brew 1970
1. Pharaoh's Dance (Joe Zawinul) 20:06
2. Bitches Brew (Davis) 27:00
3. Spanish Key (Davis) 17'32
4. John McLaughlin (Davis) 4'24
5. Miles Runs The Voodoo Down ( Davis)14:04
6. Sanctuary (Wayne Shorter)11:01
(94:11)
Miles Davis trumpet
Wayne Shorter ss, Bennie Maupin bcl, Joe Zawinul p
Larry Young p, Chick Corea p, John McLaughlin g,
Dave Holland b, Harvey Brooks electric bass
Lenny White d, Jack DeJohnette d, Don Alias drums, congas
Juma Santos shaker, congas
The Mati Klarwein painting on the cover
Released April 1970 - Recorded August 19-21.8. 1969
Producer Teo Macero, Columbia
DLP 11.12.1970 36 mk
A classic - opening of an new era in fusion jazz.
Davis-Bitches767-23-3-7mid
Miles Davis: Get Up With It 1970-1974
1. He Loved Him Madly (1974) 32:20
2. Maiysha (1974) 14:56
3. Honky Tonk (1970) 5:57
4. Rated X (1972) 6:53
5. Calypso Frelimo (1973) 32:10
6. Red China Blues (1972) 4:10
7. Mtume (1974) 15:12
8. Billy Preston (1972) 12:35
(All compositions by Miles Davis.)
(total Length 123:52)
1970:
Miles Davis trumpet
Steve Grossman ss, John McLaughlin g, Keith Jarrett electric p
Herbie Hancock clavinet, Michael Henderson bass guitar
Billy Cobham dr, Airto Moreira perc.
1972:
Miles Davis organ, Cedric Lawson p, Reggie Lucas g,
Khalil Balakrishna electric sitar, Michael Henderson bass guitar, Al Foster dr, James Mtume Foreman percussion, Badal Roy tabla, Sonny Fortune flute, Carlos Garnett ss
1973:
Miles Davis trumpet, electric piano, organ
Dave Liebman flute, John Stubblefield ss, Pete Cosey g,
Reggie Lucas g, Michael Henderson bass guitar
Al Foster drums, James Mtume Foreman percussion
1974:
Miles Davis trumpet, organ
Dave Liebman ss, fl, Sonny Fortune fl, Pete Cosey g,
Dominique Gaumont g, Michael Henderson bass guitar
Al Foster drums, James Mtume Foreman percussion
Released 22.11.1975, Recorded Columbia Studio B (NYC) 1975
Producer Teo Macero
Bought the Double LP 11.2.1975 44 mk H:ki
Bought the CD 19.11.1997 139,-, Anttila, H:ki
The album opens with a tribute to Duke Ellington, who had just recently died. Great slow mood. There are sessions from 1970-1975 - and it's kind of compilation of Miles' bands during that period. John McLaughlin palys in the 1970 track Honky Tonk.
My fav. on this record is the Calypso Frelimo.
verona jazz festival june 1996
- arena - ........rehearsal time.......
paco de lucia & al di meola "in trio" with john mclaughlin
best... View On Black
feel free to visit my web site
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Miles Davis: On The Corner 1972
1. On The Corner / New York Girl
Thinkin' One Thing And Doin' Another,
Vote For Miles (19'56)
2. Black Satin (5:16)
Side 2
3. One And One (6:09)
4. Helen Butte / Mr. Freedom X (23'18)
(Total length 54:39)
Miles Davis: Trumpet, composer
David Liebman: Tenor Sax (1)
Carlos Garnett: Soprano & Tenor Sax (2,4)
Bennie Maupin bass clarinet (2)
John McLaughlin guitar (1)
David Creamer: Guitar (2-4)
Herbie Hancock: Fender Rhodes, Synthesizer
Chick Corea: Keyboard, Fender Rhodes,
Harold I. Williams, Jr.: Keyboard, organ, synthesizer
Michael Henderson: Bass
Colin Walcott: Electric Sitar (1,3,4)
Khalil Balakrishna Electric Sitar (2)
William W. Hart: Drums and Percussion
Jack DeJohnette: Drums
Al Foster Drums, Badal Roy: Tabla
Producer Teo Macero
Engineers: Stan Tonkel & Russ Payne
Cover Painting: Corky McCoy
LP CBS 85549 (CD Columbia CK 63980)
Released July 1, 1972 - Recorded June 1, 1972 - June 6, 1972
Genre Jazz Fusion: hip hop, drum and bass, and electronic music, Funk
LP 27.4.1973 26 mk H:ki & 3.9.1984 Fazu Alexi H:ki 29,50 mk
CD 6.10.2006 H:ki Anttila 12 €
In 1972 Miles Davis was ready to Funky Music. Sly & The Familystone e.g. was one of his sound ideas. And this is the result.
The music has changed quite a bit form his previous studio album Live-Evil.
The rhythm section and the bass makes is funkier than ever. Miles uses his electric trumpet like a percussion instrument, like a whip.
John McLaughlin's part is on the side 1 fantastic. He plays better than ever.
Finding the way / John McLaughlin - zakir hussain - Shakti
Easy / Anoushka Shankar ＆ Norah Jones
El tantra, en la era moderna -previsiblemente, quizá- se asocia casi enteramente con el sexo. En realidad, de las 112 técnicas de meditación descritas en El libro de los secretos, menos de media docena se ocupan directamente del acto sexual. El propósito del tantra, como descubrimos en las páginas siguientes, no es simplemente proporcionar a la gente una mejor vida sexual; más bien es utilizar innumerables situaciones y encuentros de la vida corriente de los seres humanos, incluido el sexo, como puertas de entrada a la experiencia de la meditación. Como dice Osho en el primer capítulo:
Estos sutras de Shiva son las técnicas más viejas, más antiguas. Pero también se las puede llamar las últimas, porque resulta imposible añadirles nada. Han incluido todas las posibilidades, todas las maneras de limpiar la mente, de transcender la mente. No se puede añadir ni un solo método a los ciento doce métodos de Shiva. Es el más antiguo y, sin embargo, el último, el más nuevo. Viejos como las viejas montañas -los métodos parecen eternos- y nuevos como una gota de rocío al sol, porque son esencialmente frescos.
Estos ciento doce métodos de meditación constituyen toda la ciencia de transformar la mente.( ...)
El hombre y la mujer no sólo son diferentes físicamente; son diferentes psicológicamente. El sexo no es sólo una diferencia en el cuerpo; es también una diferencia de psicologías. Una mente femenina significa receptividad: receptividad total, entrega, amor. Un discípulo necesita una psicología femenina; de lo contrario no podrá aprender. Puedes preguntar, pero si no estás abierto, no podrás ser contestado. Puedes hacer una pregunta y aun así seguir cerrado. Entonces la respuesta no puede penetrar en ti. Tus puertas están cerradas; estás muerto. No estás abierto.
Una receptividad femenina significa una receptividad como la del útero en la profundidad interna, de modo que puedas ser receptivo. Y no sólo eso: significa mucho más. Una mujer no sólo está recibiendo algo; en cuanto lo recibe se convierte en parte de su cuerpo. Se recibe un niño. Una mujer concibe; en el momento en que se produce la concepción, el niño se ha convertido en parte del cuerpo femenino. No es un extraño, no es un forastero. Ha sido absorbido. Ahora el niño no vivirá como algo añadido a la madre, sino simplemente como una parte, simplemente como la madre. Y el niño no sólo es recibido; el cuerpo femenino se vuelve creativo, el niño comienza a crecer.
Un discípulo necesita una receptividad como la del útero. Lo que se reciba no debe ser acumulado como conocimiento muerto. Debe crecer en ti; debe convertirse en sangre y huesos dentro de ti. Debe convertirse en una parte, ahora. ¡Debe crecer! Este crecimiento te cambiará, te transformará a ti, el receptor. Por eso el tantra usa este sistema. Todos los tratados comienzan con Devi haciendo una pregunta y Shiva contestando. Devi es la consorte de Shiva, su parte femenina.( ...)
Si entras en contacto con Shiva con una pregunta y con la mente cerrada, no te responderá de esta manera. Primero hay que romper tu cerrazón. Así que tendrá que ser agresivo. Hay que destruir tus prejuicios, tus ideas preconcebidas. A no ser que quedes limpio completamente de tu pasado, no se te puede dar nada. Pero éste no es el caso de su consorte, Devi; en Devi no hay pasado.
Recuerda, cuando estás profundamente enamorado, tu mente deja de existir. No hay pasado; tan sólo el momento presente se vuelve todo. Cuando estás poseído por el amor, el presente es el único tiempo, el ahora lo es todo: no hay pasado, no hay futuro. De modo que Devi está simplemente abierta. No hay defensa: no hay nada que limpiar, nada que destruir. El terreno está listo, sólo hay que dejar caer una semilla. El terreno no está sólo listo, sino acogedor, receptivo, pidiendo ser impregnado.( ...)
Conocemos el universo, pero no sabemos que es portentoso. Los niños lo saben, los que aman lo saben. A veces, los poetas y los locos lo saben.
Nosotros no sabemos que el mundo es portentoso. Todo es simplemente repetitivo: sin prodigios, sin poesía, tan sólo prosa insípida. No crea una canción en ti; no crea una danza; no trae a la vida la poesía interna. El universo entero parece mecánico. Los niños lo miran con ojos maravillados. Cuando los ojos están maravillados, el universo es portentoso.
Cuando estás enamorado, te vuelves de nuevo como los niños. Jesús dice: «Sólo los que son como niños entrarán en el reino de Dios.» ¿Por qué? Porque si el universo no es un portento, no puedes ser religioso. El universo puede ser explicado: entonces tu enfoque es científico. El universo es conocido o desconocido, pero lo que es desconocido puede ser conocido cualquier día; no es incognoscible. El universo se vuelve incognoscible, un misterio, sólo cuando tus ojos están maravillados.
Cuando entras en el amor, en el mundo profundo e íntimo del amor, la persona desaparece, la forma desaparece, y la persona amada se vuelve simplemente una puerta al universo. (...)
Puede que tu curiosidad sea científica: entonces tienes que abordarlo mediante la lógica. Entonces no debes pensar en lo sin forma. Entonces guárdate de lo sin forma; entonces conténtate con la forma. La ciencia se ocupa siempre de la forma. Si se propone cualquier cosa sin forma a una mente científica, lo reducirá a forma: a menos que tome una forma, no tiene sentido. Primero dale una forma, una forma definida; sólo entonces comienza la investigación.
En el amor, si hay forma, no tiene fin. ¡Disuelve la forma! Cuando las cosas se vuelven sin forma, vertiginosas, sin límites, cada cosa entrando en las demás, volviéndose el universo entero una unidad, sólo entonces es un universo portentoso.(...)
Osho / The Book of secrets ( una visió contemporanea a les 112 meditacions del Vigyan Bhairav Tantra, el text mes antic sobre la practica del tantra, escrit fa aproximadament 5000 anys )
Mr. John McLaughlin, Mr. Zakir Hussein, their Remember Shakti band and Mrs. Ina Behrend at the Al Mada Association for Arts Based Community Development.
Al Mada Association for Arts Based Community Development together with UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East under the auspices of Commission General Filipo Grande are proud to announce that grammy award winners, guitarist John McLaughlin and tabla Maestro Zakir Hussain played a one off concert with their world-renowned group Remember Shakti, at the Ramallah Cultural Palace on Feb 14th 2012.
Photographic documentation during the stay of Mr. John McLaughlin, Mr. Zakir Hussein and their Remember Shakti band.
Please feel free to download the images free of charge for private use, for non-commercial applications (editorial/ journalistic) purposes.
In agreement with the responsible event organisers and the permission from all persons appearing in that photograph, the photographs can be obtained for any other kind of use (such as for poster print, roll-up print, magazine print etc), please contact me at r.yumlu@palpics.info or jenny@al-mada.ps.
There are more images apart from those shown at flickr available, who can be provided on request.
mobile: +972 (0)54-231 81 06
r.yumlu@palpics.info
beautiful faces of palestine
PalPics Photo Stock
Victor Lemonte Wooten (born September 11, 1964) is an American bass player, composer, author, producer, educator, and recipient of five Grammy Awards.[1]
Wooten has won the "Bass Player of the Year" award from Bass Player magazine three times and is the first person to win the award more than once.[1] In 2011, he was named #10 in the "Top 10 Bassists of All Time" by Rolling Stone.[2] In addition to a solo career and collaborations with various artists, Wooten has been the bassist for Béla Fleck and the Flecktones since the group's formation in 1988.
In 2008, Wooten joined Stanley Clarke and Marcus Miller to record an album. The trio of bassists, under the name SMV, released Thunder in August 2008 and began a supporting tour the same month.[3]
Wooten has also written a novel titled "The Music Lesson: A Spiritual Search for Growth Through Music".[4] On his website he has stated that he is currently writing a sequel and intends to release at least three more books.[5]
Wooten also operates his own record label, Vix Records, on which he releases his own music. ~ en.wikipedia.org/wiki/Victor_Wooten
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"When I play with John, it's not like playing with a Western musician," said Zakir Hussain. "It's like playing with an Indian musician believe it or not. John has taken the time to study Indian classical music and figure out how we work, how we think and what our improvising techniques are. Myself, I have had the good fortune to study and understand the Western ways of musical thinking be it jazz, pop or rock. In terms of musical interaction with John, it’s a bit more detailed now than before, but the same love and affection for one another is there. The fabulous thing is that connection hasn't changed. I never feel like I'm working with someone strange from a different tradition and he doesn't feel that way either."
The concert is the first of its kind, a high profile solidarity event for Palestine, which will also further collaboration between Al Mada and UNRWA in providing the highest quality psycho-social care to Palestine’s refugee population.
Al Mada Association for Arts Based Community Development together with UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East under the auspices of Commission General Filipo Grande are proud to announce that grammy award winners, guitarist John McLaughlin and tabla Maestro Zakir Hussain played a one off concert with their world-renowned group Remember Shakti, at the Ramallah Cultural Palace on Feb 14th 2012.
Photographic documentation during the stay of Mr. John McLaughlin, Mr. Zakir Hussein and their Remember Shakti band.
Please feel free to download the images free of charge for private use, for non-commercial applications (editorial/ journalistic) purposes.
In agreement with the responsible event organisers and the permission from all persons appearing in that photograph, the photographs can be obtained for any other kind of use (such as for poster print, roll-up print, magazine print etc), please contact me at r.yumlu@palpics.info or jenny@al-mada.ps.
There are more images apart from those shown at flickr available, who can be provided on request.
mobile: +972 (0)54-231 81 06
r.yumlu@palpics.info
beautiful faces of palestine
PalPics Photo Stock
The concert is the first of its kind, a high profile solidarity event for Palestine, which will also further collaboration between Al Mada and UNRWA in providing the highest quality psycho-social care to Palestine’s refugee population.
Al Mada Association for Arts Based Community Development together with UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East under the auspices of Commission General Filipo Grande are proud to announce that grammy award winners, guitarist John McLaughlin and tabla Maestro Zakir Hussain played a one off concert with their world-renowned group Remember Shakti, at the Ramallah Cultural Palace on Feb 14th 2012.
Photographic documentation during the stay of Mr. John McLaughlin, Mr. Zakir Hussein and their Remember Shakti band.
Please feel free to download the images free of charge for private use, for non-commercial applications (editorial/ journalistic) purposes.
In agreement with the responsible event organisers and the permission from all persons appearing in that photograph, the photographs can be obtained for any other kind of use (such as for poster print, roll-up print, magazine print etc), please contact me at r.yumlu@palpics.info or jenny@al-mada.ps.
There are more images apart from those shown at flickr available, who can be provided on request.
mobile: +972 (0)54-231 81 06
r.yumlu@palpics.info
beautiful faces of palestine
PalPics Photo Stock
The concert is the first of its kind, a high profile solidarity event for Palestine, which will also further collaboration between Al Mada and UNRWA in providing the highest quality psycho-social care to Palestine’s refugee population.
Al Mada Association for Arts Based Community Development together with UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East under the auspices of Commission General Filipo Grande are proud to announce that grammy award winners, guitarist John McLaughlin and tabla Maestro Zakir Hussain played a one off concert with their world-renowned group Remember Shakti, at the Ramallah Cultural Palace on Feb 14th 2012.
Photographic documentation during the stay of Mr. John McLaughlin, Mr. Zakir Hussein and their Remember Shakti band.
Please feel free to download the images free of charge for private use, for non-commercial applications (editorial/ journalistic) purposes.
In agreement with the responsible event organisers and the permission from all persons appearing in that photograph, the photographs can be obtained for any other kind of use (such as for poster print, roll-up print, magazine print etc), please contact me at r.yumlu@palpics.info or jenny@al-mada.ps.
There are more images apart from those shown at flickr available, who can be provided on request.
mobile: +972 (0)54-231 81 06
r.yumlu@palpics.info
beautiful faces of palestine
PalPics Photo Stock
His Excellency Dr Salam Fayyad, Prime Minister of the Palestinian National Authority welcomes the delegates of John McLaughlin, Mr. Zakir Hussain, their group Remember Shakti and the representatives of the UNRWA, UNICEF and Al Mada, West Bank Town of Ramallah.
Al Mada Association for Arts Based Community Development together with UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East under the auspices of Commission General Filipo Grande are proud to announce that grammy award winners, guitarist John McLaughlin and tabla Maestro Zakir Hussainplayed a one off concert with their world-renowned group Remember Shakti, at the Ramallah Cultural Palace on Feb 14th 2012.
Photographic documentation during the stay of Mr. John McLaughlin, Mr. Zakir Hussein and their Remember Shakti band.
Please feel free to download the images free of charge for private use, for non-commercial applications (editorial/ journalistic) purposes.
In agreement with the responsible event organisers and the permission from all persons appearing in that photograph, the photographs can be obtained for any other kind of use (such as for poster print, roll-up print, magazine print etc), please contact me at r.yumlu@palpics.info or jenny@al-mada.ps.
There are more images apart from those shown at flickr available, who can be provided on request.
mobile: +972 (0)54-231 81 06
r.yumlu@palpics.info
beautiful faces of palestine
PalPics Photo Stock
The concert is the first of its kind, a high profile solidarity event for Palestine, which will also further collaboration between Al Mada and UNRWA in providing the highest quality psycho-social care to Palestine’s refugee population.
Al Mada Association for Arts Based Community Development together with UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East under the auspices of Commission General Filipo Grande are proud to announce that grammy award winners, guitarist John McLaughlin and tabla Maestro Zakir Hussain played a one off concert with their world-renowned group Remember Shakti, at the Ramallah Cultural Palace on Feb 14th 2012.
Photographic documentation during the stay of Mr. John McLaughlin, Mr. Zakir Hussein and their Remember Shakti band.
Please feel free to download the images free of charge for private use, for non-commercial applications (editorial/ journalistic) purposes.
In agreement with the responsible event organisers and the permission from all persons appearing in that photograph, the photographs can be obtained for any other kind of use (such as for poster print, roll-up print, magazine print etc), please contact me at r.yumlu@palpics.info or jenny@al-mada.ps.
There are more images apart from those shown at flickr available, who can be provided on request.
mobile: +972 (0)54-231 81 06
r.yumlu@palpics.info
beautiful faces of palestine
PalPics Photo Stock
Guitar Legends produced by Tony Hollingsworth, Executive Producer of Tribute Inspirations Ltd. See: www.tonyhollingsworth.com & www.tributeinspirations.com
Artists included: Albert Collins, BB King, Bo Diddley, Brian May, Dave Edmunds, George Benson, Jack Bruce, Joe Walsh, Joe Satriani, John McLaughlin, Keith Richards, Larry Coryell, Les Paul, Nuno Bettencourt, Paco De Lucia, Phil Manzanera, Richard Thompson, Robbie Robertson, Robert Cray, Roger Waters, Roger McGuinn, Stanley Clarke, Steve Cropper, Steve Vai, Vicente Amigo, Bob Dylan.