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Gilded decorations and colorful mosaics on the interior walls in the Church of the Holy Sepulchre, Old City of Jerusalem, Israel.
The station is a metro, S-train and main line railway station in Copenhagen. The station opened in 1897 as the southern terminus of the Coast Line from Copenhagen to Helsingør. When the station was connected with Copenhagen Central Station in 1917, the terminus moved to the Central Station. In 1934, the station started serving S-trains.
The station was designed by Danish architect Heinrich Wenck, who was head architect of the Danish State Railways from 1894 to 1921. The station is designed in National Romantic style, a Nordic architectural style that was part of the National Romantic movement during the late 19th and early 20th centuries, and which is often considered to be a form of Art Nouveau.
…La confrontación interior representa nuestros recuerdos y temores, y por mas buenos o malos que sean, sin ellos estaríamos sencillamente vacíos y con ellos en una eterna confrontación entre lo que es o podría haber sido… [Fabricio Rios]
Had a friend bring me into his residence at this iconic building, so I spent half a day photographing the interior. Light did not disappoint; except for the occasional clouds blocking the sun, I had pretty much directional light the whole afternoon and evening.
Nikon 14-24mm, panorama of 3 shots
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Cambo Wide with Sinar 6x12 cm rollfilm back : 65mm Schneider Kreuznach Super Angulon f/5.6 : Ilford FP4 Plus: PMK Pyro
Seen on a Jane's Walk tour of Woodlawn Cemetery, The Bronx
More information on the Harkness Mausoleum www.woodlawn.org/blog/woodlawns-harkness-mausoleum/
A macro of the interior of a yellow Hibiscus (Hibiscus -- (!)) flower. The camera decided to focus on the anthers, and you can see some individual pollen grains. The five-part stigma, colored orange, is clearly visible, although a little out of focus.
Thanks for looking! Isn't God a great artist?
I've always thought this arch at the bottom of Antelope Canyon was the most mind-boggling feature there. From this side it appears to be thin and fragile, but from the other side, you can see the thickness of the outside edge of the arch is 3 or 4 feet. Still, trying to figure out how tumbling boulders in flash floods could have carved this is beyond me.
Every time I've seen this, the light is different. This time it was quite subdued with more gray than orange.