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Interface Message Processor
Developed for the Advanced Research Projects Agency by Bolt Beranek and Newman Inc.
The Origins of the Internet
“When the Soviet Union launched the Sputnik satellite in 1957, the US government responded with dramatically increased support of technology research and development, much of it funded through the new Advanced Research Projects Agency (ARPA). In 1966 Bob Taylor of ARPA’s computer research division obtained funding for a network called ARPANET to link computers so that resources and results could be shared more easily. He hired Larry Roberts of MIT to manage the project, which was based on newly-invented packet-switching technology. At the end of the 1969 the ARPANET began operating with four nodes: University of California at Los Angeles and Santa Barbara, Stanford Research Institute, and University of Utah. That original ARPANET gradually grew into the Internet, which 30 years later had about 43 million nodes.
The early Internet, used primarily by engineers and scientists, was not at all user-friendly. As e-mail and file transfer protocols and programs matured, non-specialists started to use it. In 1989, Tim Berners-Lee of the CERN high-energy physics lab in Europe proposed a protocol for the exchange of online documents which became the basis for the World Wide Web. The development in 1993 of the graphical browser Mosaic by Marc Andreessen and his team at the National Center for Supercomputing Applications (NCSA) made the web accessible to everyone and led to its explosive growth. Marc Andreessen and entrepreneur Jim Clark founded Netscape in 1994 to create a web browser based on the Mosaic project. Netscape Navigator quickly dominated the early browser market.”
Computer History Museum
Mountain View, CA
(7112)
Interface para aplicativo mobile de leitura e envio de e.mails.
Cliente: nTime Mobile Solutions *2006
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
Le site Nike Better World
La navigation et l'intégration des vidéos
La signalétique pour l'interaction des liens
Une note d'humour pour finir l'unique page.
I've been looking for the perfect bag interfacing for years, like 8 years, actually. I started out buying the Pellon #30 stuff I could get at my local fabric store, then realized it was expensive enough I should start buying it wholesale. So I did that for a while and my local distributor went out of business. Shortly thereafter I went to New York City and spent some time scouting in the fashion district looking for bag hardware and interfacing and a few other things. I came across a roll of interfacing that was a little thinner than I would have preferred but had the crispness I was interested. And instead of the measly 20" bolts (like Pellon comes in), this new roll was 48" wide. I was in heaven. No more having tons of 2-4" wide strips that were hard to find a use for. However, the company I had ordered my interfacing was went out of business and there was no information on the roll to help me know who the manufacturer was. I remember when I originally purchased it I'd asked where it was made and the older gentleman writing up my order shrugged his shoulders and asked "Why?" I replied that I was trying to only source materials that I could be sure were sweatshop free. He laughed and wished me good luck and continued writing up my order.
So while I used all 250 yards of that bolt, and it took me about 2 years to do, I never felt comfortable about not knowing where it came from. So when I ran out of my thin interfacing I decided to contact the company I get my thick interfacing from. I'd heard from a different distributor of their products that they'd stopped making lightweight, but I figured it was worth a shot.
I was thrilled to find out that not only did they sell it, but they sent me a very large sample. I got to cutting it out and fell in love with it. It's 60" wide, so it is kinda bulky to work with. But it was the perfect texture, drape, thickness, etc.
And purchasing this roll reminded me why it is so important to purchase wholesale materials. This entire 60-inch wide, 250-yard roll cost me $267, including shipping. I paid less than $1.07 per yard for this interfacing. The most similar product you can find at fabric or craft stores is the Pellon I used to purchase. That is 20" wide and costs around $2 a yard. So, 1 yard of my new stuff = $1.07. 1 yard of equivalent square footage of Pellon = $6+ per yard. I save $5 per yard by purchasing wholesale.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
This is the interface I built for my upcoming installation at the Toca Me conference 2009 in Munich.
The children of today are the parents of the future. Growing up in an environment where social networking is vital, thoughts are contributed in motion and walls of privacy are fading these new families lives will be one large system of communication networks. They will hold a great sense of value in this interconnectivity without boundaries and the web of networks will touch each and every area of their lives. Would this not include their babies too?
The Networked Baby / Interconnectivity for the socially developing baby.
In the future it will become increasingly more important for parents to feel that their children are developing socially, making connections and plugging into the world of networking and a very early age. Playdates just will not cut it anymore. How can we allow our toddlers to create and develop connections virtually?
Social time for young children, particularly kids between 1 and 2, is as much a laboratory for experimentation and learning as it is a fun time to push toys around the room with a friend. When your little one has a play date, he learns from what the other child does, observes how he does it, and takes note of how the other child’s actions impact the environment in which they play.
Umie / A Community for Children
This networked community for children will allow them to foster and develop relationships in the digital realm. Umie is a highly networked doll that the child carries with them when they are interacting with other children in the park, on a stroll or on playdates. Information about the other child is transferred to little Umie and the two children are instantly connected in each others networks. When the child goes back to their own playroom they can continue play through the avenue of Umie. The "friends" appear as abstract forms that respond according to that specific child's interaction with their own Umie.
Umie
...connects babies to their friends
...allows them to play together virtually as a portal
...identifies the number of friends in the babie’s network
...morphs and responds based on the interaction of the friend and the number of friends in the network
...grows with the baby
Trabalho de conclusão do curso de Pós Graduação em Desenvolvimento de Jogos Digitais (PUCRS). Foi desenvolvido em grupo (Henry Braun e André Trombetta na programação e eu, Silvair Frazão e Marcelo Alencar no design) um jogo para o filme As Aventuras do Avião Vermelho.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
Nov.2, 2018: Excursion to Petra by bus with our group. Many not feeling well, including my wy wife whom was very sick. Food or ???
Petra is a famous archaeological site in Jordan's southwestern desert. Dating to around 300 B.C., it was the capital of the Nabatean Kingdom. Accessed via a narrow canyon called Al Siq, it contains tombs and temples carved into pink sandstone cliffs, earning its nickname, the "Rose City." Perhaps its most famous structure is 45m-high Al Khazneh, a temple with an ornate, Greek-style facade, and known as The Treasury.
Petra Archaeological Park (PAP), which covers an area of 264 dunums (264,000 square meters) within Wadi Musa, is considered a touristic and archaeological site, as well as a World Heritage Site registered on the UNESCO World Heritage list since 1985. The area encompasses a breathtaking landscape of pink-hued rock mountains, the focus of which is the amazing ancient Nabataean city of Petra, which was carved into the rock more than 2,000 years ago.
THE SIQ
It is the ancient main entrance leading to the city of Petra, starts at the Dam and ends at the opposite side of the vault, a split rock with a length of about 1200m and a width of 3 to 12m, and height up to about 80m; most of the rock is natural and another part was sculptured by the Nabataeans. The Siq, the main road that leads to the city, starts from the Dam and ends at the Treasury. It is a rock canal that measures 160 meters in length, 3 to 12 meters in width and reaches up to 80 meters in height. The main part of the Siq is created by natural rock formation and the rest is carved by the Nabataeans.
At the beginning of the Siq, one can still view the remains of the city’s gate. On both sides of the Siq, there are channels to draw water from Wadi Musa (the Valley of Moses), from outside the city to the inside.
From the right, it is evident that the water flowed through pottery pipes but the left channel is carved from the rock and covered with panels of stone, and there are spaces in place to filter water. At the start of the Siq the original Nabataean dams are visible, and these prevented the flooding in the Siq, and collected water for use. The floor of the Siq is paved with stone slabs, part of which can be viewed in its original location.
Aspects of the Siq were decorated with Nabataean sculptures, mostly representing gods. It is believed that the statues of gods and their sculptures were situated very close and even adjacent to the channels due to the Nabataean belief that water was sacred. In addition, on the left side there are idols called Sabinos Statues.
THE TREASURY (Al Khazna)
The siq opens up onto Petra’s most magnificent façade; the Treasury, or Al Khazna. It is almost 40 meters high and intricately decorated with Corinthian capitals, friezes, figures and more. The Treasury is crowned by a funerary urn, which according to local legend conceals a pharaoh’s treasure. Although the original function is still a mystery, The Treasury was probably constructed in the 1st century BC, However, in reality the urn represented a memorial for royalty. The Treasury consists of two floors with a width of 25.30 meters and a height of 39.1 meters.
The purpose of the Treasury is unclear: some archaeologists believed it to be a temple, while others thought it was a place to store documents. However, the most recent excavation here has unearthed a graveyard beneath the Treasury.
The Treasury comprises three chambers, a middle chamber with one on either side, the elaborately carved facade represents the nabataean engineering genius.
THE STREET OF FACADES
It is a name given to the row of monumental Nabataean tombs carved in the southern cliff face that lies past the Treasury and adjacent to the outer Siq., that when you pass the Treasury, the Siq begins to widen gradually as it reaches into an open area. On both sides, there are a number of Nabataean burial interfaces decorated with grindstones along with other decorations; and some of these interfaces were destroyed by natural factors, it is believed that these interfaces represents some of the senior officials in the city or princes.
The tomb Anesho is located in the far south of this group and overlooks the external Siq. Anesho was the Minister of Queen Nabatiyeh Shaqilh II, who ruled between 70 and 76 AD as guardians of the throne of her son, Rabil II. These tombs represent courtier in the middle of the first century AD.
THE THEATER
Carved into the side of the mountain at the foot of the High Place of Sacrifice, the theatre consists of three rows of seats separated by passageways. Seven stairways ascend the auditorium and it can accommodate 4000 spectators. the monument was carved in the the mountainside during the reign of King Aretas IV (4BC-AD27) the Romans rebuilt the stage back wall.
I was unable to go further into the canyon.
More than 300 policymakers, researchers and development practitioners attended the 2018 Development and Climate (D&C) Days event in Katowice, Poland, on 8-9 December 2018 to debate issues at the interface between development and climate change.
The event, held alongside the 2018 UN climate talks, had the theme 'Global ambition. Local action. Climate resilience for all'.
Illustrator Jorge Martin produced this giant illustration which captures key points from the discussions and debates.
At the end of the two-day event, participants agreed key messages that will be shared with targeted audiences during future UN climate negotiations and at other international forums.
Read more about D&C Days at the IIED website: www.iied.org/development-climate-days-2018
Kamadeva Interface.
Interfaccia di frontend del progetto Genesi of Mantra.
Tecnologia utilizzata: php, javascript, json
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Trabalho de conclusão do curso de Pós Graduação em Desenvolvimento de Jogos Digitais (PUCRS). Foi desenvolvido em grupo (Henry Braun e André Trombetta na programação e eu, Silvair Frazão e Marcelo Alencar no design) um jogo para o filme As Aventuras do Avião Vermelho.
A Interface Celular ITC 4000 é um equipamento que integra telefonia móvel à fixa, desenvolvido para facilitar o uso compartilhado da linha celular, conectando-a a centrais telefônicas (PABX).
Através dela é possível utilizar as vantagens dos planos de tarifas diferenciadas oferecidos pelas prestadoras de telefonia celular com o mesmo conforto e comodidade de uma ligação de telefonia fixa.
Este equipamento possui módulo GSM (Quad-Band) e conector de cartão SIM para inserção do chip habilitado
Compre na CDmidia.com: www.cdmidia.com/comprar/interface-intelbras-celular-itc-4...