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The 6x6 version of this portrait. Jack Ronald Lavender:
Co-founder of Nans Gallery. I make art, (lots of it, cos i like it) to do with, whatever takes my fancy. I like rocks, megalithic rocks, pens. I don't live in Minnis Bay anymore but my heart belongs by the sea."
Portrait taken as part of my 'on the beach' project .
SDASM.TITLE: J.B. Lavendew picture
SDASM.CATALOG: Tp Hall_000655
SDASM.COLLECTION: Theodore (TP) Hall Collection
SDASM.TAGS: Theodore (TP) Hall Collection
PUBLIC COMMONS.SOURCE INSTITUTION: San Diego Air and Space Museum Archive
Exhibition Review - Helene Appel,Stuart Cumberland, Jack Lavender, Hannah Lees, Charles Mayton, Puppies Puppies, Oliver Sutherland, Hayley Tompkins and Holly White:'Is this living?' The Approach, London till 7th Feb 2016.
At The Approach, I encountered each work "as an unexpected object, a Pandora's box...produced and consumed with a peculiar curiosity, a kind of sacred relish." - Drenched Co.
( Excerpt from Roland Barthes' 'Writing Degree Zero)
Comment: "I entered this exhibition to a site of an explosion, emanating from Lavender's spent campfire, from which scattered the poetic potentialities of the word 'consumption'. And how fresh and messy a take! Is life worth living when colonised by ideas of production and consumption? Perhaps the exhibition also explores an oblique view on how food comes to rescue us from the demands of efficiency and profit. The activities of producing and consuming food shape us, our relationships and places care before commerce. See, for instance, champagne celebrations, communal campsites, social texture of kitchens etc. Or am I reaching?" - FaSa
See theapproach.co.uk/exhibitions/is-this-living/press-release/
See also www.woundsthatbind.com/2016/01/exhibition-review-helene-a...
See also www.soaked.space/2016/01/exhibition-review-helene-appelst...
Caption: Image above: Installation view Is this living? The Approach, London 2016 Photo: FXP Photography
Image courtesy of the artists and The Approach, London. Curated by Jack Lavender and Hannah Lees
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
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