View allAll Photos Tagged Interiordetails
The elegant interior of St. Nicholas parish church at Moreton.
Originally dedicated to St. Magnus Martyr, it was changed to St. Nicholas in 1940. Extensively damaged by bombing during WW2, the church was rebuilt & included in the refurbishment were the beautiful engraved glass windows.
T E Lawrence (Lawrence of Arabia) was buried in the churchyard following his funeral in the church.
Interior detail of the Valkhofkapel (Falcon Court Chapel) or Saint-Nicholas Chapel at NIjmegen, Netherlands. The building is from 1030 and is built upon the remains of even older structures.
According to the guide it is the oldest stone building still in existence in the Netherlands, but I could find no real written prove of that. A remarkable building in any case :-)
Wikipedia: Sint-Nicolaaskapel (in Dutch)
Stained glass window at the West End, of the recently fire destroyed Church of All Saint's Mackworth Village.
One of two alabaster statues, that flanked the Altar at All Saint's Church Mackworth Village. When Illuminated from behind, this semi-translucent stone glows. Sadly destroyed by fire recently.
A stained glass window in the west wall at St Peter's, Littleover. Depicting the Assention of Jesus Christ.
Another stained glass window at the recently fire destroyed Church of All Saint's Mackworth Village.
The interior of St. John's Cathedral in 's-Hertogenbosch impresses with its soaring Gothic arches, intricate stained glass windows, and richly decorated chapels. A serene and majestic space filled with centuries of history and devotion.
A imagem apresenta um detalhe do interior da Sainte-Chapelle, em Paris, um magnífico exemplo do estilo gótico radiante. A capela superior, construída no século XIII por ordem de Luís IX para albergar relíquias sagradas da Paixão de Cristo – incluindo a Coroa de Espinhos –, destaca-se pela sua estrutura gótica, com uma abóbada estrelada em tons de azul e dourado que simboliza o céu. Os seus imponentes vitrais, que ocupam quase toda a superfície das paredes, narram a história bíblica em mais de 1113 cenas distribuídas por 15 painéis, criando um efeito luminoso de grande espiritualidade e majestade. No centro, sobressai um baldaquino, elemento arquitetónico crucial. Construído na década de 1260 e restaurado no século XIX (após a sua destruição durante a Revolução Francesa), este baldaquino, de estilo gótico igualmente esguio e elevado, servia de suporte para a Arca das Relíquias. Esta arca, que continha as relíquias sagradas – originalmente feita de prata e cobre dourado, mas também destruída durante a Revolução Francesa – era protegida e realçada pelo baldaquino, funcionando como um dossel cerimonial que conferia maior importância visual e simbólica às relíquias. A sua decoração, com elementos esculpidos como anjos e motivos florais, e o teto decorado com motivos estrelados, completam a riqueza estética da capela, contribuindo para a ligação entre o terrestre e o divino, e reforçando a função da monarquia francesa como protetora da fé. A Arca das Relíquias permaneceu na Sainte-Chapelle até à Revolução Francesa, altura em que as relíquias foram transferidas para Notre-Dame. Apesar da perda da sua função original, o baldaquino mantém-se como testemunho da importância religiosa e política das relíquias na Idade Média, funcionando como elemento focal da liturgia e um dos pontos mais importantes da composição estética e litúrgica da capela, concebida como um imenso relicário arquitetónico.
Um detalhe do interior da Sainte-Chapelle, em Paris, famosa pelos seus vitrais deslumbrantes que datam do século XIII. A capela gótica, construída por Luís IX para abrigar relíquias sagradas, é um verdadeiro tesouro de luz e cor.
This was the scene I encountered in the tunnel below Calke Abbey during their autumnal season. I wanted to capture the soft light as reflected off the slightly damp walls and floor.
My first visit (will not be my last) to the amazing Fonthill Castle Museum in Doylestown, PA was on a bitterly cold but very sunny day. The play of light and shadow added interest to the already amazing interior scenes.
An HDR image from 5 images. All were taken at Aperture Priority at f/8 and ISO 200 with shutter speeds of 1/20, 1,40 1/50, 1/160, and 1/320 seconds. Images were merged in NIK HDR Efex Pro 2 and tuned up in NIK Color Efex Pro.
A detail of the exquisite ground level interior of the Sainte Chapelle, consecrated under King Saint-Louis in 1248. This lower chapel served as the parish church for the members of the royal palace that was located on the Ile de la Cite at the time.
For information about the architecture of this astonishing 13th century building: architecture.relig.free.fr/chapelle_en.htm
~~~~~~~~~~~~
Here is what I wrote in 2005 about my experience in the upper chapel where the stained glass windows are.
Un vrai bijou de la Douce France, parmi les centaines de merveilles de ce pays de merveilles. J'aurais bien voulu reste' ici longtemps, mais la nuit tombait - c'etait la derniere visite de la journee - et nous ne pouvions pas tarder. Neanmoins j'ai tente' plusieurs photos, sans trepieds biensure, a cause de la foule qu l'on voit a peine, en bas de la photo. Quoi dire sure ce lieu: deux mots: un veritable tresor.
It was late afternoon on an overcast winter day, so the light in this astonishing jewel of a place was dim. The last time I'd marvelled at these glorious windows had been years before, when I was a teenager. It was a bright spring day and they were sparkling in the sun. On that visit, there had been barely a handful of visitors, and one could walk around with ease.
This visit was entirely different and magical in its own way. I loved how the rich colors of the glass came through better in the dim light, giving the space a more contemplative and peaceful mood. The number of visitors on the other hand, was indeed a surprise! You can see that the entire tiny space of this beloved jewel of French Medieval architecture is filled with people, many of whose faces were, like mine, tilted upwards to marvel at the sight.
There were a few attendants regularly asking the crowd to be silent so that this breathtakingly beautiful and delicate work of art could be enjoyed in the mood it was intended to be experienced. There would be a wave of voices: excited voices and whispers, that turned into a veritable din, then there would be a hushed silence for a few moments....until people's enthusiasm for the beauty took them over and once again the place would explode in a wave of intense sound, then silence again as the attendants asked for quiet. The enthusiasm and awe were palpable.
Altogether a mesmerizing and awesome masterpiece of High Gothic Medieval art. Unique because the entire chapel -- of which this is one corner -- is almost entirely made of glass, with hardly any masonry to hold up these sheets of color and light, made of 100's of 1000's of bits of gorgeous color that surround one completely with their beauty.
About the Sainte Chapelle: en.wikipedia.org/wiki/Sainte-Chapelle
A gentle curve of architectural elegance defines this photo of the grand staircase at The Phillips Collection in Washington, D.C. The soft arching forms and golden-toned railings create a visual harmony that feels both modern and timeless. Photographed in warm ambient light, the scene captures the intersection of architecture, art, and atmosphere.
The staircase flows upward like a ribbon, inviting visitors into the museum’s upper gallery spaces. Its cream-colored balustrade contrasts subtly with the brass handrails and the charcoal-toned carpeted steps. There's a quiet grace to the ascent—each element has been designed not just for function, but to contribute to the viewer’s sense of spatial rhythm. The warm wood borders of the steps peek out from beneath the runner, adding a grounding detail to the otherwise airy palette.
Light gently illuminates the curved wall, creating a soft gradient that mimics the arc of the staircase itself. At every step, the architecture seems to whisper instead of shout—offering a moment of calm before you turn the corner into the next artistic experience. The subtle lighting also emphasizes the smooth plaster texture of the walls, revealing the care and craftsmanship that went into their creation.
Just beneath the sweep of the upper curve, part of a vivid, abstract painting emerges—an echo of the color and creativity housed throughout The Phillips Collection. The composition of this photograph is deliberate: the stairway leads the eye naturally into the world of art, both literal and figurative. The railing becomes a line of inquiry, the steps a metaphor for progression—an ascent into discovery.
Though clearly modern in execution, the staircase hints at Art Deco and Streamline Moderne influences in its curvature and elegance. The pairing of painted surfaces with rich brass and wood detailing is a nod to luxury without excess—refined and tasteful in a way that suits the museum’s broader sensibility.
As with many parts of The Phillips Collection, this staircase was designed with the visitor in mind. Its comfortable treads and sweeping form prioritize accessibility while still delivering a visually powerful experience. It's no wonder that this spot is a favorite among photographers, architecture enthusiasts, and museum-goers alike. Whether ascending to a new exhibit or simply admiring the lines and light, one can’t help but pause and take in the serenity of this beautifully crafted structure.
More than just a passageway, this staircase is a sculptural moment within the museum’s architecture—a physical bridge between eras, styles, and stories. With every footstep, you’re part of the museum’s evolving narrative.
A softly lit curve in the stairwell at The Phillips Collection invites the eye to follow its elegant rise, where white walls meet warm wood and brass. This image captures an architectural moment of fluid design and hushed calm in America’s first museum of modern art, located in Washington, D.C.’s historic Dupont Circle neighborhood.
The staircase is a masterpiece of subtle modernism—unassuming yet artfully constructed. The balustrade's brass finish gleams gently under ambient gallery lighting, drawing a sinuous line that mirrors the gentle curvature of the walls. Set against crisp white molding, the stair treads are wrapped in a muted, charcoal-gray carpet that grounds the design with understated texture. Spotlights inset along the base of the wall provide just enough illumination to guide visitors upward, adding to the contemplative ambiance of this transitional space between galleries.
Though minimal in aesthetic, the stairwell's design is deliberate and expressive. The organic curves feel almost sculptural, evoking the Modernist ethos of form following function while simultaneously offering moments of visual delight. This is not just a way to move between floors—it is a designed experience, one that bridges old and new within a museum that embraces both historic architecture and modern art.
Originally the home of Duncan Phillips, the collection expanded over the decades to incorporate contemporary additions while maintaining architectural harmony. This stairwell represents one of those successful integrations, where design and movement flow seamlessly through the building’s mixed styles.
The photo’s composition honors the rhythm of the staircase. The viewer is placed midway in the journey, as the path ascends and gently disappears around the corner. There’s no figure present—just architecture in quiet conversation with light. This decision allows the space to speak on its own terms, emphasizing the structural grace and textural balance without distraction. Viewers are left to imagine themselves walking upward, perhaps toward a new gallery, a bold Rothko, or a quiet space to reflect.
Architectural photography thrives on these subtle convergences of form, material, and moment. The cool daylight coming in from an unseen source bathes the upper wall, softly diffused, creating tonal contrasts between the brass rails and the creamy matte paint. It’s a careful calibration of shadow and highlight, offering a visual meditation on space and serenity.
Whether you’re an architecture enthusiast, a design lover, or a museumgoer charmed by well-crafted interiors, this stairwell shot delivers quiet elegance and thoughtful composition. It reveals how the most transitional parts of a building—those between gallery rooms—can hold aesthetic merit in their own right.`
A mesmerizing ceiling medallion graces the Thomas Jefferson Building of the Library of Congress in Washington, D.C., embodying a rich confluence of classical symbolism, artistic mastery, and American cultural ambition. This photograph captures the intricate plasterwork and mural centerpiece that defines one of the library’s most visually arresting architectural features—a dome-like vault where allegory and neoclassical ornamentation converge in radiant harmony.
At the heart of the ceiling is a painted medallion depicting a robed female figure seated against a sky-blue backdrop, flanked by cherubic figures and holding a scroll labeled “Literature.” The placement of this personification at the very center of the composition speaks volumes: in this national temple of learning, literature is not only revered, it is celebrated as the guiding light of civilization. The vivid colors of the mural stand in beautiful contrast to the pale ivory and gold palette that radiates outward through concentric bands of sculptural reliefs.
Surrounding the mural are finely modeled garlands, torches, medallions, and full-length classical figures in bas-relief. The artistry pays homage to Renaissance ideals, executed with Gilded Age opulence. These classical motifs—laurel wreaths, lyres, and tablets—represent the disciplines of human knowledge, reinforcing the Library of Congress's mission as a repository of wisdom across fields.
The ceiling’s radial symmetry is a visual metaphor for enlightenment: ideas radiate outward, connecting the central image to the broader cultural symbols around it. Repeating sculptural medallions alternate between human figures and emblems of the liberal arts, uniting the physical structure with intellectual pursuit. It’s not merely decorative—it’s didactic. The ceiling teaches us, through symbols and form, what society once believed education and refinement should look like.
Adding depth to the space are two secondary medallion paintings at the base of the ceiling’s curvature. Each features a female figure representing other disciplines, such as Philosophy and Art. These muses, gazing downward with open books and contemplative expressions, evoke a sense of timeless inquiry. They remind viewers that this is not just an architectural flourish—it is a symbolic ceiling for a symbolic place.
The image is notable for its careful capture of lighting and shadow, emphasizing the relief and three-dimensionality of the plaster figures. Natural light filters through nearby windows, enhancing the golden gilding and casting gentle highlights that animate the sculpted forms. The result is a sense of movement and vitality—a living ceiling that seems to breathe with meaning.
Photographing this ceiling isn't merely documenting decoration; it’s preserving the visual language of a nation’s intellectual ideals at the turn of the 20th century. In the context of the Library of Congress, this ceiling remains a reverent overhead declaration: knowledge, art, and literature are our shared cultural foundation.
BE INSPIRED by reading the full article in Italian, Russian or English at architetturadesign.ch/?p=1793
#Bedroom #Colorpalette #Design #Designinspiration #Designinspo #Ferrisrafauli #Homedecor #Homedesign #Homestyle #Inspiration #Instahome #Interior #Interior123 #Interior4All #Interiordecoration #Interiordesignideas #Interiordetails #Interiorinspiration #Interiorlovers #Interiorstyling #InteriorDesign #Lifestyle #Loft #Lugano #Luxuryliving #Milan #Riyadh #Velvet #Интерьер
Intricate stonework meets symbolic storytelling in this detailed photograph of a marble mosaic floor from the Library of Congress’s Thomas Jefferson Building in Washington, D.C. At the center of the composition is a circular inlay featuring a gold bison—rendered in precise, stylized form—set within a deep brown stone medallion ringed by white and surrounded by chevron-patterned marble tiles. The craftsmanship, geometry, and rich color palette offer a compelling perspective on how flooring in civic architecture can convey meaning while enhancing the visual experience of a space.
The bison, central to this image, carries layered cultural significance. Long a symbol of the American frontier and resilience, its placement within the Library of Congress suggests a reverence for national heritage and natural history. Positioned proudly in mid-stride, the gold figure gleams against the dark background, emphasizing its deliberate placement in a temple of knowledge and national identity. The bison speaks not only to the American landscape but also to the endurance and strength of the republic.
Surrounding the medallion, the floor’s design features chevrons of reddish-brown, charcoal gray, and rose-colored marbles—each cut with precision and veined with natural patterns. These materials intersect at strong angles, creating a dynamic sense of movement and guiding the viewer’s eye inward. The pale cream marble banding between colors offers definition and contrast, making the symmetry of the design stand out even more. Above the chevrons, a glimpse of an ornate mosaic border composed of golden vines and ivory tendrils hints at the surrounding richness of the room’s full layout.
This kind of architectural flooring is typical of Beaux-Arts civic design, where nothing is incidental. Every detail—from the materials to the motifs—was selected to reinforce the cultural and intellectual aspirations of the building. Marble of varying origins was brought together in this space not only for its visual appeal, but to evoke permanence, opulence, and a timeless connection to classical ideals.
What makes this photograph especially powerful is its ability to isolate and elevate a detail that might be easily overlooked in the grander sweep of the building’s interiors. By focusing closely on the floor, the image invites viewers to slow down and notice how much narrative and symbolism is embedded in even the most humble surface—underfoot and yet worthy of reverence.
The Library of Congress isn’t just a place to house books. It’s a national statement carved in stone, painted in fresco, and inlaid in marble. This floor detail, with its bold geometry and golden bison, reminds us that every inch of the Jefferson Building was designed with intent—meant to inspire awe and reflect the ideals of a nation devoted to art, learning, and history.
BE INSPIRED by reading the full article in Italian, Russian or English at architetturadesign.ch/?p=1795
#Bedroom #Colorpalette #Design #Designinspiration #Designinspo #Ferrisrafauli #Fireplace #Homedecor #Homedesign #Homestyle #Inspiration #Instahome #Interior #Interior123 #Interior4All #Interiordecoration #Interiordesignideas #Interiordetails #Interiorinspiration #Interiorlovers #Interiorstyling #InteriorDesign #Lifestyle #Loft #Lugano #Luxuryliving #Milan #Riyadh #Velvet #Интерьер
A4 Pencil Sketch from a recent Format 25* Tour of the Renowned, Award Winning, Historic Derby Photographic Studio of W. W. Winter's. They moved into their new purpose built studio at No 45 Midland Road in 1867, and have traded out that premises ever since. Making them the oldest photographers continuously working out of the same studio in England if not the entire UK.
*Format International Photography Festival.
Big collection of Amsterdam posters with black framing with concept of city architecture and street photos which have been done during the period 2013 - 2015.
Street photographs came from the series Trash Sketches from Amsterdam with captures of real life without any enhancing just have been turned to the black and white to make a particular poster style. Some images can be out of focus for emotional impressionistic look.
This collection offering the same style for all the images and perfectly suits for wall decor of the bars and restaurants or minimalistic home interiors. The images can be vary in different mix - so you can use just one or several of them with a great harmonic appearance.
© All rights reserved - Copyright ©JennyRainbow Fine Art Photography
Prints: jenny-rainbow.pixels.com/featured/amsterdam-posters-glass...
Follow me on:
Jenny Rainbow FineArtGallery Facebook
INSTAGRAM: Instagram Jenny Rainbow
Converted in Silver Efex but adjusted further in Perfect Effects 8, Topaz Detail, and Color Efex for some specific changes (border, interior detail, darken/lighten center, etc.).
We attended a show (choir, medieval harp, organ, and slide show) in the New College Chapel in Oxford. This is just a small part of the altar wall, which was covered with statues. The light was not too good for my pocket camera.
BE INSPIRED by reading the full article in Italian, Russian or English at architetturadesign.ch/?p=1835
#Càbrutta #Cabrutta1921 #DimoraMilanese #Doorhandle #Homedecor #Homedesign #Homestyle #Igersitalia #Instahome #Interior #Interiordecoration #Interiordesignideas #Interiordetails #Interiorinspiration #Interiorstyling #InteriorDesign #Lifestyle #Lugano #Luxuryliving #Manigliaadincasso #Mdcreativelab #Milan #Muziomilano #Интерьер #Милан #Раздвижныедвери