View allAll Photos Tagged JennyHolzer
Jenny Holzer, American, born 1950, 9 LED signs with blue diodes, Modern Art Museum of Fort Worth purchase, acquired 2012
Architect: Tadao Ando
The Guggenheim Museum designed by Frank Lloyd Wright, artist Jenny Holzer's scroll around the museum "Light Line" turned the levels purple
Jenny Holzer’s LED installation “Light Line” at the Guggenheim is very thought-provoking… left me sometimes speechless when her words quasi-spiraling into my mind
"Installation for Bilbao" by Jenny Holzer at the Guggenheim Museum.
For more info, please refer to:
www.guggenheim-bilbao.eus/en/the-collection/works/install...
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El Museo Guggenheim Bilbao presentó la obra de la artista estadounidense For Bilbao, consistente en una serie de proyecciones de luz de poemas sobre la fachada del Museo que da a la ría.
169 textos de 19 autores vascos, españoles e internacionales se deslizan (en euskera, español e inglés) sobre las sinuosas formas de la superficie de titanio del edificio de Frank Gehry. Pudo verse del 21 al 30 de Marzo 2019.
Esta obra formaba parte de la exposición Jenny Holzer. Lo indescriptible, presente en el Museo hasta el 9 de septiembre.
Foto resultante de la técnica de time blending.
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Copyrighted © Wendy Dobing All Rights Reserved
Do not download without my permission.
We have been surrounded with digital wold. Each second someone is being encapsulated with the walls of digital mediums. We must be too strong to draw our "right-targets" without getting influenced from the glamours digital world. We shouln’t let ourselves to be used, but need to use it cleverly. From the Guggenheim museum, Bilbao. Jenny Holzer, Thing Indescribable.
Jenny Holzer's The Heap
I also posted a video so you can see the text scroll by
Texts: Truisms, Inflammatory
Essays, Survial and Arno
Array of 7 LED signs with stainless steel housing, 3 blue and red diodes on, amber and green diodes on back; 4 with blue and red diodes on front, amber and blue diodes on back.
Un espectáculo de mapping de ocho proyecciones de luz, muestran obras de Jenny Holzer en la fachada del museo, con textos de 19 escritores vascos, estatales e internacionales.
Mezcla de dos tomas, una general y otra para los textos con iso y velocidad más altos para poder fijarlos.
Titre : "Installation pour Bilbao", de Jenny HOLZER
Colonnes de 12 m de haut, à diodes lumineuses glissant sur deux faces.
(Les inscriptions en basque, anglais ou espagnol, illustrent l'engagement social et humain de l'artiste.)
- PLEASE, don't use on websites !
- SVP, pas de copies de photos sur Pinterest, et autres sites.
Explore: 58 on Monday, July 20, 2009
The Paula Modersohn-Becker Museum has the distinction of being the first museum
devoted to the work of a female painter, Paula Modersohn-Becker (1876-1907). Early in
the 20th century, the patron and merchant Ludwig Roselius amassed a collection of the artist’s major works. This collection has now been supplemented by the manifold reserves of the Paula Modersohn-Becker Foundation (“Paula Modersohn-Becker-Stiftung”). Works from all phases of her career, in Germany and in Paris, are on display, and attest to her significance as a pioneer of modern painting.
In May 2005 “For Paula Modersohn-Becker,” an electronic-text piece and homage by the American conceptual artist Jenny Holzer, was installed in the stairway of the museum. (The piece was first shown at the Venice biennale in 1990.)
Finally, the museum houses the most comprehensive collection of sculptures by Bernhard Hoetger, from early Rodin-influenced works to late expressionist pieces.
"Some days you wake up and immediately start to worry. Nothing in particular is wrong, it's just the suspicion that forces are aligning quietly and there will be trouble" by Jenny Holzer, finished in 1982.
One of my images was found on flickr and selected by a very famous, internationally-known artist to use in creating a special cover for a New York Times Magazine. This is the 5th Anniversary Issue for the New York Times Style Magazine, an annual feature for Fall Fashion 2009. It is now out in publication today, Sunday. You will see that Jenny Holzer has used my image of ocean waves to create her cover for the magazine!
To see my original, uploaded to flickr in 2006, go to this link. To see how I have re-edited the image, go to this link. BTW, I have always shot all images in any camera I have used in the highest resolution possible and stored them on several back-up media options. I believe that my use of careful tags for images uploaded resulted in the image being discovered.
Now, it is cool enough for me to have an image purchased and printed in the NY Times and online, but the best part is that the unknown artist who was considering use of my image turned out to be Jenny Holzer, one of the most famous female artists in the world. I have followed her work for years, literally over 30 years. Please see the links below for an introduction to her work:
wikipedia for Jenny Holzer:
en.wikipedia.org/wiki/Jenny_Holzer
Great video of her most recent US installation:
www.thirteen.org/sundayarts/jenny-holzer-protect-protect/266
Those friends and contacts who are aware of my social and political interests as well as fine art aspirations will recognize why I have been such a big Jenny Holder fan for years.
So now you all have "the rest of the story". Thanks to you all for supporting me and contributing to my journey in learning what to shoot and how to shoot it, as well as photo editing and sharing simple pleasures.
For the pieces of this composition, I have taken online screenshots from the NY Times to include. The comments in the first reply boxes will have links to the online webpages. To start viewing the online pages, go to this link:
www.nytimes.com/indexes/2009/08/16/style/t/index.html#pag...
BTW, I am also thrilled to know that the five anniversary covers are being made available as poster prints.
Video Installation
Texts: Truisms, Inflammatory Essays, Survial and Arno
Array of 7 LED signs with stainless steel housing, 3 blue and red diodes on, amber and green diodes on back; 4 with blue and red diodes on front, amber and blue diodes on back.
a hand held photo taken in the Tate Modern in London recently
featured art: BLUE PURPLE TILT by Jenny Holzer
Part of my other people's art (Set)
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© Jon Downs 2011 All Rights Reserved
The Paula Modersohn-Becker Museum has the distinction of being the first museum
devoted to the work of a female painter, Paula Modersohn-Becker (1876-1907). Early in
the 20th century, the patron and merchant Ludwig Roselius amassed a collection of the artist’s major works. This collection has now been supplemented by the manifold reserves of the Paula Modersohn-Becker Foundation (“Paula Modersohn-Becker-Stiftung”). Works from all phases of her career, in Germany and in Paris, are on display, and attest to her significance as a pioneer of modern painting.
In May 2005 “For Paula Modersohn-Becker,” an electronic-text piece and homage by the American conceptual artist Jenny Holzer, was installed in the stairway of the museum. (The piece was first shown at the Venice biennale in 1990.)
Finally, the museum houses the most comprehensive collection of sculptures by Bernhard Hoetger, from early Rodin-influenced works to late expressionist pieces.
London, Bankside - UK
Usually an aphorism is a very concise statement expressing a general truth or wise observation often in a clever way. Sometimes aphorisms rhyme, sometimes they have repeated words or phrases, and sometimes they have two parts that are of the same grammatical structure.
In Wikipedia
I've been making samplers based on the stitches in the "Reader's Digest Complete Guide to Needlework," and these are the first two in the series. To the best of my knowledge, traditional samplers usually include text (eg, the embroiderer's name and age, phrases from the bible or other sayings), I spent some time wondering what to include on mine. Eventually, I settled on a selection of artist Jenny Holzer's Truisms, making my samplers an interesting display of my varied education and a kind of crossroads between modern and traditional women.