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"World of the Moon" was designed by Isamu Noguchi for EXPO'70. You can find it in front of the main gate of the Japanese garden in Expo memorial park (Suita city, Osaka).
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Noguchi
(September 2021 — January 2022)
An exhibition celebrating Japanese American sculptor Isamu Noguchi (1904-1988), one of the most experimental and pioneering artists of the 20th century.
Noguchi explores the kaleidoscopic career of a true artistic polymath. This exhibition, which is his first touring retrospective in Europe for 20 years, focuses on Noguchi as a global citizen and his risk-taking approach to sculpture as a living environment.
‘Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.'
Over 150 works are presented, including an extraordinary range of sculptures – made in stone, ceramics, wood and aluminium – as well as theatre set designs, playground models, furniture and lighting.
Embracing social, environmental and spiritual consciousness, Noguchi believed sculpture could 'be a vital force in our everyday life' and saw art 'as something which teaches human beings how to become more human.'
[Barbican Centre]
Momo Taro by Isamu Noguchi.
A model captures the spiritual significance of Noguchi's powerful sculpture in a natural setting
Noguchi
(September 2021 — January 2022)
An exhibition celebrating Japanese American sculptor Isamu Noguchi (1904-1988), one of the most experimental and pioneering artists of the 20th century.
Noguchi explores the kaleidoscopic career of a true artistic polymath. This exhibition, which is his first touring retrospective in Europe for 20 years, focuses on Noguchi as a global citizen and his risk-taking approach to sculpture as a living environment.
‘Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.'
Over 150 works are presented, including an extraordinary range of sculptures – made in stone, ceramics, wood and aluminium – as well as theatre set designs, playground models, furniture and lighting.
Embracing social, environmental and spiritual consciousness, Noguchi believed sculpture could 'be a vital force in our everyday life' and saw art 'as something which teaches human beings how to become more human.'
[Barbican Centre]