View allAll Photos Tagged InterConnect
Seen in Gainsborough bus station on an unusual service working for an Enviro 400MMC is fleet number 10898. The six vehicles allocated to the depot are normally used on the 100 Scunthorpe-Gainsborough-Lincoln route. Although sometimes they may be seen on the 106 Gainsborough-Lincoln journey.
A view I`ve driven by many times and ignored, but on Tuesday evening, a little more appealing than normal with the soft fading light against the interconnecting hills
A Brylaine InterConnect 5 working with 'students only' blind set for the next trip, arriving into Lincoln bus station on 9.11.20, with Optare Solo SR YD63 UZW.
Stagecoach East Midlands ADL Enviro 400, 19304 (AE07 KZF), is seen at Riverhead Exchange in Grimsby on 1st September 2017.
Seen departing from Lincoln Bus Station on route IC5 (InterConnect 5) to Boston.
A Brylaine Optare Solo SR (B35F).
New to Western Greyhound as fleet number 986 in April 2011. Later operated by Faresaver before coming to Brylaine.
18027 leaving Lincoln city centre on InterConnect 106 on 31.10.18 - it certainly doesn't feel like that long ago!
This is almost the original photo I used to create the 'PresiDart' (www.flickr.com/photos/108834608@N06/49723632852/in/photol...) - just the frame before. Until now I've never actually uploaded either photo in its own right. I do in fact have another photo of the same bus in the same place on a much duller day.
www.flickr.com/photos/108834608@N06/46095623634/in/photol...
This is a shot I took for a catalog featuring technology. I shot it on white seamless paper at first without the reflection, but I think this one came out much more interesting. The room in the lower left corner is space for text that was added to the image for print. Taken with the most perfect lens I own, the Zeiss Milvus 135mm f/2 lens.
With a wave from Graham at the wheel and a beep of the horn is one of the six InterConnect liveried Enviro 400MMCs of Gainsborough depot.
On a day that saw a considerable number of showers, more typical of an average April, it was a welcome surprise to see a break in the clouds and a friendly face.
As [https://www.flickr.com/photos/34679063@N04] pointed out to me, Brylaine are swapping the original Tempo headlights for improved units. YJ57 EHX is another vehicle that has been in for conversion and its new lights can be seen in this view as it leaves Lincoln bus station. Oddly, its number plate has been repositioned up slightly since it was painted and a strip of minty Norfolk Green has been left below it.
19.6.21
Stagecoach East Midlands - InterConnect liveried - Volvo B7RLE / Wright Eclipse Urban - DK09 GYG seen on Town Hall Street, Grimsby operating service 51 to Louth Bus Station on August 13th 2020
Ex First Chester & Wirral 69493
A man closely following one of the metal inter-connecting lines at the Antony Gormley exhibition, that started at a wall in one room and ended in another adjacent room.
10899 Stagecoach in Lincolnshire "InterConnect"
YX67VCM
seen departing Lincoln Bus Station.
One of the main aims of the Lincoln trip was to see these impressively liveried E400s, made a bit more urgent as apparently the new corporate scheme is (in theory) meant to wipe out all variations (apparently market research showed customers want one national recognisable livery). I presume that research was completed without any actual humans being questioned as pretty much every company elsewhere (even now First!!) acknowledges that localised branding helps customers far more.
Back to this batch- they are to be found on the 100 Lincoln-Scunthorpe service.
As one of the showpiece main rooms of Billilla mansion when male guests came to call, the billiard room is one of the grandest rooms in the house. With an interconnecting door between it and the adjoining dining room, whilst the women retired to the feminine surrounds of the drawing room, the men could retreat to this strictly male preserve with their brandy and cigars and discuss business over a game or two of billiards.
Although part of the original 1878 house and featuring some High Victorian detailing, the billiard room did not escape the 1907 redecoration, and as a result it also features some very fine Art Nouveau detailing.
The Billilla billiards room is also one of the most intact rooms in the whole house, as it still features its original and ornate Victorian carpet and the original walnut Alcock and Company billiard table and scoreboard.
A very masculine oriented room, the walls feature Victorian era dark wood dado panelling about a third of the way up the walls. Above that the walls are simply painted, and even to this day they still feature marks where chalked cues once rested. Original ornate Victorian gasoliers that could be swiveled into position still jut from the walls above the dado panelling. With their original fluted glass shades remaining in place, the gasoliers still have functioning taps to increase or decrease the gas supply.
The room is heated by a large fireplace featuring an insert of beautiful tube lined Art Nouveau peacock feathers, once again quietly underlining the fact that this is a man's room.
The Victorian era carpet of the billiard room is still bright and in remarkably good condition for its age. It is thick and dyed in bright colours in a pattern designed to imitate ornate floor tiles.
The ceiling of the billiard room is decorated with ornate stylised foliate Art Nouveau patterns and mouldings of leaves. Whilst Art Nouveau is often referred to as a feminine style, the ceiling of the billiard room shows how when applied in a particular way it could also be very strong and masculine.
Suspended over the walnut Alcock and Company billiard table the gleaming polished brass foliate style gasolier has subsequently been electrified and features five of its six green glass shades.
One of the few more feminine touches to what is otherwise a very masculine room are the stained glass lunettes over the billiard room's three windows. In keeping with other original windows of the house, they feature a single flower, in this case a red tulip.
Alcock and Company Manufacturers was established in 1853 when Melbourne was still a very new city of less than twenty years old. they still manufacture billiard tables from their Malvern establishment today.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
One of the former 'the busway' of Cambridge Volvo B7RLEs is seen on a Grantham service at Fulbeck in InterConnect livery.
Photo taken along one of the interconnecting trails along Mud Creek and Brickworks Park in Toronto, Ontario.
I was at Artio Gallery's "Interconnecting Lines" exhibition at One Art Space in Tribeca to see a friend's work this afternoon. Here I am with Müberra Karamanoğlu ("Kara") in front of her piece, "Silent Tension".
issuu.com/artiogallery/docs/interconnecting_lines_exhibit...
Optare Solo SR YD63 UZV being employed on InterConnect work, departing Lincoln bus station on 5.5.21
This tunnel interconnects two trail systems.
The interesting thing about this tunnel is that its at the bottom of a downhill from either side, so you ride through it rather fast. Another challenge is that as you ride, you transition from bright sun to the darkness of the tunnel.
At typical speed from the downhill, your eyes don't have time to adjust, so its nearly utter blackness - If there's another rider in the tunnel, you hear them and make out their silhouette - mitigating any collisions.
But more than a few times, I've been surprised by hitting water or mud at speed through this.
I know I can slow down and allow my eyes to adjust, but where's the fun in that?
Also, while riding through this, my more cautious riding partner did slow down - he ended up falling in the mud as he didn't have enough speed to make it over.
Number 24 in a series of interconnecting drawings. See others here: justinduerr.com/Posters/PosterPage.aspx
Stagecoach East Midlands 'InterConnect' YX67VCO 10901 seen coming into Lincoln ready to oporate service 100 to Gainsborough then Scunthorpe
Corner direction-change set was part of interconnect between coal/oil-burning Lakeview Generating Station (commissioned 1962, demolished 2006/07) to Ontario Hydro provincial-GTA power grid
en.wikipedia.org/wiki/Lakeview_Generating_Station
www.flickr.com/photos/edk7/51081661891/
www.flickr.com/photos/edk7/47031665644/
----
Lakeview Village
www.mississauga.ca/projects-and-strategies/city-projects/...
P4299349 Anx2 Q90 1200h f25
Stagecoach Lincolnshire 10897, a 2017 ADL Enviro 400 MMC, was seen in Lincoln on a service 100 to Lincoln.
As one of the showpiece main rooms of Billilla mansion when male guests came to call, the billiard room is one of the grandest rooms in the house. With an interconnecting door between it and the adjoining dining room, whilst the women retired to the feminine surrounds of the drawing room, the men could retreat to this strictly male preserve with their brandy and cigars and discuss business over a game or two of billiards.
Although part of the original 1878 house and featuring some High Victorian detailing, the billiard room did not escape the 1907 redecoration, and as a result it also features some very fine Art Nouveau detailing.
The Billilla billiards room is also one of the most intact rooms in the whole house, as it still features its original and ornate Victorian carpet and the original walnut Alcock and Company billiard table and scoreboard.
A very masculine oriented room, the walls feature Victorian era dark wood dado panelling about a third of the way up the walls. Above that the walls are simply painted, and even to this day they still feature marks where chalked cues once rested. Original ornate Victorian gasoliers that could be swiveled into position still jut from the walls above the dado panelling. With their original fluted glass shades remaining in place, the gasoliers still have functioning taps to increase or decrease the gas supply.
The room is heated by a large fireplace featuring an insert of beautiful tube lined Art Nouveau peacock feathers, once again quietly underlining the fact that this is a man's room.
The Victorian era carpet of the billiard room is still bright and in remarkably good condition for its age. It is thick and dyed in bright colours in a pattern designed to imitate ornate floor tiles.
The ceiling of the billiard room is decorated with ornate stylised foliate Art Nouveau patterns and mouldings of leaves. Whilst Art Nouveau is often referred to as a feminine style, the ceiling of the billiard room shows how when applied in a particular way it could also be very strong and masculine.
Suspended over the walnut Alcock and Company billiard table the gleaming polished brass foliate style gasolier has subsequently been electrified and features five of its six green glass shades.
One of the few more feminine touches to what is otherwise a very masculine room are the stained glass lunettes over the billiard room's three windows. In keeping with other original windows of the house, they feature a single flower, in this case a red tulip.
Alcock and Company Manufacturers was established in 1853 when Melbourne was still a very new city of less than twenty years old. they still manufacture billiard tables from their Malvern establishment today.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Probably the most unique loan of them all! In a spot that wasn’t really that unique from the get-go, let's be honest. Things didn’t quite go as planned today. The hot heat got well in the way of staying out too long, and to top it all off, the Pronto MMC I was chasing decided it would be parked up all afternoon. Bummer. Suppose the InterConnect will have to suffice today! And while I kind of threw this spot in, despite an initial threat of being out of focus, it came out really rather well with all the colours and such. Definitely not home territory in the background! In fact, the flowers - which I'm surprised have lasted this long today - actually match the livery of the bus!
The first InterConnect we've had on loan for nearly three years, Stagecoach Lincolnshire RoadCar's 'InterConnect'-branded 10897, a 2017 ADL Enviro400 MMC normally seen on the Scunthorpe to Lincoln 100 service, is seen here as Gainsborough's sole loaner on a 1 to Boothferry Estate past Queen's Gardens with two passengers questioning their life choices up to this point on the top deck, amid the other snapshots of city living in extreme heat by the fountain. Trust me, I understand the feeling - no other way around going out today, so I suppose I may as well make the best of it...
By luck, an Interconnect liveried East Lancs Vyking turned up to town. This is one of two Vykings carrying the IC livery, and it does look smart. Dare i say smarter than swoops.
Seen in Ashby with a 1 to Bus Station is 16913, a 2004 Volvo B7TL East Lancs Vyking.
"Life is like a series of concentric circles. You start in the middle and keep moving out, interconnecting circle after interconnecting circle, expanding your world, your views and your joys " Mary-Frances Winters
This is my feeble attempt at abstract. This was my daughters hat but a series of transformations made it look like a stained glass painting ;-)
Editing : Crop , Invert Colours , boost , Vignette and Museum Matte (all in Picasa)
As one of the showpiece main rooms of Billilla mansion when male guests came to call, the billiard room is one of the grandest rooms in the house. With an interconnecting door between it and the adjoining dining room, whilst the women retired to the feminine surrounds of the drawing room, the men could retreat to this strictly male preserve with their brandy and cigars and discuss business over a game or two of billiards.
Although part of the original 1878 house and featuring some High Victorian detailing, the billiard room did not escape the 1907 redecoration, and as a result it also features some very fine Art Nouveau detailing.
The Billilla billiards room is also one of the most intact rooms in the whole house, as it still features its original and ornate Victorian carpet and the original walnut Alcock and Company billiard table and scoreboard.
A very masculine oriented room, the walls feature Victorian era dark wood dado panelling about a third of the way up the walls. Above that the walls are simply painted, and even to this day they still feature marks where chalked cues once rested. Original ornate Victorian gasoliers that could be swiveled into position still jut from the walls above the dado panelling. With their original fluted glass shades remaining in place, the gasoliers still have functioning taps to increase or decrease the gas supply.
The room is heated by a large fireplace featuring an insert of beautiful tube lined Art Nouveau peacock feathers, once again quietly underlining the fact that this is a man's room.
The Victorian era carpet of the billiard room is still bright and in remarkably good condition for its age. It is thick and dyed in bright colours in a pattern designed to imitate ornate floor tiles.
The ceiling of the billiard room is decorated with ornate stylised foliate Art Nouveau patterns and mouldings of leaves. Whilst Art Nouveau is often referred to as a feminine style, the ceiling of the billiard room shows how when applied in a particular way it could also be very strong and masculine.
Suspended over the walnut Alcock and Company billiard table the gleaming polished brass foliate style gasolier has subsequently been electrified and features five of its six green glass shades.
One of the few more feminine touches to what is otherwise a very masculine room are the stained glass lunettes over the billiard room's three windows. In keeping with other original windows of the house, they feature a single flower, in this case a red tulip.
Alcock and Company Manufacturers was established in 1853 when Melbourne was still a very new city of less than twenty years old. they still manufacture billiard tables from their Malvern establishment today.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Now onto that hot day out in Skegness for this photo, which turned out quite well. Well, it turned out fine when it came to riding the buses around but photographing them- yeah, you can decide. The plan was to come back in April and i stick to that plan, if we're allowed too of course. I miss travelling and i'm sure you all do as well.... Majority of the Skegness Enviro 400s are in Hull weirdly, for repairs, so one day i might get lucky and see one come down the A63- we'll see.
Seen in Ingoldmells, on an unknown route, is 19195, a 2007 ADL Enviro 400 new to Stagecoach North East, it tranferred to the Skegness depot in 2020.
Network Chorley launched July 2006 to provide interconnecting links to all parts of the town and surrounding areas.