View allAll Photos Tagged Interviewing
Mingle Media TV's Red Carpet Report team were invited to cover the Divergent Premiere Red Carpet at the Regency Bruin Theatre in Westwood, CA. Fans were lined up along the red carpet with signs filled with excitement for this movie which will be in theaters and IMAX March 21.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
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DIVERGENT is a thrilling action-adventure film set in a world where people are divided into distinct factions based on human virtues. Tris Prior (Shailene Woodley) is warned she is Divergent and will never fit into any one group. When she discovers a conspiracy by a faction leader (Kate Winslet) to destroy all Divergents, Tris must learn to trust in the mysterious Four (Theo James) and together they must find out what makes being Divergent so dangerous before it's too late. Based on the best-selling book series by Veronica Roth. divergentthemovie.com/#tickets
Get the soundtrack here!
smarturl.it/DivergentSoundtrack
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Maria Kirilenko's post victory interview with the Tennis Channel at the 2012 New Haven Open. This tournament is the last stop on the US Open Series before the big tournament in NYC.
De Italiaanse band Måneskin komt langs bij 3FM voor een exclusief interview met dj's Frank van der Lende en Eva Koreman
Interview with Lee Dong-eun, film director
Jung-gu , Seoul
September 30, 2019
Ministry of Culture, Sports and Tourism
Korean Culture and Information Service
Korea.net (www.korea.net)
Official Photographer : Kim sun joo
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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이동은 감독 인터뷰
2019-09-30
서울시 중구 프레스센터
문화체육관광부
해외문화홍보원
코리아넷
김순주
In an uncharacteristic lapse of judgement, TK-411 allowed a fully mature rock monster through the initial screening. In his defense he was thinking that its rocky appearance might be beneficial in sneaking up on wary army men.
Thanks to Pat Law (http://www.blankanvas.bypatlaw.com), I got to photograph the legendary Steve McCurry for an online article.
Carter observed one day how football players cock their helmets back for post-game interviews, so he imitated it himself
Well after I was blogged by them I was asked to do an interview. Go check it out!
Again it makes me feel good to know people like my work. :)
www.minifigures.org.uk/interview-with-jj481012/
-JJ
It was Five years today September 4, 2015 that Canterbury was first shaken by a major quake, the people of Christchurch gathered on New Brighton beach this morning to mark the anniversary. I went with a friend but she didn't want to get up so early so we missed part of it. New Brighton Christchurch New Zealand at dawn.
There was a person from Radio News interviewing people there about their experiences of the earthquake five years ago and I was on the Radio News and also in a article.
This the link to me on the News www.radionz.co.nz/national/programmes/checkpoint/audio/20...
And this is the article: www.radionz.co.nz/news/national/283264/christchurch-marks...
04/04/2015 PIX11's Kristina Behr interviewing a participant at the NYC Pillow Fight. Kodak Ektar 100. Konica FC-1. Konica Hexanon AR 50mm 1:1.4.
The nice people at Lomography interviewed me after I wrote an article for the BBC on Instagram (read it here)
This could be the start of a beautiful friendship...
West German autograph card by Bravo, 1980. Tim Curry in The Rocky Horror Picture Show (Jim Sharman, 1975).
English actor and singer Tim Curry (1946) starred in more than a hundred films and series. He had his breakthrough as Dr. Frank N. Furter in the Cult film The Rocky Horror Picture Show (1975). He also appeared as Pennywise the Clown in Stephen King's Horror TV miniseriesIt (1980) and as the butler Wadsworth in the Mystery comedy Clue (1985). In 2004, he created the role of King Arthur in the Monty Python musical 'Spamalot'.
Timothy James Curry was born in Grappenhall, Cheshire, in 1946. Curry is the son of school secretary Patricia and Royal Navy chaplain James Curry. His parents were very religious. His elder sister, Judith, later became a concert pianist. Curry spent most of his childhood in Plymouth. Curry developed into a talented boy soprano. His father died of pneumonia in 1958, when Curry was 12 years old. The family moved to South London, where he attended boarding school before attending the prestigious Kingswood School in Bath, Somerset, England, till he was 18. Deciding to concentrate on acting, he graduated from the University of Birmingham with a combined BA in English and drama in 1968. Curry's first full-time role was as part of the original London cast of the musical 'Hair' in 1968. There he met Richard O'Brien, who went on to write Curry's role of Dr. Frank-N-Furter in the musical 'The Rocky Horror Show' (1973). He played the character as a diabolical mad scientist and transvestite with an upper-class Belgravia accent. The show was an immediate smash hit. The reviewer of The Guardian wrote that Curry gave a "garishly Bowiesque performance as the ambisextrous doctor." He reprised the role in Los Angeles in 1974 and on Broadway in 1975. His real breakthrough came with the film version, The Rocky Horror Picture Show (Jim Sharman, 1975). It made Curry a household name and gave him a cult following. Curry returned to the stage with Tom Stoppard's 'Travesties', which ran in London and New York from 1975 to 1976. Travesties was a Broadway hit, which won two Tony Awards. Curry's performance as the famous dadaist Tristan Tzara received good reviews. Curry began to appear in many films, including the British Horror film The Shout (Jerzy Skolimowski, 1978) starring Alan Bates. In 1978, his first album was released, 'Read My Lips'. He followed this up with 'Fearless' (1979) and 'Simplicity' (1981). After that, Curry focused entirely on his acting career.
In 1980, Tim Curry played Wolfgang Amadeus Mozart in the original Broadway version of 'Amadeus'. Curry was nominated for his first Tony Award (Best Performance by a Leading Actor in a Play) but lost out to his co-star Ian McKellen, who played Antonio Salieri. In 1982, Curry played the Pirate King in Gilbert and Sullivan's 'The Pirates of Penzance' opposite George Cole and Pamela Stephenson. The combination of high eyebrows, plastic smile and exaggerated intonation in his words made Curry a favourite villain in films and series. He appeared as Johnny LaGuardia in Times Square (Allan Moyle, 1980), as Daniel Francis "Rooster" Hannigan in the film version of Annie (John Huston, 1982), and as Jeremy Hancock in the political film The Ploughman's Lunch (Richard Eyre, 1983). Director Ridley Scott cast Curry as The Lord of Darkness in the Fantasy film Legend (1985) starring Tom Cruise. The same year, Curry appeared in the Mystery comedy Clue (Jonathan Lynn, 1985) as Wadsworth the butler. In the mid-1980s, Curry performed in the play 'The Rivals' and with the Royal National Theatre in 'The Threepenny Opera' and other plays. From 1987 to 1988, he toured in the lead role of Bill Snibson in the musical 'Me and My Girl'. After Clue, Curry was cast in more film comedies in the late 1980s and 1990s. He played Mr. Hector the suspicious Plaza Hotel concierge in Home Alone 2: Lost in New York (1992) and Long John Silver in Muppet Treasure Island. He also appeared in action films, such as the thriller The Hunt for Red October (John McTiernan, 1990) as Dr. Yevgeniy Petrov, The Three Musketeers (1993) as Cardinal Richelieu, and the superhero film The Shadow (1994) as Farley Claymore. In 1992, he played Alan Swann in the Broadway version of 'My Favorite Year', earning him his second Tony Award nomination (Best Performance by a Leading Actor in a Musical).
In the early 1990s, Tim Curry was one of the first well-known Hollywood actors to lend his voice to a character in a computer game. He provided the voice of the main character in parts 1 and 3 of the Gabriel Knight series. Besides Curry, Mark Hamill (best known as Luke Skywalker) and Leah Remini also lent their voices to the series. In 1991, he won a Daytime Emmy Award for his voice role as Captain Hook in the animated series Peter Pan and the Pirates (Nobuo Tomizawa, 1990-1991). He also voiced Hexxus in the film FernGully: The Last Rainforest (Bill Kroyer, 1992), King Chicken in Duckman (Jeff McGrath, a.o., 1994–1997), Sir Nigel Thornberry in The Wild Thornberrys (Cathy Malkasian, a.o., 1998–2004), and Chancellor Palpatine / Darth Sidious in Star Wars: The Clone Wars (Dave Filoni, a.o., 2012–2014). One of Curry's best-known television roles is as Pennywise the child-killing Clown in the Horror miniseries Stephen King's It (Tommy Lee Wallace, 1990). Although Curry has appeared in numerous television series throughout his career, he has only had lead roles in two live-action series: Over the Top (Michael Lembeck, a.o., 1997) with Annie Potts, a sitcom that he also produced, and the revival series of Family Affair (Barnet Kellman, a.o., 2002–2003). Both were cancelled after one season. In the early 2000s, Curry was cast in the film adaptation of Charlie's Angels (Mc G, 2000) in the role of Roger Corwin, and in the parody film Scary Movie 2 (Keenen Ivory Wayans, 2001) playing Professor Oldman. Curry went on to play Thurman Rice, a supporting role in the biographical film Kinsey (Bill Condon, 2004) starring Liam Neeson, and portrayed Alexander Monro in the British black comedy Burke & Hare (John Landis, 2010). In 2004, Curry began his stage role as King Arthur in 'Spamalot' in Chicago. The musical was directed by Mike Nichols, written by Monty Python member Eric Idle and based on the film Monty Python and the Holy Grail. The show successfully moved to Broadway in February 2005. and sold more than $1 million worth of tickets in its first 24 hours. His performance brought Curry a third Tony nomination, again for Best Performance by a Leading Actor in a Musical. Curry reprised this role in London's West End, where Spamalot opened in 2006. Curry was nominated for a Laurence Olivier Award. In 2013, Tim Curry suffered a major stroke and lost the use of his legs. Since then, Curry uses a wheelchair and shifted his work mostly to voice acting, although he has continued to perform as a singer and make appearances at fan conventions. He played the Criminologist in the TV film The Rocky Horror Picture Show: Let's Do the Time Warp Again (Kenny Ortega, 2016) starring Laverne Cox. In 2024, he had a cameo appearance in the Horror film Stream (Michael Leasy, 2024), providing the voice of the mask character Lockwood. Curry is working on a memoir titled 'Vagabond', scheduled to be released on 7 October 2025. Curry has never discussed his private life in interviews.
Sources: Wikipedia (Dutch and English) and IMDb.
And, please check out our blog European Film Star Postcards.
interview with a lady with epilepsy.
don't worry, she wasn't having a seizure in this photo. she did, however, have a seisure the next time i met her but i didn't have my camera with me. her husband, who saw it coming said to me, "you could have taken a photo of that..."
how many times have you gone out without your camera and cursed yourself for not doing so?
www.lapressegratuite.com/2010/05/une-interview-des-cahier...
[caption id="attachment_1561" align="alignleft" width="151" caption="Cahier Marseillais"] [/caption]
En fouillant un peu sur Internet, il est possible de trouver de vieux cahiers d’école dont celui-ci, par exemple, date de 1937. On peut également y apprendre que l’étymologie du mot cahier, en latin quaternio, désigne la réunion de quatre feuilles. Alors il est vrai que les Cahiers Marseillais n’ont pas 16 pages mais plutôt 80, et, vous l’aurez deviné, ressemblent à nos cahiers d’autrefois. Un clin d’œil à nos années d’écoliers et l’occasion de nous prendre par la main pour découvrir Marseille autrement. Trimestriel distribué à 20 000 exemplaires depuis 2008, « les Cahiers Marseillais » est d’abord un magazine local autant destiné à ceux qui vivent ou visitent la cité Phocéenne
Julie Mauduy, vous êtes à l’origine des Cahiers Marseillais dont vous avez lancé le premier numéro en 2008. Pourriez-vous nous raconter comment vous vous êtes lancée et avec qui ?
Ce magazine est né de ma rencontre avec Yann Lecat. Diplomé d’école de Commerce il cherchait à s'associer pour adapter un magazine Lyonnais à Marseille. Très rapidement nous avons abandonné cette idée : chaque ville a son caractère, son rythme. Pour moi il n’est pas envisageable de faire un magazine qui ne parle pas aux lecteurs, qui ne leur ressemble pas. On souffre suffisamment des media « nationaux » qui sont en réalité trop souvent des media parisiens. (La simple opposition Paris/Province m’horripile).
Nous avons travaillé le concept pendant de longs mois. Presqu’un an. Nous avions tellement d’idées très différentes, mais notre souci était de trouver un mode de financement viable sur le long terme. Et puis comme une révélation, nous avons pensé à réunir toutes nos idées dans un seul magazine, d’où le nom : Les Cahiers Marseillais, avec un contenu mouvant d’un numéro à l’autre.
Un magazine gratuit, distribué hors des presses classiques doit apporter son lot de surprises au lecteur. Si j’achète AutoPlus, je m’attends à des sujets précis. Idem pour les magazines de déco, de voile et autres. Mais face à un gratuit, les gens sont à la fois plus exigeants et plus rapidement lassés. Il faut exister, avoir une identité forte et fédératrice, et oser l’éclectisme. C’est ma vision de la chose.
Et puis nous voulions proposer un magazine qui plaise à tout le monde, ceux qui lisent, et ceux qui sont un peu moins attirés par les lettres, avec une mise en page qui sorte des codes habituels, une maquette qui change et surprenne le lecteur, des articles plus ou moins longs… Notre objectif était de parler à tout le monde, et ce que nous avons tous dans notre mémoire collective c’est l’école. C’est ce qui a renforcé notre idée de « Cahiers » et nous avons souhaité poussé le magazine dans ce sens visuellement aussi.
Au niveau du ton, nous avons souhaité faire un magazine convivial, avec des petits mots ajoutés à la main, comme un message qu’on laisserait à un ami… C’est à dire qu’on utilise régulièrement des mots provençaux ou bien du langage familier, pour affirmer notre proximité. D’ailleurs via Facebook ou bien notre site internet à présent, nous avons beaucoup de lecteurs qui nous écrivent et souvent ils nous tutoient !
A qui s’adresse exactement le magazine ?
Aux Marseillais (les expatriés sont très vite assimilés ici) principalement, mais également aux touristes, aux curieux, à ceux qui vivent loin mais veulent rester en lien avec la cité Phocéenne… Le principal trait de caractère de nos lecteurs, c’est peut-être la curiosité. L’envie de découvrir de nouveaux lieux, de rencontrer de nouvelles personnes… Je n’aime pas les cases, mais puisqu’il faut le définir, notre lectorat est principalement composé d’actifs de 25 à 55 ans, avec une légère prédominance féminine. Mais ça n’empêche pas les enfants de jouer avec, ni les étudiants de le lire, ni les retraités de l’utiliser !
[caption id="attachment_1562" align="alignright" width="176" caption="Cahier Marseillais"] [/caption]
Le magazine est une succession de cahiers intérieurs dont les thèmes sont aussi variés que la culture, l’urbanisme, figures libres etc. Comment choisissez-vous ces thèmes ?
Ça se fait en concertation avec Yann. Même s’il s’occupe des chiffres et moi des lettres, nous essayons de prendre les décisions ensemble. Il y a des Cahiers récurrents comme « Figures Libres » qui sont des portraits de Marseillais (chefs d’entreprises, passionnés… parfois connus, parfois débutants…) ; il y a le Cahier Culture qui est récurrent également ; et puis il y a le Cahier Général, c’est à dire l’entrée du magazine avec des rubriques fixes comme les recettes, la rencontre d’un Marseillais expatrié, les bonnes idées des blogueuses… Ensuite nous essayons d’articuler le magazine autour de thèmes que nous voulons aborder, qui sont dans l’air du temps ou la saison, en fonction des personnes que nous rencontrons aussi. Le plus difficile n’est pas de trouver, mais d’arbitrer entre toutes nos idées.
Tous les trimestres, vous imprimez le magazine à 20 000 exemplaires et le distribuez à travers 900 points de distribution ? Peut-on les retrouver sur Internet ?
Alors depuis le mois d’Avril 2010, notre site internet est en ligne sous forme de blog. Nous mettons les magazines en ligne bien sûr, bientôt il y aura la liste des points de distribution du magazine également, et puis nous publions des articles sur l’actualité marseillaise en complément du magazine, nous organisons des petits jeux-concours etc...
[caption id="attachment_1564" align="alignleft" width="166" caption="Cahier Marseillais "] [/caption]
Dès septembre, nous accélérons la cadence et le magazine devient un bimestriel. Ce changement de périodicité nous permettra encore plus de proximité avec nos lecteurs je pense et puis il y a tellement de paysages et de personnes à découvrir à Marseille que nous aurons largement de quoi remplir Les Cahiers Marseillais !
Quand paraît le prochain numéro ?
A chaque sortie (ou presque, parce que l’hiver on est moins enclins à sortir), nous organisons un apéro avec nos lecteurs dans un bar de la ville, un nouveau lieu à chaque fois, souvent en extérieur, pour rencontrer nos lecteurs, pour boire un verre ensemble, pour écouter du bon son… bref passer un moment agréable. Le prochain numéro/apéro est ainsi prévu le 10 juin prochain.
Merci à vous.
Propos recueillis par JAFS
Les Cahiers Marseillais en ligne
On peut également apprendre que l’étymologie du mot cahier, qui devait probablement s’écrire « quaier », désigne la réunion de quatre feuilles. Alors il est vrai que les Cahiers Marseillais n’ont pas 16 pages mais plutôt 80, et, vous l’aurez deviné, ressemblent à nos quaier d’autrefois. Un clin d’œil à nos années d’écoliers et l’occasion de nous prendre par la main pour découvrir Marseille autrement. Trimestriel distribué à 20 000 exemplaires depuis 2008, « les Cahiers Marseillais » est d’abord un magazine local autant destiné à ceux qui vivent ou visitent la cité Phocéenne.
I am still pinching myself. After some technical gremlins on Wednesday, Laurence Whitaker interviewed me, live, on air, via the webcams. It was all unscripted, but I did my best not to waffle, remembered to breathe & tried not to trip over my words. I did get brave & have a listen back this afternoon...
L-R Martin Poyntz-Roberts, me, Laurence Whitaker.
Anyway, if you would like to hear it, here's the link www.bbc.co.uk/programmes/p03xs7cg
feltorama.blogspot.com/2009/07/featured-felt-crafter-hibo...
This is an interview made by one of my favorite blogs :) It will tell you a little more about me and how I work.
Thanks for believing in my crafty hands ;)
After leaving the downtown sauna, I walked to the river promenade where I was stopped and asked: "Would you mind if we take two minutes and asked you a few questions, to practice English." I said: "Sure!" "Can we film?" "Yeah." Vientiane, Laos.
French Radio RFI interviews Rafael Mariano Grossi, IAEA Director General, during his official visit to Paris, France. 1 December 2021
Photo Credit: Dean Calma / IAEA