View allAll Photos Tagged IsamuNoguchi
"Yellow Landscape"
1943
Image from the Noguchi Museum
Special Exhibit: "Self-Interned, 1942: Noguchi in Poston War Relocation Center"
January 18, 2017 - January 7, 2018
The Noguchi Museum
Long Island City, Queens,
New York, N.Y.
Photo Credit: Kevin Noble - © The Isamu Noguchi Foundation and Garden Museum
The Noguchi Museum (original warehouse, 1929; Isamu Noguchi and Shoji Sadao, mainly 1982-1983, with garden installed in 1985). Formerly Noguchi's studio, this is probably one of my favorite archi-spots in NYC: a reliably calming and absorbing visit, whatever the current exhibits are. I don't think I can really say too much of interest about the design itself, though I think the primary concrete-block addition is a great neutral foil for Noguchi's stone sculptures, and does lovely things with indoor/outdoor continuity. It's just really nice!
Isamu Noguchi, 1967, near HSBC Building, Financial District, Lower Manhattan, Manhattan, New York City, New York, USA, sculpture. Photo 1 of 5.
Moere Mountain (62 meters in height) can be climbed from three directions and five different routes. From its summit, one can overlook not only the entire Moerenuma Park, but the entire city of Sapporo.
Isamu Noguchi 1988
野口勇 Moere 沼澤公園
I hate taking photos outdoors in the winter because it's so cold (though I will venture downtown if it looks like snow, since we're lucky to get one or two good ones in DC each year). However, I couldn't resist testing out my new camera indoors and came up with this shot of light on a cool winter's evening. Noguchi akari lamps are wonderful things.
Looks best viewed large.
Intriguing sculpture by Isamu Nogumi in the Bloch Building, the new addition to the Nelson-Atkins Museum of Art in Kansas City on July 6th, 2008.
The Noguchi Museum (original warehouse, 1929; Isamu Noguchi and Shoji Sadao, mainly 1982-1983, with garden installed in 1985). Formerly Noguchi's studio, this is probably one of my favorite archi-spots in NYC: a reliably calming and absorbing visit, whatever the current exhibits are. I don't think I can really say too much of interest about the design itself, though I think the primary concrete-block addition is a great neutral foil for Noguchi's stone sculptures, and does lovely things with indoor/outdoor continuity. It's just really nice!