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A punto de embarcar para volver al sur, Bilbao se comporta generoso conmigo quitándose la 'boÃna' negra que venÃa luciendo para mostrarme esta mirada a pleno color: un amanecer azul despejado con blancas nubes de algodón, sus montañas pobladas de árboles, un suelo verde como recién pintado y una luz que se torna clara y limpia...tras el cristal las gotas de lluvia deslizadas se deshacen y evaporan...No digo adios, sólo hasta pronto, porque a mà el norte de vez en cuando me llama y cuando lo hace siempre vuelvo...
Gracias a todos por vuestras visitas y comentarios.
Thank you all for your visits and comments.
Saludos/Greetings
Interiors, exteriors and reflections collide in this composition taken at the Annenberg in Santa Monica, CA.
Warehouse "St. Job".
Sint-Jobshaven, Rotterdam, The Netherlands.
Built: 1912-1914
Architect: J.J. Kanters and Fr. Eriksson.
rijksmonumenten.nl/monument/524321/pakhuis-sint-job/rotte...
Redesign: Mei architects and planners (2008)
I will be returning soon to post some more of my favorite images of Paris, Florence, and Venice. Have been getting a few of them ready! :0))) In the meantime I'm sharing something closer to home today. A soft light was coming in through this north window, and from another window to the right. It was just before dark, but I wanted to see how it would work to shoot this without any flash at all....just using a tripod.
hello my lovelies,
i've been a bit lax on posting reminders here and across the interwebs, but i've been sharing some of my best new and/or previously unpublished work on patreon for the past few months.
all the early access posts so far are now public so you can get a sense of some of the work i've been sharing, though i intend for things to become more active in future.
if you'd like early access to future instalments of my postcards from another's life project; or you'd like to see previously unpublished interior/exterior images published patron-only until i decide whether they make it into my book or not; along with other patron-only perks, privileges and pics, then pop on over, take a look and pledge what you feel... if you're feelin' it.
More unending gratitude goes out to some lovely ladies I know for showing their support for my project, interior / exterior, over the past few days: to one of my newer friends made in Brisbane this past year, Sarah Fallon, and to two of my Divine Sisters, Susan Knight and Elle Moss.
Only a little over a month left to contribute and there's still a way to go, so if you've been thinking about showing your support, now is a good time!
For those folks who are looking but have not yet shown their support, what would sway you to help make this residency a reality for me? What can I do for you in terms of a reward that maybe I haven't included?
Feel free to message me if there's something you think is missing from my rewards, or if you have a special request and I'll see what I can do!
Apologies for the lateness of this post. Believe me, it's not for lack of being ecstatic, just manic busy-ness and more recently mild sickness.
But I am most certainly overwhelmingly appreciative.
On Tuesday this week, I reached 100% of the goal of my project interior / exterior (in fact, 102%) and since then have exceeded that again!
The most recent contributors to my cause were two Divine Sisters, Michelle McRae and Sarah Mercer, and both Kyle Warren and Adam Meyer showed further support!
I am unbelievably thankful to everyone who has shown their support for my residency at Hospitalfield in Arbroath, Scotland, in April next year, and once the deadline has passed will be in contact with those who have shown their support to follow up about addresses and such for rewards where relevant.
If you haven't had a chance yet and would still like to be involved, any additional funds raised over the goal of AUD1,550 will go toward my flight to the UK, and all rewards are still valid until midday on the 8th of December, Australian Daylight Savings Time.
I am so excited about this residency and, internet permitting, will be blogging about my experiences there as it happens. I hope to bring you some wonderful photographs and carry those over into a self-published collection of images and an exhibition to complete my interior / exterior series.
I'm also excited about two upcoming collaborations. One with Simon Groth, a Brisbane author, to take the form of a published collection of short stories / prose and images; the other, a second collaboration with Nick Kind, ex-pat Brit based in Melbourne, a potential "letters from home" blog in the form of images exchanged between us of each other's place of origin.
The residency will go ahead irrespective of the UK Home Office, but my move to the UK is still dependent on my application for a UK Ancestry Visa, which I posted off last Wednesday after having my biometric data taken. I can't see any reason why it would be declined, but don't want to assume anything.
Should all go to plan though, I will be in London for the long haul by the 18th of January next year, and I am unbelievably excited at that prospect. And daunted. But mostly excited.
Photograph taken on September 9th, 2012, during the Gerhard Richter
Panorama exhibition at the Centre Pompidou. Through the museum’s glass façade, the city of Paris appears reflected and diffracted
The transparent screen acting as an optical filter, merging inside and outside, art and life.
Visitors dissolve into daylight, becoming part of the space, silhouettes suspended between reality and its image. The glass vibrates with the sky, blending the tones of the city and the fleeting reflections of bodies.
Between pigment and photograph, between imagination and reality, between diffraction and refraction of light, between interior and exterior, the surface becomes a living membrane. It forms a composition of shadows and transparencies where each reflection carries a trace of thought.
The image quietly asks if we look at the work, or if, through the light we return, we become part of it.
Visitors dissolve into daylight, becoming part of the space, silhouettes suspended between reality and its image.
The glass vibrates with the sky, blending the tones of the city and the fleeting reflections of bodies. It forms a living composition of shadows and transparencies where each reflection carries a trace of thought.
The image quietly asks if we look at the work or if, through the light we return, we become part of it.
I need your help to get me to a residency in Scotland: interior / exterior
You'll get excellent rewards and my eternal love!
Almost halfway to my goal for my project!
Can you help me get to one thousand dollars by the end of the weekend?
It's that time again! Thanks to Mary Elise Tomczak, Kyle Warren and Monica Barrett, not to mention all those lovely folk I've already thanked in previous posts, I'm almost halfway to reaching the goal for my project, interior / exterior!
You guys are beyond awesome. Seriously.
If you've not yet had a chance to show your support, feel free to take a look at my interior / exterior series thus far, and visit the Hospitalfield website, and you'll no doubt be able to realise what an excellent opportunity this is for me, and how much it would assist me in completing this series with the intention of self-publishing a collection of the images, staging an exhibition of works from the series, and finding new directions in which to take my work.
I'd love you to come along with me on this exciting journey!
Despite the title of this post and the somewhat brooding nature of the image above, I am anything but "blue" at the moment.
On Wednesday this week, my Fundbreak project, interior / exterior, reached it's deadline after exceeding my intended goal, so thank you once again to those who showed their support:
Desmond Wong, Adam Meyer, Adrian Clark, Tracey Wallace, Renae Jones, Lisa Dempster, Mia Alexiname, Sarah Hoey, Holly Ringland, Ryan Laxton, Angus Gordon, Vanessa Toholka, Richard Hryckiewicz, Sarah Fallon, Susan Knight, Elle Moss, Mary Elise Tomczak, Kyle Warren, Monica Barrett, Michelle McRae, Sarah Mercer and Chris Zissiadis.
Thank you also to those who promoted the project on my behalf through Twitter, Facebook, and any other social media or personal interactions.
The same day I collected my passport from the post office and opened it in excitement to see my 5 year UK Ancestry Entry Visa smoothly inserted into page 4 of my passport!
So London, I'll be seeing you sometime around the 18th of January!
View from the doors of St Mary's Anglican Church, Chennai, to the tropical garden courtyard. Built in 1680, the church is the oldest British building in India.
Taken back in February 2006, I discovered this KRYLON can and whole bunch of other exciting refuse at the bottom of a metal grated stairwell leading down into a dead-end concrete air-shaft just west of Sutton Place in Bolton Hill. I dubbed this secret hole in the ground "The Sutton Pit" and went back to it a couple times on my adventures. Now that I've dug this photo out, I'm interested in going back to the Sutton Pit to see if there are any new developments...
This photo also made an appearance mounted on a square scrap of cardboard as part of a series of images and drawings in a collaborative art-piece. Entitled "Observational Tendencies" this piece consisted of 4 images I had shot from around Baltimore, and 4 drawings done by my friend Lindsay, referenced from urban photographs she had taken in Baltimore.